17 Forgotten Dating Shows

It has now been 20 years since the premiere of Singled Out, MTV's popular dating show featuring Chris Hardwick and Jenny McCarthy (then Chris Hardwick and Carmen Electra). Though, compared to 1995, it has never been easier to meet someone—at least technically speaking—dating will always be a messy art that makes everybody look like their dumbest selves. Which is why dating “reality” shows have continued to evolve and devolve through the years.

Though there have been many memorable dating shows, like current hits The Bachelor and The Bachelorette, far more romance-minded series have been left to die alone, never finding love with audiences. Here are 17 of the latter.

1. MATCHMAKER (1987-1988)

Popular Los Angeles DJ Dave Hull hosted the syndicated game show, and held most of the power. Without looking at them, Hull gradually eliminated three of the six contestants based on the answers to his questions. Then Hull would choose between the two men or women left for the “romantic lead” he had designated earlier. The new couple’s compatibility was then determined based on a list of likes and dislikes they listed before the show. The more their answers matched, the more expensive their grand prize of a trip would be.

2. STUDS (1991-1993)

Averaging three million viewers a night, Studs was a brief phenomenon when it was syndicated on Fox affiliates. Two male contestants went on one-on-one dates with each of the three female contestants before taping. On the show, each man would try to guess which female contestant said one of the three answers (almost always a double entendre) to host Mark DeCarlo’s questions about the date. In the end, if the men could guess which woman chose him as the “stud” over the other, they won another date. The sexually suggestive talk from the women was scripted, and some male contestants were upset that the show made it seem like sex was had on every date, when that wasn’t the case.

3. PERSONALS (1991-1992)

The host of this late night CBS dating show was Michael Berger, described as “part Pat Sajak, part Howard Stern.” Some of the contestants were people who had written personal ads in Los Angeles newspapers. Three men or women competed to best guess the answers the main contestant went with in the same dual-choice questions they were given. In the bonus round known as the “Love Thermometer,” the new couple would face off against the previous show’s couple to win a romantic trip.

4. NIGHT GAMES (1991-1992)

Night Games was the first of two CBS late-night companion shows to Personals hosted by comedian Jeff Marder. Three male and female contestants answered questions in “Honesty” and “Sensuality” rounds. It was considered a rip-off of the raunchy Studs before it was even screened by critics.


A Perfect Score was the second of Marder's late-night shows. In this one (which replaced Night Games), three close friends of one contestant attempted to find their friend the ideal date by questioning three candidates. Despite the producers' promise that it wasn’t scripted, some of the 110 CBS affiliates that ran the show put it on at 2 a.m. or later, which was hardly an ideal timeslot. Unsurprisingly, A Perfect Score didn’t last.

6. STREET MATCH (1993)

Airing on ABC in the summer of 1993 after repeats of The Wonder Years, soap opera star Ricky Paull Goldin “made Chuck Woolery look like a class act” as he sought out men and women on the street and asked them to participate on the show. If they agreed, the contestant pointed out an attractive stranger on the street and Goldin would go to work on setting the two of them up. If the second stranger agreed, the two would go on a date, which would be shot and edited in the newly discovered MTV Real World Dutch angle, jump cut way.

7. BZZZ! (1996-1997)

Annie Wood hosted the show where two sets of contestants considered four possible dates. Three of the four dates got “bzzzed” if they gave a “wrong” answer to one of the contestants' questions. The two potential date groups then faced off in a “simpatico” round for a “dream date” package.

8. THE BLAME GAME (1998-2001)

“Judge” Chris Reed would listen to two former lovers and decide who was to blame for their break-up, with help from “counselors” Jason Winer (an executive producer on Modern Family and creator of 1600 Penn) and Kara Jane McNamara. The studio audience would determine who was the guilty party after each round. Final arguments featured the litigants karaokeing to contemporary hits (the show aired on MTV). The person voted not to be the one at fault won a vacation, while the loser had his or her picture added to the “Do Not Date This Blame Game Loser” section of the show’s website and/or, for a time, in a section of Entertainment Weekly, unless he or she made a convincing apology to the winner.

9. CHAINS OF LOVE (2001)

This Madison Michelle-hosted show that made Temptation Island look like Washington Week in Review" lasted just six episodes on UPN. Four men or women were chained to one member of the opposite sex, and each day one of the suitors would be released and given whatever amount of the $10,000 the star of the episode decided to hand over. After four days, the star could decide to split the leftover money with the contestant left standing and see him or her again, or pocket all the cash. If the previously chained contestant didn’t develop Stockholm Syndrome, he or she had the option of walking away with all of the cash.

10. RENDEZ-VIEW (2001-2002)

Co-hosted by Greg Proops and Ellen Ladowsky, this syndicated show featured two guests per episode—usually an actor and a comedian—who would watch a videotaped date along with the hosts and humorously critique them.

11. SHIPMATES (2001-2003)

Shipmates is the other Chris Hardwick-hosted dating show. Participants went on a blind date on a Carnival Cruise ship for three days. Hardwick claimed that he turned the show down six times before agreeing to host, under the condition that he be allowed to write his own material.

12. THE 5TH WHEEL (2001-2004)

Aisha Tyler hosted the first season of the syndicated series before leaving to take more movie offers, and to guest star on Friends in its final two seasons. On the show, two men and two women went on a group date before a fifth man or woman would entertainingly complicate matters.

13. TAILDATERS (2002-2003)

The MTV show had the best friends of two daters follow the date from a van, providing commentary and at times “paging” advice to their buds.

14. MR. PERSONALITY (2003)

Running for five episodes in 2003 on Fox, host Monica Lewinsky helped contestant Hayley Arp find love with one of 20 suitors, all of whom wore masks the entire time. The one allowed exception was in the “Dark Room,” where Arp was able to touch a contestant’s face.


Hosted by Los Angeles DJ Sean Valentine, Married By America was a six-episode series, also on Fox in 2003. Five single people agreed to get engaged to total strangers chosen by the viewing audience. Gradually relationship experts eliminated three of the couples, and the two “winning” couples decided to not get married after all. Fox’s Raleigh-Durham affiliate refused to air the series after its premiere, stating that it “demeans and exploits the institution of marriage.”


In two episodes that ran on Fox in 2004, a 4’5” bachelor chose between a group of women of similar height, before the twist of adding 12 “average” sized female contestants to the contest really shook things up (“an average sized twist,” the voiceover intoned). Salesman Glen Foster chose 4’3” Mina Winkler, and said he didn’t feel exploited.

17. SCORE (2005)

In a four-week run, singer-songwriter Ashlee Simpson ex Ryan Cabrera hosted Score on MTV. Cabrera’s band and guest stars mentored two contestants and helped them each write a song to win the heart of a “hottie.” The winner was whomever said hottie decided wrote and performed the better song.

11 Bulletproof Facts About Sledge Hammer!

Although its run was short-lived, ABC’s mid-1980s cop spoof Sledge Hammer! made a significant imprint in the minds of primetime viewers. David Rasche starred as the title character, a trigger-happy police detective who “shot first and asked questions never.” In honor of the 30th anniversary of the show’s series finale on February 12, 1988, we’ve got a few facts about the series that should hit the mark. 


In 1971, 10-year-old Alan Spencer snuck into a screening of Clint Eastwood’s Dirty Harry by buying a ticket to Fiddler on the Roof and switching theaters once he was inside. Impressed by the movie and its sequels, Spencer decided to write a script lampooning the renegade cop trope. At 16, he began circulating Sledge Hammer! around the business to readers who didn’t understand the kind of satire Spencer was aiming for. One agent called it “the work of someone with serious mental problems.”

Spencer persevered: Nearly a decade later, another Dirty Harry sequel arrived in theaters and reinvigorated interest in a send-up of the genre. Reworked as a half-hour sitcom, Sledge Hammer! suddenly became a hot commodity.


Leonard Stern, who produced the 1960s spy spoof Get Smart, knew of Spencer’s script and connected him with HBO. The network wasn’t sure what to make of the excessive violence and dark humor and wanted Spencer to revise it to fit the persona of Rodney Dangerfield, who they wanted to have starring in the project. Spencer declined and took the idea to ABC, which was receptive to it—provided all of the profanity was deleted. The writer and network cast Second City’s David Rasche and Anne-Marie Martin as Sledge and partner Dori Doreau, respectively. (Martin went on to marry Jurassic Park author Michael Crichton.)


Composer Danny Elfman created the track for the Sledge Hammer! opening credits sequence, which was shot in romantic close-up of Sledge’s beloved .44 Magnum firearm. In a James Bond homage, Rasche was supposed to then pick up the weapon and fire it directly at the viewer, “shattering” the television screen. ABC nixed the idea, fearing the abrupt visual might prompt heart attacks in susceptible viewers. (He fired it offscreen instead.)


Oddly, Sledge Hammer! the series and "Sledgehammer" the song had absolutely no connection with one another, but both were released within a few months of each other in 1986. With the song a hit, ABC convinced (and obviously paid) Peter Gabriel to allow them to use it in promotional spots for the series.


A man who talks to and sleeps with his gun probably is in need of some kind of mental evaluation. But Spencer’s original catchphrase idea for Sledge—“I’m crazy, but I know what I’m doing”—was axed by ABC, which refused to allow any admission the character might be mentally ill. The phrase became “Trust me, I know what I’m doing.” 



Spencer was not a fan of Mr. Belvedere, the genteel 1980s sitcom about an English butler who charms his American employers. Sledge took several shots at the show—which aired on the same network—prompting Belvedere star Bob Uecker to criticize Sledge while a guest on The Tonight Show. The war of words was never resolved.


As an acquired taste, Sledge Hammer! didn’t resonate with viewers, who preferred it a distant third to time slot competitors Dallas and Miami Vice. Believing the first season would also be the last, the show’s producers aired a finale that featured Hammer accidentally activating a nuclear warhead that reduced his city to rubble. When ratings improved for the apocalyptic finale, ABC decided to renew it—forcing the show to frame subsequent episodes as having taken place years prior to the explosion.


Lasting just two issues, Marvel’s Sledge Hammer! took the detective into the sequential art world, including a guest appearance by Spider-Man. The cover of the first promised a faithful adaptation of the “show that refuses to die.” (Marvel’s onetime Hulk, Bill Bixby, directed several of the show’s episodes.)


At the time Sledge Hammer! aired, studios and networks were mostly concerned with rights issues relating to videocassette releases. The network therefore didn’t bat an eye when Spencer, who loved laserdiscs, had it written into his contract that he be a profit participant in any “disc format” releases of the show. Sledge was released on DVD in 2004, a "disc format" the network could never have anticipated, and earned Spencer a significant cut of the profits.


In 1992, Spencer received word that New Line Cinema was interested in adapting Sledge Hammer! as a feature film. The creator passed when it became clear the studio wanted to move forward with a new cast and new characters.



Not everyone took the satire of a gun-loving fascist as a joke. Spencer told Splitsider in 2012 that when Sledge Hammer! premiered, the National Rifle Association (NRA) bestowed him with an honorary membership for contributing to pro-gun awareness. “A lot of people took [the show] very seriously,” he said.

NBC/Justin Lubin/NBC - © 2016 NBCUniversal Media, LLC
Are The Good Place and Parks and Recreation Set in the Same Universe?
NBC/Justin Lubin/NBC - © 2016 NBCUniversal Media, LLC
NBC/Justin Lubin/NBC - © 2016 NBCUniversal Media, LLC

TV producer Mike Schur has left an Easter egg in the season finale of The Good Place that will have fans of his other hit, Parks and Recreation, thinking they’ve died and gone to heaven. As The A.V. Club reports, a tiny detail in the most recent episode of the show indicates that Eleanor, Chidi, Tahani, and Jason live in the same universe as Leslie Knope and the gang—even if they don’t exist in the same plane.

A sharp-eyed Twitter user posted the screenshots below from the season two finale of The Good Place, which aired on February 1. The episode—written and directed by Schur—has a tiny reference to Parks and Recreation’s egotistical, hapless "entrepreneur" Jean-Ralphio Saperstein.

We don’t want to hit you with any spoilers (you can read Vulture’s recap for a good overview, if you dare), but suffice it to say that the scene involves a peek at Eleanor’s time on Earth, showing her reading a low-brow magazine called Celebrity Baby: Plastic Surgery Disasters. And lo and behold, what kind of business would advertise in such a craven magazine? Oh, just brands like Champagne by Jean-Ralphio.

The worlds-colliding revelation kind of makes sense in light of another recent A.V. Club analysis of Schur's shows, including Parks and Rec and The Good Place—that fundamentally, all of his fictional creations come off as “uncommonly decent TV worlds,” filled with sincere, earnestly industrious characters. Eleanor might not be quite as selfless as Leslie Knope, but it’s not hard to imagine Leslie taking her on as a mentee. And yeah, it feels like fellow nerds Chidi and Ben would get along swimmingly. (We won't even get into what this means for the 2016 fan theory that determined Steve Harrington from Stranger Things is actually Jean-Ralphio's father.)

Does this mean we can expect Jason to eventually meet and try to ride beloved celebrity miniature horse Li’l Sebastian in heaven? We can only hope.

[h/t The A.V. Club]


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