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Antoine de Saint-Exupéry

12 Charming Facts About The Little Prince

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Antoine de Saint-Exupéry

Antoine de Saint-Exupéry’s beloved tale of a pilot and a young alien prince has been delighting readers since it was first published in 1943. Even if you know The Little Prince (or Le Petit Prince in its original French) by heart, there are probably a few things you may not know about the novella.

1. Saint-Exupéry Knew a Thing or Two About Desert Plane Crashes.

When he depicted the novel’s narrator crashing in the Sahara at the opening of the book, Saint-Exupéry was writing what he knew. While today he’s largely remembered for The Little Prince, before World War II Saint-Exupéry was celebrated as an aristocratic aviator and writer who had flown mail routes in Africa and South America and even worked as a test pilot. During an attempt to break the record for the fastest trip between Paris and Saigon, Saint-Exupéry crashed his plane in the desert 125 miles outside of Cairo.

2. "The Little Mermaid" may have inspired Saint-Exupéry to write The Little Prince.

Although the true origin of the story is widely debated, one common theory is that Saint-Exupéry was inspired by this Hans Christian Andersen fairy tale. In the early 1940s, Saint-Exupéry was stuck in a hospital while he recovered from various injuries that had piled up from his plane crashes, and he was bored out of his mind. His friend Annabella decided to read him a story—"The Little Mermaid"—that got Saint-Exupéry thinking about writing a fairy tale of his own. 

3. Saint-Exupéry wrote while in a self-imposed exile in the United States during World War II.

Saint-Exupéry had been a pilot in the French Air Force until the armistice between France and Germany in 1940, which resulted in the demobilization of the French forces. Having a poor opinion of Free French leader Charles de Gaulle, Saint-Exupéry refused to join the Royal Air Force and left for the U.S. instead, where he unsuccessfully tried to get the government to enter the war against Germany. 

4. Saint-Exupéry’s wife, Consuelo, likely inspired the Prince’s Rose.

Antoine and Consuelo had a volatile relationship, living apart for most of their lives, but she always remained his muse. Just as Saint-Exupéry held Consuelo close to his heart, the Prince protects his rose, watering her and shielding her from the elements. Although the Prince encounters other roses (in Saint-Exupéry’s case, other women) on his journey, the fox reminds him that his rose is unique to him because "you become responsible, forever, for what you have tamed." This theory is further supported by the title of Consuelo’s autobiography, The Tale of the Rose. 

5. Saint-Exupéry both wrote and illustrated The Little Prince.

Saint-Exupéry himself painted all of the story’s simple watercolor illustrations. He did not consider himself an "artist," but he had been a lifelong doodler and was always sketching little people on scraps of paper. 

6. He had to improvise on some of the illustrations’ models.

Saint-Exupéry didn’t have access to a vast menagerie, so he based the illustrations on what he could find. Pulling inspiration from his own life, he modeled many of the characters from real figures—a friend’s poodle became the sheep, while his own pet boxer became the tiger. 

7. One of the main characters is never actually shown to the reader.

Curiously, the pilot—the narrator and one of the main characters—is never depicted in the book. A 2014 exhibit at the Morgan Library and Museum in New York showcased many of Saint-Exupéry’s unpublished drawings, including one depicting the narrator sleeping beside his plane. Christine Nelson, curator of literary and historical manuscripts at the Morgan, shared her thoughts on the piece: "We can only speculate about why [he] decided to remove that image. But he was very good at excising what was not essential to his story." A fitting analysis, considering that the story famously says, "L’essentiel est invisible pour les yeux." ("What is essential is invisible to the eyes," a line that itself went through many revisions.) 

8. Orson Welles wanted to adapt the novella into a film, with help from Walt Disney.

Welles was apparently so taken with the story that he purchased the film rights the day after reading it. He wanted to work with Walt Disney and even asked Disney to handle the special effects, but the two brilliant artists did not work brilliantly as collaborators. Disney felt that such a film would upstage his own work, and reportedly stormed out of a meeting shouting, "There is not room on this lot for two geniuses." Welles’s original screenplay was showcased during the Morgan exhibit.

9. Saint-Exupéry dropped his manuscript off at a friend’s before rushing off to rejoin the military.

One of the most famous books of all time had an unassuming trip to its publisher. Saint-Exupéry tossed a "rumpled paper bag" containing his draft manuscript and original illustrations onto a friend’s entryway table and immediately took off for France again. The 140-page handwritten draft was a mess of struck-through prose, illegible handwriting, coffee stains, and even cigarette scorch marks. He left it as a parting gift, saying, "I’d like to give you something splendid, but this is all I have."

10. Saint-Exupéry never saw the book published in his home country.

First published in 1943, The Little Prince was released in French and English, but only in the United States. Due to his controversial political views, Saint-Exupéry‘s works were not easily available under the Vichy regime, so it wasn’t until the liberation of France that the book was made available in the author’s homeland. 

11. Saint-Exupéry mysteriously disappeared after finishing the book.

By the time his work was available in France, Saint-Exupéry had already been presumed dead for a year, and his death was every bit as mysterious and fascinating as his life. After making his way to Algiers and talking his way into the Free French Air Force, he was once more able to fly even though both his physical and mental health were questionable. On a 1944 reconnaissance mission, his plane disappeared, and he was never seen again. Whether he was shot down by an enemy or perhaps crashed the plane in a suicidal maneuver remains unclear. The author’s body was never recovered, and it wasn’t until 1998 that a clue to his fate was found in the form of his silver identity bracelet, which was discovered by a fisherman off the coast of Marseille in the Mediterranean. The remains of his plane were found there by a diver in 2000.

12. The Little Prince has been translated into over 250 languages.

One of the most-read and most-translated books in the world, the story is often used in schools as a teaching tool for learning other languages. The book’s crisp style makes it a particularly good choice for translation into small and endangered languages. In 2005, it was translated into an Amerindian language of northern Argentina called Toba—a real distinction since up to that point the only other book translated into Toba was the Bible.

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15 Powerful Quotes From Margaret Atwood
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It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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