15 Wonderfully Wise Quotes From Judy Blume

Evan Agostini, Getty Images
Evan Agostini, Getty Images

Judy Blume was the queen of the YA novel before the concept even existed, inspiring generations of passionate fans—and a fair share of dissenters—in her nearly 50-year career. Here are just a few of our favorite thoughts about books, writing, and life from the iconic author, who turns 80 years old today.

1. ON BEING ONE OF THE MOST BANNED AUTHORS OF THE 20TH CENTURY

“I’ll tell you what I make of that—that censors, those who want to censor, they don’t come after books until they know that kids really like them, and once kids like a book, it’s like, ‘There must be something wrong with this book, because why do the kids like it.’ You look at the banned books and you’ll see that they’re popular books with kids.”

— From a 2012 interview with PBS

2. ON THE EFFECTS OF CENSORSHIP

“But it's not just the books under fire now that worry me. It is the books that will never be written. The books that will never be read. And all due to the fear of censorship. As always, young readers will be the real losers.”

— From Blume's official website

3. WHY SHE WORRIES ABOUT KIDS THESE DAYS

“Yes, I was a great daydreamer. You know what I worry about? I worry that kids today don't have enough time to just sit and daydream. I was a great pretender, always making up stories inside my head. Stories and stories and stories, but I never told anyone.”

— From an interview with Scholastic

4. ON BEING A WRITER

"Everybody who writes fiction draws from their own life, but if it ended there, it would be very boring. When I talk to kids and they say, 'How do you become a writer?', well, I don't know that you become a writer: you just are. I always had stories, they were always there inside my head."

— From a 2014 Interview with The Guardian

5. ON WRITING

"Writing saved my life. It saved me, it gave me everything, it took away all my illnesses.”

— From a 2014 Interview with The Guardian

6. ON THE CREATIVE PROCESS

“I don't understand the creative process. For years I would say one thing when kids would ask where I got my ideas. Because I was forced to think up something even though I don't really know. And now I'm just saying to people, 'I don't know. I don't understand how it works. How do I know?'”

— From an interview with January Magazine

7. ON DEALING WITH REJECTION

"It's all about your determination, I think, as much as anything. There are a lot of people with talent, but it's that determination. I mean, you know, I would cry when the rejections came in—the first couple of times, anyway—and I would go to sleep feeling down, but I would wake up in the morning optimistic and saying, 'Well, maybe they didn't like that one, but wait till they see what I'm going to do next.' And I think you just have to keep going."

— From a 2011 interview with NPR

8. ON YA AUTHORS AND BOOKS

“[My husband] George and I listened … to the first Hunger Games and we loved it. And we couldn’t wait to get my car and come home. And when we came home, I’m not sure if we’d quite finished, and we sat in the car until we finished. I did not read any of the others. I had no interest in Twilight. But I did see the first movie.”

— From a 2014 interview with Lena Dunham through KCRW

9. ON THE PROS AND CONS OF TWITTER

“I like it. It’s a tremendous—I don’t want to say waste of time, but it also … what can I say? I enjoy reading the people I follow and discovering new people. It’s a lot of fun. I get a lot of laughs from it. And it connects you; it’s nice.”

— From a 2013 interview with Vanity Fair

10. ON GETTING KIDS TO READ

“Whatever gets them excited about reading is good! If you want them to read my books don't tell them so. Maybe just leave around a paperback with a new cover and say, 'I'm not sure you're ready for that.'"

— From a 2013 Reddit AMA

11. ON HER LITERARY INSPIRATIONS

“I was so inspired by Beverly Cleary's funny and wonderful books. And also, Louise Fitzhugh's Harriet the Spy. And E. L. Konigsberg's first book, Jennifer Hecate. And my favorite books from when I was young, the Betsy-Tacy books.”

— From an interview with Scholastic

12. ON "MARGARET" AND TEENAGED JUDY

“Margaret is fiction, but based on the kind of twelve year old I was. Growing up, we did have a club like The PTKs. And Margaret's interests and concerns were similar to mine. I was small and thin when thin wasn't in. I was a late developer and was anxious to grow like my friends. Margaret was right from my own sixth grade experience. I wanted to tell the truth as I knew it.”

— From an interview with Scholastic

13. ON HOW BOOKS HELP US COMMUNICATE

“I’ve never really thought in terms of taboos. I think that books can really help parents and kids talk together about difficult subjects. I’ve always felt that way. The parent reads the book. The kid reads the book and then they can talk about the characters instead of talking about themselves. You know there’s a connection even if you don’t talk about it when you read the same books.”

— From a 2014 interview with Lena Dunham through KCR

14. ON THREE THINGS THAT WOULD SURPRISE US ABOUT HER

“I’m phobic about thunderstorms. Writing is incredibly hard for me. I’m not the world’s best mother, though kids always assume I must be. And I love a good cupcake. (I know, that makes four things, but I’m hungry and wishing I had that cupcake.)”

— From a 2012 interview with Smithsonian Magazine

15. ON REVISITING OLD CHARACTERS

"I don't want to rewrite anything. My characters are who they are. For years, people have written and asked me to let Margaret go through menopause. And it's like, 'Hey guys! Margaret is 12 and she is going to stay 12. That's who she is.' No, I don't want to rewrite any of them."

— From a 2018 interview with NPR

10 Amazing Facts About Harriet Beecher Stowe

Public Domain, Wikimedia Commons
Public Domain, Wikimedia Commons

Over 41 issues, Harriet Beecher Stowe’s novel Uncle Tom's Cabin was published as a serial in the abolitionist newspaper The National Era, the first installment on June 5, 1851. It was first followed by a only small group but its audience steadily grew as the story unfolded.

“Wherever I went among the friends of the Era, I found Uncle Tom’s Cabin a theme for admiring remark,” journalist and social critic Grace Greenwood wrote in a travelogue published in the Era. “[E]verywhere I went, I saw it read with pleasant smiles and irrepressible tears.’” The story was discussed in other abolitionist publications, such as Frederick Douglass’s Paper, and helped sell $2 annual subscriptions to the Era.

The popularity of Uncle Tom’s Cabin exploded once it was made available in a more accessible format. Some publishers claim the book edition is the second best-selling title of the 19th century, after the Bible.

1. Harriet Beecher Stowe's father and all seven of her brothers were ministers.

Harriet Elisabeth Beecher was born on June 14, 1811, in Litchfield, Connecticut. Her mother, Roxana Beecher, died five years later. Over the course of two marriages, her father, Calvinist preacher Lyman Beecher, fathered 13 children, 11 of whom survived into adulthood. He preached loudly against slavery. All seven of his sons followed him into the ministry. Henry Ward Beecher carried on his father’s abolitionist mission and according to legend sent rifles to anti-slavery settlers in Kansas and Nebraska in crates marked “Bibles.”

The women of the Beecher family were also encouraged to rise to positions of influence and rally against injustice. Eldest child Catharine Beecher co-founded the Hartford Female Seminary and Isabella Beecher Hooker was a prominent suffragist.

2. The Fugitive Slave Act—and a surprise $100 gift—inspired Uncle Tom's Cabin.

In 1832, Harriet Beecher moved to Cincinnati with her father, who assumed the presidency of Lane Theological Seminary. According to Harriet Beecher Stowe: A Life by Joan D. Hedrick, the Ohio city introduced her to former slaves and African-American freemen and there she first practiced writing, in a literary group called the Semi-Colon Club.

She married Calvin Ellis Stowe, a professor at Lane, and eventually relocated to Brunswick, Maine, when he went to work at Bowdoin College. By then, Stowe had published two books, Primary Geography for Children and the short story collection New England Sketches. She was also a contributor to newspapers supporting temperance and abolitionism, writing “sketches,” brief descriptive stories meant to illustrate a political point.

Following a positive response to her The Freeman’s Dream: A Parable, Gamaliel Bailey, editor of the anti-slavery paper The National Era, sent her $100 to encourage her to continue supplying the paper with material. The 1850 passage of the Fugitive Slave Act, obligating authorities in free states to re-enslave refugees, took the slavery fight northward. It also encouraged Stowe to step up her game.

“I am at present occupied upon a story which will be a much longer one than any I have ever written,” Beecher Stowe wrote in a letter to Bailey, “embracing a series of sketches which give the lights and shadows of the ‘patriarchal institution’ [of slavery], written either from observation, incidents which have occurred in the sphere of my personal knowledge, or in the knowledge of my friends.” For material, she scoured the written accounts belayed by escaped slaves.

3. Uncle Tom's Cabin made her rich and famous.

According to Henry Louis Gate Jr.’s introduction to the annotated edition of Uncle Tom's Cabin, The National Era paid Stowe $300 for 43 chapters. Before the serial’s completion, Stowe signed a contract with John P. Jewett and Co. to publish a two-volume bound book edition, and that’s when it really took off. Released on March 20, 1852, the book sold 10,000 copies in the U.S. in its first week and 300,000 in the first year. In the U.K., 1.5 million copies flew off the shelves in the first year. Stowe was paid 10 cents for each one sold. According to a London Times article published six months after the book’s release, she had already amassed $10,000 in royalties. “We believe [that this is] the largest sum of money ever received by any author, either American or European, from the sales of a single work in so short a period of time,” the Times stated.

4. She went to court to stop an unauthorized translation of Uncle Tom's Cabin ... and lost.

Immediately after Uncle Tom’s Cabin became a literary sensation, a Philadelphia-based German-language paper, Die Freie Presse, began publishing an unauthorized translation. Stowe took the publisher, F.W. Thomas, to court. American copyright laws were notoriously weak at the time, irking British writers whose work was widely pirated. As someone who overnight became America’s favorite author, Stowe had much at stake testing them.

The case put her in the Philadelphia courtroom of Justice Robert Grier, a notorious enforcer of the Fugitive Slave Act. “By the publication of Mrs. Stowe's book, the creations of the genius and imagination of the author have become as much public property as those of Homer or Cervantes,” Grier ruled. The precedent set by Stowe vs. Thomas meant that authors had the right to prevent others from printing their exact words, but almost nothing else. “All her conceptions and inventions may be used and abused by imitators, play-rights and poet-asters,” ruled Grier.

5. Beecher Stowe visited Abraham Lincoln.

Though Stowe had criticized what she saw as his slowness in emancipation and willingness to seek compromise to prevent succession, Stowe visited President Abraham Lincoln at the White House in 1862, during the early days of the Civil War. Reportedly, Lincoln greeted her with, “So this is the little woman who brought on this big Civil War,” but scholars have dismissed the quote as Stowe family legend spread after her death.

Details of their conversation are limited to vague entries in their respective diaries. Lincoln may have bantered with her over his love of open fires (“I always had one to home,” he reportedly said), while Stowe got down to business and quizzed him: “Mr. Lincoln, I want to ask you about your views on emancipation.”

6. Beecher Stowe wrote a lot of things that weren't Uncle Tom's Cabin.

Stowe wrote more than 30 books, both fiction and nonfiction, plus essays, poems, articles, and hymns.

7. The Stowes wintered in the former slave state of Florida.

The influx of wealth from Uncle Tom’s Cabin and the end of the Civil War allowed the Stowes to purchase a winter home in Mandarin, Florida, in 1867. It may have seemed strange—and perilous—for a famous anti-slavery crusader to buy 30 acres in a former slave state so soon after the war, yet six years after the purchase, she wrote to a local newspaper, “In all this time I have not received even an incivility from any native Floridian.”

8. Beecher Stowe and Mark Twain were neighbors.

The Stowes’ primary residence, beginning in 1864, was a villa in the Nook Farm section of Hartford, Connecticut, a neighborhood populated by prominent citizens, including Mark Twain. The homes of Nook Farm had few fences, and doors stayed open in sunny weather, creating an air of gentility. That did not prevent Twain from writing a somewhat unflattering portrait of Stowe, as she gave way to what was probably Alzheimer’s disease, in his autobiography:

“Mrs. Harriet Beecher Stowe who was a near neighbor of ours in Hartford, with no fence between. In those days she made as much use of our grounds as of her own in pleasant weather. Her mind had decayed, and she was a pathetic figure. She wandered about all the day long in the care of a muscular Irishwoman, assigned to her as a guardian.”

9. Beecher Stowe outlived four of her seven children.

While continuing a lucrative and prolific writing career, Stowe birthed and cared for seven children. When she passed away in 85 in 1896, she had outlived four of them, as bad fortune seemed to follow their offspring.

Their third, Henry, drowned in a swimming accident in 1857. The fourth, Frederick, mysteriously disappeared en route to California in 1870. The fifth, Georgiana, died from septicemia, probably related to morphine in 1890. (She was an addict.) The sixth, Samuel, died from cholera in infancy in 1849. These losses informed several of Stowe’s works.

10. There are several Harriet Beecher Stowe houses you can visit.

The Harriet Beecher Stowe House of Cincinnati is where she lived after following her father to Lane. The Harriet Beecher Stowe House on the campus of Bowdoin in Brunswick, Maine, is where she wrote Uncle Tom’s Cabin. It became a restaurant from 1946 to 1998 and is now a faculty office building, but one room is open to the public and dedicated to Stowe. The Harriet Beecher Stowe Center preserves her home in Hartford. Her home in Florida is gone but is marked by a plaque.

Letters by Otto Frank, Anne Frank's Father, Are Being Digitized for the First Time

Spencer Platt, Getty Images
Spencer Platt, Getty Images

Decades after his family was ousted from their attic hiding space, Otto Frank began corresponding with a pen pal named Ryan Cooper. Throughout the 1970s, Frank and Cooper exchanged letters, with Frank offering perspectives on his time in seclusion and captivity during World War II. His daughter Anne’s famous diary was written while the family was hiding from German forces in Amsterdam.

Now, the United States Holocaust Memorial Museum is making those letters available digitally for the first time to commemorate what would have been Anne’s 90th birthday on June 12.

Cooper, an artist in California who was then in his 20s, struck up a pen pal relationship with Frank. In addition to garnering advice on a variety of topics, Cooper was able to learn more about the young woman whose Diary of Anne Frank went on to become one of the best-known chronicles of the war and who tragically died of typhus while being held in a concentration camp in 1945. The letters also reveal more about Otto Frank, who appeared determined to keep the memory of his daughter alive even as his own health began to deteriorate. Frank died in 1980 at the age of 91 as the family's only survivor of the war.

Cooper amassed more than 80 letters in total, including some from Miep Gies, who protected Anne’s writings until the war ended. The museum is expected to make all of it accessible online in the near future.

[h/t Smithsonian]

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