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11 Facts About Hemingway’s The Old Man And The Sea

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The Old Man and the Sea was the last major work Ernest Hemingway published in his lifetime. The simple story is about an old man who catches a giant fish in the waters off Cuba, only to have it devoured by sharks. Defeated, he returns home with the fish’s skeleton attached to the boat. Many consider this spare novel to be Hemingway’s best work. 

1. Hemingway wrote the novel to prove he wasn’t finished as a writer.

When The Old Man and the Sea was published in 1952, Hemingway hadn’t written a significant literary work for over a decade. His last successful book, For Whom the Bell Tolls, came out in 1940. To make matters worse, his 1950 novel Across the River and Into the Trees was panned by critics. People were saying that Hemingway was "through" as a writer. He began The Old Man and the Sea to prove that not only was he still in the writing game, he had yet to produce his best work. 

2. The story had been in his mind for years.

In 1936, Hemingway wrote an essay for Esquire that contained a paragraph describing an "old man fishing alone in a skiff out of Cabañas" who hooked a big marlin that dragged him eastward for two days. The man killed the fish and then fought off sharks attracted to its blood. When the man was finally picked up, "what was left of the fish, less than half, weighed eight hundred pounds." Two years later, Hemingway started writing The Old Man and the Sea, but then got sidetracked by For Whom the Bell Tolls. By the time he returned to the story, it had been percolating in his brain for at least 16 years. 

3. The old man was based on a blue-eyed Cuban named Gregorio Fuentes.

Fabrizio Zampa,Wikimedia Commons

Although Hemingway said the old man, Santiago, was based on "nobody in particular," he most likely used aspects of his fishing buddy Gregorio Fuentes when developing the character. Like Santiago, Fuentes was gaunt and thin, had blue eyes, came from the Canary Islands, and had a long, battle-scarred history as a fisherman. Fuentes was the captain of Hemingway’s boat and the two frequently talked about the novel.

4. The fish was an Atlantic Blue Marlin.

While living in Florida and Cuba, Hemingway frequently fished for marlin in his boat, the Pilar. Not to be confused with a swordfish, Atlantic Blue Marlin are large billfish that live in the temperate and tropical regions of the Atlantic Ocean. They can get up to 14 feet long and weigh 2,000 pounds. Like in the book, a common predator is the white shark.

5. The book was dedicated to recently deceased friends.

The dedication in The Old Man and the Sea reads "To Charlie Scribner And To Max Perkins," both friends who passed away before the book came out. Max Perkins, who also edited F. Scott Fitzgerald and Thomas Wolfe, died in 1947 and Scribner, who was president of Charles Scribner's Sons, died in 1952. They were among many of Hemingway’s literary peers who died in the preceding decade, including Fitzgerald, Gertrude Stein, Sherwood Anderson, and James Joyce.

6. Hemingway claimed there was no symbolism in the book.

The fable-like structure of the novel suggests that the story is symbolic, which is why many view The Old Man and the Sea as an allegory. But Hemingway thought all that was bunk—or at least, that’s what he said. "There isn’t any symbolism," he wrote to critic Bernard Berenson. "The sea is the sea. The old man is an old man … The sharks are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know."

7. He believed the novel was his finest work.

When Hemingway sent the manuscript to his editor, Wallace Meyer, he said, "I know that it is the best I can write ever for all of my life, I think, and that it destroys good and able work by being placed alongside of it." Then he added that he hoped it would "get rid of the school of criticism that I am through as a writer."

8. The 'Life' Magazine excerpt sold out immediately.

Life featured an excerpt of The Old Man and the Sea in its September 1952 issue. The five million copies of the magazine sold out in two days. Luckily, you can peruse the original yourself online. 

9. The Old Man and the Sea made Hemingway a celebrity.

Of course, Hemingway was a known and respected author beforehand, but The Old Man and the Sea elevated his reputation to the literary giant we think of today. Critics loved the book. It won the 1953 Pulitzer Prize and was cited as a reason Hemingway won the 1954 Nobel Prize. It was also a best seller and made Hemingway a fortune. In 1955, it was made into a movie starring Spencer Tracy.

10. Even Hemingway’s literary rival, William Faulkner, liked it.

The following is a one-paragraph review Faulkner wrote about The Old Man and the Sea, published in Shenandoah:

"His best. Time may show it to be the best single piece of any of us, I mean his and my contemporaries. This time, he discovered God, a Creator. Until now, his men and women had made themselves, shaped themselves out of their own clay; their victories and defeats were at the hands of each other, just to prove to themselves or one another how tough they could be. But this time, he wrote about pity: about something somewhere that made them all: the old man who had to catch the fish and then lose it, the fish that had to be caught and then lost, the sharks which had to rob the old man of his fish; made them all and loved them all and pitied them all. It’s all right. Praise God that whatever made and loves and pities Hemingway and me kept him from touching it any further."

11. You can watch the Oscar-winning stop-motion film of the book. 

This stop-motion animation of The Old Man and the Sea was made by Russian animator Aleksandr Petrov. The film uses 29,000 images that he and his son, Dimitri, painted on glass over two years. It’s no wonder it won the 2000 Academy Award for Animated Short Film. 

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Ernest Hemingway’s Guide to Life, In 20 Quotes
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Though he made his living as a writer, Ernest Hemingway was just as famous for his lust for adventure. Whether he was running with the bulls in Pamplona, fishing for marlin in Bimini, throwing back rum cocktails in Havana, or hanging out with his six-toed cats in Key West, the Nobel and Pulitzer Prize-winning author never did anything halfway. And he used his adventures as fodder for the unparalleled collection of novels, short stories, and nonfiction books he left behind, The Sun Also Rises, A Farewell to Arms, Death in the Afternoon, For Whom the Bell Tolls, and The Old Man and the Sea among them.

On what would be his 118th birthday—he was born in Oak Park, Illinois on July 21, 1899—here are 20 memorable quotes that offer a keen perspective into Hemingway’s way of life.

ON THE IMPORTANCE OF LISTENING

"I like to listen. I have learned a great deal from listening carefully. Most people never listen."

ON TRUST

"The best way to find out if you can trust somebody is to trust them."

ON DECIDING WHAT TO WRITE ABOUT

"I never had to choose a subject—my subject rather chose me."

ON TRAVEL

"Never go on trips with anyone you do not love."

Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston. [1], Public Domain, Wikimedia Commons

ON THE RELATIONSHIP BETWEEN INTELLIGENCE AND HAPPINESS

"Happiness in intelligent people is the rarest thing I know."

ON TRUTH

"There's no one thing that is true. They're all true."

ON THE DOWNSIDE OF PEOPLE

"The only thing that could spoil a day was people. People were always the limiters of happiness, except for the very few that were as good as spring itself."

ON SUFFERING FOR YOUR ART

"There is nothing to writing. All you do is sit down at a typewriter and bleed."

ON TAKING ACTION

"Never mistake motion for action."

ON GETTING WORDS OUT

"I wake up in the morning and my mind starts making sentences, and I have to get rid of them fast—talk them or write them down."

Photograph by Mary Hemingway, in the Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston., Public Domain, Wikimedia Commons

ON THE BENEFITS OF SLEEP

"I love sleep. My life has the tendency to fall apart when I'm awake, you know?"

ON FINDING STRENGTH 

"The world breaks everyone, and afterward, some are strong at the broken places."

ON THE TRUE NATURE OF WICKEDNESS

"All things truly wicked start from innocence."

ON WRITING WHAT YOU KNOW

"If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water."

ON THE DEFINITION OF COURAGE

"Courage is grace under pressure."

ON THE PAINFULNESS OF BEING FUNNY

"A man's got to take a lot of punishment to write a really funny book."

By Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston. - JFK Library, Public Domain, Wikimedia Commons

ON KEEPING PROMISES

"Always do sober what you said you'd do drunk. That will teach you to keep your mouth shut."

ON GOOD VS. EVIL

"About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after."

ON REACHING FOR THE UNATTAINABLE

"For a true writer, each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed."

ON HAPPY ENDINGS

"There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it."

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12 Fantastic Facts About A Wrinkle in Time
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Madeleine L’Engle’s acclaimed science fantasy novel A Wrinkle in Time has been delighting readers since its 1962 release. Whether you’ve never had the chance to read this timeless tale or haven’t picked it up in a while, here are some facts that are sure to get you in the mood for a literary journey through the universe—not to mention its upcoming big-screen adaptation.

1. THE AUTHOR’S PERSISTENCE PAID OFF.

She’s a revered writer today, but Madeleine L’Engle’s early literary career was rocky. She nearly gave up on writing on her 40th birthday. L’Engle stuck with it, though, and on a 10-week cross-country camping trip she found herself inspired to begin writing A Wrinkle in Time.

2. EINSTEIN SPARKED L'ENGLE'S INTEREST IN QUANTUM PHYSICS AND TESSERACTS.

L’Engle was never a strong math student, but as an adult she found herself drawn to concepts of cosmology and non-linear time after picking up a book about Albert Einstein. L’Engle adamantly believed that any theory of writing is also a theory of cosmology because “one cannot discuss structure in writing without discussing structure in all life." The idea that religion, science, and magic are different aspects of a single reality and should not be thought of as conflicting is a recurring theme in her work.

3. L’ENGLE BASED THE PROTAGONIST ON HERSELF.

L’Engle often compared her young heroine, Meg Murry, to her childhood self—gangly, awkward, and a poor student. Like many young girls, both Meg and L’Engle were dissatisfied with their looks and felt their appearances were homely, unkempt, and in a constant state of disarray.

4. IT WAS REJECTED BY MORE THAN TWO DOZEN PUBLISHERS.

L’Engle weathered 26 rejections before Farrar, Straus & Giroux finally took a chance on A Wrinkle in Time. Many publishers were nervous about acquiring the novel because it was too difficult to categorize. Was it written for children or adults? Was the genre science fiction or fantasy?

5. L’ENGLE DIDN'T KNOW HOW TO CATEGORIZE THE BOOK, EITHER.

To compound publishers’ worries, L’Engle famously rejected these arbitrary categories and insisted that her writing was for anyone, regardless of age. She believed that children could often understand concepts that would baffle adults, due to their childlike ability to use their imaginations with the unknown.

6. MEG MURRY WAS ONE OF SCIENCE FICTION'S FIRST GREAT FEMALE PROTAGONISTS ...

… and that scared publishers even more. L’Engle believed that the relatively uncommon choice of a young heroine contributed to her struggles getting the book in stores since men and boys dominated science fiction.

Nevertheless, the author stood by her heroine and consistently promoted acceptance of one’s unique traits and personality. When A Wrinkle in Time won the 1963 Newbury Award, L’Engle used her acceptance speech to decry forces working for the standardization of mankind, or, as she so eloquently put it, “making muffins of us, muffins like every other muffin in the muffin tin.” L’Engle’s commitment to individualism contributed to the very future of science fiction. Without her we may never have met The Hunger Games’s Katniss Everdeen or Divergent’s Tris Prior.

7. THE MURKY GENRE HELPED MAKE THE BOOK A SUCCESS.

Once A Wrinkle in Time hit bookstores, its slippery categorization stopped being a drawback. The book was smart enough for adults without losing sight of the storytelling elements kids love. A glowing 1963 review in The Milwaukee Sentinel captured this sentiment: “A sort of space age Alice in Wonderland, Miss L’Engle’s book combines a warm story of family life with science fiction and a most convincing case for nonconformity. Adults who still enjoy Alice will find it delightful reading along with their youngsters.”

8. THE BOOK IS ACTUALLY THE FIRST OF A SERIES.

Although the other four novels are not as well known as A Wrinkle in Time, the “Time Quintet” is a favorite of science fiction fans. The series, written over a period of nearly 30 years, follows the Murry family’s continuing battle over evil forces.

9. IT IS ONE OF THE MOST FREQUENTLY BANNED BOOKS OF ALL TIME.

Oddly enough, A Wrinkle in Time has been accused of being both too religious and anti-Christian. L’Engle’s particular brand of liberal Christianity was deeply rooted in universal salvation, a view that some critics have claimed “denigrates organized Christianity and promotes an occultic world view.” There have also been objections to the use of Jesus Christ’s name alongside figures like Buddha, Shakespeare, and Gandhi. Detractors feel that grouping these names together trivializes Christ’s divine nature.

10. L’ENGLE LEARNED TO SEE THE UPSIDE OF THIS CONTROVERSY.

The author revealed how she felt about all this sniping in a 2001 interview with The New York Times. She brushed it aside, saying, “It seems people are willing to damn the book without reading it. Nonsense about witchcraft and fantasy. First I felt horror, then anger, and finally I said, 'Ah, the hell with it.' It's great publicity, really.''

11. THE SCIENCE FICTION HAS INSPIRED SCIENCE FACTS.

American astronaut Janice Voss once told L’Engle that A Wrinkle in Time inspired her career path. When Voss asked if she could bring a copy of the novel into space, L’Engle jokingly asked why she couldn’t go, too.

Inspiring astronauts wasn’t L’Engle’s only out-of-this-world achievement. In 2013 the International Astronomical Union (IAU) honored the writer’s memory by naming a crater on Mercury’s south pole “L’Engle.”

12. A STAR-STUDDED MOVIE ADAPTATION WILL HIT THEATERS IN 2018.

Although L’Engle was famously skeptical of film adaptations of the novel, Oscar-nominated filmmaker Ava DuVernay (13th; Selma) is bringing a star-filled version of the book to the big screen next year. Oprah Winfrey, Reese Witherspoon, Chris Pine, Mindy Kaling, and Zach Galifianakis are among the film's stars. It's due in theaters on March 9, 2018.

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