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15 Huge Facts About Big

Big is hardly the only age-changing movie that has ever been made. But even today, nearly 30 years after its original release, it remains one of the sub-genre's most enduring entries. Tom Hanks and director Penny Marshall were the two main reasons for the film's success, even though they only became involved in the project after other, bigger names (in 1988 anyway) backed out. Isn't that always the way?

1. HARRISON FORD WAS GOING TO STAR AS JOSH BASKIN, AND STEVEN SPIELBERG WAS GOING TO DIRECT.

Anne Spielberg, Steven’s sister, wrote the Big script with Gary Ross with the idea that Ford would star and the elder Spielberg would direct. When they dropped out, producer James L. Brooks presented the script to Penny Marshall.

2. THERE WERE A LOT OF MAJOR STARS BEING CONSIDERED FOR THE LEAD.

Tom Hanks was the first choice, but he was busy with other projects at the time. Marshall asked Kevin Costner, Warren Beatty, and Dennis Quaid, who all said no. Albert Brooks gave her the same answer, saying he didn’t want to play a kid. John Travolta really wanted to do it, but the studio didn't want Travolta ("at the time he was box office poison," Marshall wrote in her memoir). Sean Penn was deemed too young by Marshall. Gary Busey auditioned, but Marshall didn’t think he could pull off playing an adult.

3. ROBERT DE NIRO AGREED TO PLAY JOSH.

Wanting to make a family-friendly commercial film, De Niro at first accepted Marshall’s offer. De Niro and Jared Rushton, who played Josh’s childhood friend Billy, even hung out in Marshall’s driveway skateboarding and shooting hoops. However, De Niro’s $6 million price tag was ultimately too expensive, and after declining Marshall’s offer to pay him with her own salary, De Niro dropped out. But his short-lived attachment helped to raise the project's profile in Hollywood, so when approached about starring for a second time, Hanks said yes.

4. DEBRA WINGER TRIED TO CONVINCE MARSHALL TO CHANGE JOSH INTO A WOMAN.

The actress kept asking her director friend if the gender could be switched for the protagonist, but Marshall explained to Winger that she couldn’t see a way to make a 35-year-old man in a relationship with a 12-year-old girl not be “something from Penthouse or Hustler.”

5. IT WAS THE FIFTH AGE-CHANGE COMEDY TO COME OUT WITHIN ONE YEAR.

On October 2, 1987, the trend started with Like Father Like Son, the movie that swapped Dudley Moore and Kirk Cameron’s personalities. On December 23 in Italy, Da grande told the story of a nine-year-old boy having his wish to become an adult overnight come true (so that he could romance his teacher). On March 11, 1988, Judge Reinhold and Fred Savage unwittingly had their minds switched in Vice Versa. Three weeks later, 81-year-old George Burns’ age was inversed after a car crash in 18 Again! (A veteran producer said it was all a big coincidence.) Marshall didn’t know when she took the directing assignment that Big was not going to be an original idea on its June 3, 1988 release. She admitted that she read the scripts for Like Father Like Son and Vice Versa, and determined that their tones were different than Big’s.

6. HANKS AND ELIZABETH PERKINS HAD DOUBTS ABOUT THE MOVIE.

Because of the glut of similar movies that were beating them to the punch while they were shooting the movie, Perkins said that she and Hanks “looked at each other at one point like, ugh—this is going straight to video.”

7. YOU CAN FIND A ZOLTAR MACHINE AT RYE PLAYLAND. BUT NOT THAT ZOLTAR.

The scene at the end of the movie, where Josh finds the Zoltar machine again, was filmed at New York’s Rye Playland, but the machine was just a movie prop. In fact, if you went to the very spot where the machine was in the film today, you would find an Aquafina vending machine. But the park does have a Zoltar machine, albeit one that is notably different from the movie version—and located in a hut by the Dragon Coaster.

8. HANKS AND ROBERT LOGGIA DID THEIR OWN PIANO DANCING.

Robert Loggia portrayed MacMillan, who was modeled after then-FAO Schwarz CEO Peter L. Harris. After Loggia and Hanks spent months at home practicing the routine on huge cardboard piano keys, the two showed up for shooting and noticed dancers on standby. Motivated by the perceived slight, Loggia remembered telling the stunt men to “take a hike,” and performing the sequence with Hanks in “just about one take.”

9. THE CREATOR OF THE "WALKING PIANO" BUILT A BIGGER VERSION OF IT JUST FOR THE MOVIE.

Remo Saraceni built a 16-foot long, full three-octave piano so that Josh and MacMillan could play “Heart and Soul,” something that the six-and-a-half-foot long, one-octave "Walking Piano" on display at FAO Schwarz couldn’t accommodate. After the movie's success, Saraceni began selling the 16-foot version—for $15,000.

10. HANKS GOT TO SEE HOW A KID WOULD ACTUALLY BEHAVE IN HIS SCENES.

Penny Marshall videotaped David Moscow, the actor who played kid Josh, acting out all of the adult Josh scenes so that Hanks could study his mannerisms in each situation.

11. HANKS AND MOSCOW BOTH HAD TO CHANGE THEMSELVES IN ORDER TO PLAY THE SAME PERSON.

Moscow dyed his hair black and wore green contact lenses to look like a younger version of Hanks. Because his feet were growing at a rapid pace and he consequently wore ill-fitting shoes, Moscow had a weird duck-like gait, which led Hanks to ask for oversized shoes so that he could mimic Moscow's walk.

12. YOUNG JOSH HAD THE TIME OF HIS LIFE ON SET.

David Moscow got to stay up all night for the first time in his life when they shot the carnival scenes. He was able to ride all of the rides and eat a lot of cotton candy. Later, after shooting, Moscow and Jared Rushton became buddies in Los Angeles, surprising many L.A. onlookers who saw the two Big child stars hanging out together in real life.

13. JON LOVITZ GOT SICK DURING FILMING.

Lovitz, who played Josh's co-worker Scotty Brennen, came down with the flu in the midst of production. After a week of convalescence, Lovitz considered calling Marshall to say he was good to come back and finish filming before deciding that it was a “nothing” role. Once Big became a big hit, he felt like an “idiot.”

14. IN THE SCRIPT, SUSAN KISSES JOSH GOODBYE ON THE LIPS.

Since it was at the end of the film, after Susan discovers Josh’s real age, Marshall insisted that Elizabeth Perkins kiss him on the forehead instead.

15. PENNY MARSHALL MADE MOVIE HISTORY.

In her second movie directing assignment, Marshall became the first female director to ever direct a film that made more than $100 million at the box office.

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Jim Henson's Labyrinth Is Being Adapted Into a Stage Musical
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Henson Company

More than 30 years after its cinematic debut, Labyrinth could be hitting the stage. In an interview with Forbes, Jim Henson's son and Henson Company CEO Brian Henson shared plans to transform the cult classic into a live musical.

While the new musical would be missing David Bowie in his starring role as Jareth the Goblin King, it would hopefully feature the soundtrack Bowie helped write. Brian Henson says there isn't a set timeline for the project yet, but the stage adaptation of the original film is already in the works.

As for a location, Henson told Forbes he envisions it running, "Not necessarily [on] Broadway, it could be for London's West End, but it will be a stage show, a big theatrical version. It’s very exciting."

Labyrinth premiered in 1986 to measly box office earnings and tepid reviews, but Jim Henson's fairytale has since grown into a phenomenon beloved by nostalgic '80s kids and younger generations alike. In the same Forbes interview, Brian Henson also confirmed the 2017 news that a long-anticipated Labyrinth sequel is apparently in development. Though he couldn't give any specifics, Henson confirmed that, "we are still excited about it but the process moves very slowly and very carefully. We're still excited about the idea of a sequel, we are working on something, but nothing that's close enough to say it's about to be in pre-production or anything like that."

While fans eagerly await those projects to come out, they can get their fix when the film returns to theaters across the U.S. on April 29, May 1, and May 2. Don't forget to wear your best Labyrinth swag to the event.

[h/t Forbes]

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10 Wild Facts About Westworld
John P. Johnson, HBO
John P. Johnson, HBO

The hit HBO show about an android farm girl finding sentience in a fake version of the old West set in a sci-fi future is back for a second season. So grab your magnifying glass, study up on Lewis Carroll and Shakespeare, and get ready for your brain to turn to scrambled eggs. 

The first season saw Dolores (Evan Rachel Wood) and her robotic compatriots strive to escape bondage as the puppet playthings of a bored society that kills and brutalizes them every day, then repairs them each night to repeat the process for paying customers. The Maze. The Man in Black. The mysteries lurking in cold storage and cantinas. Wood described the first season as a prequel, which means the show can really get on the dusty trail now. 

Before you board the train and head back into the park, here are 10 wild facts about the cerebral, sci-fi hit. (Just beware of season one spoilers!)

1. IT’S NOT THE FIRST TV ADAPTATION OF THE MOVIE.

Though Westworld, the 1973 film written and directed by Michael Crichton, was a hit, its 1976 sequel Futureworld was a flop. Still, the name and concept had enough cachet for CBS to move forward with a television concept in 1980. Beyond Westworld featured Delos head of security John Moore (Jim McMullan) battling against the villainous mad scientist Simon Quaid (James Wainwright), who wants to use the park’s robots to, what else, take over the whole world. It would be a little like if the HBO show focused largely on Luke Hemsworth’s Ashley Stubbs, which just might be the spinoff the world is waiting for.

2. THE ORIGINAL GUNSLINGER HAS A CAMEO.

Ed Harris and Eddie Rouse in 'Westworld'
JOHN P. JOHNSON, HBO

The HBO series pays homage to the original film in a variety of ways, including echoing elements from the score to create that dread-inducing soundscape. It also tipped its ten-gallon hat to Yul Brynner’s relentless gunslinger from the original film by including him in the storage basement with the rest of the creaky old models.

3. QUENTIN TARANTINO, ARNOLD SCHWARZENEGGER, AND MANY OTHERS COULD HAVE REBOOTED IT.

Speaking of Brynner’s steely, murderous resolve: His performance as the robo-cowboy was one of the foundations for Arnold Schwarzenegger’s turn as the Terminator. Nearly 20 years later, in 2002, Schwarzenegger signed on to produce and star in a reboot of the sci-fi film from which he took his early acting cues. Schwarzenegger never took over the role from Brynner because he served as Governor of California instead, and the reboot languished in development hell.

Warner Bros. tried to get Quentin Tarantino on board, but he passed. They also signed The Cell director Tarsem Singh (whose old West would have been unbelievably lush and colorful, no doubt), but it fell through. A few years later, J.J. Abrams—who had met with Crichton about a reboot back in 1996—pitched eventual co-creators Jonathan Nolan and Lisa Joy on doing it as a television series. HBO bought it, and the violent delights finally made it to our screens.

4. IT COSTS $40,000 A DAY TO VISIT THE PARK. (AND THAT’S THE CHEAP PACKAGE.)

Thandie Newton and Angela Sarafyan in 'Westworld'
HBO

In season one, Logan (Ben Barnes) revealed that he’s spending $40,000 a day to experience Westworld. That’s in line with the 1973 movie, where park visitors spent $1000 a day, which lands near $38,000 once adjusted for inflation. Then again, we’re talking about 2052 dollars, so it might still be pricey, but not exorbitant in 2018 terms. But a clever Redditor spotted that $40,000 is the minimum you’d pay; according to the show’s website, the Gold Package will set you back $200,000 a day.

5. BEN BARNES BROKE HIS FOOT AND DIDN’T TELL ANYONE.

Once Upon a Time’s Eion Bailey was originally cast as Logan but had to quit due to a scheduling conflict, so Ben Barnes stepped in … then he broke his foot. The actor hid the injury for fear he’d lose the job, which is why he added a limp as a character detail. “I’m sort of hobbling along with this kind of cowboy-ish limp, which I then tried to maintain for the next year just so I could pretend it was a character choice,” Barnes said. “But really I had a very purple foot … So walking was the hardest part of shooting this for me.”

6. THE CO-CREATORS RICKROLLED FANS OBSESSED WITH UNCOVERING SPOILERS.

Eagle-eyed fans (particularly on Reddit) uncovered just about every major spoiler from the first season early on, which is why Nolan and Joy promised a spoiler video for anyone who wanted to know the entire plot of season two ahead of its premiere. They delivered, but instead of show secrets, the 25-minute video only offered a classy rendition of Rick Astley’s internet-infamous “Never Gonna Give You Up,” sung by Evan Rachel Wood with Angela Sarafyan on piano, followed by 20 minutes of a dog. It was a pitch-perfect response to a fanbase desperate for answers.

7. IT FEATURES AN ANCIENT GREEK EASTER EGG.

Amid the alternative rock tunes hammered out on the player piano and hat tips to classic western films, Westworld also referenced something from 5th century BCE Greece. Westworld, which is run by Delos Incorporated, is designed so that guests cannot die. Delos is also the name of the island where ancient Greeks made it illegal for anyone to die (or be born for that matter) on religious grounds. That’s not the only bit of wordplay with Greek either: Sweetwater’s main ruffian, Hector Escaton (Rodrigo Santoro), gets his last name from the Greek eschaton, meaning the final event in the divine design of the world. Fitting for a potentially sentient robot helping to bring about humanity’s destruction.

8. JIMMI SIMPSON FIGURED OUT HIS CHARACTER’S TWIST BECAUSE OF HIS EYEBROWS.

Evan Rachel Wood and Jimmi Simpson in 'Westworld'
HBO

In season one, the show’s many secrets were kept even from the main cast until the time they absolutely needed to know. Jimmi Simpson, who plays timid theme park neophyte William, had a hunch something was funny with his role because of a cosmetic change.

“I was with an amazing makeup artist, Christian, and he was looking at my face too much,” Simpson told Vanity Fair. “He had me in his chair, and he was just looking at my face, and then he said something about my eyebrows. ‘Would you be cool if we just took a couple hairs out of your eyebrows, made them not quite as arched?’” Guessing that they were making him look more like The Man in Black, Simpson said something to Joy, and she confirmed his hunch. “She looked kind of surprised I’d worked it out,” he said.

9. THE PLAYER PIANO MAY BE AN ALLUSION TO KURT VONNEGUT.

One of the show’s most iconic elements is its soundtrack of alternative rock songs from the likes of Radiohead, The Cure, and Soundgarden redone in a jaunty, old West style. In addition to adding a creepy sonic flavor to the sadistic vacation, they also may wink toward Kurt Vonnegut’s first novel, Player Piano, which deals with a dystopia of automation where machines do everything for humans, leading to an entrenched class struggle. The show’s resonant elements are clear, but Westworld also mentions that the world outside the theme park is one where there’s no unemployment and humans have little purpose. Like The Man In Black (Ed Harris), the protagonist of Player Piano also longs for real stakes in the struggle of life.

10. THERE ARE TWO JESSE JAMES CONNECTIONS.

Anthony Hopkins and Jeffrey Wright in 'Westworld'
HBO

Anthony Hopkins’s character Dr. Robert Ford is an invention for the new series, and he shares a name with the man who assassinated infamous outlaw Jesse James (a fact you may remember from the aptly named movie The Assassination of Jesse James by the Coward Robert Ford). The final episode of the first season flips the allusion when Ford is shot in the back of the head, which is exactly how the real-life Ford killed James.

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