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15 Truths About The Truman Show

Released on June 5, 1998, Peter Weir's The Truman Show is often credited with predicting the reality television phenomenon that would begin in earnest two years later with Survivor. It's also notable in that it gave already-famous movie star Jim Carrey credibility as a dramatic actor, and even earned him a Golden Globe. Here are 15 things you might not know about the Oscar-nominated film.

1. IT WAS ORIGINALLY TITLED THE MALCOLM SHOW AND WAS MUCH DARKER IN TONE.

In May of 1991, screenwriter Andrew Niccol presented a drama titled The Malcolm Show to his then-manager, which he envisioned as a paranoid drama set in Manhattan, with Gary Oldman in the title role.

2. THE PLOT IS SIMILAR TO A MOVIE AND TWO EPISODES OF THE TWILIGHT ZONE.

Critics compared The Truman Show to Paul Bartel’s 1968 short film The Secret Cinema, which starred Amy Vane as a secretary who doesn’t know that her life is being filmed and shown to her duplicitous friends and family in private screenings. The Secret Cinema was played before showings of Woody Allen’s Take the Money and Run in 1969 and remade into a 1986 episode of Amazing Stories. Niccol said he had never heard of the film or the episode in question when he wrote The Truman Show. Niccol’s screenplay was also compared to two episodes of The Twilight Zone: “A World of Difference” and “Special Service.”

3. JIM CARREY TOOK A PAY CUT TO PLAY TRUMAN BURBANK.

Instead of his then-standard $20 million paycheck, Carrey accepted $12 million for his dramatic acting services.

4. NORMAN ROCKWELL AND THE 1940s WERE BIG INSPIRATIONS.

Laura Linney looked at 1940s Sears & Roebuck catalogs as preparation for her role as Meryl, Truman’s wife. Norman Rockwell’s Saturday Evening Post covers were studied by director Peter Weir before shooting to get the right look. In the shooting script, seven-year-old Truman’s school mistress is described as a “kindly Norman Rockwell-style” teacher.

5. LINNEY HAD ANOTHER INSPIRATION FOR HER PART.

Linney took some inspiration from her own mother for the film, not to play actress Hannah Hart, but to play actress Hannah Hart playing Meryl Burbank, Truman’s wife and a nurse at the Seahaven hospital. Linney’s mother was a cancer nurse at Memorial Sloan-Kettering.

6. MOST OF THE FILM WAS SHOT IN THE PLANNED COMMUNITY OF SEASIDE, FLORIDA.

It fit the vintage, Rockwellian aesthetic the filmmakers were seeking. All of those building in Seaside are asked to include a front porch and white picket fence.

7. PRODUCTION WAITED ONE YEAR FOR CARREY TO FINISH WORKING ON LIAR LIAR.

During that time, Weir and Niccol worked on 14 drafts of the script. Weir also wrote a 10-page backstory that went into the history of the television show The Truman Show within the movie. According to the backstory , Christof was 29 years old when he convinced the Omnicam Corporation to give him the go-ahead to produce a show called Bringing Up Baby, starring an infant whose first year in the world would be fully documented.

8. A DOCUMENTARY WAS PRODUCED WITH THE SEAHAVEN ACTORS ABOUT THE TV SHOW.

Weir found that he had so much good material asking the actors to come up with answers to his questions as their onscreen personas that he put together a documentary unit to capture everything. Some parts made it to the movie, and the rest were turned into a half-hour documentary about the show that ran on Nick at Nite, presented as an episode of Tru Talk, hosted by Harry Shearer’s Mike Michaelson character.

9. ED HARRIS WAS A LAST-MINUTE REPLACEMENT FOR DENNIS HOPPER.

Hopper was supposed to play Christof, but he was either fired or left due to “creative differences” two months into filming (different versions of the story abound). Harris met Weir on set on a Thursday, worked on another project in New York for four days, then started work as Christof on a Tuesday. He would end up winning the Golden Globe for Best Supporting Actor and scoring one of the film's three Oscar nods.

10. HARRIS AND CARREY NEVER MET DURING FILMING.

Carrey finished filming before Harris was brought in.

11. PHILIP GLASS MAKES A CAMEO.

Seven of Glass’ compositions are part of the movie’s soundtrack. Glass himself plays the piano in a scene where Truman is asleep on screen.

12. THEATER AUDIENCES WERE ALMOST PART OF THE MOVIE.

Weir had planned for projectionists to stop the film at one point during all screenings, cut to video shot by cameras installed in every theater, then cut back to the movie. To make things even more meta, the Oscar-nominated director flirted with the idea of playing Truman’s director, Christof, himself.

13. RON AND DON WERE HIRED TO DIRECT TRAFFIC ON SET.

Police Lieutenants Ron and Don Taylor were Seaside, Florida cops who Weir noticed had great relationships with the crew, so he hired them as actors.

14. THERE IS A PSYCHIATRIC CONDITION CALLED "THE TRUMAN SHOW DELUSION."

In 2008, a psychiatrist shared that he had met five schizophrenic patients and heard of another dozen who believed their lives were reality television shows. One patient climbed the Statue of Liberty believing that his high school girlfriend would be at the top, which was the key to him being able to leave the show.

15. AN ACTUAL TV SHOW MAY BE ON ITS WAY.

On April 10, 2014, it was reported that a television series based on The Truman Show was being developed at Paramount. No further updates have been announced.

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6 Times There Were Ties at the Oscars
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getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
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It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

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