15 Fabulous Facts About Sex and the City

HBO
HBO

Still wondering if you’re a Carrie, a Miranda, a Charlotte, or a Samantha? It has been exactly 20 years since Sex and the City first premiered on HBO and instantly pushed cosmos, Post-it note break-ups, and Mr. Big into the cultural lexicon, and affection for the groundbreaking series has yet to diminish. The Sarah Jessica Parker-starring show offered a fresh, funny, and very frisky look inside the lives of four very different New York City gals. But even a show as beloved and written about as Sex and the City still has some secrets to spill, and we’ve found a handful of trivia bits that might surprise even its most hardcore fans.

1. CARRIE BRADSHAW ISN’T EXACTLY CANDACE BUSHNELL.

Even casual fans of the series know that Carrie Bradshaw, Sarah Jessica Parker’s character, is based on author Candace Bushnell, who penned her own sex column in the New York Observer back in the 1990s, which she then adapted into the essay collection also known as Sex and the City. Although Bradshaw and Bushnell have a lot in common, they’re not the same woman. Bushnell started writing for the Observer in 1994, using her own name and adventures to seed her wickedly funny column with salacious, true-life tidbits. But writing such stuff under your own name can be tricky—Carrie found that out the hard way plenty of times—and Bushnell eventually started writing stories about “Carrie” and her friends. Although she still pulled these stories from her own life, her semi-autobiographical heroine afforded Bushnell a special kind of freedom. You can still read some of her original columns over at the Observer’s website.

2. CARRIE’S ADDRESS ISN’T REAL.

Sarah Jessica Parker in Sex and the City (1998)
HBO

Carrie supposedly lived in a very chic apartment for the entire run of the series—a rent-controlled Upper East Side brownstone located on East 73rd Street, between Park and Madison Avenues. Swanky location, right? Too bad it was doubly fictional. Carrie’s building number was 245 (a nonexistent number that, if it did exist, would be located further east, between Second and Third Avenues) and the exterior shots were actually filmed in the West Village, at 66 Perry Street.

3. SAMANTHA AND MIRANDA’S ADDRESSES AREN'T REAL EITHER.

Although the other ladies moved around during the course of the series, each of them had their own signature abode, none of which actually exist. Samantha’s Meatpacking District loft at 300 Gansevoort Street isn’t real (that address doesn’t exist), while Miranda’s Upper West Side apartment is also fictional. Charlotte’s chi-chi address at 700 Park Avenue is, however, a real one, and it’s home to a 21-floor co-op that specializes in large apartments. (The cheapest pad on sale there right now—with its two bedrooms, 3.5 bathrooms—is on the market for $2,295,000.)

4. SARAH JESSICA PARKER WANTED TO QUIT THE SHOW EARLY.

Even though Parker had a no-nudity clause in her Sex and the City contract (which explains all those sexy scenes that feature Carrie in cute bras and nothing less), she was still nervous about the sexual content of the series. Back in 2010, she told The Sun, “I was not comfortable with nude scenes, scenes with sex toys, or vulgar language—so I did not do any ... My character, Carrie, kissed a lot of men—but that's as far as it went. I had the maturity to control my panic about the whole series and what it meant. At one point, after the pilot show of Sex and the City was made and they wanted me to sign up for the series, I wanted to get out of it.”

5. IT WAS THE FIRST CABLE SHOW TO WIN THE EMMY FOR OUTSTANDING COMEDY SERIES.

Winner for Outstanding Comedy Series, 'Sex in the City' at the 53rd Annual Prime-Time Emmy Awards held at the Shubert Theatre, Los Angeles, CA., Nov. 4, 2001
Kevin Winter, Getty Images

Although HBO has had great success with their dramatic series, Sex and the City was the network's first comedy series to win Emmy gold in 2001. It maintained that record until 2015, when Veep won the coveted award (which it won again in 2016 and 2017). 

6. THE FOURTH WALL-BREAKING LASTED FOR MORE THAN ONE SEASON.

Early episodes of Sex and the City feature one majorly jarring element that was later jettisoned from the rest of its run: characters breaking the fourth wall and talking directly to the camera. Although Miranda, Charlotte, and random supporting characters did it in the pilot episode (even Skipper did it!), eventually only Carrie turned to the camera to chat it up. Most fans remember this as a strange quirk of the series’ first season, but it actually lasted until the second season, as its last appearance reared its ugly (and talkative) head in “The Freak Show,” the third episode of season two.

7. IT’S STILL THE INSPIRATION FOR A BUS TOUR.

It makes sense that Sex and the City, one of those “oh, it’s like New York City is its own character!” series, spawned a bus tour of the show’s various New York City-set locations back in 2001. But it’s a little surprising that the tour is still going. Run by On Location Tours, the three-and-a-half-hour tour has now been operating for 17 years—nearly three times as long as the series was on the air—and it shows no sign of slowing down. It operates seven days a week, complete with stops at Magnolia Bakery (for cupcakes) and Bleecker Street (for shopping). And, yes, it does drive by Carrie’s stoop (the one on Perry Street, naturally).

8. NATASHA ONLY APPEARED IN SEVEN EPISODES.

Sex and the City featured a ton of very memorable recurring characters, from Candice Bergen as Enid Frick, Carrie’s Vogue editor, to Frances Sternhagen as Bunny MacDougal, Charlotte's one-time mother-in-law. But few guest stars had quite the same impact as Bridget Moynahan as Natasha Naginsky, Mr. Big’s second wife. Considering how deeply the introduction of Natasha changed Carrie’s life (and her relationship with Mr. Big), it’s surprising that Moynahan only popped up in seven episodes, spread out over the second and third seasons. Her last appearance? The 17th episode of season three, “What Goes Around Comes Around,” in which Carrie desperately tries to make amends.

9. THE SHOW ADDRESSED 9/11 IN ITS OWN WAY.

The September 11th attacks occurred in between half-seasons, as the fourth season was split in two and the first run ended on August 12, 2001. When the show returned on January 6, 2002, the opening credits had been altered so as to not show the Twin Towers, which originally appeared twice, once with the show’s title, once with “Starring Sarah Jessica Parker."

Of the change, led by producer Michael Patrick King, Parker—who watched the towers collapse—told New York Magazine: “Like the rest of us, I had had all sorts of mixed feelings about the Twin Towers ... But once they were gone, they were beloved." They were replaced in the credits by the Empire State Building.

10. THE SHOW DIDN’T INVENT THE COSMO, BUT IT CERTAINLY POPULARIZED IT.

The ladies’ cocktail of choice, the pink-hued vodka sipper, may have risen to frothy fame thanks to the series, but the drink is believed to have been invented way back in the 1930s. Although its exact provenance is up for debate (no one can agree on whether it was first made in Provincetown or Miami or somewhere else), no one questions that its '90s popularity is due to its many, many appearances on the show. Pair it with a Magnolia Bakery cupcake and you’ve got yourself one heck of a Sex and the City snack.

11. THERE WAS A REAL MR. BIG.

Sarah Jessica Parker and Chris Noth in 'Sex and the City'
Paramount Home Entertainment

Given the true-life (and true-love) events that inspired Bushnell’s original columns, it should come as little surprise that there was a real Mr. Big and he has actually been identified. Although the series’ Big was a big-time financier and entrepreneur, his inspiration—Ron Galotti—was a publisher whom Bushnell met at a party in 1995. The pair dated for about a year, but his presence was felt in her columns—and in Carrie’s own story—for years to come.

12. KRISTIN DAVIS USED TO HIDE THE SHOW FROM HER FAMILY.

Kristin Davis was concerned that the show’s risqué subject matter—and even its title—would shock her family, so she didn’t tell her grandmother about it and asked her parents not to watch it. But her attitude changed over time, and she later confessed that her parents had started watching the show after her grandmother passed away. Davis's dad, a psychology professor, really got into it, even using the show as part of his college lectures on "Marriage and Sexuality."

13. KIM CATTRALL WAS WORRIED SHE HAD BEEN CAST AS SOMEONE’S MOTHER.

Kim Cattrall, Kristin Davis, and Cynthia Nixon in 'Sex and the City'
Paramount Home Entertainment

As the oldest member of the cast, Kim Cattrall was a little blown away by the fact that the series wanted her to play the role of Samantha Jones, a sexy singleton, and not someone’s mom. Back in 2002, she commented, “I never thought I'd be playing this character at this age in my life ... I thought I'd be playing somebody's mom ... The other girls on the show are 10 years younger than I am, so I have to get enough sleep and work out and watch what I eat. Just running around New York City is a good way to keep in shape.”

14. THE SHOW’S FINALE REALLY WAS INTENDED AS AN ENDING.

Although Sex and the City has spawned two feature films—and rumors of a third movie continue to pop up from time to time—producer Michael Patrick King (who directed both of the feature films) originally believed that the show ended just as it was meant to. In 2004, mere months after the show aired its final episode, King said at a panel, “Nothing we did in the series was altered to save something for the movie ... This is exactly the way we wanted to end the series. We’re proud of what we did.”

15. SARAH JESSICA PARKER PUSHED FOR DIVERSITY.

When Blair Underwood joined the cast as a love interest for Miranda back in 2003, it marked the injection of a long-needed bit of diversity in the show’s cast. Of the casting, Cynthia Nixon (Miranda herself) said, “We all of us, and no one more than Sarah Jessica, had lobbied for this for a long, long time ... I'm a huge fan of the show, but if we had area in which we really could use improvement, it's certainly this one ... I think it's about time.”

An earlier version of this article ran in 2016.

10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

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