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15 Things You Might Not Know About Annie Hall

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Woody Allen won his first two Oscars (for Best Director and Best Original Screenplay) for 1977's Annie Hall, which changed the rules of the romantic comedy. But not everyone was a fan of this groundbreaking Best Picture—including Allen himself. To celebrate its 40th anniversary, here are a few things you may not know about its behind-the-scenes story.

1. ALLEN’S ORIGINAL IDEA FOR THE MOVIE WAS ENTIRELY DIFFERENT.

Although Annie Hall is now heralded as one of the most influential and inventive romantic comedies of all time, director and co-writer Woody Allen’s original mission was not to make a relationship picture. Allen and his writing partner, Marshall Brickman, instead conceived of the story as a general exploration of the main character’s life and psyche, which was to to be filled with romantic, mysterious, and fantastical subplots in equal parts.

The project, reflecting protagonist Alvy Singer’s persistent malaise, was first titled Anhedonia, a somewhat archaic psychiatric term referring to the inability to feel joy. The first cut of the movie ran about 140 minutes—almost 50 minutes longer than the final version.

2. EARLY DRAFTS CONTAINED A SLEW OF FANTASY ELEMENTS.

Included among the original script’s fantasy scenes and dream sequences were Alvy and Annie’s time-hopping visits to the Garden of Eden, the French Resistance, and Nazi Germany, parodies of the films Angel on My Shoulder and Invasion of the Body Snatchers, a guided tour of Hell (featuring Richard Nixon), and a basketball game between the New York Knicks and philosophers like Friedrich Nietzsche and Søren Kierkegaard.

3. ONE DISCARDED SUBPLOT FROM ANNIE HALL BECAME ANOTHER MOVIE.

The Annie Hall scene following Alvy and Annie’s last-minute decision to skip out on the Ingmar Bergman film Face to Face was initially meant to kick off a sequence in which the pair witnesses and investigates a murder. The story would later be recycled as the premise of 1993's Manhattan Murder Mystery, which again stars Allen and Keaton as a romantic couple.

4. THE STUDIO HIRED AN AD AGENCY TO MAKE ALLEN’S TITLE MORE MARKETABLE.

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United Artists, the distributor of Allen’s four previous films (Bananas, Everything You Always Wanted to Know About Sex But Were Afraid to Ask, Sleeper, and Love and Death) recognized the inherent difficulty in marketing a film called Anhedonia. In an effort to make Allen’s desired title more palatable, the studio hired an advertising agency to fill local newspapers throughout the country with headlines reading, “Anhedonia Strikes __________!” (filling in the blank with the name of the city in which the ad would publish). However, the million-dollar campaign was scrapped before execution, as United Artists successfully convinced Allen to change the film’s title.

5. ULTIMATELY, THE FILM WAS NAMED AFTER ITS LEAD ACTRESS.

After a few regrettable title suggestions from Brickman (A Rollercoaster Named Desire, It Had to Be Jew, and Me and My Goy) and a couple of somewhat bland options by Allen (Anxiety and Alvy and Me), the movie wound up inheriting the name of its heroine: Annie Hall, a character named after the actress who portrayed her. Diane Keaton’s birth name was Diane Hall, and she went by “Annie.”

6. ALLEN HATED ONE SCENE SO MUCH HE THREW IT INTO THE EAST RIVER.

Although Allen grieved the loss of most of the material that didn’t make it to the screen, there was one sequence he was glad to be rid of: A late-in-film fantasy bit in which a sentient traffic light convinces Alvy to fly across country and win Annie back. Allen thought the scene was so disgustingly cutesy that he allegedly tossed the prints into New York City’s East River.

7. ANNIE HALL’S COSTUME DESIGNER ALMOST COST AMERICA A FASHION TREND.

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The “Annie Hall look” became a tremendous fashion craze following the release of the film, as women in the late 1970s began to mimic the character’s appropriation of “menswear” (bowler hats, coats and blazers, baggy pants, and neckties) as newly feminine garments.

Keaton herself supplied most of Annie’s wardrobe—the actress ordinarily dressed this way. According to Allen, Annie Hall’s costume designer Ruth Morley reportedly attempted to deter the actress from such unorthodox attire, deeming the look “crazy,” but ultimately lost that battle.

8. THE FILM EMPLOYS A VERY LOW-TECH VERSION OF SPLIT SCREEN.

Annie Hall is celebrated for its innovative utilization of split screen—specifically in one scene in which both Alvy and Annie are meeting with their respective shrinks—but the process behind the device was particularly "old fashioned" (almost pre-technological). Cinematographer Gordon Willis actually set up a thin wall between adjacent sets to shoot both halves of the divided scene in tandem.

9. ALLEN’S COCAINE-INDUCED SNEEZE WAS THE REAL THING.

One of the biggest laughs in early screenings of Annie Hall came upon watching Alvy’s voluminous sneeze spread a container of cocaine around the living room of his flustered friends. It’s tough to imagine a better way of capping such a sequence, but in fact the moment was born on set: The sneeze was real and unexpected, and stayed in the movie thanks to test audiences’ resultant delight.

10. ANNIE HALL’S SCENES WERE MORE THAN TWICE AS LONG AS THE AVERAGE 1977 FILM’S.

Generally speaking, a film’s average scene length is directly related to the complexity of the material it showcases—longer scenes allow for more intricate conversations and greater opportunities for cinematic experimentation. Critic David Bordwell, who highlighted Allen’s work in a 2002 study pertaining to the scene length of Hollywood movies, determined Annie Hall’s average scene to run for approximately 14 seconds, between two and three-and-a-half times as long as that of the typical 1977 movie (estimated as somewhere in between four and seven seconds).

11. THE “TRUMAN CAPOTE LOOKALIKE” IS TRUMAN CAPOTE.

A memorable scene in the film observes a crowd of Manhattan passersby as Alvy and Annie trade quiet jabs at the strangers’ expense. Alvy deems the final subject in this lot, “The winner of the Truman Capote lookalike contest.” The man in question is actually the Breakfast at Tiffany’s author himself.

12. THE FILM HAS A STRANGE CONNECTION WITH ANOTHER 1977 MOVIE.

Annie Hall is recognized as a launch pad for the careers of several then-unknown actors who’d go on to enjoy prosperous careers in Hollywood. Christopher Walken (as Annie’s disturbed brother Duane), Jeff Goldblum (as a Los Angeles partier who forgets his spiritual mantra), and Beverly D’Angelo (as an actress in the canned laughter sitcom starring Alvy’s friend Rob) all played pre-fame supporting parts in the film. Coincidentally, all three of these actors also appeared in the Brooklyn-set horror movie The Sentinel, which was released in American theaters three months before Annie Hall.

13. ALLEN CAME UP WITH THE ENDING IN A CAB ON THE WAY TO PREVIEW THE FILM.

As Annie Hall had changed so much between its conception and production, Allen and Brickman had trouble coming up with an appropriate ending. The pair struggled with this dilemma all the way up through the earliest preview runs of the movie, at which point they had settled on an emotionally unfulfilling “downer ending” that closed on an awkward post-breakup encounter between Alvy and Annie. During a cab ride to one of these previews, Allen had an epiphany: He scribbled down a few notes that quickly blossomed into Alvy’s beloved “We need the eggs” speech that closes the film.

14. ADJUSTED FOR INFLATION, ANNIE HALL IS ALLEN’S HIGHEST GROSSING MOVIE BY FAR.

In 1977, Annie Hall made $38,251,425 at the box office, which makes it the director’s fourth highest grossing film (behind Manhattan, Hannah and Her Sisters, and Midnight in Paris). Adjusted for inflation, Annie Hall’s ticket sales equate to a whopping $139.3 million in 2015 dollars, passing his next best adjusted-for-inflation picture, Manhattan, by more than $10 million. (And more than doubling Midnight in Paris’ $57.7 million take.)

15. ALLEN DOESN’T LIKE ANNIE HALL.

Despite its four Academy Awards—for Best Picture, Director, Original Screenplay, and Actress—and cultural legacy, Annie Hall has yet to win over Allen. The director insists that the film is merely a shell of his grander original vision. "In the end, I had to reduce the film to just me and Diane Keaton and that relationship," he once noted. "So I was quite disappointed in the end of that movie, as I was with other films of mine that were very popular." He’s also not particularly fond of his 1979 film Manhattan. (And yet, somehow, he’s never outwardly decried Scoop…)

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18 Things You Might Not Know About Frasier
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The character of psychiatrist Frasier Crane was added to Cheers during the series’ third season as a temporary release for some of the Sam and Diane relationship tension. Dr. Crane was only supposed to be around for a few episodes, but thanks to a combination of good writing and Kelsey Grammer’s performance, Frasier became a series regular by Cheers's fifth season. He was so popular that he was eventually spun off into his own series, which premiered on September 16, 1993—and lasted an amazing 11 years. Here are some fun behind-the-scenes facts for all you Frasier fans.

1. THE ORIGINAL IDEA FOR THE SHOW HAD NOTHING TO DO WITH FRASIER.

Kelsey Grammer and the creative team behind Frasier (David Lee, David Angell, and Peter Casey) originally thought that any use of the Dr. Crane character would encourage unfair comparisons to Cheers, so their initial ideas involved Kelsey playing a paralyzed media mogul cared for by a street-smart nurse in a Manhattan penthouse. Paramount hated the idea and convinced all concerned that it would be unwise not to capitalize on the built-in Cheers audience.

2. THEY WANTED TO SET THE SHOW AS FAR AWAY FROM BOSTON AS POSSIBLE.

Once it was agreed that Grammer would continue as Dr. Crane, the creators still wanted to distance themselves from Boston and the whole "crossover syndrome." They knew that the network would insist on having former Cheers characters make guest appearances if the show was set anywhere in Massachusetts, so they moved Frasier across the country to Seattle. The gourmet coffee scene was just taking root in that area, which provided a central meeting place for the characters. The creators didn't want Frasier Crane to work in private practice, since that had already been done on The Bob Newhart Show. Grammer's resonant voice seemed natural for radio, so the concept of a call-in psychiatry show seemed natural.

3. LISA KUDROW COULD HAVE PLAYED ROZ ...

Future Friends star Lisa Kudrow originally won the role of Frasier’s producer, Roz Doyle. But during the third day of rehearsals prior to filming the pilot, the producers realized that while Kudrow was certainly funny enough, she just wasn’t forceful enough to match Grammer when he went all out. They needed a female “alpha dog” to play the part, so Kudrow was out and second choice Peri Gilpin was in. The character was named after Roz Doyle, one of the producers of Wings who died of breast cancer in 1991 at age 49.

4. ... AND ROSIE PEREZ WAS ALMOST DAPHNE.

Rosie Perez was this close to being psychic home health care worker Daphne. Grammer was pushing for the character to be a Latina, while the producers had their eye on Jane Leeves. Grammer’s main objection to the British Leeves was that the show might too closely resemble Nanny and the Professor, a warm and fuzzy family sitcom of the 1970s that starred Juliet Mills as an English nanny with psychic abilities. Grammer agreed to Leeves as the choice when his initial table reading with the actress went exceptionally well.

5. KELSEY GRAMMER SANG THE SHOW'S THEME SONG.

Composer Bruce Miller was given the challenging assignment of writing a theme song for the series that didn’t specifically mention psychiatry, radio, or the name “Frasier.” Lyricist Darryl Phinnesse came up with the cryptic phrase “tossed salad and scrambled eggs” as a metaphor for the “mixed up” patients that Dr. Crane saw regularly. Miller originally envisioned Mel Tormé singing the theme over the closing credits, but the producers preferred to employ Grammer’s golden throat.

6. THE SHOW'S DESIGNERS SPENT MAJOR MONEY FURNISHING FRASIER'S APARTMENT.

“So what do you think of what I’ve done with the place?” Frasier asked his father, Martin, in the pilot episode. “You know, every item here was carefully selected. The lamp by Corbu, this chair by Eames, and this couch is an exact replica of the one Coco Chanel had in her Paris atelier.” The show’s set designers spent almost half a million dollars to give Frasier’s apartment its “eclectic” look. The Coco Chanel replica sofa was covered with 24 yards of Italian suede for an estimated cost of about $15,000. The Eames chair was rented, but the Pastoe curved sideboard was purchased for $3,200 and the Wassily chair had a $1,395 price tag. Martin’s eyesore of a recliner was also on the pricey side, since the prop department couldn’t find an appropriately ugly chair at any second-hand store. The chair was eventually covered with tape and covered with fabric purchased from an exclusive shop that specialized in deliberately tacky 1970s-era textiles.

7. THE FIRST CUT OF THE PILOT WAS SIX MINUTES TOO LONG.

After seven passes, it still came in sixty seconds more than it should and the creative team decided they couldn’t cut any more. NBC agreed and said they would find the extra time—not by cutting a commercial, but by taking 15 seconds from the other 4 shows on that night.

8. JANE LEEVES WORKED WITH AN ACCENT COACH.

Leeves grew up just north of London, England, but since her character was from Manchester she used an affected Mancunian accent (which received a lot of criticism from fans when Frasier aired in the U.K.). Leeves worked with a voice coach to ensure that her accent would be understood by American viewers. John Mahoney, on the other hand, grew up in Manchester but emigrated to the U.S. when he was 19 years old. He concentrated on losing his accent shortly after settling in Illinois so that he would “blend in.”

9. THE CAST MEMBER WHO RECEIVED THE MOST FAN MAIL ISN'T THE ONE YOU MIGHT EXPECT.

When Frasier first started topping the Nielsen ratings every week, which cast member received the most fan mail? Eddie the dog. Leeves once wryly observed that when Entertainment Weekly used Frasier as a lead story in 1993, Eddie was the only cast member to appear on the cover. Eddie was portrayed by a Jack Russell Terrier named Moose, who'd originally been adopted by a family that wasn't aware of the breed's rambunctious nature. Moose had relentless energy—he dug holes in the back yard, chased anything in his path, chewed furniture and even climbed trees to escape his enclosure. His family gave him up to a rescue organization, which is where professional trainer Mathilde de Cagny discovered him. She decided he would be a good working dog because of his boundless energy and desire to always be doing something. Moose turned out to be an apt pupil, and learned to follow commands immediately. During the doggie auditions for the show, the producers were looking for a pooch that could stare endlessly at Kelsey Grammer (a running joke on the series), and Moose performed flawlessly, staring at Mathilde's outstretched index finger offstage until he was "released."

10. WHEN HE RETIRED, MOOSE WAS REPLACED BY HIS SON.

Moose retired at the age of 10 (after the end of Season 7) and his son Enzo took over the role of Eddie. Moose had been bred with the idea of achieving a look-alike replacement when it became obvious that Frasier would have a long run. Enzo had two siblings, a sister named Miko who was too small to play Eddie, and Moosie, who had noticeably different markings. Peri Gilpin, who played Roz, fell in love with Moosie and adopted him.

11. THE FRASIER WRITERS SOMETIMES WORKED SUBTLE HOMAGES TO CHEERS INTO THE SCRIPTS.

One famous example was the recreation of a scene where Sam and Diane were embroiled in a vicious argument that almost ended up in fisticuffs but instead resulted in a passionate embrace. Of course, when Frasier used the same tactic during a shouting match with financial analyst Julia Wilcox, he ended up being accused of sexual harassment.

12. MOST OF THE CHEERS CAST MADE APPEARANCES ON THE SHOW.

Most of the main Boston tavern regulars made appearances on Frasier. Lilith, logically, visited the most since she was Frasier’s ex and Frederick’s mom. Sam, Diane, and Woody all found themselves in Seattle for varying reasons, and a business trip to Boston in Season 9 enabled the Crane family to see the rest of the Cheers gang in one fell swoop. Noticeably absent, however, was Rebecca Howe, played by Kirstie Alley. Alley had contacted co-creator David Lee when Frasier was in the planning stages and informed him that as a Scientologist she did not believe in psychiatry and as a result would not be able to make an appearance on the series. Lee responded simply, “I don’t recall asking.”

13. THE EPISODE WHERE NILES CO-HOSTED HIS BROTHER'S SHOW WAS RE-WRITTEN WHEN GRAMMER WENT TO REHAB.

On the evening of September 21, 1996, Kelsey Grammer flipped his Dodge Viper (a gift from NBC) not far from his driveway in Agoura Hills, California. He wasn’t severely injured, but the resulting DUI arrest spurred him to check in at the Betty Ford Clinic. Frasier was on hiatus for the following three weeks due to the Major League Baseball playoffs, and the episode 4.05 (“Head Games”) was quickly rewritten to feature Niles hosting his brother’s radio program while Frasier was away at a convention. Grammer filmed his bit for the intro at a later date and it was tacked on to the show before broadcast.

14. THE PRODUCERS CREATED NILES SPECIFICALLY FOR DAVID HYDE PIERCE.

There wasn’t any particular plan in place to give Frasier a brother until the assistant casting director approached the creators with a photo of David Hyde Pierce in hand and asked, “Doesn’t he look like Kelsey did 10 years ago?” Startled by the physical resemblance, the creative team dug up some tapes of a short-lived Norman Lear-produced political sitcom called The Powers That Be, on which Pierce portrayed a shy, suicidal Congressman. A meeting was arranged with the actor and he was offered the newly created role of Niles Crane after a brief interview.

15. THE WRITERS EXPLAINED AWAY JANE LEEVES' PREGNANCY IN AN INTERESTING WAY.

Leeves was expecting in real life during Season 7, and her burgeoning baby bump was explained on the show as weight gain from Daphne’s sudden compulsive overeating as a method of dealing with her relationship with Niles. She was sent away to a spa for a few episodes and returned svelte (after daughter Isabella was born).

Roz’s pregnancy in Season 5, however, was strictly a plot device—an attempt by the writers to give the character a story arc of her own. Gilpin wasn’t with child, and she had a lot of explaining to do to friends and family members who thought she’d neglected to tell them about her impending motherhood. The entire Roz’s baby storyline was a misstep in retrospect, Gilpin and the producers agreed, and the infant remained behind the scenes for the most part because Grammer didn’t want the hassle of the tightly restricted work schedule of child actors.

16. EVEN THOUGH HE WAS RETIRED, MOOSE HAD ONE LAST CURTAIN CALL.

Moose was 14 when Frasier came to an end. The dog's fur had turned snow white and he was almost completely deaf, but his trainer carried him out onstage after the final episode taped so that the pooch could take his bows with the rest of the cast. David Hyde Pierce commented that it was one of the most moving moments of the evening, watching Moose recognize and react to the applause one last time.

17. KELSEY GRAMMER PLAYED FRASIER FOR A VERY, VERY LONG TIME ...

Counting the time he spent on Cheers, Kelsey Grammer played the character of Frasier Crane in prime time for 20 consecutive years, a record TV-land hadn’t seen since James Arness played Marshall Dillon on Gunsmoke for the same length of time. Grammer's publicist invited Arness to join Kelsey on The Today Show in 2004, but according to Grammer, Arness rejected the idea with a brief expletive that rhymes with “duck shoe.”

18. GRAMMER IS THE FIRST AMERICAN ACTOR TO BE NOMINATED FOR THE SAME CHARACTER ON THREE DIFFERENT SERIES.

Cheers and Frasier are obvious, but Frasier Crane also made an Emmy-nominated guest appearance on Wings.

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20 Fun Facts About The Golden Girls
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Though The Golden Girls made its debut on September 14, 1985—exactly 32 years ago today—the series still remains fresh for generations of new viewers thanks to great writing and syndicated reruns. Here are 20 things you might not have known about Dorothy, Rose, Blanche, and Sophia.

1. LEE GRANT WAS SERIES CREATOR SUSAN HARRIS'S FIRST CHOICE FOR DOROTHY.

Grant had starred in Harris's short-lived 1978 sitcom, Fay. Grant, however, was unenthusiastic about playing a grandmother, so the part was eventually offered to Bea Arthur. Though not immediately.

2. NBC WAS AGAINST CASTING BEA ARTHUR.

Harris actually wrote the role of Dorothy with Arthur in mind, having worked with the actress on several episodes of Maude. But then-NBC president Brandon Tartikoff was against the idea, stating that Arthur’s “Q” score (a rating system of a performer’s audience appeal) was too low—she was recognizable, but not “loveable,” thanks to Maude’s liberal leanings. Broadway legend Elaine Stritch was a contender for the part, but she alienated the producers by improvising her dialogue and dropping an “F” bomb during her audition.

3. RUE MCCLANAHAN PUSHED BEA ARTHUR TO PURSUE THE PART.

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Rue McClanahan gave her reluctant Maude co-star the final push to convince her to give The Golden Girls a try. According to McClanahan, she phoned Arthur and asked her incredulously, “Why are you going to turn down the best script that’s ever going to come across your desk as long as you live?”

4. BETTY WHITE AND RUE MCCLANAHAN PASSED THE TIME WITH WORD GAMES.

Betty White had always been a fierce competitor when she appeared on Password back in the day, and she found a kindred spirit in Rue McClanahan when it came to word games. The two ladies frequently played alphabet games in between takes throughout the entire day of taping.

5. ESTELLE GETTY WAS ONE YEAR YOUNGER THAN HER TV DAUGHTER.

During the show's first season, it took the makeup department 45 minutes to transform Getty into Sophia Petrillo. That aging process became even more complex when Getty turned up looking even younger when season two began (she’d had a facelift during the summer hiatus).

6. GETTY SUFFERED FROM EXTREME STAGE FRIGHT.

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McClanahan recalled that Getty would seem to have a “black cloud” hanging over her head beginning Thursdays during dress rehearsal. During Friday tapings she would often freeze on camera. She was the least experienced actress of the four, and it intimidated her. In a 1988 interview she stated that working every week with talent like Arthur and White scared her out of her wits. She felt like a fraud and worried that the fans would “find out” that she wasn’t as good as her co-stars.

7. MCCLANAHAN'S FAVORITE EPISODE WAS "JOURNEY TO THE CENTER OF ATTENTION."

It's the season seven episode in which Dorothy uncharacteristically becomes popular at The Rusty Anchor, Blanche’s favorite place for meeting men. At McClanahan's request, the producers hired choreographer Gregory Scott Young to carefully stage the scene where Blanche seductively sings “I Want to Be Loved by You” on top of a grand piano while encountering one mishap after another.

8. QUEEN ELIZABETH IS A HUGE GOLDEN GIRLS FAN.

The Queen invited the stars of the show to perform live at 1988’s Royal Variety Performance in London. The Girls reenacted two of their kitchen table scenes (with a bit of censoring, so as not to offend any royal sensibilities). One line that was surprisingly left intact was Sophia’s interjection to Dorothy’s question to Blanche about how long she had waited to have sex again after her husband had died. The then-88-year-old Queen Mum was spotted in the Royal Box chuckling heartily at Sophia’s risqué response: “Until the paramedics came.”

9. THERE WERE ONLY THREE CHAIRS AT THE KITCHEN TABLE.

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Eagle-eyed fans have noticed over the years that although there were four women living in the Miami house, there were always only three chairs around that famous kitchen table. That was strictly due to the limitations of filming—to avoid either squeezing all four shoulder-to-shoulder or having one actress with her back to the camera. Bea was always given the center chair, both because of her height and also in order to catch her priceless facial expressions.

10. THE OTHER CHARACTERS' PLACEMENT AT THE TABLE WAS SITUATION-DEPENDENT.

The placement of the other characters around the table depended upon the particular situation, and which character might need to exit the kitchen. On those occasions when all four characters had to be seated, a tall stool was scooted up to the outskirt of the conclave.

11. THE KITCHEN SET WAS A HAND-ME-DOWN.

Speaking of that iconic kitchen: the main reason for its particular design was that it was a set left over from another short-lived Harris sitcom called It Takes Two. It starred Richard Crenna and Patty Duke Astin as a dual-career couple—he was a doctor, she was a lawyer—with two teenaged children.

12. DOROTHY BORROWED HER LAST NAME FROM THE SHOW'S STAGE MANAGER.

Dorothy’s last name was lifted from Kent Zbornak, who worked as the stage manager for the show for the entire run of the series. Susan Harris had worked with Kent on Soap in 1977 and fell in love with his surname.

13. WHITE'S FAVORITE EPISODE WAS "A LITTLE ROMANCE."

In this first season episode, Rose is reluctant to introduce the ladies to her new boyfriend, psychiatrist Dr. Jonathan Newman, because he is a little person. White said that despite the fact that “every ‘short’ joke in the book” was used, none of the humor was truly hurtful.

14. ARTHUR DID NOT HAVE PIERCED EARS.

All of those “crazy earrings” (Arthur's words) that Golden Girls stylist Judy Evans gave Dorothy were clip-ons. Arthur loved the dramatic effect of the jewelry, but hated that her ears were numb with pain by the end of the day.

15. GETTY HAD A PHOBIA ABOUT DEATH.

Which was a definite handicap when starring in a show about four senior women. It was a tribute to Getty's acting skills that Sophia always seemed very nonchalant and effortlessly tossed off quips in funeral home scenes.

16. MCCLANAHAN GOT TO KEEP BLANCHE'S CLOTHES.

McClanahan had a clause written into her contract that allowed her to keep all of Blanche’s custom-made clothing. She reportedly had 13 closets full of the designer duds.

17. ONE EPISODE WAS AUTOBIOGRAPHICAL FOR SUSAN HARRIS.

The two-part episode entitled “Sick and Tired” was based on Susan Harris’ real-life struggle with chronic fatigue syndrome, and Dorothy’s struggle to find a doctor who would take her symptoms seriously is still relevant for many women. A 2011 study showed that 62 percent of doctors referred men to cardiologists when they complained of chest pain and shortness of breath, while less than 30 percent did the same for their female patients—instead, they counseled those women to “take it easy” and prescribed them anti-anxiety medications.

18. BLANCHE'S MIAMI HOME WAS LOCATED IN LOS ANGELES.

Even though the Girls’ official address was 6151 Richmond Street in Miami, Florida, the original exterior shots of Blanche’s house were of a home located at 245 North Saltair Avenue in Los Angeles, California. According to real estate records, that 2901-square-foot house has four bedrooms and four bathrooms and is valued at a little over $3 million. The house is still there, but is now surrounded by high walls and foliage to discourage curious fans.

19. DOROTHY'S FLAT SHOES WERE A NOD TO ARTHUR'S PERSONAL STYLE.

The nearly 5-foot-10-inch actress once stated in an interview that when she was younger she wished she could wear heels, but that would have meant towering over most of her dates in high school, then later over the actors she worked with in the theater. By the time “heightism” was no longer a concern, Arthur found that she couldn’t balance properly or walk elegantly in even one-inch heels.

20. THE SHOW INTRODUCED A NEW WORD TO TELEVISION VIEWERS.

The Golden Girls introduced a new word to non-Floridian viewers: lanai. Architecturally speaking, a lanai is a porch or veranda with a cement floor and an awning and is sometimes also enclosed by screens. Of course, we can always count on Sophia to simplify matters:

Dorothy: We are throwing a surprise birthday party for Blanche. I want you to go out to the lanai and mingle with the other guests.
Sophia: Check! ...What's a lanai?
Dorothy: The porch!
Sophia: Excuse me, Krystle Carrington!

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