10 Famous People Who Were Afraid They'd Be Buried Alive

"L'Inhumation Precipitee" or "The Premature Burial" by Belgian artist Antoine Wiertz
"L'Inhumation Precipitee" or "The Premature Burial" by Belgian artist Antoine Wiertz
Hulton Archive/Getty Images

The fear of being buried alive may be an ancient obsession—Pliny the Elder recorded cases among the Romans in his Natural History, written in 77 CE. But the golden age for this particular phobia was the Victorian era, when a sensationalist press met a public fascination with death (and some spotty science) to create a cottage industry of books and inventions devoted to premature burial and, most importantly, its prevention. Groups like the London Association for the Prevention of Premature Burial mushroomed, as did alarmist texts like One Thousand Persons Buried Alive by their Best Friends (published by a Boston doctor in 1883).

Getting trapped six feet deep inside a coffin was a favorite plot device for Gothic writers, as it was for Edgar Allan Poe, whose 1844 story, “The Premature Burial” (among other works), contributed to the public preoccupation with the subject. By 1891, Italian psychiatrist Enrico Morselli said fears of premature burial were so widespread it was time to create an official medical term. He coined the word taphephobia(Greek for “grave” + “fear”). As Morselli described it, “The taphephobic … is an unhappy person, his every day, his every hour being tormented by the sudden occurrence of the idea of being buried alive.”

Rampant taphephobia also led to the creation of so-called “safety coffins,” designed to prevent premature burial. Germany alone saw more than 30of these designs patented in the second half of the 19th century. Most involved some mechanism for communicating with the living, such as ropes and other tools that were used to ring bells above ground (some safety coffins also included supplies of air, food, and water). In 1822, one Dr. Adolf Gutsmuth of Seehausen, Altmark (modern day Germany), demonstrated his design by having himself buried alive, where he “stayed underground for several hours and had a meal of soup, beer, and sausages served through the coffin's feeding tube.”

Ten famous taphephobes are listed below, and while not all were gripped by a full-blown phobia, they all made provisions to avoid being declared dead before their time.

1. Hans Christian Andersen

Author Hans Christian Andersen
Author Hans Christian Andersen
Hulton Archive/Getty Images

According to his biographer Jackie Wullschlager, Danish writer Hans Christian Andersen was deathly afraid of being buried alive. He spent his final days at the home of his friends Dorothea and Moritz Melchior in Copenhagen, and as the end neared, begged Dorothea to cut his veins after he’d breathed what appeared to be his last breath. Dorothea “joked that he could do as he had often done, and leave a note saying ‘I only appear to be dead' beside him.”

The note was a fixture of Andersen’s bedside table—some say he even wore it around his neck. Andersen was more than a little neurotic, and being buried alive was far from his only fear. According to Wullschlager, he also traveled with a rope in his luggage because he was afraid of fire, was terrified of dogs, and refused to eat pork out of fear of trichinosis.

2. Frédéric Chopin

Polish composer Frederic Chopin
Polish composer Frederic Chopin
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In his last written message, composer Frédéric Chopin is believed to have penned the words (in French): “The earth is suffocating. Swear to make them cut me open, so I won’t be buried alive.” (Some biographers translate the scrawled word “earth” as “cough”—Chopin was diagnosed with tuberculosis.) Chopin’s precise cause of death has never been determined, though researchers have long wanted to study his heart, entombed in alcohol in the pillar of a Warsaw church, to test the theory that he might have died of cystic fibrosis.

3. George Washington

George Washington
George Washington
Three Lions/Getty Images

A few hours before he died, George Washington said to his secretary: "I am just going. Have me decently buried; and do not let my body be put into the Vault in less than three days after I am dead." The request wasn't uncommon for his time: Before the invention of modern stethoscopes, the onset of putrefaction—which generally happens to corpses within a couple of days—was the only sure sign of death.

His nephew, United States Supreme Court Justice Bushrod Washington, was even more explicit in his protections against premature burial. He told his doctor: “[M]y thumbs are not to be tied together—nor anything put on my face or any restraint upon my Person by Bandages, &c. My Body is to be placed in an entirely plain coffin with a flat Top and a sufficient number of holes bored through the lid and sides—particularly about the face and head to allow Respiration if Resuscitation should take place and having been kept so long as to ascertain whether decay may have occurred or not, the coffin is to be closed up.”

4. Edward Bulwer-Lytton

Victorian novelist and politician Edward Bulwer-Lytton is to blame for the phrase “It was a dark and stormy night.” (The line has since spawned the Bulwer-Lytton Fiction Contest, where entrants compete each year to create the worst opening lines in literature.) But spare some pity for the guy: He was so concerned about one day waking up in a coffin that he asked for his heart to be punctured before he was buried, just in case.

5. Alfred Nobel

Alfred Nobel
Alfred Nobel
Hulton Archive/Getty Images

Alfred Nobel was the inventor of dynamite. Although invented for non-military purposes, he felt that his invention would help bring about peace by making war unpalatable.The Nobel Prizes were created by his will, which left the bulk of his vast estate to the creation of a fund for prizes awarded to those who “conferred the greatest benefit on mankind" in the preceding year. The final portion of Nobel’s will, however, reflected a different preoccupation. He wrote: "It is my express wish that following my death my veins shall be opened, and when this has been done and competent Doctors have confirmed clear signs of death, my remains shall be cremated in a so-called crematorium.”

6.Auguste Renoir

Auguste Renoir
Auguste Renoir 
Hulton Archive/Getty Images

According to a memoir by his son Jean Renoir, the French painter Auguste Renoir repeatedly expressed a fear of being buried alive. His son insisted a doctor do "whatever was necessary" to ensure the artist was really and truly dead before being buried.

7. Arthur Schopenhauer

Arthur Schopenhauer
Arthur Schopenhauer 
Hulton Archive/Getty Images

According to the historian Jan Bondeson, the influential German philosopher Arthur Schopenhauer "freely admitted to a fear of premature interment.” He requested that his corpse stay aboveground for five days, so it would be good and rotten before burial.

8. Nikolai Gogol

Russian author Nikolai Gogol (famous for his short story “The Overcoat” and the novel Dead Souls) was both fascinated and terrified by the prospect of premature burial. He wrote in a letter to a friend that he was amazed humans could stay in a trance and see, hear, and feel, without being able to do anything to prevent premature burial. His will specified that he not be buried until he was putrefying and without a heartbeat.

Supposedly, when Gogol was exhumed several decades later (Russian authorities had decided to demolish the cemetery where he’d been buried), his body had shifted and was lying on its side, giving rise to a legend that his worst fear had come true—he’d been buried alive. While it’s tempting to believe such a dramatic story, corpses can shift after death thanks to putrefaction and earth movements.

9. Johann Nepomuk Nestroy

According to Jan Bondeson, Austrian writer Johann Nepomuk Nestroy took elaborate precautions against premature burial:

In his will, he declared that the risk of premature burial was the only thing he feared in his present situation and that his studies of the literature on this subject had taught him that the doctors could not be relied on to distinguish dead people from living ones. His body was to be kept in an open coffin for two days, in a waiting mortuary with a signaling apparatus that would herald any signs of life. Even after burial, the coffin lid was not to be nailed shut.

10.Philip Stanhope, 4th Earl of Chesterfield

Philip Stanhope, the 4th Earl of Chesterfield, was a British statesman and wit who is now perhaps best known for the letters to his illegitimate son that he wrote almost daily for 30 years, beginning in 1737. (Not everyone was a fan: After the letters were first published in 1774, Samuel Johnson wrote that they taught "the morals of a whore and the manners of a dancing-master.") While not exactly crippled by a fear of premature burial, Stanhope made reference to the predicament in a letter to his son’s wife written in 1769: “All I desire for my own burial is not to be buried alive; but how or where, I think, must be entirely indifferent to every rational creature."

5 Weird American Cemetery Legends

iStock/grandriver
iStock/grandriver

These strange, spooky cemetery tales of vampires, ghosts, and bloody headstones will keep you up at night. (If you're not too scared, add them to your next cemetery road trip, and keep this guide of common cemetery symbols handy for when you visit.)

1. The Vampire of Lafayette Cemetery

Perhaps it's not surprising that a grave with "born in Transylvania" etched on it would invite vampire comparisons. Local legends say that a tree growing over this grave in Lafayette, Colorado, sprung from the stake that killed the vampire inside, and that the red rosebushes nearby are his bloody fingernails. There are also reports of a tall, slender man in a dark coat with black hair and long nails who sometimes sits on the tombstone. It's not clear what the man who bought the plot—Fodor Glava, a miner who died in 1918—would have thought of all these stories, especially since he might not have actually been buried there.

2. The Green Glow of Forest Park Cemetery

The abandoned Forest Park Cemetery (also known as Pinewoods Cemetery) near Troy, New York, is known for several urban legends. One of the strangest concerns local taxi drivers, who say they pick up fares nearby asking to go home, only to have the passenger mysteriously vanish when they drive by the cemetery. Others tell of a decapitated angel statue that bleeds from its neck—although the effect may be attributed to a certain kind of moss. But one of the eeriest parts of the grounds is a dilapidated mausoleum said to be home to a green, glowing light often seen right where the coffins used to be located.

3. The New Orleans Tomb That Grants Wishes

Famed "Voodoo Queen" Marie Laveau is buried in arguably the oldest and most famous cemetery in New Orleans, St. Louis Cemetery No. 1. (Or said to be, anyway—some dispute surrounds her actual burial spot.) For years, visitors hoping to earn Marie's supernatural assistance would mark three large Xs on her mausoleum; some also knocked three times on her crypt. However, a 2014 restoration of her tomb removed the Xs, and there's a substantial fine now in place for anyone who dares write on her tomb.

4. Pennsylvania's Bleeding Headstone

The Union Cemetery in Millheim has one of the nation's weirder headstones: It's said to bleed. The grave belongs to 19th-century local William (or Daniel) Musser, whose descendants tried to replace the tombstone repeatedly, but the blood (or something that looked like blood) just kept coming back—until they added an iron plate on top.

5. Smiley's Ghost in Garland, Texas

A single plot in the Mills Cemetery is home to five members of the Smiley family, who all died on the same day. Rumor has it that if you lie down on the grave at midnight (especially on Halloween), you'll find it very difficult to rise back up, as the ghost of old man Smiley tries to pull you down, hoping to add one more member to the family's eternal resting place.

8 Fun Facts About Muppet Babies

The Jim Henson Company
The Jim Henson Company

Before prequels were a thing, Jim Henson’s Muppet Babies imagined a world in which the felt-covered characters of Henson’s Muppets franchise—Kermit, Miss Piggy, Animal, and Fozzie Bear among them—met up as children in a nursery. Left to their own devices, the animated cast led a rich fantasy life while in diapers. For more on this 1984-1991 show, including why it’s so hard to find anywhere except YouTube, keep reading.

1. Frank Oz didn’t really want Muppet Babies.

The idea to infantilize the Muppets came from Michael Frith, a longtime collaborator of Jim Henson’s, in the early 1980s. Frith believed that regressing the characters could allow them to impart moral or educational messages to children already familiar with them. But Frank Oz, a Muppets performer (Miss Piggy) and film director, argued that the Muppets needed to maintain their subversive edge. It was Henson who found a compromise, suggesting that younger versions of the characters appear in a dream sequence for 1984’s feature film The Muppets Take Manhattan. The response to the scene was overwhelmingly positive, and Henson soon teamed with Marvel Productions and CBS for an animated series that began airing in September 1984.

2. Skeeter was the result of a gender imbalance on Muppet Babies.

Most of the principal Muppet Babies cast was made up of recognizable characters, including Kermit, Miss Piggy, Fozzie Bear, Rowlf, Gonzo, Animal, Bunsen, and Scooter. But Frith, Henson, and producers Bob Richardson and Hank Saroyan decided that the babies were skewing a little too male. Aside from Piggy and their caretaker, Nanny, there were no female characters. To balance the scales, they introduced Skeeter, Scooter’s twin sister, a brainy problem-solver.

Skeeter has made only fleeting and sporadic appearances in the Muppet franchise since, leading to speculation she might be caught up in rights issues between CBS and the Jim Henson Company, which was purchased by Disney in 2004. Fortunately, the somewhat murky situation appears to be at least partially resolved: It was recently reported Skeeter will resurface in the new computer-animated iteration of Muppet Babies, which is currently airing its second season on Disney Junior and has been renewed for a third season.

3. One of the major creative forces behind Muppet Babies was Moe Howard’s grandson.

In 1985, Muppet Babies writer Jeffrey Scott received a Humanitas Prize from the Human Family Educational and Cultural Institute for an episode of the series which the Institute declared did the best job of any kid’s show that year to “enrich the viewing public.” The episode centered on the group fearing one of them might be sent away. The prolific Scott actually wrote all 13 episodes of the first season. His father, Norman Maurer, worked at Hanna-Barbera Productions and got Scott’s foot in the door. His grandfather was Moe Howard, founder and head Stooge of The Three Stooges fame.

4. The Muppet Babies live-action segments were a result of budgetary constraints.

A hallmark of Muppet Babies is when the cast finds themselves thrust into scenes from famous films, a Walter Mitty-esque bit of fantasy fulfillment that blends live-action sequences with animation. According to Frith, devoting a portion of each episode to clips wasn’t entirely a creative choice. By inserting clips, producers could save money on animation. It was also easy for Henson to secure the rights to popular films like Star Wars or Raiders of the Lost Ark because he was friends with George Lucas and Steven Spielberg. While some believe those clips are the reason the show isn’t available to stream—sifting through the legal entanglement of reairing the segments might prove costly—that’s never been confirmed.

5. Muppet Babies never explained what the Muppets were doing in that nursery.

Given time to reflect, it seems odd that the Muppet cast would find themselves in a nursery without being supervised by their own parents. Speaking with the Detroit Free Press in 1987, Michael Frith said that the situation was purposely left vague. “I really appreciate the fact that they don’t [ask],” Frith said of his kid viewers. “Is this a day care center? Is this a foster child home? The more we talked about it, the more we felt it should just exist. The kids accept it.”

6. The voice recording sessions of Muppet Babies included copious farting.

Speaking with CNN in 2011, actor Dave Coulier (Full House) recalled that recording sessions for Muppet Babies sometimes involved flatulence. Coulier, who portrayed Animal and Bunsen, among others, said that “lots of fart humor” punctuated the recording studio. “In one scene, Fozzie [played by Greg Berg] and Animal had to climb a ladder,” he said. “As Animal was pushing Fozzie up the ladder, they were making [grunting] sounds. In mid-scene, Greg Berg farted. I looked at [actor] Frank Welker and we couldn’t contain ourselves. Uncontrollable laughter ensued. I was literally on the floor of the studio laughing.”

7. There was an offshoot of Muppet Babies called Muppet Monsters—and it never aired in full.

Following the success of Muppet Babies, CBS and Jim Henson decided to expand on the Muppets' potential as Saturday morning stars by creating a 90-minute block in 1985 titled Muppets, Babies, and Monsters. (Muppet Babies often aired consecutive half-hour installments for an hour total.) In addition to regular Muppet Babies episodes, the program featured another half-hour of Little Muppet Monsters, which featured puppets of new Muppet monster characters named Tug, Molly, and Boo. The three appeared in a framing device that introduced animated segments of adult Muppets. Only three episodes aired out of 15 produced, reportedly due to both Henson and CBS being unhappy with the finished product and Muppet Babies standing strongly on its own. The remaining episodes have yet to see the light of day.

8. Muppet Babies was turned into a live stage show.

To further incite their juvenile audience and monetize their popularity, the Muppet Babies franchise eventually wound up live and on stage. Muppet Babies Live! debuted in 1986 and featured performers in oversized costumes dancing and acting to a prerecorded track. In one skit, the cast appeared in a Snow White homage. In another, Rowlf became Rowlfgang Amagodus Mozart and played the piano. The arena show toured the country. Hank Saroyan, one of the animated show’s producers, wrote the stage show. The performer for Baby Piggy, Elizabeth Figols, also appeared in a live production of Dirty Dancing. The show ran through 1990.

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