getty images (background/banner)
getty images (background/banner)

10 World-Shaping Events That Happened in 1920

getty images (background/banner)
getty images (background/banner)

The “Roaring Twenties” are the only decade in American history with a nickname. In his book 1920: The Year That Made the Decade Roar, Eric Burns explores the first year of a captivating decade and shows that it wasn't all flappers and jazz bands. Every aspect of life today was in some way influenced by the title year. Here are 10 things that 1920 has to say about 1920. 

1. The League of Nations was established. 

In an address to Congress in 1919, President Woodrow Wilson presented what he called the “Fourteen Points” (derided by others as his Ten Commandments because of Wilson’s insufferable self-righteousness), a plan to end war forever. The following year, he traveled to Paris to help negotiate the Treaty of Versailles. Upon his arrival, as Burns relates, “he was hailed by the French as no American since Benjamin Franklin had been hailed.” The Fourteen Points were enthusiastically adopted by diplomats, and became a framework for the League of Nations. On January 16, 1920, the League held its first Executive Council meeting, consisting of the major member-powers. In November of that year, it held its first General Assembly in Geneva, which was open to all members. At its height, the League of Nations had 58 member states. The United States never joined. 

2. America had a de-facto woman president. 

While on the campaign trail pushing for the U.S. to accept the League of Nations, President Wilson suffered a blood clot that caused paralysis, partial blindness, and brain damage. For the remainder of his term—another year and a half—he was, as Burns describes, “an invalid at best, little more than a rumor at worst,” totally incapable of meeting with lawmakers, governing, or performing the duties of the presidency; the First Lady, Edith Wilson, stepped in and assumed his role. She controlled access to the president and made policy decisions on his behalf. When something needed to be signed or written, she wrapped her hand around his and scrawled words with a pen. The French ambassador to the United States reported back to his superiors that Wilson was a non-factor in governance. The real power rested with “Mme. President.”

3. America sustained the worst terrorist attack in its history. 

On September 16, 1920, a horse-drawn cart carrying a massive, improvised explosive was detonated on the busiest corner on Wall Street. One eyewitness described “two sheets of flame that seemed to envelop the whole width of Wall Street and as high as the tenth story of the tall buildings.” Thirty-eight people were killed in the Wall Street Bombing, and hundreds were injured. It was, at the time, the worst terrorist attack in American history, unsurpassed in horror until the Oklahoma City Bombing in 1995. The perpetrators were likely Italian anarchists. 

4. J. Edgar Hoover began his ascent.

As a result of a series of bombings in 1919, the attorney general of the United States, Mitchell Palmer, mounted a campaign to capture and deport foreign radicals. The next year marked the “most spectacular” of the Palmer raids, in which thousands of accused communists and anarchists across the country were arrested in a single swoop. The raid’s organizer was a young lawyer named J. Edgar Hoover, head of the Bureau of Investigation’s General Intelligence Division.

Ultimately, the raids proved to be fraught with questionable confessions and illegal warrants, and Palmer’s career was derailed as a result. Hoover, however, would go on to lead the Bureau and its successor agency, the Federal Bureau of Investigation, from 1924 until 1972.

The raids were a formative lesson for Hoover. After witnessing what happened to Palmer, Hoover would work obsessively to keep in the good graces of the politically powerful (the FBI never investigated a member of Congress while Hoover was in charge), and work always to protect the FBI’s image. 

5. Women gained the right to vote. 

The women’s suffrage movement reached as far back as 1638, when Margaret Brent, a successful businesswoman in Virginia, demanded the right to vote in the state’s House of Burgesses. By 1920, every state west of the Mississippi River allowed women to vote. Burns notes that “a mere nine states denied women the vote in all instances, and seven of those, to their inexplicable shame, were among the original thirteen colonies.” The last “yes” vote needed for ratification of the Nineteenth Amendment, which provided for women’s suffrage, was Tennessee. On August 18, 1920, the Tennessee House of Representatives voted in favor of the amendment by a vote of 50-49. 

6. The Constitution was twice amended in a single year.

It was the only year since the passage of the Bill of Rights that the Constitution was twice amended. The Eighteenth Amendment prohibited alcohol in the United States. It was, writes Burns, “the most openly ignored regulation in American history ... Not only did the Amendment fail to be heeded; it often failed to be acknowledged with a straight face.” As Will Rogers asked at the time, “Why don’t they pass a constitutional amendment prohibiting anybody from learning anything? If it works as well as prohibition did, in five years Americans would be the smartest race of people on Earth.” In 1920, Burns provides an astonishing array of statistics that were the result of Prohibition: drunk and disorderly arrests increased 41 percent; drunk driving increased 81 percent; violent crime and murder went up 13 percent; the federal prison population swelled by a staggering 366 percent; and “federal expenditures on penal institutions of all sorts soared a thousand percent!” 

7. The “Lost Generation” began its transformation of American literature. 

In 1920, the “Lost Generation”—expatriate writers who lived in Europe following World War I—became a force in American literature. Among books published in 1920 were Main Street, a skewering of small-town America by Sinclair Lewis; This Side of Paradise, the debut novel of F. Scott Fitzgerald; and Flappers and Philosophers, Fitzgerald’s first collection of short fiction. That year, Fitzgerald also introduced Maxwell Perkins, the famed editor for Scribner’s, to the short stories of Ernest Hemingway, who would go on to some success. 

8. The KKK terrorized the nation. 

The Ku Klux Klan, a genocidal domestic terrorist organization founded during Reconstruction, was revitalized in 1920, the result in part of new Klan leadership with an eye for publicity. The Klan’s activities, Burns describes, were “reigns of terror, spaced widely in time and place,” that could be “loosely compared to latter-day outbreaks of the Inquisition.” But while the Inquisition targeted heretical Roman Catholics, the Klan “hated not only Catholics, but Jews, Asians, African-Americans, and Europeans who were not from the non-Nordic countries of the north.” Fifty years later, President Johnson turned J. Edgar Hoover loose on the KKK, and the FBI would achieve the greatest law enforcement victory in its history, all but eradicating the terrorist organization. 

9. A guy named Ponzi came up with a sales scheme. 

In the early 1900s, representatives from countries around the world worked out a way to make it easier for people to send mail across national borders. They created an “international reply coupon,” which could be bought in one country and traded for postage stamps in another. Charles Ponzi, an Italian immigrant to the United States, discovered a loophole in the system. Because World War I left much of Europe in economic ruin, Ponzi realized that he could buy coupons in various countries and redeem them in the United States for a return on investment. Because he wanted large returns, he needed a large investment. He set up a business called the Security Exchange Company (which, Burns writes, “had just the right sound to him. Respectable, trustworthy, and accurate; the company was, after all, exchanging securities”). He hired agents to bring in new investors, promising large commissions for the money brought in. Eventually, word spread that investments could bring massive returns, and investors were able to bring in new investors, who brought in new investors, and so on. Ponzi soon found that profit was no longer even a necessary ingredient for the company to operate; investors were essentially funding each other’s commission. The system, of course, eventually collapsed, though Ponzi schemes live on today. 

10. The mass media was born.

In November 1920, the first commercially-licensed radio station began broadcasting live results of the presidential election. The transmission of breaking news was new and unprecedented, and as word spread of this new medium, the “talking box” exploded in popularity. Two years later, Americans bought 100,000 radios. In 1923, they bought 500,000. By 1926, there were over 700 commercial radio stations, and virtually the entire country was covered by radio signals. As Burns writes, “No other event of 1920 would have more of an effect on the future than the birth of radio, with was in turn the birth of American mass media.”

nextArticle.image_alt|e
John MacDougall, Getty Images
Stolpersteine: One Artist's International Memorial to the Holocaust
John MacDougall, Getty Images
John MacDougall, Getty Images

The most startling memorial to victims of the Holocaust may also be the easiest to miss. Embedded in the sidewalks of more than 20 countries, more than 60,000 Stolpersteine—German for “stumbling stones”—mark the spots where victims last resided before they were forced to leave their homes. The modest, nearly 4-by-4-inch brass blocks, each the size of a single cobblestone, are planted outside the doorways of row houses, bakeries, and coffee houses. Each tells a simple yet chilling story: A person lived here. This is what happened to them.

Here lived Hugo Lippers
Born 1878
Arrested 11/9/1938 — Altstrelitzer prison
Deported 1942 Auschwitz
Murdered

The project is the brainchild of the German artist Gunter Demnig, who first had the idea in the early 1990s as he studied the Nazis' deportation of Sinti and Roma people. His first installations were guerrilla artwork: According to Reuters, Demnig laid his first 41 blocks in Berlin without official approval. The city, however, soon endorsed the idea and granted him permission to install more. Today, Berlin has more than 5000.

Demnig lays a Stolpersteine.
Artist Gunter Demnig lays a Stolpersteine outside a residence in Hamburg, Germany in 2012.
Patrick Lux, Getty Images

The Stolpersteine are unique in their individuality. Too often, the millions of Holocaust victims are spoken of as a nameless mass. And while the powerful memorials and museums in places such as Berlin and Washington, D.C. are an antidote to that, the Stolpersteine are special—they are decentralized, integrated into everyday life. You can walk down a sidewalk, look down, and suddenly find yourself standing where a person's life changed. History becomes unavoidably present.

That's because, unlike gravestones, the stumbling stones mark an important date between a person’s birth and death: the day that person was forced to abandon his or her home. As a result, not every stumbling stone is dedicated to a person who was murdered. Some plaques commemorate people who fled Europe and survived. Others honor people who were deported but managed to escape. The plaques aim to memorialize the moment a person’s life was irrevocably changed—no matter how it ended.

The ordinariness of the surrounding landscape—a buzzing cafe, a quaint bookstore, a tree-lined street—only heightens that effect. As David Crew writes for Not Even Past, “[Demnig] thought the stones would encourage ordinary citizens to realize that Nazi persecution and terror had begun on their very doorsteps."

A man in a shop holding a hammer making a Stolpersteine.
Artisan Michael Friedrichs-Friedlaender hammers inscriptions into the brass plaques at the Stolpersteine manufacturing studio in Berlin.
Sean Gallup, Getty Images

While Demnig installs every single Stolpersteine himself, he does not work alone. His project, which stretches from Germany to Brazil, relies on the research of hundreds of outside volunteers. Their efforts have not only helped Demnig create a striking memorial, but have also helped historians better document the lives of individuals who will never be forgotten.

nextArticle.image_alt|e
Henry Guttmann, Getty Images
14 Facts About Mathew Brady
Henry Guttmann, Getty Images
Henry Guttmann, Getty Images

When you think of the Civil War, the images you think of are most likely the work of Mathew Brady and his associates. One of the most successful early photographers in American history, Brady was responsible for bringing images of the Civil War to a nation split in two—a project that would ultimately be his undoing. Here are some camera-ready facts about Mathew Brady.

1. HIS EARLY LIFE MIGHT BE AN INTENTIONAL MYSTERY.

Most details of Brady’s early life are unknown. He was born in either 1822 or 1823 to Andrew and Julia Brady, who were Irish. On pre-war census records and 1863 draft forms Brady stated that he was born in Ireland, but some historians speculate he changed his birthplace to Johnsburg, New York, after he became famous due to anti-Irish sentiment.

Brady had no children, and though he is believed to have married a woman named Julia Handy in 1851, there is no official record of the marriage.

2. HE TOOK PHOTOGRAPHY CLASSES FROM THE INVENTOR OF MORSE CODE.

When he was 16 or 17, Brady followed artist William Page to New York City after Page had given him some drawing lessons. But that potential career was derailed when he got work as a clerk in the A.T. Stewart department store [PDF] and began manufacturing leather (and sometimes paper) cases for local photographers, including Samuel F.B. Morse, the inventor of Morse Code.

Morse, who had learned the early photographic method of creating Daguerreotypes from Parisian inventor Louis Daguerre in 1839, brought the method back to the United States and opened a studio in 1840. Brady was one of his early students.

3. HE SET UP SHOP IN NEW YORK AND BECAME THE GO-TO PHOTOGRAPHER.

Brady eventually took what he learned from Morse and opened a daguerreotype portrait studio at the corner of Broadway and Fulton Street in New York in 1844, earning the nickname “Brady of Broadway.” His renown grew due to a mix of his knack for enticing celebrities to sit for his camera—James Knox Polk and a young Henry James (with his father, Henry James Sr.) both sat for him—as well as a flair for the dramatic: In 1856, he placed an ad in the New York Daily Tribune urging readers to sit for a portrait that warned, “You cannot tell how soon it may be too late.”

His rapidly-expanding operation forced him to open a branch of his studio at 625 Pennsylvania Avenue in Washington, D.C., in 1849, and then move his New York studio uptown to 785 Broadway in 1860.

4. HE ACHIEVED WORLDWIDE FAME.

In 1850, Brady published The Gallery of Illustrious Americans, a collection of lithographs based on his daguerreotypes of a dozen famous Americans (he had intended to do 24, but due to costs, that never happened). The volume, and a feature profile [PDF] in the inaugural 1851 issue of the Photographic Art-Journal that described Brady as the “fountain-head” of a new artistic movement, made him a celebrity even outside of America. “We are not aware that any man has devoted himself to [the Daguerreotype art] with so much earnestness, or expended upon its development so much time and expense," the profile opined. "He has merited the eminence he has acquired; for, from the time he first began to devote himself to it, he has adhered to his early purpose with the firmest resolution, and the most unyielding tenacity.” Later that year, at the Crystal Palace Exhibition in London, Brady was awarded one of three gold medals for his daguerreotypes.

5. HE PHOTOGRAPHED EVERY PRESIDENT FROM JOHN QUINCY ADAMS TO WILLIAM MCKINLEY ... WITH ONE EXCEPTION.

The one that got away was William Henry Harrison—he died only a month after his inauguration in 1841.

6. ONE OF HIS PORTRAITS INTRODUCED HONEST ABE TO THE COUNTRY.

When Abraham Lincoln campaigned for president in 1860, he was dismissed as an odd-looking country bumpkin. But Brady’s stately portrait of the candidate, snapped after he addressed a Republican audience at Cooper Union in New York, effectively solidified Lincoln as a legitimate candidate in the minds of the American populace. (After he was elected, Lincoln supposedly told a friend, “Brady and the Cooper Union speech made me president.”) It was one of the first times such widespread campaign photography was used to support a presidential candidate.

7. HIS STUDIO’S WORK ENDED UP ON TWO VERSIONS OF THE $5 BILL.

A researcher holding one of America's most priceless negatives, the glass plate made by famous civil war photographer Mathew Brady of Abraham Lincoln in 1865 just before he was assassinated.
Three Lions, Getty Images

On February 9, 1864, Lincoln sat for a portrait session with Anthony Berger, the manager of Brady’s Washington studio. The session yielded both images of Lincoln that would go on the modern iterations of the $5 bill.

The first, from a three-quarter length portrait featuring Lincoln seated and facing right, was used on the bill design from 1914 to 2000. When U.S. currency was redesigned that year, government officials chose another image Berger took at Brady’s studio of Lincoln. This time, the president is seen facing left with his head turned more to the left.

According to Lincoln historian Lloyd Ostendorf, when the president was sitting for portraits, “Whenever Lincoln posed, a dark melancholy settled over his features. He put on what Mrs. Lincoln called his ‘photographer’s face.’ There is no camera study which shows him laughing, for such an attitude, unfortunately, was impossible when long exposures were required.”

8. OTHER PEOPLE ARE RESPONSIBLE FOR SOME OF HIS BEST-KNOWN WORK.

At the outbreak of the Civil War in 1861, Brady decided to use his many employees and his own money to attempt to make a complete photographic record of the conflict, dispatching 20 photographers to capture images in different war zones. Alexander Gardner and Timothy H. O’Sullivan were both in the field for Brady. Both of them eventually quit because Brady didn’t give individual credit.

Brady likely did take photos himself on battlefields like Bull Run and Gettysburg (although not necessarily during the actual battle). The photographer later boasted, “I had men in all parts of the army, like a rich newspaper.”

9. HE HAD BAD EYESIGHT.

Brady's eyes had plagued him since childhood—in his youth, he was reportedly nearly blind, and he wore thick, blue-tinted glasses as an adult. Brady's real reason for relying less and less on his own expertise might have been because of his failing eyesight, which had started to deteriorate in the 1850s.

10. HE HELPED REVOLUTIONIZE COMBAT PHOTOGRAPHY.

War photographer Mathew Brady's buggy was converted into a mobile darkroom and travelling studio, or, Whatizzit Wagon, during the American Civil War.
Mathew B Brady, Getty Images

The group of Brady photographers that scoured the American north and south to capture images of the Civil War traveled in what became known as “Whatizzit Wagons,” which were horse-drawn wagons filled with chemicals and mobile darkrooms so they could get close to battles and develop photographs as quickly as possible.

Brady’s 1862 New York gallery exhibit, "The Dead of Antietam,” featured then-unseen photographs of some of the 23,000 victims of the war’s bloodiest day, which shocked American society. “Brady has done something to bring home to us the terrible reality and earnestness of war," a New York Times reviewer wrote. "If he has not brought bodies and laid them in our door-yards and along the streets, he has done something very like it.”

11. HE USED A FREEBIE TO CONVINCE GENERALS TO LET HIM PHOTOGRAPH THE WAR.

Brady and his associates couldn't just wander out onto the battlefield with cameras—the photographer needed to obtain permission. So he set up a portrait session with Winfield Scott, the Union general in charge of the Army. The story goes that as he photographed the general—who was posed shirtless as a Roman warrior—Brady laid out his plan to send his fleet of photographers to tell the visual story of the war unlike any previous attempts in history. Then the photographer gifted the general some ducks. Scott was finally convinced, and he approved Brady’s plan in a letter to General Irvin McDowell. (Scott's Roman warrior portrait is, unfortunately, now lost.)

12. HE WAS BLAMED FOR UNION BATTLE LOSSES.

Brady’s first foray into documenting the Civil War was the First Battle of Bull Run. Though he had approved of Brady's plan, General McDowell did not appreciate the photographers' presence during the battle.

Brady himself was supposedly near the front lines when the fighting began, and quickly became separated from his companions. During the battle, he was forced to take shelter in nearby woods, and slept there overnight on a bag of oats. He eventually met back up with the Army and made his way to Washington, where rumors swelled that his equipment caused a panic that was responsible for the Union’s defeat at the battle. “Some pretend, indeed, that it was the mysterious and formidable-looking instrument that produced the panic!” one observer noted. “The runaways, it is said, mistook it for the great steam gun discharging 500 balls a minute, and took to their heels when they got within its focus!”

13. HE DIDN’T JUST PHOTOGRAPH THE UNION SIDE.

Before, after, and occasionally during the Civil War, Brady and Co. also photographed members of the Confederate side, such as Jefferson Davis, P. G. T. Beauregard, Stonewall Jackson, Albert Pike, James Longstreet, James Henry Hammond, and Robert E. Lee after he returned to Richmond following his surrender at Appomattox Court House. “It was supposed that after his defeat it would be preposterous to ask him to sit,” Brady said later. “I thought that to be the time for the historical picture.”

14. HIS CIVIL WAR PHOTOS ALSO MADE HIM POOR.

Union troops with a field gun during the American Civil War.
Mathew Brady, Hulton Archive/Getty Images

“My wife and my most conservative friends had looked unfavorably upon this departure from commercial business to pictorial war correspondence,” Brady told an interviewer in 1891. Their instincts were right.

Brady invested nearly $100,000 of his own money in the Civil War project in hopes that the government would buy his photo record of the war after it was all said and done. But once the Union prevailed, a public reeling from years of grueling conflict showed no interest in Brady's grim photos.

After the financial panic of 1873 he declared bankruptcy, and he lost his New York studio. The War Department eventually bought over 6000 negatives from Brady’s collection—which are now housed in the National Archives—for only $2840 total.

Despite being responsible for some of the most iconic images of the era, Brady never regained his financial footing, and he died alone in New York Presbyterian Hospital in 1896 after being hit by a streetcar.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios