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25 Famous Authors' Favorite Books

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One key to being a good writer is to always keep reading—and that doesn't stop after you've been published. Here are 25 authors's favorite reads. Who knows, one of these books might become your new favorite.

1. AYN RAND

Ayn Rand Institute, Facebook

"The very best I've ever read, my favorite thing in all world literature (and that includes all the heavy classics) is a novelette called Calumet K by Merwin-Webster," Rand wrote in 1945. The book was famous then, but if you haven't heard of it, allow Chicago magazine to outline the plot: "Calumet K is a quaint, endearingly Midwestern novel about the building of a grain elevator ... It's a procedural about large-scale agricultural production." If that sounds like something you'd want to check out, you can read it here.

2. ERNEST HEMINGWAY

American writer Ernest Hemingway
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Papa Hemingway once said "there is no friend as loyal as a book," and in a 1935 piece published in Esquire, he laid out a list of a few friends he said he would "rather read again for the first time ... than have an assured income of a million dollars a year." They included, he wrote, "Anna Karenina, Far Away and Long Ago, Buddenbrooks, Wuthering Heights, Madame Bovary, War and Peace, A Sportsman's Sketches, The Brothers Karamazov, Hail and Farewell, Adventures of Huckleberry Finn, Winesburg, Ohio, La Reine Margot, The Maison Tellier, Le Rouge et le Noir, La Chartreuse de Parme, Dubliners, Yeats's Autobiographies, and a few others."

It wasn't the first reading list he'd made; just a year earlier, Hemingway had dashed off a list of 14 books for an aspiring writer who had hitchhiked to Florida to meet him. It included a few of the same books above, plus two short stories by Stephen Crane.

3. JOAN DIDION

Joan Didion
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In an interview with The Paris Review, novelist and creative nonfiction scribe Joan Didion called Joseph Conrad's Victory "maybe my favorite book in the world ... I have never started a novel ... without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing."

4. RAY BRADBURY

US science fiction writer Ray Bradbury
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Sci-fi author Ray Bradbury's favorite books, which he discussed during a 2003 interview with Barnes & Noble when he was 83, are somewhat unexpected. Among them, Bradbury said, were "The collected essays of George Bernard Shaw, which contain all of the intelligence of humanity during the last hundred years and perhaps more," books written by Loren Eisley, "who is our greatest poet/essayist of the last 40 years," and Herman Melville's Moby-Dick: "Quite obviously its impact on my life has lasted for more than 50 years."

The books that most influenced his career—and are presumably favorites as well—were those in Edgar Rice Burroughs's John Carter: Warlord of Mars series. "[They] entered my life when I was 10 and caused me to go out on the lawns of summer, put up my hands, and ask for Mars to take me home," Bradbury said. "Within a short time I began to write and have continued that process ever since, all because of Mr. Burroughs."

5. GEORGE R.R. MARTIN

George R.R. Martin
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It's probably not surprising that Game of Thrones author George R.R. Martin has said that J.R.R. Tolkien's The Lord of the Rings, which he first read in junior high, is "still a book I admire vastly." But he recently found inspiration in a newer book, which he recommended in a Live Journal entry: "I won't soon forget Station Eleven," he wrote. Emily St. John Mandel's book about a group of actors in a recently post-apocalyptic society, he said, is "a deeply melancholy novel, but beautifully written, and wonderfully elegiac ... a book that I will long remember, and return to."

6. GILLIAN FLYNN

Author Gillian Flynn
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When Gone Girl author Gillian Flynn was asked about her favorite books in a 2014 Reddit AMA, she called out her "comfort food" books—the kind "you grab when you're feeling cranky and nothing sounds good to read"—which included Agatha Christie's And Then There Were None and Norman Mailer's The Executioner's Song.

7. VLADIMIR NABOKOV

Russian writer Vladimir Nabokov
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During an interview with a French television station in the 1950s, the Lolita author—who wrote all of his own books on note cards, which were "gradually copied, expanded, and rearranged until they [became his novels]," according to The Paris Review—shared a list of what he considered to be great literature: James Joyce's Ulysses, Kafka's The Metamorphosis, Andrei Bely's Petersburg, and "the first half of Proust's fairy tale, In Search of Lost Time."

8. JANE AUSTEN

English novelist Jane Austen
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The author of classics like Pride and Prejudice and Emma was herself a voracious reader of books, poetry, and plays, including The Corsair by Lord Byron, Madame de Genlis's Olimpe and Theophile, and The Mysteries of Udolpho by Anne Radcliffe. A clear favorite, though, was Samuel Richardson's book Sir Charles Grandison.

9. MARK TWAIN

Mark Twain
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In 1887, Twain responded to a letter from Reverend Charles D. Crane, a pastor in Maine, which likely asked for Twain's recommendations for both young boys and girls as well as the authors' favorite books (Crane's letter, unfortunately, is lost). Among his favorites, Twain said, were "Carlyle (The French Revolution only); Sir Thomas Malory (King Arthur); ... Arabian Nights," among others. He also included B.B., which he said was "a book which I wrote some years ago, not for publication but just for my own private reading."

10. MEG WOLITZER

Meg Wolitzer
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The Interestings author loves the novel Old Filth by Jane Gardam. "It's a thrilling, bold and witty book by a British writer whom I discovered rather late," she told Elle. "I can't say I've read anything else like Old Filth, which stands out for me as a singular, opalescent novel, a thing of beauty that gives immense gratification to its lucky readers."

11. ERIK LARSON

Author Erik Larson
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The acclaimed author of The Devil in the White City calls The Maltese Falcon his "all-time personal favorite":

"I love this book, all of it: the plot, the characters, the dialogue, much of which was lifted verbatim by John Huston for his screenplay for the beloved movie of the same name. The single best monologue in fiction appears toward the end, when Sam Spade tells Brigid O'Shaughnessy why he's giving her to the police."

12. F. SCOTT FITZGERALD

A studio portrait of American writer F. Scott Fitzgerald (
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In 1936—four years before his death—Fitzgerald was living at the Grove Park Inn in North Carolina. After he fired a gun as a suicide threat, the inn insisted that he be supervised by a nurse. While under Dorothy Richardson's care, he provided her with a list of 22 books that he deemed "essential reading." It included Sister Carrie by Theodore Dreiser, The Life of Jesus by Ernest Renan, Henrik Ibsen's A Doll's House, and Winesburg, Ohio by Sherwood Anderson.

13. EDWIDGE DANTICAT

Edwidge Danticat, Facebook

This MacArthur Fellow and award-winning author of Claire of the Sea Light, The Dew Breaker, and Brother, I'm Dying told Time.com that her favorite summer read is Love, Anger, Madness, by the Haitian writer Marie Vieux-Chauvet. "I have read and reread that book, both in French and in its English translation, for many years now," she said. "And each time I stumble into something new and eye-opening that makes me want to keep reading it over and over again."

14. SAMUEL BECKETT

Irish playwright and author Samuel Beckett
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Winner of the 1969 Nobel Prize for Literature and author of Waiting for Godot, Beckett was always a private individual, even after garnering acclaim for his writing. In 2011, a volume of the author's letters from 1941 to 1956 was published, giving the world a glimpse into his friendships and reading habits. Beckett wrote about many books in his correspondence: He described Around the World in 80 Days by Jules Verne as "lively stuff," wrote that his fourth reading of Effi Briest by Theodor Fontane caused "the same old tears in the same old places," and that he liked The Catcher in the Rye by J.D. Salinger "more than anything for a long time."

15. R.L. STINE

R.L. Stine
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In a 2012 piece for The Washington Post, Goosebumps, and Fear Street author R.L. Stine praised Ray Bradbury's Dandelion Wine, calling it "one of the most underrated books ever. Bradbury's lyrical depiction of growing up in the Midwest in a long-ago time, a time that probably never even existed, is the kind of beautiful nostalgia few authors have achieved."

16. AMY TAN

Author Amy Tan
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The Joy Luck Club author Amy Tan's favorite piece of classic Chinese literature is Jing Ping Mei (The Plum in the Golden Vase), penned by an anonymous scribe. "I would describe it as a book of manners for the debauched," she said. "Its readers in the late Ming period likely hid it under their bedcovers, because it was banned as pornographic. It has a fairly modern, naturalistic style—'Show, don't tell'—and there are a lot of sex scenes shown. For years, I didn't know I had the expurgated edition that provided only elliptical hints of what went on between falling into bed and waking up refreshed. The unexpurgated edition is instructional."

17. J.K. ROWLING

Author J.K. Rowling
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For her favorite book, Harry Potter and The Silkworm author J.K. Rowling (she wrote the latter under a pseudonym) went with a classic: Jane Austen's Emma. "Virginia Woolf said of Austen, 'For a great writer, she was the most difficult to catch in the act of greatness,' which is a fantastic line," Rowling said. "You're drawn into the story, and you come out the other end, and you know you've seen something great in action. But you can't see the pyrotechnics; there's nothing flashy."

One of her favorite books as a child was The Story of the Treasure Seekers by E. Nesbit, whom Rowling called "the children's writer with whom I most identify. ... The Story of the Treasure Seekers was a breakthrough children's book. Oswald is such a very real narrator, at a time when most people were writing morality plays for children."

18. MAYA ANGELOU

Maya Angelou
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The poet and author had a number of favorite books, including Dickens's A Tale of Two Cities, the Bible, Look Homeward, Angel by Thomas Wolfe, Invisible Man by Ralph Ellison, and Louisa May Alcott's Little Women. "When I read Alcott, I knew that these girls she was talking about were all white," Angelou said. "But they were nice girls and I understood them. I felt like I was almost there with them in their living room and their kitchen."

19. LYDIA DAVIS

US author Lydia Davis
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Reading John Dos Passos's Orient Express was "a turning point for me," award winning novelist Lydia Davis said in 1997. "That was one of the first 'grown up' books that made me excited about the language."

20. HENRY MILLER

HENRY MILLER
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The Tropic of Cancer author wrote an entire book that, he explained in the preface, "[dealt] with books as a vital experience." The Books in My Life included an appendix titled "100 Books Which Influenced Me Most"; Wuthering Heights, Adventures of Huckleberry Finn, Les Miserables, and Leaves of Grass all made the cut.

21. JOHN STEINBECK

US novelist John Steinbeck
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One of the Grapes of Wrath and East of Eden author's favorite books later in life was Sherwood Anderson's Winesburg, Ohio, but his first favorite book was Le Morte d'Arthur, a collection of Arthurian tales by Sir Thomas Malory, which Steinbeck received as a gift when he was 9. It was a major influence on the author's writing, and ultimately led to The Acts of King Arthur and His Noble Knights, which Steinbeck hoped would be "the best work of my life and the most satisfying." He had completed just seven chapters of the book when he died in 1968; it was published posthumously eight years later.

22. CHERYL STRAYED

Wild author Cheryl Strayed
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When the author of the bestselling memoir Wild set off on her journey up the Pacific Coast Trail, she only had room to take two books. One was a book of Adrienne Rich's poetry, The Dream of a Common Language. She had already read it enough times to almost memorize it in its entirety. Explaining in Wild the choice to bring along the extra weight in her pack, she writes:

"In the previous few years, certain lines had become like incantations to me, words I'd chanted to myself through my sorrow and confusion. That book was a consolation, an old friend, and when I held it in my hands on my first night on the trail, I didn't regret carrying it one iota—even though carrying it meant that I could do no more than hunch beneath its weight. It was true that The Pacific Crest Trail, Volume 1: California was now my bible, but The Dream of a Common Language was my religion."

At one point during her arduous hike, she considers burning the book to save weight in her pack, as she did with other books she read along the trail. "There was no reason not to burn this book too," she writes. "Instead, I only hugged it to my chest."

23. JOYCE CAROL OATES

Author Joyce Carol Oates speaks onstage
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In a 2013 interview with The Boston Globe, the prolific author Joyce Carol Oates revealed Dostoevsky as one of her favorite authors. When asked for her all-time favorite book, she said:

"I would say Dostoyevsky's Crime and Punishment, which had an enormous effect on me. I think young people today might not realize how readable that novel is. The other book that I worry no one reads anymore is James Joyce's Ulysses. It's not easy, but every page is wonderful and repays the effort."

In honor of the publication of her latest book, Dis Mem Ber in June 2017, Oates also shared her current reading list with The Week. It includes Anthony Marra's books A Constellation of Vital Phenomena and The Tsar of Love and Techno, Atticus Lish's award-winning Preparation for the Next Life, Whitney Terrell's Iraq War novel The Good Lieutenant, T. Geronimo Johnson's satirical Welcome to Braggsville, and the time-travel sci-fi novel Version Control by Dexter Palmer.

24. GEORGE SAUNDERS

George Saunders speaks at The 2009 New Yorker Festival
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In 2014, Saunders—one of the most famous short story writers of our time—detailed some of his favorite books for Oprah Winfrey's O magazine. On the favorites list for the author of bestsellers like Tenth of December and Lincoln in the Bardo?

Tobias Wolff's In the Garden of the North American Martyrs (a book that convinced Saunders to study with Wolff at Syracuse University, where Saunders still works today), Michael Herr's Vietnam memoir Dispatches, Stuart Dybek's short story collection The Coast of Chicago, Toni Morrison's The Bluest Eye, and several classics of Russian literature—Isaac Babel's The Red Calvary, The Portable Chekhov, and Nicolai Gogol's Dead Souls.

25. JUDY BLUME

Author/activist Judy Blume
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In 2016, beloved author Judy Bloom shared some of her favorite books with The Strand, a bookstore in New York City. Madeline, the classic children's book by Ludwig Bemelmans, she writes, was "the first book I fell in love with at the Elizabeth [New Jersey] public library." She writes:

"I loved it so much I hid it so my mother would not be able to return it to the library. I thought it was the only copy in the world. To this day I feel guilty. It was the first book I bought for my daughter's library when she was born."

For professional inspiration, she turns to Philip Roth's Pulitzer Prize-winning American Pastoral. "It never fails to amaze me," she writes.

This article first ran in 2015.

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Vivid Imagery Makes Poetry More Pleasurable, According to Psychologists
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Contrary to what English teachers led us to believe, most readers don’t judge poetry based on factors like alliteration and rhyme. In fact, a new study published in the journal Psychology of Aesthetics, Creativity, and the Arts suggests that vivid imagery (i.e. sense-evoking description) is what makes a poem compelling, according to Smithsonian.

To determine why some poetic works are aesthetically pleasing while others are less so, researchers from New York University and the Max Planck Institute for Empirical Aesthetics in Frankfurt, Germany, had more than 400 online volunteers read and rate 111 haikus and 16 sonnets. Participants answered questions about each one, including how vivid its imagery was, whether it was relaxing or stimulating, how aesthetically pleasing they found it, and whether its content was positive or negative.

Not surprisingly, taste varied among subjects. But researchers did find, overall, that poems containing colorful imagery were typically perceived as more pleasurable. (For example, one favorite work among subjects described flowers as blooming and spreading like fire.) Emotional valence—a poem's emotional impact—also played a smaller role, with readers ranking positive poems as more appealing than negative ones. Poems that received low rankings were typically negative, and lacked vivid imagery.

Researchers think that vivid poems might also be more interesting ones, which could explain their popularity in this particular study. In the future, they hope to use similar methodology to investigate factors that might influence our enjoyment of music, literature, and movies.

[h/t Smithsonian]

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15 Facts About Tennessee Williams's A Streetcar Named Desire
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In a sweltering New Orleans, a wilted Southern belle collides with the dysfunctional marriage of her sweet sister and brutish brother-in-law. This is the plot of Tennessee Williams's classic play, A Streetcar Named Desire, which opened on Broadway on December 3, 1947. But the story of its making and legacy is even wilder than Stanley Kowalski's screaming.

1. WILLIAMS SET THE PLAY IN HIS CHOSEN HOME.

The boy born Thomas Lanier Williams III lived in Columbus, Mississippi, until he was 8 years old. From there, his traveling salesman father bounced the family around Missouri, moving 16 times in just 10 years before abandoning them. As he forged a path of his own, Williams wandered from St. Louis's Washington University to the University of Iowa to the New School in New York City, and even spent some time working on a chicken ranch in Laguna Beach, California. But at 28, he found his “spiritual home” in New Orleans. There he officially changed his given name to the college nickname he'd come to prefer. Inspired by the culture of the French Quarter, he wrote short stories and what would become one of his most popular plays. There he became Tennessee Williams, in more ways than one.

2. A STREETCAR NAMED DESIRE WAS NAMED AFTER A REAL STREETCAR LINE.

Named for its endpoint on Desire Street in the Ninth Ward, the Desire line ran down Canal Street onto Bourbon and beyond. It operated from 1920 to 1948—meaning that shortly after becoming famous on Broadway, it was retired in favor of buses that were quieter and put less stress on the streets and surrounding buildings. Gone but not forgotten, one of the Desire cars was restored in 1967, and was made a tourist attraction. In 2003, the city even proposed resurrecting the streetcars and this famous line's name, but this dream died when federal funding was denied.

3. STANLEY KOWALSKI WAS INSPIRED BY TWO MEN.

The name "Stanley Kowalski" was borrowed from a factory worker Williams met while living in St. Louis. But the playwright's true muse was Amado ‘Pancho’ Rodriguez y Gonzales, a Mexican boxer who was once Williams's lover, and who argued the character he inspired should be Latino, not Polish.

Ten years his junior, Gonzalez met Williams when the writer traveled to Mexico City in late 1945. Entranced by the macho 24-year-old, Williams invited Gonzalez to move into his New Orleans home. Their relationship lasted only two years. By the time Streetcar Named Desire hit Broadway, Williams had moved on to who would be the love of his life, aspiring writer Frank Merlo.

4. BLANCHE MAY HAVE BEEN A STAND-IN FOR WILLIAMS.

As a gay man, the writer had been mocked all his life, called "sissy" by sneering peers, and “Miss Nancy” by his drunken, abusive father. In some respects, he was like Blanche, a gentle Southern soul, thirsty for love and kindness, yet dangerously fascinated by gruff men. Elia Kazan, who directed both the original Broadway production of Streetcar and its movie adaptation, once said of Williams, "If Tennessee was Blanche, Pancho was Stanley….Wasn’t he [Williams] attracted to the Stanleys of the world? Sailors? Rough trade? Danger itself? Yes, and wilder. The violence in that boy, always on a trigger edge, attracted Williams at the very time it frightened him.”

The closest Williams came to commenting on this comparison was saying of his work, "I draw every character out of my very multiple split personality. My heroines always express the climate of my interior world at the time in which those characters were created.”

5. A STREETCAR NAMED DESIRE WAS WILLIAMS'S SECOND BIG BROADWAY HIT.

In 1945, Williams broke through with his groundbreaking autobiographical drama The Glass Menagerie. Just a year and a half after this acclaimed production closed, A Streetcar Named Desire opened to even greater praise. Reportedly, the standing ovation lasted for 30 minutes after the curtain descended on opening night.

6. THE PLAY WAS DRASTICALLY DIFFERENT FROM ITS BROADWAY CONTEMPORARIES.

In her historical essay on Williams, critic Camille Paglia notes that A Streetcar Named Desire was a total change from The Glass Menagerie. Where the former had a "tightly wound gentility," the latter boasted "boisterous energy and eruptions of violence." But more than that, "Streetcar exploded into the theater world at a time when Broadway was dominated by musical comedies and revivals." She adds, "the shocking frankness with which Streetcar treated sex—as a searingly revolutionary force—was at odds with the dawning domesticity of the postwar era and looked forward instead to the 1960s sexual revolution."

7. IT CEMENTED WILLIAMS'S REPUTATION AS A MAJOR VOICE IN AMERICAN THEATER.

The New York Times critic Brooks Atkinson proclaimed, "Mr. Williams is a genuinely poetic playwright whose knowledge of people is honest and thorough and whose sympathy is profoundly human." A Streetcar Named Desire went on to run for more than 800 performances, and would win the New York Drama Critics' Circle Award for Best Play. Jessica Tandy earned a Tony Award for originating the role of Blanche, and Williams was honored with the Pulitzer Prize for Drama.

8. STANLEY KOWALSKI LAUNCHED MARLON BRANDO.

At 23, Brando was a method actor who was drawing praise in a string of Broadway roles. The year before A Streetcar Named Desire debuted at the Ethel Barrymore Theatre, New York critics had voted him "Broadway's Most Promising Actor" because of his powerful performance in Maxwell Anderson's Truckline Café. His portrayal as Kowalski delivered on that promise, and then some. Playwright Arthur Miller wrote that he seemed "a tiger on the loose, a sexual terrorist … Brando was a brute who bore the truth." And this intensity was captured in the 1951 film adaptation, which earned the actor an Oscar nomination for what was only his second film role.

9. A STREETCAR NAMED DESIRE REDEEMED WILLIAMS'S HOLLYWOOD REPUTATION.

Following the success of The Glass Menagerie's Broadway run, Warner Bros. hired Williams to draft an adapted screenplay for a movie version. But seeking a more commercial offering, they hired another writer to tack on a happy ending, behind Williams's back. The result was a critically panned dud that the playwright denounced as a "travesty." Nonetheless, Williams returned to Warner Bros. with A Streetcar Named Desire. This time, however, the director and most of the cast from the Broadway show were kept on for the film, which went on to earn an impressive 12 Academy Award nominations, winning four, including Best Supporting Actress (Kim Hunter) and Best Actress (Vivien Leigh).

10. JESSICA TANDY WAS THE ONLY LEAD OF THE BROADWAY PLAY NOT CAST IN THE MOVIE.

Hollywood didn't care about her Tony or her rave reviews. Warner Bros. needed a big name to assure the film's success. So Tandy was dropped in favor of Leigh, who'd played the role of Blanche in a London production of A Streetcar Named Desire, but more importantly was a household name thanks to her first Oscar-winning role, that of Scarlett O'Hara in 1939's historical epic Gone With The Wind.

11. THE FILM WAS TAMER THAN THE PLAY.

With mounting pressure from a public concerned about the influence movies have on children, Hollywood created The Motion Picture Production Code, a series of guidelines about what was acceptable and not in film. Thus, A Streetcar Named Desire's movie adaptation was forced to tone down some coarser language, and cut some of its most scandalous elements, like Blanche's promiscuity and her late husband being a closeted homosexual. For instance, in the play Blanche demands of her sister, "Where were you? In bed with your pollack!" In the film, she says, "In there with your pollack!"

12. WILLIAMS FOUGHT TO KEEP BLANCHE'S RAPE FROM BEING CUT.

Following their climactic confrontation, the play implies Stanley rapes Blanche. But Warner Bros. felt this was too dark for the movie. Williams and Kazan sparred with the studio over this. The former argued, "[The] rape of Blanche by Stanley is a pivotal, integral truth in the play, without which the play loses its meaning which is the ravishment of the tender, the sensitive, the delicate by the savage and brutal forces of modern society." Like in the play, this grievous crime occurs between scenes, but its implication is clear by the violent events that lead up to a fade to black.

13. ONCE AGAIN, HOLLYWOOD TACKED ON A HAPPY ENDING.

The compromise on including the rape was that Stanley would have to be punished for the act. So just as they did with The Glass Menagerie, Warner Bros. softened the end of William's acclaimed tragedy with a script change. In this case, a line is included, where Stella declares she won't go back to her abusive husband. It's a stark contrast to the play, which concludes with the stage direction "He kneels beside her and his fingers find the opening of her blouse," as Stanley coos to her. Williams would go on to say the adaptation was "only slightly marred by [a] Hollywood ending."

14. THE FILM MADE A STREETCAR NAMED DESIRE ICONIC.

Brando's tour de force performance may not have won him the Oscar, but his brutish performance, tight white t-shirt, and signature "Stella!" cry made the movie one that would not be forgotten. Today, the play is considered a classic, and has been revived on Broadway eight times. In 1999, the movie adaptation was added to the National Film Registry, which aims to preserve "culturally, historically or aesthetically" works of cinema. And in 2005, the American Film Institute included Kowalski's agonized scream of "Stella! Hey, Stella!" among its 100 greatest movie quotes of the last 100 years. It came in at number 45.

15. EVERY SPRING, NEW ORLEANS THROWS A FESTIVAL IN HONOR OF THE PLAY.

Called the Tennessee Williams/New Orleans Literary Festival, the annual five-day event celebrates Williams's world-famous work, showcases emerging writers, and provides educational opportunities for literary students. It also offers tours of the French Quarter locations where Williams walked, conversed and worked, like the Hotel Maison de Ville, the restaurant Galatoire's, which gets a mention in Streetcar; and the apartment where he lived with Pancho, which overlooked the Desire line.

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