11 Things You May Not Know About The Giver

istock collage
istock collage

Lois Lowry’s 1993 young adult hit The Giver has a more complex history than you may have known.

1. A visit to Lowry’s father in a nursing home helped inspire the novel. 

In his later years, Lowry’s father lost much of his long-term memory, which got Lowry thinking about the power and importance of memories: Without them, there can be no pain. She began to imagine a society where the past was deliberately forgotten so that the members could live in “peaceful ignorance.” This version of reality may relieve the people of pain, but its fatal flaw is that it also takes away valuable connections to the past and the possibility of lasting human relationships. 

In a 1994 speech, Lowry touched on this visit and the questions it sparked: “We can forget pain, I think. And it is comfortable to do so. But I also wonder briefly: is it safe to do that, to forget?” 

2. The Giver on the cover was celebrated in his own right. 

In 1979, years before she wrote The Giver, Lowry was working as a journalist when she interviewed painter Carl Gustaf Nelson. The Swedish-born painter had lived in New York and taught painting in Boston before retiring to Maine’s Cranberry Island. Nelson’s art earned him spots in prestigious shows like the Whitney Biennial, and the Smithsonian American Art Museum’s collection contains two of his pieces. Lowry visited Nelson at his home off the coast of Maine, and while there she got the chance to photograph him. 

3. Nelson may also have inspired the Giver. 

In her 1994 Newbery Award acceptance speech, Lowry reminisced about meeting Nelson: “I spend a good deal of time with this man, and we talk a lot about color. It is clear to me that although I am a highly visual person—a person who sees and appreciates form and composition and color—this man’s capacity for seeing color goes far beyond mine … Now and then I wish, in a whimsical way, that he could have somehow magically given me the capacity to see the way he did.” 

4. Nelson had something in common with the Giver.

Nelson passed away in 1988, but his face stuck with Lowry. She loved the interesting picture of Nelson so much that she held on to it, and later turned it into cover art. The choice of Nelson as the cover model would turn out to have a deeper meaning for Lowry. The artist had spent the last few years of his life in blindness, which sparked a connection. As Lowry explained in a 2006 interview with Teachingbooks.net, “[His] life was filled with color … for him to lose color, as the Giver in the book begins to lose color, seemed such a wonderful analogy that I’ve always been glad his photograph is on the cover.” 

5. Some readers condemn the book as pro-euthanasia or pro-abortion. 

The book’s concept of “release,” depicted by a man killing a newborn baby with a lethal injection, has been cited as evidence that Lowry is promoting euthanasia, suicide, or possibly abortion, but she debunks these theories. She says that those sorts of accusations are often from people who haven’t read the book thoroughly, and therefore are missing her point altogether.

6. The book received some harsh reviews …

Like many successful YA novels, The Giver hasn’t been a critical darling. Author Debra Doyle complained, “Personal taste aside, The Giver fails the Plausibility Test for me. … Things are the way they are because The Author is Making a Point; things work out the way they do because The Author’s Point Requires It.” 

7. … But it won over other critics. 

On the other hand, The New York Times’ Karen Ray wrote that although there were “occasional logical lapses,” the book is still “sure to keep older children reading. And thinking.” Lowry also claimed the annual Newbery Award for “the most distinguished contribution to American literature for children." 

More importantly, the novel reached its target audience. It resonated with young readers so well that it’s sold over 12 million copies. A 2003 review by Rome, Ga., seventh-grader Michael Butler leads off with a view that’s shared by many of his peers: “The Giver is one of the many great books in our society today.” 

8. Lowry got the news of her Newbery win in an odd place.

Lowry had already won the medal in 1990 for Number the Stars, but the committee had trouble locating her to share the good news about her second win in 1994. Eventually, the committee reached the author by radiogram, a necessary step since she was traveling in Antarctica. “I was feeling on top of the world, though, technically speaking, I was actually at the bottom,” she quips on her personal website. 

9. It took Jeff Bridges over 20 years to turn the book into a film. 

The actor became interested in adapting the novel for the screen in the early ‘90s but repeatedly got jammed up by studios and battles over ownership rights. The original plan was for Bridges to direct his father, Lloyd Bridges, in the title role, but this plan was canceled with the elder Bridges’ death in 1998. The film remained stuck in development hell for almost 15 years until Bridges was given the green light in 2012. The movie was released in 2014 starring Bridges (as the Giver), Meryl Streep, Brenton Thwaites, Odeya Rush, Cameron Monaghan, and featuring Katie Holmes, Alexander Skarsgård, and Taylor Swift.

10. Readers inundated Lowry with questions about the ending … 

Lowry loved the novel’s ambiguous ending, but it drove readers crazy. She even mentioned it in her Newbery speech: “Those of you who hoped that I would stand here tonight and reveal the ‘true’ ending, the ‘right’ interpretation of the ending, will be disappointed. There isn’t one. There’s a right one for each of us, and it depends on our own beliefs, our own hopes.” 

Lowry was so sold on the novel’s ambiguity that she even told interviewers that she would never write a sequel to clarify Jonas’s fate even as reader letters requesting closure flooded her mailbox. 

11. ... until she finally gave in. 

The passionate reader reaction made Lowry reconsider her anti-sequel stance. In a 2012 interview in Entertainment Weekly she explained, “I didn’t have any intention of writing a sequel. I liked the ambiguity of the ending. Over the years, though, it became clear that younger readers in particular did not.”  

Lowry set out to give the people what they wanted, a mission that yielded three more novels. Gathering Blue, Messenger, and Son round out the “loose quartet” set in this universe, but Lowry did not intend to create a series. In an interview with The Wire in 2012, Lowry said, “I had not intended [Gathering Blue] as even related to The Giver, I was creating another interesting world, to me, where things were different, and as I went along I realized I could answer some questions … I put in, at the end of Gathering Blue, the reference to the boy Jonas. … Four years later I did the third book, and they were not sequels, really, they were set at a different place at more or less the same time.”

11 Chilling Facts About Shirley Jackson's The Haunting of Hill House

Can a house be born bad? That’s the question Shirley Jackson asks in her classic novel, The Haunting of Hill House. Released in 1959, the gothic novel follows four strangers who converge on a purportedly haunted house to “scientifically” seek out evidence of the paranormal. Things rapidly devolve and the characters—in particular, the novel’s lonely protagonist, Eleanor—realize, too late, that they’re in over their heads.

Upon its release, the novel sold briskly, earning Jackson a National Book Award nomination and high praise from critics. In its review, The New York Times called the story “caviar for connoisseurs of the cryptic” and described Jackson as “the finest master currently practicing in the genre of the cryptic, haunted tale.” It also caught the attention of Hollywood, and within four years MGM released a film adaptation, directed by Robert Wise. Since then, the novel has been made into a play and into a widely panned 1999 movie. On October 12, the first ever television series based on the novel will be released by Netflix.

Whether you’re getting ready to dig into the horrors of Hill House on Netflix or a fan of the original novel, here are 11 facts about The Haunting of Hill House you should know.

1. IT WAS INSPIRED BY REAL-LIFE PARANORMAL INVESTIGATORS

A photo of a ghost in the 1890s
The National Archives UK // Public Domain

Jackson was inspired to write the novel after reading about a group of 19th century “psychic researchers” who rented a house they believed to be haunted in order to study paranormal phenomena. The researchers studiously recorded their experiences in the house, and presented them in the form of a treatise to the Society for Psychic Research. In her essay “Experience and Fiction,” Jackson explained that she was most intrigued by the way the researchers revealed their own personalities and backgrounds throughout the study. “They thought they were being terribly scientific and proving all kinds of things,” she explained. “And yet the story that kept coming through their dry reports was not at all the story of a haunted house, it was the story of several earnest, I believe misguided, certainly determined people, with their differing motivations and backgrounds.”

2. JACKSON HAD A TERRIFYING SLEEPWALKING EXPERIENCE WHILE WRITING THE NOVEL ...

Early on in the writing process, Jackson awoke one morning to find something terrifying atop her writing desk: A note, with the words “DEAD DEAD” scrawled upon it, written in her own handwriting. Jackson, who loved ghost stories but did not believe in ghosts, brushed the strange discovery off as sleepwalking. In “Experience and Fiction,” she wrote that she used the strange note to motivate her, explaining, “I decided that I had better write the book awake, which I got to work and did.”

3. ... AND MADE AN UNSETTLING DISCOVERY WHILE RESEARCHING HAUNTED HOUSES.

A haunted house on a hill
iStock.com/DNY59

Before she began writing The Haunting of Hill House, Jackson scoured magazines and newspapers for photos of houses that seemed haunted. During her research, she stumbled upon a photo of a house in California that had a particular air of “disease and decay.” She was so struck by it, she asked her mother, who lived in California, if she could find any additional information about the house. Her mother’s response shocked Jackson: Not only was she familiar with the house, but Jackson's own great-grandfather had built it. After standing empty for many years, the house had been set on fire—possibly by a group of townspeople.

4. THERE WAS ORIGINALLY MORE THAN ONE VERSION OF ELEANOR.

In A Rather Haunted Life, Shirley Jackson biographer Ruth Franklin writes that Jackson initially struggled to decide what kind of character her protagonist, Eleanor, would be. Jackson wrote three different iterations of Eleanor before settling on her final version. One, according to Franklin, was “a spinster with a swagger”—a far cry from the introverted Eleanor of the finished novel.

5. IT'S A GHOST STORY WITHOUT GHOSTS.

Jackson often referred to the novel as a “good ghost story” despite the fact that it doesn't have any overt ghosts. Instead, it’s the house itself that seems to do the haunting. In her notes for the novel, Jackson explained, “The House is the haunting.” While much of the novel is left ambiguous, Jackson was clear about the connections between Hill House and her protagonist, Eleanor. “Jackson clearly intended the external signs of haunting to be interpreted as manifestations of Eleanor’s troubled psyche,” Franklin explains in A Rather Haunted Life. At the same time, Franklin notes, “The novel makes it clear that something in the house brings out the disturbance in Eleanor.”

6. JACKSON'S HUSBAND WAS TOO AFRAID TO READ IT.

Jackson’s husband Stanley Edgar Hyman was a well-known literary critic and professor who enthusiastically read all of his wife’s books—but not The Haunting of Hill House. According to Franklin, “For the first time he refused to read her manuscript: He found the concept of ghosts too frightening.”

7. THE NOVEL HAS EARNED COMPARISONS TO THE TURN OF THE SCREW.

Since its release, critics and fans have drawn comparisons between The Haunting of Hill House and the writings of everyone from Edgar Allan Poe to Hilary Mantel. But the comparison that comes up the most is to Henry James’s classic novel The Turn of the Screw. In her introduction to The Haunting of Hill House, Laura Miller explains that the two novels share common themes, including “a lonely, imaginative young woman” and “a big isolated house.” In his 1981 book Danse Macabre, Stephen King writes, “It seems to me that [The Haunting of Hill House] and James’s The Turn of the Screw are the only two great novels of the supernatural in the last hundred years.”

8. IT WAS JACKSON'S FIRST PROFITABLE NOVEL.

The Haunting of Hill House wasn’t just Jackson’s most popular novel: It was her first profitable novel. “Hill House was a financial and critical triumph," Franklin writes. “For the first time, a novel of [Jackson’s] had finally earned back its advance and was even making a profit.”

9. SHE SOLD THE FILM RIGHTS FOR $67,500—AND USED THE MONEY TO BUY A WASHING MACHINE.

When Jackson sold the movie rights to Hill House for $67,500 (“an astronomical fee for the time,” notes Miller), it propelled her family into true financial stability for the first time. They used the money from the film to pay off their mortgage and all other debts, and to buy living room drapes, a player piano, and a washing machine and dryer.

10. ROALD DAHL SENT JACKSON A LETTER AFTER READING IT.

Roald Dahl
Carl Van Vechten, Library of Congress // Public Domain

Legendary children’s author Roald Dahl was so struck by The Haunting of Hill House, he wrote to Jackson suggesting she write for television. According to Jackson biographer Lenemaja Friedman, Dahl asked her to “consider writing a script for a television show that Ellyn Williams was doing in Britain.” It’s unclear whether Dahl himself was working on the show (his TV series Way Out premiered in 1961, two years after the publication of Hill House), but Jackson ultimately refused his request.

11. THE NOVEL HAS A LOT OF FAMOUS FANS.

Stephen King, Neil Gaiman, Guillermo del Toro, and Carmen Maria Machado are all huge fans. Del Toro included Hill House in a series of six classic horror novels he curated for Penguin, Maria Machado called it “the scariest novel I’ve ever read,” and Neil Gaiman has written that, while plenty of novels have scared him, Hill House “beats them all.” Stephen King, meanwhile, has written that Hill House has one of the best openings he’s ever read, calling it “the sort of quiet epiphany every writer hopes for.”

JK Rowling's Newest Obsession? A Teenager's 350-Year-Old Math Notebook

Angela Weiss, AFP/Getty Images
Angela Weiss, AFP/Getty Images

Inspiration can be found in surprising places—including the math notebook of an 18th-century farm boy. As the BBC reports, a collection of 350-year-old doodles posted on Twitter recently went viral, and now they've caught the attention of author JK Rowling.

The Museum of English Rural Life shared pages pulled from its archives in a Twitter thread on Saturday, October 6. The book, dating from 1784, belonged to a 13-year-old boy named Richard Beale from Biddenden in the English county of Kent. It was primarily a math notebook, but the owner also apparently used it to explore his artistic side.

Beale scribbled some elaborate drawings around his equations. In one doodle, a pair of triangles spans the width of a city street. In another, an angle overlaps with a mountain with a burning fortress at its peak.

One figure, a black-and-white dog, appears throughout the book, leading the museum to believe it may have been the teen's family pet. Beale also sketched a picture of a chicken wearing trousers.

J.K. Rowling retweeted the thread on Sunday, to which the museum responded with a request for her to make the pants-clad chicken the protagonist of her next book series.

She responded: "Way ahead of you. He's best friends with a duck in a balaclava."

The notebook is part of a collection of farm diaries that was donated to the Museum of Rural English Life a few years ago. Researchers looking to appreciate Beale's detailed doodles in person can access them through the museum's reading room.

[h/t BBC]

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