CLOSE
istock
istock

15 Things You Probably Didn’t Know About the Summer Solstice

istock
istock

It’s almost the longest day of the year in the Northern Hemisphere so soak up some of those direct sunrays (safely, of course) and celebrate the start of summer with these solstice facts. 

1. This year it’s June 21.

The summer solstice always occurs between June 20 and June 22, but because the calendar doesn’t exactly reflect the earth’s rotation, the precise time shifts slightly each year. This year, the sun will reach its greatest height in the sky for the Northern Hemisphere on June 21 at 12:38 P.M.

2. The sun will be directly overhead at the Tropic of Cancer.

While the entire Northern Hemisphere will see its longest day of the year on the summer solstice, the sun is only directly overhead at the Tropic of Cancer (23 degrees 27 minutes north latitude). 

3. The name comes from the fact that the sun appears to stand still.

The term “solstice” is derived from the Latin words sol (sun) and sistere (to stand still), because the sun’s relative position in the sky at noon does not appear to change much during the solstice and its surrounding days. The rest of the year, the Earth’s tilt on its axis—roughly 23.5 degrees—causes the sun’s path in the sky to rise and fall from one day to the next.

4. The world’s biggest bonfire was part of a solstice celebration. 

Celebrations have been held in conjunction with the solstice in cultures around the world for hundreds of years. Among these is Sankthans, or “Midsummer,” which is celebrated on June 24 in Scandinavian countries. In 2010, the people of Alesund, Norway, set a world record for the tallest bonfire with their 40.45-meter (132.71-foot) celebratory bonfire. 

5. The hot weather follows the sun by a few weeks.

You may wonder why, if the solstice is the longest day of the year—and thus gets the most sunlight—the temperature usually doesn’t reach its annual peak until a month or two later. It’s because water, which makes up most of the Earth’s surface, has a high specific heat, meaning it takes a while to both heat up and cool down. Because of this, the Earth’s temperature takes about six weeks to catch up to the sun.

6. Thousands of people gather at Stonehenge to celebrate. 

People have long believed that Stonehenge was the site of ancient druid solstice celebrations because of the way the sun lines up with the stones on the winter and summer solstices. While there’s no proven connection between Celtic solstice celebrations and Stonehenge, these days, thousands of modern pagans gather at the landmark to watch the sunrise on the solstice. Last year, 37,000 people attended. 

7. The Pagans celebrate the solstice with symbols of fire and water. 

In Paganism and Wicca, Midsummer is celebrated with a festival known as Litha. In ancient Europe, the festival involved rolling giant wheels lit on fire into bodies of water to symbolize the balance between fire and water. 

8. In Ancient Egypt, the solstice heralded the new year. 

In Ancient Egypt, the summer solstice preceded the appearance of the Sirius star, which the Egyptians believed was responsible for the annual flooding of the Nile that they relied upon for agriculture. Because of this, the Egyptian calendar was set so that the start of the year coincided with the appearance of Sirius, just after the solstice.

9. The ancient Chinese honored the yin on the solstice. 

In ancient China, the summer solstice was the yin to the winter solstice’s yang—literally. Throughout the year, the Chinese believed, the powers of yin and yang waxed and waned in reverse proportion to each other. At the summer solstice, the influence of yang was at its height, but the celebration centered on the impending switch to yin. At the winter solstice, the opposite switch was honored. 

10. In Alaska, the solstice is celebrated with a midnight baseball game. 

Each year on the summer solstice, the Alaska Goldpanners of Fairbanks celebrate their status as the most northerly baseball team on the planet with a game that starts at 10:30 and stretches well into the following morning—without the need of artificial light—known as the Midnight Sun Game. The tradition originated in 1906 and was taken over by the Goldpanners in their first year of existence, 1960.

11. The Earth is actually at its farthest from the sun during the solstice.

You might think that because the solstice occurs in summer that it means the Earth is closest to the sun in its elliptical revolution. However, the Earth is actually closest to the sun when the Northern Hemisphere experiences winter and is farthest away during the summer solstice. The warmth of summer comes exclusively from the tilt of the Earth’s axis, and not from how close it is to the sun at any given time. 

12. Ironically, the solstice marks a dark time in science history.

Legend has it that it was on the summer solstice in 1633 that Galileo recanted his declaration that the Earth revolves around the sun, and not the other way around.

13. An alternative calendar had an extra month named after the solstice. 

In 1902, a British railway system employee named Moses B. Cotsworth attempted to institute a new calendar system that would standardize the months into even four-week segments. To do so, he needed to add an extra month to the year. The additional month was inserted between June and July and named Sol because the summer solstice would always fall during this time. Despite Cotsworth’s traveling campaign to promote his new calendar, it failed to catch on.

14. In Ancient Greece, the solstice festival marked a time of social equality.

The Greek festival of Kronia, which honored Cronus, the god of agriculture, coincided with the solstice. The festival was distinguished from other annual feasts and celebrations in that both slaves and freemen participated in the festivities as equals.

15. Ancient Rome honored the goddess Vesta on the solstice. 

In Rome, midsummer coincided with the festival of Vestalia, which honored Vesta, the Roman goddess who guarded virginity and was considered the patron of the domestic sphere. On the first day of this festival, married women were allowed to enter the temple of the Vestal virgins, from which they were barred the rest of the year.

nextArticle.image_alt|e
getty images (March and Beery)/ istock (oscar)
arrow
entertainment
6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

nextArticle.image_alt|e
arrow
literature
11 Haunting Facts About Beloved

Toni Morrison—who was born on February 18, 1931—made a name for herself with The Bluest Eye, Sula and Song of Solomon, but it wasn’t until 1987’s Beloved, about a runaway slave haunted by the death of her infant daughter, that her legacy was secured. The book won the Pulitzer Prize and was a key factor in the decision to award Morrison the Nobel Prize in 1993. All the awards aside, Beloved is a testament to the horrors of slavery, with its narrative of suffering and repressed memory and its dedication to the more than 60 million who died in bondage. Here are some notable facts about Morrison’s process and the novel’s legacy.

1. IT’S BASED ON A TRUE STORY.

While compiling research for 1974's The Black Book, Morrison came across the story of Margaret Garner, a runaway slave from Kentucky who escaped with her husband and four children to Ohio in 1856. A posse caught up with Garner, who killed her youngest daughter and attempted to do the same to her other children rather than let them return to bondage. Once apprehended, her trial transfixed the nation. "She was very calm; she said, 'I’d do it again,'" Morrison told The Paris Review. "That was more than enough to fire my imagination."

2. MORRISON CAME UP WITH THE CHARACTER BELOVED AFTER SHE STARTED WRITING.

The book was originally going to be about the haunting of Sethe by her infant daughter, who she killed (just as Garner did) rather than allow her to return to slavery. A third of the way through writing, though, Morrison realized she needed a flesh-and-blood character who could judge Sethe’s decision. She needed the daughter to come back to life in another form (some interpret it as a grief-driven case of mistaken identity). As she told the National Endowment for the Arts’ NEA Magazine: "I thought the only person who was legitimate, who could decide whether [the killing] was a good thing or not, was the dead girl."

3. SHE WROTE THE ENDING EARLY IN THE WRITING PROCESS.

Morrison has said she likes to know the ending of her books early on, and to write them down once she does. With Beloved, she wrote the ending about a quarter of the way in. "You are forced into having a certain kind of language that will keep the reader asking questions," she told author Carolyn Denard in Toni Morrison: Conversations.

4. MORRISON BECAME FASCINATED WITH SMALL HISTORICAL DETAILS.

To help readers understand the particulars of slavery, Morrison carefully researched historical documents and artifacts. One particular item she became fascinated with: the "bit" that masters would put in slaves' mouths as punishment. She couldn’t find much in the way of pictures or descriptions, but she found enough to imagine the shame slaves would feel. In Beloved, Paul D. tells Sethe that a rooster smiled at him while he wore the bit, indicating that he felt lower than a barnyard animal.

5. SHE ONLY RECENTLY READ THE BOOK HERSELF.

In an appearance on The Colbert Report last year, Morrison said she finally got around to reading Beloved after almost 30 years. Her verdict: "It’s really good!"

6. THE BOOK INSPIRED READERS TO BUILD BENCHES.

When accepting an award from the Unitarian Universalist Association in 1988, Morrison observed that there is no suitable memorial to slavery, "no small bench by the road." Inspired by this line, the Toni Morrison Society started the Bench by the Road Project to remedy the issue. Since 2006, the project has placed 15 benches in locations significant to the history of slavery and the Civil Rights movement, including Sullivan’s Island, South Carolina, which served as the point of entry for 40% of slaves brought to America.

7. WHEN BELOVED DIDN’T WIN THE NATIONAL BOOK AWARD IN 1987, FELLOW WRITERS PROTESTED.

After the snub, 48 African-American writers, including Maya Angelou, John Edgar Wideman and Henry Louis Gates, Jr., signed a letter that appeared in the New York Times Book Review. "For all of America, for all of American letters," the letter addressing Morrison read, "you have advanced the moral and artistic standards by which we must measure the daring and the love of our national imagination and our collective intelligence as a people."

8. IT’S ONE OF THE MOST FREQUENTLY CHALLENGED BOOKS.

Between 2000 and 2009, Beloved ranked 26th on the American Library Association’s list of most banned/challenged books. A recent challenge in Fairfax County, Virginia, cited the novel as too intense for teenage readers, while another challenge in Michigan said the book was, incredibly, overly simplistic and pornographic. Thankfully, both challenges were denied.

9. MORRISON ALSO WROTE AN OPERA BASED ON GARNER’S LIFE.

Ten years ago, Morrison collaborated with Grammy-winning composer Richard Danielpour on Margaret Garner, an opera about the real-life inspiration behind Beloved. It opened in Detroit in 2005, and played in Charlotte, Chicago, Philadelphia and New York before closing in 2008.

10. MORRISON DID NOT WANT IT MADE INTO A MOVIE.

Although she publicly claims otherwise, according to a New York magazine story, Morrison told friends she didn’t want Beloved made into a movie. And she didn’t want Oprah Winfrey (who bought the film rights in 1988) to be in it. Nevertheless, the film came out in 1998 and was a total flop.

11. THERE'S AN ILLUSTRATED VERSION.

The Folio Society, a London-based company that creates fancy special editions of classic books, released the first-ever illustrated Beloved in 2015. Artist Joe Morse had to be personally approved by Morrison for the project. Check out a few of his hauntingly beautiful illustrations here.

This article originally appeared in 2015.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios