15 Campy Facts About Wet Hot American Summer

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

You might be able to quote 2001's Wet Hot American Summer word for word, but even the most diehard fans of Coop, McKinley, and the rest of the Camp Firewood crew probably don't know these 15 "gournal"-worthy facts about the original movie's making—just as your favorite camp counselors get ready to reunite for Netflix's new series, Wet Hot American Summer: 10 Years Later.

1. THE WRITERS WERE INSPIRED BY THEIR OWN CAMP EXPERIENCES.

Director David Wain, who penned the script alongside longtime pal and collaborator Michael Showalter, remembers what a big deal Skylab was during the summer he spent at Maine's Camp Modin in 1979. "Kids like us were like, 'Oh my God, do you think Skylab's going to fall on our camp?'" Wain told DETAILS. "And then we'd see a piece of metal and it was like, 'Do you think that's a piece of Skylab?'"

The hour-long trip to town was inspired—sort of—by Showalter's camp experience. "That was something you did at my camp sometimes," he shared. "It was considered a big, awesome thing, kind of like going off-campus in high school." Presumably, though, his sojourns didn't involve a crack den.

2. MICHAEL SHOWALTER AND DAVID WAIN SPENT THREE YEARS FINDING FINANCING.

"Over and over again, we were told, 'We're giving you the money!'" Wain said. "Then these people would disappear. I remember trying to track someone down in their office in the East Village to confront them. And the ‘office’ was someone’s house, and there was no one there by that name.” Ultimately, getting Janeane Garofalo and David Hyde Pierce—at the time, two of the cast's biggest names—to sign on helped their cause.

3. THE ENTIRE BUDGET WAS JUST $1.8 MILLION.

Paul Rudd, who plays Camp Firewood's resident bad boy Andy, says no one was really in this for the money. In fact, "I'm not sure I got paid," he told Entertainment Weekly. "I'm not kidding … it was such a small production, and stuff fell through the cracks."

4. IT LAUNCHED SOME MAJOR CAREERS.

The cast of Wet Hot American Summer is full of familiar faces, including Elizabeth Banks, who scored the part of Lindsay (a.k.a. Barbecue Girl) while she was working as a cocktail waitress in New York. Bradley Cooper, meanwhile, missed his graduation from The Actors Studio because of Wet Hot American Summer's production schedule.

5. THE CAST LIVED AT THE CAMP WHERE THE MOVIE WAS FILMED.

Everyone bunked together at Pennsylvania's Camp Towanda for the month-long shoot. Rudd told Details that the experience was "definitely like camp, only we were allowed to have beer." Amy Poehler (who plays talent show director Susie) joked that the shoot felt like a necessary do-over: "We were being given the chance to take one more shot at summer camp, only we were wiser, better drinkers, and more sexually experienced."

6. YES, THEY ATE THEIR MEALS IN THE CAFETERIA.

The fare didn't really hold up, according to Michael Ian Black (McKinley). Pizza bagels "every day when you're 11 is a dream. When you're 30, and it's pizza bagels every day, you wanna kill somebody." 

7. HANK AZARIA IS A CAMP TOWANDA ALUM.


Matt Winkelmeyer/Getty Images

Garofalo called Hank Azaria after seeing his name on a plaque by a bunk. "She said, 'I'm staring at your name right now. What gives?'" Azaria, who spent every summer at Towanda from the time he was six years old until he was 15, told Entertainment Weekly, "It was fantastic, some of the happiest times of my life."

8. WHEN THE CAST WASN'T SHOOTING, THEY WERE DRINKING. A LOT.

"Everybody stayed up late. Everybody partied," Rudd told Details. ("There were totally random hookups," Wain admitted.) One night the group even decided to have a camp dance. "They hired this DJ, Mr. Blue, who was friends with the guys from The State, and we had a rave on the grass of the camp," Poehler told the magazine. "He played great '80s music, and we all went into the wardrobe department and put on outfits and had sparklers and danced." 

9. THE WEATHER WAS TERRIBLE.

It rained 25 out of 28 shooting days, turning Camp Towanda's grounds into a giant (freezing) mudpit. "We were wearing three layers of clothing at all times, unless we were shooting, when we were wearing basically nothing," Marguerite Moreau (Katie) revealed to Details. Luckily for the already cash-strapped production, the crew was (mostly) able to work around it. "The one thing about the rain is, even when it's pouring, unless you light for it, it doesn't fully show up on camera. So a lot of times we just shot in the rain," Wain said. It was, for example, pouring for the campfire intro. After a crew member tried and failed to get a fire going, Camp Towanda's director had to intervene and start a fire for them.

10. WHEN IT CAME TO ENTERTAINING THEMSELVES, THE CAST GOT CREATIVE.

Filming took place during the pre-smartphone era, and the nearest attraction was a Walmart a half-hour away. So to amuse themselves, the cast turned to games, including Stratego, backgammon, and stickball, and spent time decorating their cabins. "We would go to Walmart and buy posters and put them in people's rooms," recalled Poehler. "I remember having a lot of *NSYNC." Another popular wall art option: Britney Spears. Ken Marino (Victor) carried around a portable TV "cause he wanted to watch Juliana Margulies's last ER or something," Poehler said. "I remember him running around, crying, being like, 'She went back to Clooney! She went back to Clooney!'"

11. CHRISTOPHER MELONI LOOKED TO RAMBO FOR INSPIRATION.

To play deranged camp cook (and Vietnam vet) Gene, Meloni—who had just started on Law and Order: SVU—grew a beard and gained weight. At his audition, he did his best to channel film's most iconic Vietnam veteran. "I saw him as a whacked-out, cuddly Rambo," Meloni told Details.

12. ALMOST NONE OF THE MOVIE WAS IMPROVISED.

Despite the cast's impressive sketch comedy chops, for the most part, they stuck to Wain and Showalter's script. As Black explained, "The script was pretty locked in. When you have a budget that small, and you have to make your days, and you're fighting the weather, there isn't time to f--k around that much."

13. THE FILM WAS A FINANCIAL FLOP.


Michael Showalter and David Wain.
Evan Agostini/Getty Images

Wain and Showalter struggled to find a backer at Sundance, and the film raked in just $300,000 at the box office.

14. CRITICS HATED IT.

Although Entertainment Weekly'sOwen Gleiberman gave Wet Hot American Summer an 'A', he was one of the few who seemed to enjoy it. The Oregonian called it "agony on a stick," and in his review, Roger Ebert decided to parody "Hello Muddah, Hello Faddah," writing, "Wow I hate it something fierce / Except the astrophysicist David Hyde Pierce.”

In the year since its release, the film has gained a reputation as a cult comedy classic and has spawned two Netflix series: a 2015 prequel, Wet Hot American Summer: First Day of Camp, and a sequel, Wet Hot American Summer: 10 Years Later, which will drop on Netflix on August 4, 2017.

15. IT WAS AN EXPERIENCE THAT BRADLEY COOPER WON'T FORGET.


Universal Pictures Home Entertainment

Of all the stars he's locked lips with, Cooper told Regis Philbin and Kelly Ripa in 2010 that Michael Ian Black is his favorite onscreen kiss. A flattered Black responded via Twitter, with one correction:  

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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