14 Naked Facts About Flashdance

In 1983, the welder-cum-exotic dancer film Flashdance came out of nowhere and not only made a huge dent at the box office ($200 million worldwide on an $8 million budget), but also became a touchstone film, despite bad reviews. Here are some facts about the film that inspired a generation to “take your passion, and make it happen.”

1. TWO TORONTO STRIPPERS MAY OR MAY NOT HAVE INSPIRED THE ALEX CHARACTER.

In a lengthy and detailed 2014 BuzzFeed article, Toronto-based Gimlets strippers Maureen Marder and Gina Healey discussed how Flashdance co-writer Tom Hedley (scribe Joe Eszterhas was hired to punch up Hedley’s script, which was originally called Depot Bar and Grill) invaded their club, hired a photographer to take pictures of them in order to sell his idea, and based the Alex role on one of them (Marder supposedly worked a day job as a construction worker). But Hedley disagrees, telling BuzzFeed: “There’s no part of their stories that’s in the film."

What is certain is that the studio paid Healey and Marder $2,300 each to sign over their life stories, which relinquished their claim to the film. This didn’t stop Marder from suing Jennifer Lopez for the way Lopez copped Flashdance images in her “I’m Glad” music video. “She sued Jennifer Lopez for violating her copyright as part owner of the copyright of the motion picture,” Marder’s lawyer said. Marder, of course, lost the case.

2. THE SONG “MANIAC” WAS ORIGINALLY COMPOSED FOR THE 1980 HORROR FILM MANIAC.

Michael Sembello and Dennis Matkosky’s original lyrics for “Maniac” were as follows: “He’s a maniac, maniac that’s for sure / He will kill your cat and nail him to the door.”

“That direction obviously wasn’t going to work," Sembello told Song Facts. "Phil Ramone, producer of the soundtrack, [had] the vision to see the potential of the song, [and] asked us to change it to the present concept of a girl possessed with the passion of a gift for dance." Which is how the far less gruesome lines “She’s a maniac, maniac on the floor / And she’s dancing like she’s never danced before” came about. “Without Phil it would not have happened,” says Sembello.

The revamped song was nominated for an Oscar but was disqualified because “the song was changed from the original … which pisses me off to this day,” admits Sembello. Still, the soundtrack was a huge hit, selling more than six million copies.

3. THERE’S AN ALEX OWENS BARBIE DOLL.


Mattel waited until 2010 to jump on the Flashdance bandwagon when they turned Alex into a Barbie doll, replete with leg warmers and a torn grey sweatshirt. Because it was a Barbie Fan Club and San Diego Comic-Con exclusive release, it’s rare and expensive, so plan on forking over a lot of singles for it. Amazon sells it for $179, but eBay sold a few for cheaper.

4. THE SLEAZY ZANZIBAR OWNER, PLAYED BY LEE VING, WAS ALREADY A FAMOUS MUSICIAN.

Ving played strip club owner Johnny C. in Flashdance and went on play Mr. Boddy in Clue, but before those roles he had been immersed in a controversial music career. He’s the lead singer of the still active L.A. hardcore group Fear, which was profiled in Penelope Spheeris’ 1981 documentary The Decline of Western Civilization. Besides the doc, the band’s infamously known for trashing the SNL set during a 1981 Halloween appearance on the show.

5. DIRECTOR ADRIAN LYNE THOUGHT THE SCRIPT WAS “DUMB.”

“I just didn’t like the story,” Lyne admitted in an interview. “I thought it was kind of dumb. I wasn’t crazy about it, and I turned it down, a couple of times. Maybe three. Which was sort of difficult for me to do because I could tell that they were going to spend the $8 million on the movie, and so finally I said yes. I suppose it shows that you should have an open mind, really. I think it’s very dangerous waiting and waiting for the perfect movie to appear.”

6. HAPPENSTANCE IS THE REASON FOR BEALS’S OFF-THE-SHOULDER SWEATSHIRT.

The sweatshirt, which caused a fashion sensation in the ‘80s, was the result of unexpected shrinkage. “When I was in high school, I had a favorite sweatshirt that had remained in the dryer for too long,” Beals told the Toronto Star in 2011. “So the hole for my head was too small—I couldn’t get my head through. So I cut around the hole. I wore it to one of the auditions and they liked it.” But costume designer Michael Kaplan says it was he who came up with the idea after seeing Pennsylvania Ballet Company dancers wearing them.

In another act of wardrobe savvy, Alex takes off her bra without removing her shirt. Lyne had watched Beals do a similar thing during a wardrobe fitting and decided to put it in the film. On the way to horseback riding as a kid, she had to perform quick changes in the car, which is how she honed that particular skill.

7. THE SONG “GLORIA” WAS ACTUALLY A COVER OF AN ITALIAN SONG.

Laura Branigan’s song “Gloria” first appeared on her 1982 album Branigan, but its use in Flashdance resulted in the song selling over two million copies. The truth is, it’s a cover of a hit 1979 song by Italian singer Umberto Tozzi. “I really thought [the original ‘Gloria’] was too soft, so we rewrote it and gave it a really good American shove,” Branigan said in an interview. The Italian version, not Branigan’s, plays over a scene in The Wolf of Wall Street.

8. KEVIN COSTNER AUDITIONED TO PLAY NICK HURLEY.

Costner, who didn’t become famous until the mid-1980s, auditioned for the role of Nick Hurley, Alex’s boss and love interest in the film. Lyne paid Costner $200 to lie in bed with Beals, but it apparently didn’t work for him as the part went to Michael Nouri. In a strange twist of fate, prior to auditioning for Flashdance, Costner starred in an Apple commercial directed by Lyne. The commercial aired a few months after the film was released and has an uncanny resemblance to Flashdance: Costner on a bike, with a brown pit bull running beside him.

9. SUNNY JOHNSON DIED A YEAR AFTER THE FILM’S RELEASE.

Johnson, who played Alex’s best friend Jeanie Szabo, died of a cerebral hemorrhage at the age of 30 in 1984, one year after the film’s release.

10. JENNIFER BEALS TURNED DOWN DANCING WITH THE STARS.

Beals and three other people—including a guy—performed in the Pittsburgh Repertory Dance Company audition dénouement. So it’s hardly surprising that she said no when Dancing With the Stars came calling. “I am not a dancer,” Beals told People in 2011. “They asked me and I said ‘no.’ You could back up a truck to my door filled with cash and I wouldn’t do it … I’m not that kind of a performer.”

11. MICHAEL NOURI HELPED MAKE THE LOBSTER SCENE MEMORABLE.

The fancy restaurant scene where Alex dresses up in a scant tuxedo, seductively eats lobster, and massages Nick’s, um, nether regions, was done more for shock value than sex appeal. “Adrian kept asking me to be sexy. I was like, um, I don’t know really what that means,” Beals said during a Flashdance 30th anniversary screening Q&A. “And Michael [Nouri] said to me, ‘Just shock him. Just do whatever you can to shock him.’ I was like, oh, shocking. I get that. I can do that.” Eating shellfish was never the same again.

12. THE STUDIO WASN’T BANKING ON A HIT.

Lyne told Entertainment Weekly how Paramount thought the movie would be a flop. “In the two weeks before Flashdance came out, I literally couldn’t get anybody on the phone,” he said. “It was like everybody had run for the hills because they thought it was gonna be a total disaster. I didn’t know either. Paramount sold at least a quarter of their interest in the film in those two weeks. In other words, they saw the film, and thought, ‘Well, this is gonna go down the toilet.’” Luckily for Paramount and Lyne, the film opened to a healthy $4 million gross, which would be almost $10 million today. The film remained in the top 10 weekend box office for 15 weeks straight.

13. KYRA SEDGWICK WAS AMONG THE 4,000 WOMEN WHO AUDITIONED FOR FLASHDANCE.

For her audition, Sedgwick didn’t follow protocol. “My agent told me I was supposed to wear a leotard, heels, and no tights,” she recalled to The Hollywood Reporter in 2012. “I had such bigger balls back in those days. I thought, ‘I’m not wearing a leotard. Instead, I’ll wear a little miniskirt and high heels.’” Her fashion sense was not the only factor that prevented her from getting the part; Sedgwick went on to explain how Lyne picked up his ringing phone while she auditioned for him. “I turned to him and said, ‘You’re not going to answer that phone call. I’m auditioning for you.’ Today, I don’t think I would ever do that.”

14. BEALS’S BODY DOUBLE, MARINE JAHAN, NEVER RECEIVED A CREDIT FOR HER ROLE.

Jahan auditioned for the role of Alex but got tapped to play her dance double instead. It wasn’t until after Jahan signed a contract that she realized she needed to ask the producers for billing. After watching a preview of the film, Jahan was crestfallen to discover her name excluded from the end credits, realizing the producers ignored her submission. Producers Jerry Bruckheimer and Don Simpson explained her name was absent because they had to cut the length of the credits, which didn’t stop Jahan from being angry. “The film credited the dog and not Marine,” noted Flashdance choreographer Jeffrey Hornaday, who was seated near Jahan at the screening and said, “I’m sorry, kid. But you were great. They were applauding for you.” Jahan’s reply? “Yes, but they don’t know it.”

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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Jesse Grant, Getty Images for AMC
5 Bizarre Comic-Con News Stories from Years Past
Jesse Grant, Getty Images for AMC
Jesse Grant, Getty Images for AMC

At its best, San Diego Comic-Con is a friendly place where like-minded people can celebrate their pop culture obsessions, and each other. And no one can make fun of you, no matter how lazy your cosplaying might be. You might think that at its worst, it’s just a series of long lines of costumed fans and small stores crammed into a convention center. But sometimes, throwing together 100,000-plus people from around the world in what feels like a carnival-type atmosphere where anything goes can have less than stellar results. Here are some highlights from past Comic-Con-tastrophes.

1. MAN IN HARRY POTTER T-SHIRT STABS ANOTHER MAN IN THE FACE—WITH A PEN

In 2010, two men waiting for a Comic-Con screening of the Seth Rogen alien comedy Paul got into a very adult argument about whether one of them was sitting too close to the other. Unable to come to a satisfactory conclusion with words, one man stabbed the other in the face with a pen. According to CNN, the attacker was led away wearing handcuffs and a Harry Potter T-shirt. In the aftermath, some Comic-Con attendees dealt with the attack in an oddly fitting way: They cosplayed as the victim, with pens protruding from bloody eye sockets.

2. MEMORABILIA THIEVES INVADE NEW YORK

Since its founding in 2006, New York Comic Con has attracted a few sticky-fingered attendees. In 2010, a man stole several rare comics from vendor Matt Nelson, co-founder of Texas’s Worldwide Comics. Just one of those, Whiz Comics No. 1, was worth $11,000, according to the New York Post. A few years later, in 2014, someone stole a $2000 “Dunny” action figure, which artist Jon-Paul Kaiser had painted during the event for Clutter magazine. And those are just the incidents that involved police; lower-scale cases of toys and comics disappearing from booths are an increasingly frustrating epidemic, according to some. “Comic Con theft is an issue we all sort of ignore,” collector Tracy Isenhour wrote on the blog of his company, Needless Essentials, in 2015. “I am here to tell you no more. It’s time for this garbage to stop."

3. CATWOMAN SAVES THE DAY


John Sciulli/Getty Images for Xbox

Adrianne Curry, winner of the first cycle of America’s Next Top Model, has made a career of chasing viral fame. Ironically, it was at Comic-Con in 2014 that Curry did something truly worthy of attention—though there wasn’t a camera in sight. Dressed as Catwoman, she was posing with fans alongside her friend Alicia Marie, who was dressed as Tigra. According to a Facebook post Marie wrote at the time, a fan tried to shove his hands into her bikini bottoms. She screamed, the man ran off, and Curry jumped to action. She “literally took off after dude WITH her Catwoman whip and chased him down, beat his a**,” Marie wrote. “Punched him across the face with the butt of her whip—he had zombie blood on his face—got on her costume.”

4. MAN POSES AS FUGITIVE-SEEKING INVESTIGATOR TO GET INTO VIP ROOM

The lines at Comic-Con are legendary, so one Utah man came up with a novel way to try and skip them altogether. In 2015, Jonathon M. Wall tried to get into Salt Lake Comic Con’s exclusive VIP enclave (normally a $10,000 ticket) by claiming he was an agent with the Air Force Office of Special Investigations, and needed to get into the VIP room “to catch a fugitive,” according to The San Diego Union Tribune. Not only does that story not even come close to making sense, it also adds up to impersonating a federal agent, a crime to which Wall pleaded guilty in April of 2016 and which carried a sentence of up to three years in prison and a $250,000 fine. Just a few months later, prosecutors announced that they were planning to reduce his crime from a felony to a misdemeanor.

5. MAN WALKS 645 MILES TO COMIC-CON, DRESSED AS A STORMTROOPER, TO HONOR HIS LATE WIFE


Michael Buckner/Getty Images for Disney

In 2015, Kevin Doyle walked 645 miles along the California coast to honor his late wife, Eileen. Doyle had met Eileen relatively late in life, when he was in his 50s, and they bonded over their shared love of Star Wars (he even proposed to her while dressed as Darth Vader). However, she died of cancer barely a year after they were married. Adrift and lonely, Doyle decided to honor her memory and their love of Star Wars by walking to Comic-Con—from San Francisco. “I feel like I’m so much better in the healing process than if I’d stayed home,” he told The San Diego Union Tribune.

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