23 Things David Letterman Invented for Our Amusement

Mike Coppola/Getty Images
Mike Coppola/Getty Images

This week, nearly three years after bidding farewell to Late Night, David Letterman is making his triumphant return to the small screen via Netflix with My Next Guest Needs No Introduction with David Letterman (where he'll interview two people who need no introduction: Barack Obama and George Clooney). If the series is anything like Letterman's career thus far, you can expect plenty of innovation.

Here are 23 recurring bits, features, and moments that the former Indiana weatherman (and his writers) invented for our amusement.


Carson Productions, as in Johnny Carson’s production company, co-produced Late Night with David Letterman, and as the upcoming lead-out programming for The Tonight Show, it was important to Carson’s people that Letterman not copy Carson. Letterman’s people were told that among other things, they couldn’t have a sidekick sitting next to the host like Ed McMahon, a band with horns like Doc Severinsen’s, or a monologue. So instead, Letterman opened his show by standing in front of the audience and viewers at home with “opening remarks,” a monologue consisting of just one or two jokes with weird imagery, like tattoos melting in warm weather.


On February 3, 1982—his third-ever broadcast—Late Night conducted two interviews with baseball hall-of-famer Hank Aaron: One was a standard talk show back-and-forth between host and guest. The other occurred after that conversation ended, where NBC Sports reporter Al Albert (son of Marv Albert) asked Aaron how he felt his last few minutes with Letterman went, with the idea that it was the equivalent of a post-game interview.


“Stupid Pet Tricks” began on Letterman’s short-lived but Emmy-winning morning show, and was a consistently popular segment on both Late Night and The Late Show. The idea came from original head writer Merrill Markoe, who "remembered how in college my friends and I would be hanging around in the evenings, talking, and drinking. One form of constant entertainment was to put socks on this one dog. Everyone I knew did some version of a silly thing like that with their pets, so we ran an ad to see if we could pull a segment together like that."


After questioning people who claimed to have the “world’s largest vase” over the phone in what New York Magazine described as a “longish” segment, the vase was brought into the studio and displayed on Late Night from May 30 through June 2, 1983. On its third night, a 35-inch radio transmitting tower was added to the case when it was discovered that it was shorter than one in Canada. On its final night of national exhibition, Letterman read alleged letters from children addressed to the Vase, and the vase “spoke” to wish for peace for mankind.


Two on-air catchphrase contests, which aired a little over a month apart in the summer of 1984, gave lucky studio audiences the power to make “They pelted us with rocks and garbage” the first rallying cry, before it was displaced by "I do and do and do for you kids, and this is the thanks I get!"


The February 15, 1982 installment of Late Night began with one continuous five minute and 17 second take through Letterman’s P.O.V. called “Dave Cam.” Cameos included that night’s guest Andy Rooney, Merrill Markoe, and Calvert DeForest, who played Larry “Bud” Melman on Late Night, as “Bert the Human Caboose.”


Letterman favorite Tom Hanks was the first wearer of the “Late Night Guest-Cam.” Hanks was on the show the night of December 12, 1985 to promote The Money Pit, which was initially supposed to debut the next day, but would be delayed until the following March. “The Late Night Sky-Cam” makes a cameo.


After a false start with a 30-year-old chimp named Bo, who was too small to handle the camera, “Monkey Cam” got its start on March 19, 1986. Zippy, who was on the cover of The Ramones' Animal Boy album, would return on roller skates with the “Late Night Monkey Cam Mobile Unit.”


The very first Top Ten—“The Top Ten Things That Almost Rhyme With Peas"—aired on September 18, 1985, as a satire of the random lists publications like Good Housekeeping were starting to produce at the time. Credit for who thought up the idea for Late Night is disputed; over the years, head writer Steve O’Donnell, former head writer and longtime SNL scribe Jim Downey, Late Night writer Randy Cohen, and producer Robert Morton have all gotten some or all of the credit. Top Ten made it to the end of Late Show’s run, even though the writers were already tiring of it by the February 6, 1986 show, which had the Top Ten list “Top Ten Reasons to Continue the Top Ten Lists Just a Little Longer.”


On February 28, 1984, Letterman slipped into a “Suit of Velcro” and ushered in an era of strange outfits including a magnet get-up, which Letterman wore to attach himself to a huge GE fridge. Lowering himself into a 1000-gallon tank of water, Letterman’s suit of Alka-Seltzer fizzed and vaporized. There were also suits of suet, marshmallows, chips, and Rice Krispies, the latter of which made David “snap, crackle, and pop” in a large tub of milk. An influence was Steve Allen, the original host of The Tonight Show, who threw himself into Jell-O vats on television. Allen’s “Man on the Street” interviews were also something Letterman took to new levels of absurdity.


Late Night’s fourth anniversary was celebrated onboard a flight from New York City to Miami.


Writers Randy Cohen and Kevin Curran came up with the unique way to celebrate the 800th episode of Late Night. NBC received “several hundred” phone calls about the December 9, 1986 show from viewers complaining that it was giving them headaches, dizziness, and nausea. Carson Productions executives were apparently not informed of the stunt beforehand and were reportedly “furious.”


After Letterman interrupted an August 19, 1985 broadcast of Today co-hosted by Bryant Gumbel, Gumbel called out the Late Night host for being “unprofessional” and didn’t publicly forgive him for four years. (Letterman claimed it was a Today producer who invited him to pull the stunt.)


In the 16 years between Oprah's 1989 appearance on Late Night and her December 1, 2005 Late Show interview, rumors swirled about a feud between Winfrey and Letterman. The reasons why—and even if—there was a “feud” at all remain unclear.


On February 27, 1985, Letterman shared hosting duties with “Tawny Harper Reynolds,” with guests Michael Palin, a Pet Psychic, and an exercise segment with Carol Channing.


“Dave Letterman's Summertime Sunshine Happy Hour” graced the NBC airwaves on the night of August 29, 1985. Early in his TV career, Letterman wrote and was a part of the cast of The Starland Vocal Band Show.


December 19, 1984’s "Christmas With the Lettermans," featuring Pat Boone, won Late Night a 1985 Emmy for Outstanding Writing in a Variety, Music or Comedy Program.


On November 15, 1983, Late Night relinquished control of the show to the audience, giving them a choice on everything from the furniture to the theme song. On March 27, 1984’s version, the show opened with the theme to Bonanza, the announcer was the New York Lieutenant Governor, and Jane Pauley was interviewed in a dentist's chair.


When the February 17, 1986 episode re-aired on September 25th of that year, 250 confused viewers called the network. After 60 hours and four professional dubbers, everyone on the episode (Raquel Welch was the main guest) magically had different voices. Even Letterman's voice was dubbed (by Speed Racer's Peter Fernandez).

20. 4 A.M. SHOWS

May 14, 2004’s Late Show was taped at four in the morning, on purpose. Amy Sedaris, rat expert Robert Sullivan, and Modest Mouse were the guests. Letterman rode a horse, Sedaris gave an unsafe late night tour of her neighborhood, and Modest Mouse played in their pajamas.


Letterman invited Bill Hicks’s mother, Mary, to appear on the January 30, 2009 episode to apologize face-to-face for not airing Hicks’s controversial October 1, 1993, stand-up performance. In February of 1994, Hicks passed away from pancreatic cancer at age 32. After talking to Mary, Letterman finally presented Bill’s set.


On the first new Late Show after Johnny Carson's passing, Letterman's monologue was filled with jokes that the retired Carson had anonymously submitted to David over the years. Long-time The Tonight Show executive producer Peter Lassally and bandleader Doc Severinsen were that night's only guests.


The first installment of “Will It Float?” was on February 6, 2002. A brick of Velveeta cheese sank. Dave got it right, whereas Paul got it wrong.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.

Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

7 Timeless Facts About Paul Rudd

Rich Fury, Getty Images
Rich Fury, Getty Images

Younger fans may know Paul Rudd as Ant-Man, one of the newest members of the Marvel Cinematic Universe. However, the actor has been a Hollywood mainstay for half his life.

Rudd's breakout role came in 1995’s Clueless, where he played Josh, Alicia Silverstone's charming love interest in Amy Heckerling's beloved spin on Jane Austen's Emma. In the 2000s, Rudd became better known for his comedic work when he starred in movies like Wet Hot American Summer (2001), Anchorman (2004), The 40-Year-Old Virgin (2005), Knocked Up (2007), and I Love You, Man (2009).

It wasn’t until 2015 that Rudd stepped into the ever-growing world of superhero movies when he was cast as Scott Lang, a.k.a. Ant-Man, and became part of the MCU.

Rudd has proven he can take on any part, serious or goofy. More amazingly, he never seems to age. But in honor of (what is reportedly) his 50th birthday on April 6, here are some things you might not have known about the star.

1. Paul Rudd is technically Paul Rudnitzky.

Though Paul Rudd was born in Passaic, New Jersey, both of his parents hail from London—his father was from Edgware and his mother from Surbiton. Both of his parents were descendants of Jewish immigrants who moved to England from from Russia and Poland. Rudd’s last name was actually Rudnitzky, but it was changed by his grandfather.

2. His parents are second cousins.

In a 2017 episode of Finding Your Roots, Rudd learned that his parents were actually second cousins. Rudd responded to the discovery in typical comedic fashion: "Which explains why I have six nipples." He also wondered what that meant for his own family. "Does this make my son also my uncle?," he asked.

3. He loved comic books as a kid.

While Rudd did read Marvel Comics as a kid, he preferred Archie Comics and other funny stories. His English cousins would send him British comics, too, like Beano and Dandy, which he loved.

4. Rudd wanted to play Christian in Clueless. And Murray.

Clueless would have been a completely different movie if Rudd had been cast as the suave Christian instead of the cute older step-brother-turned-love-interest Josh. But before he was cast as Cher’s beau, he initially wanted the role of the “ringa ding kid” Christian.

"I thought Justin Walker’s character, Christian, was a really good part," Rudd told Entertainment Weekly in 2012. "It was a cool idea, something I’d never seen in a movie before—the cool gay kid. And then I asked to read for Donald Faison's part, because I thought he was kind of a funny hip-hop wannabe. I didn’t realize that the character was African-American.”

5. His role model is Paul Newman.

In a 2008 interview for Role Models, which he both co-wrote and starred in, Rudd was asked about his real-life role model. He answered Paul Newman, saying he admired the legendary actor because he gave a lot to the world before leaving it.

6. Before he was Ant-Man, he wanted to be Adam Ant.

In a 2011 interview with Grantland, Rudd talked about his teenage obsession with '80s English rocker Adam Ant. "Puberty hit me like a Mack truck, and my hair went from straight to curly overnight," Rudd explained. "But it was an easier pill to swallow because Adam Ant had curly hair. I used to ask my mom to try and shave my head on the sides to give me a receding hairline because Adam Ant had one. I didn’t know what a receding hairline was. I just thought he looked cool. She said, 'Absolutely not,' but I was used to that."

Ant wasn't the only musician Rudd tried to emulate. "[My mom] also shot me down when I asked if I could bleach just the top of my head like Howard Jones. Any other kid would’ve been like, 'F*** you, mom! I’m bleaching my hair.' I was too nice," he said.

7. Romeo + Juliet wasn’t Rudd's first go as a Shakespearean actor.

Yet another one of Rudd's iconic '90s roles was in Baz Luhrmann's Romeo + Juliet, but it was far from the actor's first brush with Shakespeare. Rudd spent three years studying Jacobean theater in Oxford, England, and starred in a production of Twelfth Night. He was described by his director, Sir Nicholas Hytner, as having “emotional and intellectual volatility.” Hytner’s praise was a big deal, considering he was the director of London's National Theatre from 2003 until 2015.