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16 Things You Might Not Know About The Brady Bunch

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Here's the story of a lovely lady, a man named Brady who could've been played by Gene Hackman, six kids, a wacky housekeeper, and how a series that started as a typical formulaic sitcom grew into a syndicated monster. Here are 16 things you might not know about The Brady Bunch.

1. THE CONCEPT ORIGINATED WITH A NEWSPAPER STATISTIC.

“It's very rare that a writer knows exactly where his ideas come from,” producer Sherwood Schwartz once said. “However, in the case of The Brady Bunch, I know exactly what inspired that show. It was just a four-line filler piece in the Los Angeles Times. Just a statistic. It said that year, 1965, 31 percent of all marriages involved people who had a child or children from a previous marriage. It was just a statistic, but to me it indicated a remarkable sociological change in our country. Thirty-one percent is approximately one-third of all marriages. That's a huge statistic.”

It gave him an idea for a TV series called Yours and Mine. He shopped his script to the three major networks but was turned down each time. Three years later, United Artists released a film called Yours, Mine and Ours, starring Lucille Ball and Henry Fonda, which told the story of a widow with eight children who married a father of 10. The film did well at the box office, and suddenly ABC was interested in Schwartz’s script, which was then called The Bradley Brood.

2. HAIR COLOR PLAYED A FACTOR IN CASTING THE BRADY KIDS.

When casting the six Brady kids, Schwartz wasn’t yet sure what the parents would look like (as those actors hadn’t yet been hired), so his goal was to have a total of 12 child actors in reserve: three blonde girls, three blonde boys, three brunette girls, and three dark-haired boys. (It was presumed from the get-go that the parents would have contrasting hair colors, and that their offspring’s locks would correspond likewise.) “As a consequence, to this day, there are three dark-haired girls and three blonde boys about 45 to 50 years old somewhere in the world who might have been The Brady Bunch kids,” Schwartz said in Brady, Brady, Brady: The Complete Story of the Brady Bunch As Told by the Father/Son Team Who Really Know. “And they are just finding that out if they're reading this book.”

Naturally strawberry blonde Mike Lookinland was Schwartz’s first choice for the role of youngest son Bobby, but when brown-haired Robert Reed was cast as the dad, Lookinland had to endure his hair being dyed a variety of colors so that it looked appropriately dark under the harsh studio lights. Susan Olsen, who played Cindy, was naturally blonde, but not light enough to suit the producers. Olsen’s hair was regularly bleached to give her that adorable towhead look on-camera. Unfortunately, the process eventually caused clumps of Susan’s hair to fall out during season two. She tearfully presented her case to head honcho Schwartz, who immediately ordered the staff to leave Cindy’s hair alone.

3. YES, CINDY’S LISP WAS REAL.

Susan Olsen’s endearing real-life lisp was incorporated into the episode “A Fistful of Reasons,” in which mean ol’ Buddy Hinton teased her with that age-old playground taunt “Baby talk, baby talk, it’s a wonder you can walk.” Olsen worked regularly with a speech therapist until the age of 19 and ultimately underwent surgery to help correct her “lazy S.”

4. GENE HACKMAN WAS IN CONTENTION TO PLAY MIKE BRADY.

For the role of Mike Brady (the family’s surname had changed by this time), “there were a number of men I wanted to interview, including Gene Hackman,” recalled Schwartz in Brady, Brady, Brady. “Paramount wouldn’t even okay Gene Hackman for an interview because he had a very low TVQ. (TVQ is a survey that executives use to determine the audience’s familiarity with performances. TV executives have don’t admit to the existence of TVQs, but it is commonly employed in casting.)”

They finally chose Reed because he was already under contract to Paramount, and he had a certain amount of marquee value because of his co-starring role on the popular legal drama series The Defenders. “The year after The Brady Bunch debuted, unknown Gene Hackman with no TVQ starred in The French Connection and won the Academy Award for Best Actor, and has been a major star ever since,” added Schwartz.

5. FLORENCE HENDERSON WASN’T THE FIRST MRS. BRADY.

Comedic actress Joyce Bulifant was so close to inking a contract to play Mrs. Brady that she was used in most of the screen tests with the various child actors for their auditions. In fact, one of the reasons Eve Plumb landed the role of Jan was because of her physical resemblance to Bulifant. Originally, Schwartz envisioned Mrs. Brady as a wacky mom-type, much like Lucille Ball in Yours, Mine and Ours. But the cast dynamics changed when Emmy Award-winning actress Ann B. Davis signed on to play housekeeper Alice. Davis’ Alice would more than fulfill the wackiness quotient, and a more grounded, down-to-earth mother was required to maintain a balance. Texas-born musical theater star Florence Henderson got the job, and Joyce Bulifant went on to a successful career of her own, including playing Murray’s wife on The Mary Tyler Moore Show.

6. HENDERSON WASN’T AROUND WHEN FILMING BEGAN ON THE FIRST SIX EPISODES.

Florence Henderson, who wore a wig during the first season of the show because her hair had been cropped short for her recent starring role in an off-Broadway revival of South Pacific, was wrapping up filming on Song of Norway in Denmark when she received word that The Brady Bunch pilot had sold. “And so they started the show without me,” Henderson told NPR in 2014. “They did six episodes without me and then I filled in when I got back to the States.”

7. BARRY WILLIAMS “WENT THROUGH A STAGE OF EXPERIMENTATION.”

Like many teens in the 1970s, Williams—who played eldest brother Greg—was known to occasionally partake in some illegal substances while hanging out with his friends. After sparking up one afternoon on his day off, Williams received a call from the studio that certain scenes of the “Law and Disorder” episode needed to be re-shot. Barry dutifully reported to the set, but it became obvious to all present that something was not quite right with Greg Brady. Aside from his stumbling over nothing in the driveway, there was a glazed look in his eyes and a stilted delivery of his few lines regarding Dad’s purchase of a boat that tipped the producers off and caused furious rewrites to reduce Greg’s part in this episode. “I went through a stage of experimentation as a kid,” Williams wrote on his blog. “I certainly never went to the set high again but I don’t like weed. It makes me feel dumb, paranoid, and hungry.”

8. THERE WAS SOME ROMANCE ON THE SET.

In his book, Growing Up Brady, Barry Williams wrote that he and Maureen McCormick shared their first kiss while in Hawaii filming a three-episode story arc during the show’s fourth season. Their relationship was at its hottest and heaviest around the time they filmed the final episode of that season, “A Room at the Top.” The scene where Marcia and Greg were sitting on her bed together arguing over who should get the attic room took hours to film, as the director kept having to yell “cut” due to the actors getting too cozy on camera. Lloyd Schwartz finally had each actor make a fist and place it between them as they sat on the bed and instructed them to maintain that amount of distance from each other at all times during the scene.

In Brady, Brady, Brady, Lloyd Schwartz mentions that he tried to cool things down between Barry and Maureen mainly because on-the-job romances rarely worked, especially between teenagers. If they had a traumatic breakup, how would they be able to continue to work together? Part of his strategy was to appeal to Barry’s vanity and flatter him, telling him that he was too young and too good-looking to limit himself to one girl.

9. CHRISTOPHER KNIGHT WASN’T BLESSED WITH MUSICAL ABILITY.

Barry Williams, Mike Lookinland, and Maureen McCormick were all excellent vocalists, while Eve Plumb and Susan Olsen could both carry a reasonable tune. Christopher Knight, on the other hand, is the first to admit that his pipes were a bit on the rusty side. When asked to cite the most embarrassing thing he ever did on the show by The Improper Bostonian, Knight didn’t hesitate in responding: “Singing, by far. It was traumatic.” Knight was encouraged to lip-synch while the other kids sang in the musical episodes. It was decided, however, that his lack of vocal prowess could be played for laughs in the “Dough-Re-Mi” episode; Peter’s voice had begun to change, and Greg incorporated his cracking and squeaking into the song “Time to Change.” But poor Chris couldn’t even manage to hit the wrong notes properly, and his lines in the song were actually dubbed by producer Howard Leeds. “That whole episode where my voice changing was them just pointing out that I couldn’t sing,” said Knight. “My first experience with depression was that week.”

10. SIX KIDS SHARED ONE BATHROOM WITH NO TOILET.

Eagle-eyed viewers may have noticed something odd about the Jack and Jill bathroom the Brady kids shared: It was missing a toilet. Television networks still had strict rules about showing a porcelain toilet bowl onscreen during the Brady years. In order to avoid costly tricky camera angles, the producers opted to forego a commode altogether in the bathroom shared by the kids. (The tank portion of the toilet was acceptable, as seen on the “Captain Jack” episode of Leave It To Beaver in 1957.)

11. CAROL BRADY WAS SUPPOSED TO BE A DIVORCEE.

While Mike Brady was painted as a widower, Carol’s pre-Brady marital status was a bit of a mystery. Sherwood Schwartz has said in several interviews that his intention was for Carol to have been a divorcee (her maiden name was “Tyler” and her married name was “Martin,” as revealed in the pilot episode). But divorce was still considered to be taboo for primetime television (especially for a family-friendly show), so the fate of Mr. Martin was always left a mystery … until recently. After nearly five decades of being asked what happened to Carol Brady’s first husband, Florence Henderson now prefers to tell interviewers (jokingly, we hope) that she killed him.

12. MARCIA REALLY DID TAKE A FOOTBALL TO THE NOSE.

According to Lloyd Schwartz, Christopher Knight was unable to hit his target when filming the crucial football-tossing scene in “The Subject Was Noses” (a.k.a. the “Oh, my nose!” episode). So Schwartz stepped in off-screen, threw a perfect spiral, and pegged Maureen’s nose with the pigskin in one take.

13. TIGER MET A TRAGIC ENDING.

One evening after filming had finished for the day of the episode entitled “Katchoo” (in which Jan appears to be allergic to the family dog), Tiger’s trainer let the pooch out on the Paramount lot for his daily exercise. Unfortunately, a careless driver didn’t see the dog and Tiger was hit and killed. The frantic trainer spent the rest of the night scouring animal shelters looking for a reasonable facsimile of the shaggy canine, since he still had several scenes left to film. The replacement dog looked enough like Tiger to fool the cast and production staff, but the jig was up when he wouldn’t follow directions and was frightened by the noise and lights. The only way the director got Fake Tiger to hold stay in place during the emotional scene where the boys were bidding him a tearful farewell was to nail his collar to the floor.

14. THE SHOW WAS NEVER A HUGE HIT.

The Brady Bunch was never a huge Nielsen hit during its original run; in fact, it never managed to crack the Top 30 shows. But it did well enough to run for five seasons, which gave Paramount enough episodes to sell as a package for syndication. The syndicated reruns were often shown in the late afternoon, which gave it more exposure to a younger audience. As a result, the show’s fan base grew exponentially after it had ceased production, and continues to grow today as each younger generation discovers it.

15. MANY FLUBS WERE NEVER CORRECTED.

Like most shows of that era, no one who worked on The Brady Bunch thought that the show would still be airing regularly over 40 years later after it had been cancelled. So sometimes little mistakes were left unfixed in the name of finishing an episode on schedule. After all, the show aired in the days before every home had a VCR, so who would notice something like the family leaving the house in a convertible and returning from the same errand in a station wagon? Or Jan’s hair mysteriously switching from a ponytail to loose around her shoulders repeatedly while the kids were building a house of cards? Those flubs and others—like a tired Susan Olsen sticking her tongue out as she exited a scene, thinking it was still a rehearsal—have become part of the show’s legend thanks to syndication, DVRs, and viewers with too much time on their hands.

 16. THE SHOW ATTEMPTED A BACKDOOR PILOT.

 During the final season of The Brady Bunch, the Brady family generously relinquished most of a 30-minute episode in order to introduce their neighbors, Ken and Kathy Kelly (portrayed by Ken Berry and Brooke Bundy). The Kellys had adopted three boys—Matt, Dwayne, and Steve—who’d been best friends at the local orphanage. The twist was that one of the boys was white (and was also Mike Lookinland’s real-life brother), one was African-American, and one was Asian-American. Sherwood Schwartz had hoped that this backdoor pilot would be picked up as a series, since the networks had recently announced that they were pushing “prime time” forward half an hour to begin at 7:30 p.m. and they would be in need of some family-friendly programs. But Kelly's Kids didn't happen.

Bonus Fact: Christopher Knight digs mental_floss!

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25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
Hulton Archive, Getty Images
Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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