11 Amazing Facts About CIA Operations in the Soviet Union

getty images
getty images

By definition, a spy’s job is to go to another country and break the law. That’s the easy part. The hard part is to break the law and not get caught. This was especially difficult in the Soviet Union, where the KGB kept close surveillance on American spies and State Department officials. In his engrossing new book, The Billion Dollar Spy, David E. Hoffman takes readers into the CIA’s Moscow station during the Cold War, telling the astonishing story of how spies recruited agents, and what happened when things went wrong. Here are 11 things Hoffman reveals about the CIA in Moscow. 

1. CIA wives were used as spies. 

In the earliest days of the Moscow station, almost all of the CIA’s case officers were male. To pull off operations convincingly, it sometimes meant an officer including his wife in the plan, if not recruiting his wife to do the job outright. If the officer needed someone to meet with an agent without arousing suspicion, he might send his wife to make contact. If the officer had to disappear and needed someone to cover his or her tracks, that, too, might fall to a spouse. 

2. Being watched? Release the Jack in the Box.

Hoffman describes a particularly difficult mission in which a CIA spy needed to meet with an agent in person. (In parlance, an agent is to the CIA what an informant is to the FBI.) To elude KGB surveillance, this involved creating a “gap”—a space in time during which the spy was out of visual contact—and springing a “Jack in the Box” to trick his watchers into believing he was still present. To set up the job, CIA officers used phones they knew to be tapped, and organized a fake birthday party for a friend in Moscow. They brought along a fake birthday cake. The KGB tailed the car to the party. When the cars were near the rendezvous point with the foreign agent, the CIA driver turned a sharp corner, creating a gap of a few seconds. At that moment, one of the officers jumped from the car and disappeared. Meanwhile, the CIA officer’s wife set the birthday cake on her husband’s seat. She pulled a handle, and a silhouette popped up from the cake where her husband had previously been sitting. When the KGB reestablished visual contact with the car, it appeared that everyone was still inside, and that nothing was amiss. 

3. Foreign surveillance can be lulled into complacency ... 

While serving in the Prague station, one CIA officer started an experiment. Everywhere he went, a member of the Czech secret police followed him. He resolved then to become incredibly boring and predictable. He drove slowly. He never deviated from his normal route, nor his normal routine. He drove the babysitter home each evening and got a haircut on the same day, at the same time each week. After six months, he discovered that for his haircut and babysitter drives, his watchers would no longer follow, so long as he reappeared at the same time as usual. The secret police had grown lazy. This created a gap, which he knew at once he could exploit for meeting with agents.

4. ... or they can be quite good. 

In the late 1970s, inspectors discovered a mysterious antenna in the U.S. embassy’s chimney. Inspectors also scrutinized embassy typewriters, but determined that nothing was amiss. They were wrong. In fact, tiny listening devices had been embedded in the typewriters, transmitting audio and keystrokes. The KGB surveillance remained undetected for eight years. 

5. Tradecraft was perfected in Berlin. 

When the Berlin Wall went, up, the CIA had to go back to the drawing board. Previously, when officers needed to meet with agents, they rendezvoused in West Berlin where they weren’t easily watched. Post-wall, however, the CIA needed to figure out how to handle agents remotely. “Dead drops” were used (in which agent and officer communicated at a predetermined location, with one leaving behind a message and the other collecting it and moving on, the two never meeting), but it became necessary to develop more daring methods of tradecraft. As a result, Berlin became a laboratory of sorts for CIA officers. What they perfected there could then be taken to Moscow and elsewhere. 

6. CIA used sleight of hand first developed by magicians. 

One sophisticated method of tradecraft perfected in Berlin was the “brush pass.” A gap was created, and during those seconds, the agent would appear, slip information to his or her CIA handler, and disappear, without ever being spotted by the KGB. The CIA learned another form of the brush pass from a professional magician. When coming in from the rain, the CIA spy would remove his or her raincoat. He or she would shake it out in a flourish with the left hand while in a single motion passing on the information with the right. 

7. The KGB could spy to the point of comedy. 

As recounted by The Billion Dollar Spy, one CIA officer new to the Soviet station was amused to sometimes reach for his coat only to find it had vanished. (Later, it would mysteriously return, now likely bugged by the KGB.) His apartment was bugged and his lines were tapped. Once, he used an unsecure line to set up dinner at a restaurant with friends. While driving to the restaurant, he figured out that the cars behind him and in front of him were KGB surveillance. At some point in the drive, he and his wife got lost, so they decided to just follow the KGB to see what would happen. The KGB took him straight to the restaurant. 

8. Cyanide capsules were real, and were used. 

More than once, Soviet agents recruited by the CIA made a specific request: a suicide pill. In the event of capture, rather than face interrogation, public hearings, and execution, agents wanted a pill that would immediately kill them. The CIA hated the L-Pill, as it was called, because of the psychological burden it placed on the carrier. The pill was hard to hide and leant itself to premature use. Not every capture is suicide worthy, but how would the detainee know? After much internal debate, the CIA would sometimes provide the pill, hidden in pens. The pill was sometimes used by agents. 

9. Washington watched the Moscow station as closely as the KGB. 

In the mid-1970s, Congressional oversight of the CIA increased, and headquarters scrutiny of CIA stations increased as well. This was especially so in Moscow, where a possible leak had been discovered. As a result, years elapsed during which the Moscow station was essentially shut down. When activities resumed, the station and case officers were tightly managed from Washington, D.C. Good leads were sometimes turned away for fear of being a Soviet plot. As Hoffman wrote, “Running a spy was undertaken with the concentration and attention to detail of a moon shot.”

10. The intelligence collected from Moscow might have saved us from nuclear annihilation. 

Oleg Penkovsky, a colonel in the GRU (the Soviet military intelligence division) offered his services to the United States as an agent. Penkovsky wanted to inflict damage on the Soviet Union after the KGB wrongly undermined his career. As a clandestine agent, Penkovsky gave the CIA hundreds of rolls of film and produced veritable libraries of information. According to Hoffman, intelligence Penkovsky provided on the R-12 medium range missile ”was a key ingredient in decision making as President Kennedy stood up to Khrushchev during the Cuban missile crisis.” 

11. Soviet volunteers had common traits. 

The Soviets would sometimes send “dangles” to the CIA—false informants with bad intelligence. For years, CIA counterintelligence officers feared dangles to the point of crippling the Moscow station. CIA officers conducted a comprehensive study, and realized that many Soviets turned away for fear of being dangles were, in fact, legitimate. There were patterns to would-be volunteers. The KGB never sent their own officers. They simply didn’t trust their people to be alone with CIA case officers. Also, they never used people who were strangers to the CIA officer in question. The guy you bumped into at a party once, who now wants to give you information? There’s a good chance that he’s working in the service of the KGB. The guy you’ve never seen before? He’s likely not a threat.

war

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

7 Timeless Facts About Paul Rudd

Rich Fury, Getty Images
Rich Fury, Getty Images

Younger fans may know Paul Rudd as Ant-Man, one of the newest members of the Marvel Cinematic Universe. However, the actor has been a Hollywood mainstay for half his life.

Rudd's breakout role came in 1995’s Clueless, where he played Josh, Alicia Silverstone's charming love interest in Amy Heckerling's beloved spin on Jane Austen's Emma. In the 2000s, Rudd became better known for his comedic work when he starred in movies like Wet Hot American Summer (2001), Anchorman (2004), The 40-Year-Old Virgin (2005), Knocked Up (2007), and I Love You, Man (2009).

It wasn’t until 2015 that Rudd stepped into the ever-growing world of superhero movies when he was cast as Scott Lang, a.k.a. Ant-Man, and became part of the MCU.

Rudd has proven he can take on any part, serious or goofy. More amazingly, he never seems to age. But in honor of (what is reportedly) his 50th birthday on April 6, here are some things you might not have known about the star.

1. Paul Rudd is technically Paul Rudnitzky.

Though Paul Rudd was born in Passaic, New Jersey, both of his parents hail from London—his father was from Edgware and his mother from Surbiton. Both of his parents were descendants of Jewish immigrants who moved to England from from Russia and Poland. Rudd’s last name was actually Rudnitzky, but it was changed by his grandfather.

2. His parents are second cousins.

In a 2017 episode of Finding Your Roots, Rudd learned that his parents were actually second cousins. Rudd responded to the discovery in typical comedic fashion: "Which explains why I have six nipples." He also wondered what that meant for his own family. "Does this make my son also my uncle?," he asked.

3. He loved comic books as a kid.

While Rudd did read Marvel Comics as a kid, he preferred Archie Comics and other funny stories. His English cousins would send him British comics, too, like Beano and Dandy, which he loved.

4. Rudd wanted to play Christian in Clueless. And Murray.

Clueless would have been a completely different movie if Rudd had been cast as the suave Christian instead of the cute older step-brother-turned-love-interest Josh. But before he was cast as Cher’s beau, he initially wanted the role of the “ringa ding kid” Christian.

"I thought Justin Walker’s character, Christian, was a really good part," Rudd told Entertainment Weekly in 2012. "It was a cool idea, something I’d never seen in a movie before—the cool gay kid. And then I asked to read for Donald Faison's part, because I thought he was kind of a funny hip-hop wannabe. I didn’t realize that the character was African-American.”

5. His role model is Paul Newman.

In a 2008 interview for Role Models, which he both co-wrote and starred in, Rudd was asked about his real-life role model. He answered Paul Newman, saying he admired the legendary actor because he gave a lot to the world before leaving it.

6. Before he was Ant-Man, he wanted to be Adam Ant.

In a 2011 interview with Grantland, Rudd talked about his teenage obsession with '80s English rocker Adam Ant. "Puberty hit me like a Mack truck, and my hair went from straight to curly overnight," Rudd explained. "But it was an easier pill to swallow because Adam Ant had curly hair. I used to ask my mom to try and shave my head on the sides to give me a receding hairline because Adam Ant had one. I didn’t know what a receding hairline was. I just thought he looked cool. She said, 'Absolutely not,' but I was used to that."

Ant wasn't the only musician Rudd tried to emulate. "[My mom] also shot me down when I asked if I could bleach just the top of my head like Howard Jones. Any other kid would’ve been like, 'F*** you, mom! I’m bleaching my hair.' I was too nice," he said.

7. Romeo + Juliet wasn’t Rudd's first go as a Shakespearean actor.

Yet another one of Rudd's iconic '90s roles was in Baz Luhrmann's Romeo + Juliet, but it was far from the actor's first brush with Shakespeare. Rudd spent three years studying Jacobean theater in Oxford, England, and starred in a production of Twelfth Night. He was described by his director, Sir Nicholas Hytner, as having “emotional and intellectual volatility.” Hytner’s praise was a big deal, considering he was the director of London's National Theatre from 2003 until 2015.

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