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15 Facts of Life About The Facts of Life

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As anyone over the age of 30 can tell you, the recipe is this: You take the good; you take the bad; you take 'em both—and there you have The Facts of Life. NBC’s long-running sitcom is a fondly remembered part of ‘80s nostalgia, and with all nine season on DVD, it’s easy to take a trip down memory lane with Blair, Tootie, Natalie, Jo, and good ol’ Mrs. Garrett. To make the journey even more edifying, here are some things you might not know about everyone’s favorite all-female ’80s sitcom.

1. THERE WERE SEVEN GIRLS IN THE FIRST SEASON: BLAIR, TOOTIE, NATALIE, AND FOUR OTHERS.

Things were rather crowded at Eastland School those first 13 episodes, with Felice Schachter, Julie Anne Haddock, Julie Piekarski, and Molly Ringwald (yes, that one) in the mix with the others. A couple of school administrators were regular characters as well. Predictably, it soon became apparent that there wasn’t enough for all of those characters to do, and the show’s ratings were lousy. For the second season, producers stripped it down to the elements that were working best, dumped everyone else, and brought in Nancy McKeon as tomboy, blue-collar Jo.

2. WHELCHEL, FIELDS, AND COHN DIDN’T KNOW THAT THE OTHER GIRLS HAD BEEN FIRED UNTIL THEY SHOWED UP FOR WORK ON SEASON TWO.

“Everybody was shocked,” said Whelchel. “Nobody knew—that I know of—that they were going to make this major cut.” Three of the four castoffs came back as guest stars a few times in seasons two and three, and again for a season eight reunion episode called “The Little Chill.” Ringwald was the one holdout.

3. GEORGE CLOONEY WAS JUST ONE OF MANY GUEST STARS WHO WOULD LATER BECOME A BIG-TIME CELEBRITY.

It’s a widely known bit of trivia that Clooney played a handyman in 17 episodes sprinkled throughout seasons seven and eight. Other not-yet-famous guest stars who appeared on the show include Helen Hunt, Juliette Lewis, Mayim Bialik, Seth Green, Richard Dean Anderson, Richard Grieco, Dennis Haysbert, Crispin Glover, David Spade, and Bridesmaids director Paul Feig.

4. WHEN THE SHOW ENDED IN 1988, IT WAS THE LONGEST RUNNING SITCOM IN NBC’S HISTORY.

Nine seasons and 201 episodes were enough to set the record at the time. (Yep, it even outlasted Diff’rent Strokes, the show from which it was spun off.) It has since been surpassed in NBC’s record books by Cheers, Frasier, and Friends.

5. MINDY COHN WAS PLUCKED FROM A REAL GIRLS’ SCHOOL TO PLAY NATALIE—A PART CREATED SPECIFICALLY FOR HER.

Before The Facts of Life began production, Charlotte Rae and some of the show’s producers visited Westlake School in Bel Air to observe real teens. Cohn was one of several students who volunteered to meet with the TV people and answer their questions. (“Getting out of class sounded good, and the additional enticement of free doughnuts sounded better,” Cohn later wrote.) Rae apparently fell in love with Cohn, saying she reminded her of a childhood friend named Natalie. “She was so cute and had kind of a Jewish sense of humor, so we said, ‘Hey, she’d be great as one of the girls!,’” executive producer Jerry Mayer recalled. “We got in touch with her mother, and her mother said, ‘Fine,’ and the rest is history. But it was strictly dumb luck.”

6. KIM FIELDS WAS ONLY 10 WHEN THE SHOW PREMIERED.

Mindy Cohn was 13, and Lisa Whelchel was 16. (Nancy McKeon didn’t join until season two, but she’s the same age as Cohn.) One of the reasons Tootie was usually on roller skates in the first season was to disguise how much shorter she was than the other girls.

7. IT WASN’T JUST A SPINOFF OF DIFF’RENT STROKES, IT WAS A HASTY SPINOFF OF DIFF’RENT STROKES.

NBC was struggling in the late 1970s. Of the top 30 network shows of the 1977 to 1978 season, 15 were on ABC, 11 were on CBS, and only four were on NBC (Little House on the Prairie, Project U.F.O., and the Sunday and Monday night movies). So when Diff’rent Strokes premiered in the fall of 1978 and became a hit—it placed 27th for the season—NBC moved quickly to capitalize on its success.

The season finale of Diff’rent Strokes’ first season, “The Girls School,” had housekeeper Mrs. Garrett helping out at the private school Kimberly attended, and ended with her being offered a job as housemother. The Facts of Life premiered three months later, in August of 1979, for a four-episode trial run, then returned permanently in March of 1980. Mrs. Garrett continued to appear on season two of Diff’rent Strokes in the meantime before leaving the Drummonds for good.

8. THE SHOW TRIED (AND FAILED) TO LAUNCH SIX OF ITS OWN SPINOFFS.

These were all what they call “backdoor pilots,” where an ostensibly normal episode of an existing show is really a tryout for a new series. (The Facts of Life, of course, had started out as a backdoor pilot itself.) The season two episode “Brian & Sylvia” would have led to a show about an interracial marriage (featuring Tootie’s aunt). Season three’s “The Academy” introduced an all-boys military school near our girls’ school; they showed up again in a season four episode. Also in season three, “Jo’s Cousin” had Jo’s tough-talking, streetwise relative living in a family full of men. The season four finale “Graduation” tested the idea of sending Blair and Jo off on their own, now that they’d graduated from Eastland. “Big Apple Blues,” in season nine, had Natalie hanging out with odd SoHo characters (including David Spade and Richard Grieco) and considering starting a new life there. And the series finale had Blair buying Eastland, making it co-ed, and essentially starting over as the new Mrs. Garrett, in the hopes that NBC would greenlight The Facts of Life: The Next Generation (or something like that).

9. THE FACTS OF LIFE PREMIERED AROUND THE SAME TIME AS ANOTHER SHOW WITH A SIMILAR PREMISE.

Dorothy, starring Broadway’s Dorothy Loudon (Annie’s original Miss Hannigan), was about a free-spirited former showgirl who becomes a music and drama teacher at a snooty east coast girls’ school. It ran on CBS for a total of four episodes in August of 1979, overlapping with the premiere of The Facts of Life by one week.

10. NANCY MCKEON WON THE ROLE OF TOUGH GIRL JO BY ... BEING REALLY TENDER.

Her screen test was an emotional scene that involved a phone call. Director John Bowab later recalled, “I distinctly remember asking Nancy, ‘Even though it says cry, don’t cry. I want you to hold back and make the audience cry.’ And she did. Everybody in the control room was shattered.”

11. PRODUCERS COMPLAINED THAT LISA WHELCHEL WAS GETTING TOO FAT AND MINDY COHN WAS GETTING TOO THIN.

In a 2013 interview with People, Whelchel and Cohn discussed the challenges producers faced in (in Whelchel’s words) “trying to figure out how to deal with our changing bodies.” “Weight was always an issue back then,” explained Cohn. “An everyday battle,” added Whelchel. “Our bodies were a topic of conversation. There wasn't the Internet, but we knew what people were saying. Joan Rivers called us The Fats of Life … The producers sent me to quite a few fat farms! I'd say, ‘I'm going to Texas on my hiatus,’ and they'd say, ‘Oh, no you're not. We bought you a ticket to the fat farm!’” Meanwhile, Cohn was losing weight. She later told E! True Hollywood Story that the producers asked her to quit it because so much of her character was tied into being fat. The solution: Put Cohn in baggy clothes to make her look heavier than she really was.

12. BLAIR’S COUSIN GERI WAS THE FIRST DISABLED CHARACTER TO APPEAR REGULARLY ON A PRIMETIME TV SHOW.

She was played by Geri Jewell, a comedian with cerebral palsy whom producer Norman Lear had seen perform at the Media Access Awards in 1980. “I got a standing ovation, and I ran into Norman in the elevator,” Jewell later recalled. “He said, ‘You’ll be hearing from me really soon, kid.’ Three months later, he called me with the ‘Cousin Geri’ episode [in season two].” Jewell was on the show a dozen times over the next few years. More recently, Jewell was a regular on HBO’s Deadwood and had a guest spot on Glee.

13. FOR AS LONG-LIVED AS IT WAS, AND AS FONDLY REMEMBERED AS IT IS, THE SHOW WAS NEVER A HUGE HIT.

It ranked 74th in its first season, barely surviving cancellation. Streamlining the cast helped, and the show was popular from season two onward, especially among young viewers. But while the show often won its time slot and had occasional episodes crack the weekly top 20, the season average was never any higher than 24th place. It didn’t get much respect from the TV academy, either, earning just three Emmy nominations (no wins) over its entire run: one for hairstyling, one for technical direction, and one for Charlotte Rae as lead actress.

14. SNOBBY RICH GIRL BLAIR WAS ORIGINALLY SUPPOSED TO BE A NAIVE, FAST-TALKING TEXAN.

That’s how the script read, anyway. But when Whelchel auditioned, “There was one line in the script and I read it very snidely and condescendingly and sarcastically,” she recalled. “And I didn’t realize until I got the part and came back later that they had rewritten the character to be the snob.”

15. THE THEME SONG HAS SEVERAL VERSES.

The jaunty opening tune, written by Alan Thicke, Gloria Loring, and Al Burton, only appeared in truncated form on the show. Season one went as follows:

“There’s a place you gotta go for learnin’ all you want to know about
The facts of life, the facts of life.
When your books are what you’re there about but looks are what you care about,
The time is right to learn the facts of life.
When the world never seems
To be livin’ up to your dreams,
It’s time you started findin’ out what everything is all about.
When the boys you used to hate you date, I guess you best investigate
The facts of life, gotta get ‘em right, the facts of life.”

Subsequent seasons used the more familiar version, the one that’s been in your head for 35 years:

“You take the good, you take the bad; you take ‘em both and there you have
The facts of life, the facts of life.
There’s a time you gotta go and show you’re growin’, now you know about
The facts of life, the facts of life.
When the world never seems
To be livin’ up to your dreams,
And suddenly you’re findin’ out the facts of life are all about you.
It takes a lot to get ‘em right
When you’re learnin’ the facts of life.”

But there were even more verses, as found in the published sheet music and on Loring’s 1984 album A Shot in the Dark. To wit:

“When there’s someone that you care about, it really isn’t fair; they’re out
To slow you up, when you’re growin’ up.
When you let ‘em flirt and then you hurt, or waitin’ ‘cause your date is late
Showin’ up, and you’re growin’ up.
When it’s more than just the birds and the bees,
You need someone tellin’ you, “Please.”
There’s only one conclusion, there will always be confusion over you.

“You’ll avoid a lot of damage and enjoy the fun of managing
The facts of life; they shed a lotta light.
If you hear it from your brother, better clear it with your mother,
Better get ‘em right. Call her late at night.
You got the future in the palm of your hand;
All you got to do to get you through is understand.
You think you’d rather do without; you’d never make it through without the truth.
The facts of life are all about you.”

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15 Surprising Facts About Scarface
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Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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30 Cold, Hard Facts About Die Hard
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What do you get when you mix one part action movie with one part holiday flick and add in a dash of sweaty tank top? Die Hard, John McTiernan’s genre-bending Christmas action masterpiece for the ages, which sees a badass NYPD cop take on a skyscraper full of bad guys in the midst of an office holiday party. Here are 30 things you might not know about the movie.

1. IT’S GOT A LITERARY BACKGROUND.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. In 2013, Thorp’s long out-of-print book was resurrected to coincide with the film’s 25th anniversary.

2. IT WAS INSPIRED BY THE TOWERING INFERNO.

The idea for Nothing Lasts Forever was inspired John Guillermin’s 1974 disaster flick The Towering Inferno. After seeing the film, Thorp had a dream about a man being chased through a skyscraper by a group of men with guns. He eventually turned that snippet of an idea into a sequel to The Detective.

3. FRANK SINATRA GOT FIRST DIBS ON PLAYING THE ROLE OF JOHN MCCLANE.


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Because he had starred in the big-screen adaptation of The Detective, Frank Sinatra had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

4. BRUCE WILLIS’S BIG-SCREEN DEBUT WAS WITH FRANK SINATRA.

In 1980, Willis made his film debut (albeit uncredited) in the crime thriller The First Deadly Sin. He has no name and if you blink you’ll miss him, but the role simply required that Willis entered a diner as Sinatra’s character left it. Maybe it was kismet?

5. CLINT EASTWOOD PLANNED TO TAKE A STAB AT THE PART.

Originally, it was Clint Eastwood who owned the movie rights to Nothing Lasts Forever, which he had planned to star in in the early 1980s. That obviously never happened.

6. IT WAS NEVER SUPPOSED TO BE A SEQUEL TO COMMANDO.

This is one of the most popular internet stories about Die Hard. But according to Stephen de Souza, the screenwriter of both Die Hard and Commando, while there was a sequel to Commando planned, the only similarity with Die Hard is that they both took place in buildings. According to de Souza, Escape Plan is the closest to his original Commando 2 idea and Die Hard was never supposed to be anything but Die Hard.

7. BRUCE WILLIS WASN’T EVEN THE STUDIO’S THIRD CHOICE FOR THE ROLE.

If Die Hard was to be a success, the studio knew they needed a bona fide action star in the part, so they set about offering it to a seemingly never-ending list of A-listers of the time. Rumor has it that Sylvester Stallone, Harrison Ford, Robert De Niro, Charles Bronson, Nick Nolte, Mel Gibson, Richard Gere, Don Johnson, Burt Reynolds, and Richard Dean Anderson (yes, MacGyver!) were all considered for the role of John McClane. And all declined it.

8. BRUCE WILLIS WAS CONSIDERED A COMEDIC ACTOR AT THE TIME.

Die Hard’s producers had nothing against Bruce Willis, of course. He just wasn’t an immediate choice for the role because, up until that point, he was known solely as a comedic actor, not an action star. Following the success of the film, the action genre really became Willis’s bread and butter, and although he has two Emmys for his comedy work, it has remained as such to this day.

9. BRUCE WILLIS WAS BARELY EVEN SEEN ON THE MOVIE’S POSTERS.

Bruce Willis stars as John McClane in 'Die Hard.'
Twentieth Century Fox

Because the studio’s marketing gurus were unconvinced that audiences would pay to see an action movie starring the funny guy from Moonlighting, the original batch of posters for the film centered on Nakatomi Plaza instead of Willis’s mug. As the film gained steam, the marketing materials were altered, and Willis was more prominent in the promos.

10. WILLIS WAS PAID $5 MILLION TO MAKE THE MOVIE.

Even with all the uncertainly surrounding whether he could pull the film off, Willis was paid $5 million to make Die Hard, which was considered a rather hefty sum at the time—a figure reserved for only the top tier of Hollywood talents.

11. WILLIS SUGGESTED THAT BONNIE BEDELIA PLAY HIS WIFE.

Though we suspect that she wasn’t paid $5 million for the gig.

12. BRUCE WILLIS WAS ABLE TO SAY YES THANKS TO A WELL-TIMED PREGNANCY.

The first few times Bruce Willis was asked to star in the movie, he had to say no because of his commitments to Moonlighting. Then costar Cybill Shepard announced that she was pregnant. Because her pregnancy wouldn’t work within the show, producer Glenn Caron gave everyone 11 weeks off, allowing Willis to say yes.

13. SAM NEILL WAS ORIGINALLY APPROACHED FOR THE PART OF HANS GRUBER.

But Neill ended up turning the film down. Then, in the spring of 1987, the casting director saw Alan Rickman playing the dastardly Valmont in a stage production of Dangerous Liaisons and knew they had found their Hans.

14. DIE HARD WAS ALAN RICKMAN’S FEATURE FILM DEBUT.

Though Rickman may have played the part of Hans as cool as the other side of the pillow, it was actually his first role in a feature film.

15. JOHN MCTIERNAN TURNED THE MOVIE DOWN, TOO.

And not just once, but on a few different occasions. His reason was that the material just seemed too dark and cynical for him. “The original screenplay was a grim terrorist movie,” McTiernan told Empire magazine in 2014. “On my second week working on it, I said, 'Guys, there's no part of terrorism that's fun. Robbers are fun bad guys. Let's make this a date movie.’ And they had the courage to do it.”

16. MCTIERNAN SEES IT AS A SHAKESPEAREAN TALE.

In the original script, the action in Die Hard takes place over a three-day span, but McTiernan—inspired by Shakespeare’s A Midsummer Night’s Dream—insisted that it be condensed into a single evening.

17. NAKATOMI PLAZA IS ACTUALLY FOX PLAZA.


Yes, the corporate headquarters of 20th Century Fox—the very studio making the movie—proved to be the perfect location for the movie’s much-needed Nakatomi Plaza. And as it was still under construction, there wasn’t a whole lot they needed to do to the space to make it movie-ready. The studio charged itself rent to use its own space.

18. THE ROOM WHERE THE HOSTAGES ARE BEING HELD IS LITERALLY SUPPOSED TO BE FRANK LLOYD WRIGHT'S FALLINGWATER.

"In this period, Japanese corporations were buying America," production designer Jackson De Govia said in the Die Hard DVD audio commentary. "We posited that ... Nakatami Corporation bought Fallingwater, disassembled it, and reassembled it in the atrium, like a trophy."

19. THAT PANORAMIC VIEW OF THE CITY BELOW? IT’S NOT REAL.

A 380-foot-long background painting provided the illusion of a breathtaking city view in the movie. And it was a state-of-the-art one, too, with animated lights, moving traffic, and the ability to change from night to day. The painting is still the property of the studio and has been used in other productions since.

20. THE FILM’S SUCCESS SPAWNED A BONA FIDE FRANCHISE.

In addition to its four sequels, Die Hard has spawned video games and comic books, too.

21. JOHN MCCLANE’S TUMBLE DOWN A VENTILATION SHAFT WAS AN ACCIDENT.

Or maybe “error” would be a better word. But in the scene in which McClane jumps into an elevator shaft, his stunt man was supposed to grab onto the first vent. But he missed. By a lot. Which made the footage even more exciting to watch, so editor Frank J. Urioste kept it in the final cut.

22. ALAN RICKMAN’S DEATH SCENE WAS ALSO PRETTY SCARY.

At least it was for Rickman. In order to make it look as if he was falling off a building, Rickman was supposed to drop 20 feet onto an air bag while holding onto a stunt man. But in order to get a genuinely terrified reaction out of him, they dropped him on the count of two—not three, as was planned.

23. BRUCE WILLIS SUFFERED PERMANENT HEARING LOSS.


Twentieth Century Fox

In order to get the hyper-realism that director John McTiernan was looking for, the blanks used in the guns in the movie were modified to be extra loud. In one scene, Willis shoots a terrorist through a table, which put the action star in extremely close proximity to the gun—and caused permanent hearing loss. He referenced the injury in a 2007 interview with The Guardian. When they asked Willis his most unappealing habit, he replied that, “Due to an accident on the first Die Hard, I suffer two-thirds partial hearing loss in my left ear and have a tendency to say, ‘Whaaa?’”

24. ALAN RICKMAN WASN’T FOND OF THE NOISE EITHER.

Whenever he had to shoot a gun in the film, Rickman couldn’t help but flinch. Which forced McTiernan to have to cut away from him so that his reactions were not caught on film.

25. GRUBER’S AMERICAN ACCENT POSED NOTHING BUT PROBLEMS.

The scene in which Rickman, as Gruber, slips into an American accent and pretends to be yet another hostage who got away was insisted on by screenwriter Steven de Souza, who wanted them in a room together to duke it out. But McTiernan was never happy with Rickman’s American accent, saying, “I still hear Alan Rickman’s English accent. I was never quite happy with the way he opened his mouth [in that scene] ... I shot it three times trying to get him to sound more stridently American ... it’s odd for someone who has such enormous verbal skills; he just had terrible trouble getting an American accent.”

26. HANS GRUBER’S GERMAN IS MOSTLY GIBBERISH.

And the bulk of his German cohorts were not German either. Bruce Willis, on the other hand, was actually born in West Germany to an American father and a German mother.

27. BRUCE WILLIS HAS FOUR FEET.

As Willis spends much of the movie in his bare feet running through broken glass, he was given a pair of rubber feet to wear as a safety precaution. Which is great and all, but if you look closely in certain scenes, you can actually see the fake appendages.

28. YOU CAN SEE—BUT NOT TOUCH—JOHN MCCLANE’S SWEATY TANK TOP.


Getty Images

In 2007, Willis donated the blood-soaked tank top he wore in Die Hard to the National Museum of American History at the Smithsonian.

29. “YIPPEE-KI-YAY” STOLE THE MOVIE.

It was a simple line: “Yippee-ki-yay, motherf*cker!” But it became the film’s defining moment, and the unofficial catchphrase that has been used in all four Die Hard sequels as well.

30. CREDIT FOR THE LINE IS OWED TO WILLIS.

In a 2013 interview with Ryan Seacrest, Bruce Willis admitted that “Yippee-ki-yay, motherf*cker!” was really just a joke. “It was a throwaway,” said Willis. “I was just trying to crack up the crew and I never thought it was going to be allowed to stay in the film."

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