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25 Groovy Facts About Austin Powers

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New Line Cinemas

After two Wayne’s World movies and a six-season run on Saturday Night Live, Mike Myers took a break from show business. Almost two years after he left SNL, Myers reemerged on May 2, 1997—20 years ago today—with a feature comedy he had conceived of and written about a time-traveling secret agent with terrible teeth titled Austin Powers: International Man of Mystery.

Its positive reviews and robust home video sales led to the popular sequel Austin Powers: The Spy Who Shagged Me, which made more than $312 million worldwide at the box office, making more money in its opening weekend than the original film did throughout its entire theatrical run. 2002’s Austin Powers in Goldmember received weaker reviews, but was nearly as huge a moneymaker.

1. MIKE MYERS STARTED THINKING UP THE AUSTIN POWERS CHARACTER DRIVING HOME ONE DAY.

Burt Bacharach’s “The Look of Love” was playing on the car radio, leading Mike Myers to think about where the “swingers” of the world went off to. This inevitably led to the comedian asking his then-wife Robin Ruzan if she “swung” and if he was "making her horny." Told to stop and to just write this new character down somewhere, Myers wrote the first draft of Austin Powers: International Man of Mystery in three weeks.

2. IT’S WIDELY BELIEVED THAT DR. EVIL IS BASED ON LORNE MICHAELS.

Anonymous former writers and actors from the legendary sketch show claimed that Dr. Evil did an excellent job of mimicking SNL's head honcho, from his overall control-freak behavior to the physical mannerisms, including the famous upturned pinkie. It was even rumored that Dana Carvey was angry with Myers for more than a decade because he felt that Myers stole his Lorne Michaels impression for Dr. Evil. A few months after The Spy Who Shagged Me came out, Myers appeared in an SNL sketch insisting to Michaels that Dr. Evil was not based on him.

3. MICHAEL CAINE BELIEVES THAT AUSTIN POWERS IS BASED ON A 1965 CHARACTER OF HIS.

Caine portrayed bespectacled government agent Harry Palmer in the British espionage movie The Ipcress File. When he first saw Austin Powers, the actor thought that he was Palmer—but with poor teeth (of which Caine was not a fan). Years later, Caine would play Austin’s father, Nigel, in Goldmember.

4. ELIZABETH HURLEY BELIEVES THAT AUSTIN POWERS IS BASED ON A 1960s BRITISH TALK SHOW HOST.

Simon Dee was the host of the hip and popular BBC celebrity chat show called Dee Time that ran in the late 1960s. It aired twice a week and episodes concluded with Dee driving off in a Jaguar with a blonde model. When he passed away in 2009 of bone cancer, obituaries quoted Hurley—who played International Man of Mystery’s Vanessa Kensington—as saying that Dee’s “sixties grooviness” made him the inspiration for the Powers character. One international news service even used the headline “Original Austin Powers Simon Dee Dies.”

5. OTHERS BELIEVE THE PLOT WAS INFLUENCED BY ANOTHER ENGLISH '60s SHOW.

The BBC's Adam Adamant Lives!, which ran from 1966 to 1967, was about a British man who is frozen by a villain in 1867 and reawakens in 1966 to fight said villain.

6. COLIN QUINN WAS OFFERED THE ROLE OF SCOTT EVIL, BUT TURNED IT DOWN.

The former SNL cast member has said he regrets the decision, but doesn’t begrudge the movie franchise’s success.

7. A ONE-HOUR MTV SPECIAL STARRING AUSTIN POWERS AIRED BEFORE THE MOVIE PREMIERED.

Austin Powers' Electric Pussycat Swingers Club was a Rowan & Martin’s Laugh-In-inspired extravaganza which featured some clips from the movie, a Powers-curated “Fab Birds of the ‘90’s” list, and cameos from Julianna Margulies, Bill Bellamy, Kurt Loder, Rosie O’Donnell, Robert Wagner, Steven Weber, and Michael York, who were credited collectively in the closing credits as part of “The Swingers Club.”

8. MUCH OF THE FIRST FILM WAS IMPROVISED.

According to Myers' estimation, "about 30 to 40 percent" of the first movie was improvised. But there are examples of non-scripted scenes running throughout the series, including Basil telling the audience to not think so hard about all of the time travel logistics; Austin pointing out the differences between the English countryside and Southern California; and the shushing scene.

9. A REFERENCE TO PRINCESS DIANA WAS EDITED OUT OF THE THEATRICAL RELEASE IN THE UNITED KINGDOM.

One of Dr. Evil’s nefarious plans was to make it look like Prince Charles was having an affair to create a shocking royal divorce, without knowing that Charles and Di were no longer married. International Man of Mystery was released in the U.K. on September 5, 1997, five days after Princess Diana’s death, so that part was taken out. It was restored by the time it came out on home video.

10. DR. EVIL’S LINE ABOUT HIPSTERS IS A LENNY BRUCE QUOTE.

The famous comic once said: “There is nothing sadder than an aging hipster.” Dr. Evil attempted to insult Austin with saying, “Really, there's nothing more pathetic than an aging hipster.” Myers has referenced Bruce in various interviews over the years.

11. MR. BIGGLESWORTH’S REAL NAME IS TED NUDE-GENT.

Thanks to Ted, the popularity of sphinx cats skyrocketed after International Man of Mystery came out.

12. IN THE ORIGINAL SCRIPT, AUSTIN DRINKS A ZIMA, NOT A TAB.

Either way, Powers looked out of touch in the scene at the Las Vegas bar when he got laughed at for flashing a peace sign.

13. STARBUCKS PAID NOTHING FOR BEING IN THE SPY WHO SHAGGED ME.

The company agreed to take part after producers showed them the script and storyboards.

14. THE WORD "SHAG" IN THE SEQUEL'S SUBTITLE MADE SOME COUNTRIES UNCOMFORTABLE.

Singapore came up with The Spy Who Shioked Me; in English, “shiok” means “treat nicely.” Malaysian censors changed it to The Spy Who Dot-Dot-Dot Me. Some British theater owners simply put Austin Powers II on their marquees.

15. ROB LOWE GOT THE ROLE OF YOUNG NUMBER TWO BY DOING A SPOT-ON ROBERT WAGNER IMPRESSION.

He did the impersonation for Myers one day while the two were golfing. A couple of months later, he was presented with a script with him already cast in the role. Lowe actually appeared in, but was cut out of, the first movie; he played a friend of John Smith, one of Dr. Evil's henchman, who gets "decapitated by an ill-tempered mutated sea bass." Lowe is forced to deliver that news at Smith's bachelor party.

16. 1970s DANCE MUSIC PLAYED BETWEEN TAKES ON THE SPY WHO SHAGGED ME SET.

Rob Lowe wrote that to this day, the opening claps of Rose Royce's “Car Wash” remind him of the shoot. He also wrote that he in fact did the Wagner voice, and there were no overdubs by Wagner involved.

17. IT TOOK MYERS SEVEN HOURS TO PUT ON THE FAT BASTARD SUIT.

According to Myers, it smelled like a “sewer filtration plant.”

18. HIS CHAIR ON SET HAD A STRANGE NAME WRITTEN ON IT.

It said: "Sir Stinky Bottom, Viscount of Stinkvania in the Bottom-ic Empire."

19. A BONUS TRACK ON A 1999 ALAN PARSONS SOLO ALBUM FEATURES DR. EVIL.

The title track from The Time Machine received a “Dr. Evil edit.”

20. THE ORIGINAL SCRIPT FOR THE SPY WHO SHAGGED ME FEATURED ALTERNATE SUBTITLES THAT PURPOSELY COMMITTED COPYRIGHT INFRINGEMENT.

Co-written by Myers and former SNL writer Michael McCullers (who collaborated again on Goldmember), the first draft began with a joke that the film was titled Austin Powers 2: The Wrath of Khan, before pressure from lawyers forced them to change it to Austinpussy.

21. MGM ALMOST FORCED THE THIRD MOVIE TO BE TITLED SOMETHING ELSE.

In January 2002, New Line began recalling all promotional materials for Goldmember after MGM sent a cease-and-desist order stating that New Line was attempting to make money off of their James Bond franchise. The lawsuit was settled in April, just three months ahead of the film’s release, with New Line telling CNN that “as part of the agreement to allow use of the ‘Goldmember’ title, all future titles that may be construed as parodies of James Bond will be subject to MGM's approval.”

22. THE FIRST CUT OF GOLDMEMBER CLOCKED IN AT OVER THREE HOURS.

It was actually three-and-a-half hours. In order to trim the running time down to a more manageable 95 minutes, several scenes were left on the cutting room floor, including the return of both Heather Graham’s Felicity Shagwell and Will Ferrell’s Mustafa.

23. NIGEL POWERS’ RANDOM HATRED OF THE DUTCH WAS INSPIRED BY MYERS’ FATHER.

"That idea came from my actual father, who was English, and who had an ax to grind with the Hawaiians because 'they bloody murdered Captain Cook in his sleep,'" Myers told USA Today in 2002. "We couldn't even have a pineapple in the house. So I thought it would be funny if Austin's father, Nigel, had a problem with the Dutch—who nobody has a grudge with."

24. THE GOLDMEMBER CHARACTER CAME ABOUT THANKS TO HBO’S REAL SEX.

A gentleman with a Dutch accent appeared on the late-night program Myers was watching while writing one night, talking about his sex farm near Rotterdam.

25. HBO ORDERED 13 EPISODES OF AN ANIMATED AUSTIN POWERS SERIES IN 1999.

New Line Television shopped it as having less of a Saturday morning cartoon feel and more of a King of the Hill sensibility. But it mysteriously never came to be.

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11 Fun Facts About The Wedding Singer
New Line Cinema
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On February 13, 1998, Adam Sandler gave Valentine’s Day sweethearts a retro treat with The Wedding Singer, a 1980s-set rom-com about a heartbroken wedding singer named Robbie Hart (Sandler) who falls in love with a waitress/bride-to-be whose married name will leave her as Julia Gulia (Drew Barrymore).

At this point in Sandler’s career, he was known more for his puerile comedies like Happy Gilmore and Billy Madison, not as a romantic leading man. The Wedding Singer changed all that. After earning its $18 million budget back during its opening weekend alone, The Wedding Singer went on to gross $123 million worldwide—making it Sandler’s highest-grossing movie to date at the time.

Besides being a bona fide box office hit, the film’s two ’80s-heavy soundtracks—which included tunes by The Police, David Bowie, The Psychedelic Furs, New Order, and The Smiths—were also popular. For the film’s 20th anniversary, here are 11 fun facts about The Wedding Singer.

1. THE DIRECTOR’S OWN REAL-LIFE HEARTBREAK ALLOWED HIM TO TAP INTO THE FILM’S EMOTION.

Longtime Sandler friend and collaborator Frank Coraci directed The Wedding Singer, and said that his own experience with having his heart broken was part of what allowed him to tap into the movie’s unique balance of humor and heartfelt romance.

“I remember lying in bed and not being able to move, so it was easy to tap into that pretty quickly,” Coraci told The Hollywood News of his own heartbreak, which happened a couple of years before the movie came along. “I think the distance between those two things was good. It let me look at it differently and allowed it to be funny. I think if had happened before, The Wedding Singer would have been one seriously depressing movie.”

2. THE IDEA TO SET THE FILM IN THE 1980S CAME FROM THE RADIO.

The Wedding Singer was written by Tim Herlihy, a longtime collaborator of Sandler’s who, in addition to writing for Saturday Night Live, wrote the scripts for Billy Madison, Happy Gilmore, and The Waterboy (among other Sandler-starring films). Sandler mentioned to Herlihy that he wanted to do “a film about a wedding singer who gets left at the altar.” For his part, Herlihy let the radio inspire him. “I was listening to the radio show Lost in the ’80s, and I said, ‘I want to do a movie set in the 1980s. So of course, we thought, ‘Why don’t we do a story about a wedding singer in the 1980s?’”

3. SANDLER WANTED TO MAKE A “PRO-LOVE” FILM.

While promoting the movie on Late Night With Conan O’Brien in 1998, Sandler said, “We wanted to make a romantic comedy that was heavy on the laughs. It was nice to do a movie that was pro-marriage and pro-love.” He explained men have a difficult time falling in love. “You got guys who say they don’t want to be in love, but those are usually guys who have been hurt before.”

4. THE MOVIE DOESN’T FEATURE ANY SEX SCENES, AND THERE’S A REASON FOR THAT.

In the same interview, Conan O’Brien asked Sandler why there weren’t any sex scenes in the film, which seemed odd for a rom-com. Sandler was candid with his answer: “The main reason for not having a sex scene is I’m not good at sex,” he said. “I started when I was pretty young and I was always like, you’ll get better. And I got older and it’s still not good.”

5. BARRYMORE APPROACHED SANDLER ABOUT WORKING TOGETHER.

Since the release of The Wedding Singer, Sandler and Drew Barrymore have gone on to star in 50 First Dates (2004) and Blended (2014) together, but their original collaboration was really the actress’s doing. Barrymore told Howard Stern she was interested in working with Sandler because “[I thought] I want to be a modern weird Hepburn, Tracy old Hollywood couple.” Sandler agreed to meet with her. “We looked like the worst blind date you’ve ever seen,” Barrymore recalled, referencing how she had purple hair and wore a leopard coat. Still, as Barrymore told The Huffington Post, she was convinced that she and Sandler were “cinematic soul mates,” and wasn’t afraid to tell him so. Soon after this meeting, the script for The Wedding Singer came along.

6. THE “RAPPING GRANNY” LIVED TO BE 101.

At the age of 84, Ellen Albertini Dow portrayed Robbie’s neighbor Rosie, a.k.a. “The Rapping Granny.” During a wedding scene in the movie, Rosie gets on stage and raps to The Sugar Hill Gang’s “Rapper’s Delight.” However, when the filmmakers asked Dow to perform the rap, she admitted she wasn’t familiar with that style of music.

In a 2008 radio interview, she recounted how Sandler and Coraci approached her with the idea. They told her, “‘We think it might be funny for an older woman to do rap,’” Dow explained. “And I said, ‘What is that?’ I had no idea what rap was. They took me to a soundstage and handed me this rap song. I went in the booth and it was very foreign to me. I said, ‘Can I move a little to it?’ They said, ‘Oh, sure.’ I’m not bragging, but I danced all my life, and I played the piano, so I know music. I started to move to it and I got it right it away. I got it very fast and loved it and had fun with it.” Her rapping success led to her rapping in a Life Savers commercial, and she even considered recording a rap record for children. In 2015, Dow died at the age of 101.

7. IT’S THE FIRST SANDLER FILM TO INCLUDE A FEMALE PERSPECTIVE.

In previous Sandler films, women mainly existed only as love interests. Herlihy, however, changed that with The Wedding Singer. “Drew elevated things for us,” the screenwriter told Esquire. “The scenes with her and Christine [Taylor]—the scenes with her without Adam—[were all great]. You look at the first movies and there’s not a lot without Adam because we did test screening and they said, ‘Get rid of that scene.’ But this time with Drew we were able to do that and have those scenes survive to the movie.”

8. THE CREATORS OF THE WEDDING SINGER BROADWAY MUSICAL KNEW IT WAS “BORN TO SING.”

The success of the film inspired a Broadway musical adaptation that ended up earning five Tony Award nominations and eight Drama Desk Award nods. Matthew Sklar composed the music, and Chad Beguelin wrote the lyrics and co-wrote the book with Herlihy. It premiered in Seattle in January 2006 and then officially opened on Broadway in April 2006.

In the fall of 2007, the musical toured nationally, then eventually landed overseas in London, Abu Dhabi, the Philippines, and Australia. Beguelin said the musical came from him pitching a movie idea to New Line Cinema. “They asked me, ‘What would you do with our catalogue?’ Well, I thought The Wedding Singer was born to sing,” he said. They felt a musical could convey stronger feelings than what was on the screen. “In the movie, you get a close-up of Drew Barrymore looking distraught at her reflection in a wedding dress, but you can’t do that on stage,” Beguelin said. “That’s where you write a song.”

9. BARRYMORE WANTED THE AUDIENCE TO “HOLD THE BOWL OF LOVE.”

In a 1998 interview, Barrymore explained what drew her to the character of Julia: “She has an ease that follows her and that’s the energy that she exudes, and I really, really like that about her. And she’s a happy girl.”

Barrymore further said she wanted people to be happy and for the movie to cause the audience “to hold the bowl of love and have those hearts in their eyes and all of that good mushy stuff we live for."

10. BILLY IDOL STARRED IN THE FILM TO APPEASE HIS SON—AND TEENAGERS.

Billy Idol, whose song “White Wedding” appears on the soundtrack, portrays himself during a climactic scene on a plane. “My son loved Adam Sandler and I thought: ‘I’m going to have to see it anyway, so why not be in it?,’” Idol said. “I gained a number of diehard teenage fans through doing it, who are adults now and are still turning up to my gigs.”

“There’s something about Billy Idol hanging on a plane, knocking back champagne, and getting involved with my love life,” Sandler said of Idol’s cameo. “Everybody thought that’d be fun.”

11. BOY GEORGE WAS A FAN OF BOY GEORGE.

In the film, transgender actress Alexis Arquette played a character named George, who had similarities to the iconic Culture Club frontman Boy George. Wedding Singer George even sings the band’s 1982 hit song “Do You Really Want to Hurt Me” at a wedding in the movie. Arquette passed away on September 11, 2016, and around the same time the real Boy George paid homage to the actress at a concert in Maryland. He dedicated “Do You Really Want to Hurt Me” to Alexis and her family.

“Alexis played me in The Wedding Singer, very hilariously,” he said. “When I went to [see] The Wedding Singer, I didn’t know what was going to happen. When I saw Alexis doing an impersonation of me, I was rolling around on the floor laughing.”

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40 Surprising Facts About Your Favorite Romantic Comedies
Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc.

Once again, Valentine’s Day is upon us—a day when the phone lines at any restaurant worth its weight in conversation hearts are as jammed up as the Hallmark aisle at your local grocery store. Who needs that hassle? Why not spend the night in, binge-watching some of your favorite romantic comedies instead? Here are 40 fun facts to get you started.

1. PRETTY WOMAN WAS ORIGINALLY MUCH DARKER.


Buena Vista Pictures

Screenwriter J.F. Lawton’s original script, which was titled 3000, wasn’t a love story—and it didn’t have a happy ending. Instead of a rom-com about two very different people finding love, it was a grittier tale about two damaged individuals who spent a week together that ends in tears and zero hope for a balcony-set reunion scene.

2. THE TITULAR CHARACTERS IN WHEN HARRY MET SALLY… WERE MODELED AFTER DIRECTOR ROB REINER AND SCREENWRITER NORA EPHRON—EXCEPT FOR THE FALLING IN LOVE PART.

Rob Reiner divorced fellow director Penny Marshall in 1981 after 10 years of marriage. When he met with Nora Ephron in the mid-'80s, he pitched a number of ideas for movies, including a comedy based on his dating experiences. Ephron agreed to write it after extensively interviewing Reiner. The two had many discussions about how men and women view sex, love, and relationships differently.

3. TITANIC’S MOST ICONIC LINE WAS IMPROVISED.


Paramount Pictures

When Leonardo DiCaprio first got up on the end of the ship in Titanic, he improvised the line, “I'm the king of the world!” Cameron liked the line so much that he kept it in the movie. Though the line would go on to be parodied countless times—including at the Oscars—it landed at #100 on the American Film Institute's list of the greatest movie quotes.

4. THE PRINCESS BRIDE WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.

William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, told Entertainment Weekly in an oral history of the movie, "I had two little daughters, I think they were seven and four at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"

5. TRUMAN CAPOTE WANTED MARILYN MONROE TO STAR IN BREAKFAST AT TIFFANY’S.

Marilyn Monroe’s advisor and acting coach, Paula Strasberg, said she shouldn’t play a “lady of the evening,” and Monroe took her advice. Capote said Paramount Pictures “double-crossed me in every way” when they cast Audrey Hepburn instead. The outspoken author also proclaimed the movie to be the “most miscast film I've ever seen.” Over time, Capote would go on to say that Tuesday Weld or Jodie Foster would be good choices to play Holly Golightly in a remake.

6. ANDIE AND DUCKIE WERE SUPPOSED TO GET TOGETHER AT THE END OF PRETTY IN PINK.


Paramount Home Entertainment

Originally, Pretty In Pink ended with Andie (Molly Ringwald) and Duckie (Jon Cryer) ending up together. But that changed when Cryer was cast. “Molly dropped the bomb that she would’ve been fine with the original ending if Robert Downey Jr. had played Duckie, but since it was me, she just couldn’t see it,” Cryer said on the film’s 2006 Everything’s Duckie DVD edition. “It was like, ‘Wow, so I’m that unattractive?’ Thanks, Mol!”

Though director Howard Deutch wanted Cryer to play Duckie, he seemed to later regret it. “What I learned was that there are no rules, in the sense that life isn’t fair,” Deutch said in You Couldn’t Ignore Me. “Duckie should have the girl and it was all built for that and it was designed for that. And I could have ended that way, had I not f*cked with one thing: I cast Jon Cryer.”

7. GHOST TURNED DEMI MOORE INTO THE HIGHEST-PAID ACTRESS AT THE TIME.

By the time Ghost was released, Moore was already famous for her roles in St. Elmo’s Fire and About Last Night..., but she wasn’t considered a bankable star. After the unexpected $200 million domestic gross of Ghost, she hit box office gold with a trifecta of other huge hits: 1992’s A Few Good Men ($141,340,178), 1993’s Indecent Proposal ($106,614,059), and 1994’s Disclosure ($83,015,089). If you add up all of Demi’s film grosses, it comes out to more than $1 billion. In 1995, she was paid an unprecedented $12.5 million to take her clothes off in Striptease. The film wasn’t a huge hit, and a few years later she traded Hollywood for Idaho.

8. BEFORE THE PHILADELPHIA STORY, KATHARINE HEPBURN SPENT A FEW YEARS AS “BOX OFFICE POISON.”

It's hard to believe given her legendary status today, but after a string of flops in the 1930s, Hepburn was considered "box office poison." That was an official designation, by the way; a 1938 survey of theater owners labeled her as such, along with such luminaries as Fred Astaire, Greta Garbo, Mae West, Joan Crawford, and Marlene Dietrich. (The theater owners weren't wrong about those stars' movies not being big sellers, though perhaps it wasn't very nice of them to publish a list like that.)

9. SOME PEOPLE WALKED OUT OF THE FIRST AMERICAN SCREENING OF FOUR WEDDINGS AND A FUNERAL.

It was in Salt Lake City, Utah. The 30-person, Mormon-filled town council left the theater after witnessing the version of the opening scene with Charles saying "f**k." It was Hugh Grant’s first time seeing the entire film and he thought the walk-outs were a bad sign.

10. SAY ANYTHING’S LLOYD DOBLER WAS BASED ON CAMERON CROWE’S NEIGHBOR.


20th Century Fox Home Entertainment

The writer-director was having issues writing the leading man, but became inspired when he met his Alabama neighbor, Lowell Marchant. “He was this friendly guy with a crew cut who just wanted to meet everybody he could,” Crowe told Entertainment Weekly. “He knocked on the door and said, ‘Hello, I’d like to introduce myself. I’m Lowell Marchant. I am a kickboxer, and I’ll be living here for a little bit. Are you aware of the sport kickboxing? It is now a major sport covered by ESPN.’ I’d tell [executive producer James L. Brooks], ‘The character’s not coming, and there’s this f***ing guy down the way who keeps knocking on the door and he’s a kickboxer.’ And Jim’s looking at me like, ‘And you’re wondering what to write?’”

11. ANDIE MACDOWELL’S DRINK OF CHOICE IN GROUNDHOG DAY WAS FAMILIAR TO WRITER/DIRECTOR HAROLD RAMIS.

Rita drank sweet vermouth because it was Ramis’s wife’s favorite.

12. HUGH GRANT'S BLUE DOOR IN NOTTING HILL WAS WRITER RICHARD CURTIS'S BLUE DOOR.

Hugh Grant in 'Notting Hill'
Universal Pictures

The exterior of Will Thacker's (Hugh Grant) home in Notting Hillincluding the blue door—was once owned by screenwriter Richard Curtis. After the movie came out, the home's new owners—annoyed by all of the fans who came to visit the location—painted the door black. After it was sold again, the door was painted back to blue.

13. VIGGO MORTENSEN ALMOST PLAYED JAKE RYAN IN SIXTEEN CANDLES.

Viggo Mortensen and Molly Ringwald kissed during the audition, which made the future The Lord of the Rings star Ringwald's pick to play her love interest. “He made me weak in the knees," she told Access Hollywood. "He really did.” When the two co-starred in the movie Fresh Horses, Mortensen told Ringwald that he always thought he didn’t get the job because of his kissing.

14. WOODY ALLEN’S ORIGINAL IDEA FOR ANNIE HALL WAS COMPLETELY DIFFERENT. 

Although Annie Hall is now heralded as one of the most influential and inventive romantic comedies of all time, director and co-writer Woody Allen’s original mission was not to make a relationship picture. Allen and his writing partner, Marshall Brickman, instead conceived of the story as a general exploration of the main character’s life and psyche, which was to to be filled with romantic, mysterious, and fantastical subplots in equal parts.

The project, reflecting protagonist Alvy Singer’s persistent malaise, was first titled Anhedonia, a somewhat archaic psychiatric term referring to the inability to feel joy. The first cut of the movie ran about 140 minutes—almost 50 minutes longer than the final version.

15. SLEEPLESS IN SEATTLE REFERENCED THE SOUP NAZI, TWO YEARS BEFORE SEINFELD DID.


TriStar Pictures, Inc.

When a writer in Meg Ryan's office was pitching a story and talked of a man that “sells the greatest soup you have ever eaten” while simultaneously doubling as “the meanest man in America,” he was talking about Ali “Al” Yeganeh, the proprietor of Soup Kitchen International. For what it’s worth, Yeganeh is from Iran, not Germany.

16. STEVE CARELL LOST 30 POUNDS FOR THE 40-YEAR-OLD VIRGIN.

Though Judd Apatow was originally "nervous about it, because I don't think comedians wanting to look good is ever good for the comedy," he gradually realized that Steve Carell being "ripped" was a good idea. Because it helped establish that Carell's character, Andy, was only a virgin because he’s shy and nervous, not because of his looks.

17. A WHOLE BUNCH OF GIRLS ARE NAMED "AMÉLIE" BECAUSE OF THE MOVIE.

Assuming, in this case, that correlation equals causation. In 2000, the year before the movie came out, there were 12 babies in England and Wales given the name Amélie. The number shot up to 250 in 2002, and by 2007, there were around 1100 new Amélies per year. The number has held steady ever since. The trend was similar in the U.S., with Amélie not among the 1000 most popular names until 2003, when it suddenly leapt to 839th place and rose from there.

18. 10 THINGS I HATE ABOUT YOU CO-WRITER KAREN MCCULLAH’S HIGH SCHOOL BOYFRIEND INSPIRED THE TITLE.


Touchstone Pictures

During a Q&A with 10 Things I Hate About You screenwriters Karen McCullah and Kirsten Smith, McCullah revealed that, “The title is based on a diary entry I made in high school,” she explained. “I had a boyfriend named Anthony that I was frequently unhappy with. I made a list called 'Things I Hate About Anthony.' When Kirsten [Smith] and I decided to write this, I went through all of my high school diaries to bone up on the angsty memories, and when I told her about that list, she was like, ‘That’s our title.’” 

It turns out her ex-boyfriend likes the movie. “Anthony is very proud of that fact,” McCullah said. “We’re still friends today. And every now and then I’ll get a random phone call in the middle of night: ‘My nephew doesn’t believe that this title is about me. Tell him.’ On the phone, I’m like, ‘Yes, I hated Anthony in high school.’”

19. RICHARD LINKLATER, ETHAN HAWKE, AND JULIE DELPY KNEW CELINE AND JESSE WOULD SEE EACH OTHER AGAIN WHILE FILMING BEFORE SUNRISE.

“I always said that the movie was a litmus test for how you view romance,” Richard Linklater told The New York Times in 2004. “Some people would go: ‘It’s so clear. They will never get back together.’ People were so sure.” He said the viewer’s interpretation depends on their romantic history. Apparently Linklater, Julie Delpy, and Ethan Hawke are romantics—they knew Celine and Jesse would come back together.

20. CAMERON CROWE BELIEVED FRIENDS WAS A RIP-OFF OF SINGLES.

Cameron Crowe was asked by Warner Bros. Television to turn Singles into a TV series about “a group of six 20-something roommates searching for love.” Crowe decided not to do that. When Friends, a Warner Bros. show, debuted in 1994, the show was so familiar looking to Crowe that he had his lawyer look into it. Apparently, just enough of the details were changed that it wouldn’t be an easy lawsuit.

21. CHER USED SONNY BONO’S FAMILY AS A REFERENCE POINT FOR MOONSTRUCK.

Cher and Nicolas Cage in 'Moonstruck' (1987)
MGM

Cher, who is part Armenian and part Cherokee, didn’t know how Italian families worked. “I didn’t come from that kind of family. I really didn’t relate exactly to it, but I had a sense of it, like a distant sense of it,” she told Good Morning America. “Not like something that you can relate to first hand. I’ve known some families like that and I got feelings of it. After a while I thought I might be able to do this.”

But her Moonstruck family reminded her of her ex-husband’s family. “It kind of reminded me of Sonny’s family,” she told the Los Angeles Times. “Everybody eating and talking and shouting—but you have such good times.”

22. ONE OF THE BIGGEST STARS IN THE WORLD SHARED BILLING WITH AN UNKNOWN IN ROMAN HOLIDAY.

Gregory Peck already had 18 films and four Oscar nominations under his belt when he was paired with Audrey Hepburn, a newcomer who’d had small roles in a handful of movies but nothing substantial. Given his status, it’s no surprise Peck’s contract called for solo top billing in the credits. But shortly after shooting began, Peck called his agent and said Hepburn’s name should appear with his above the title. The agent: “You can’t do that.” Peck: “Oh, yes I can. And if I don’t, I’m going to make a fool out of myself, because this girl is going to win the Oscar in her very first performance.” So maybe he was being pragmatic more than generous, but still. Stand-up guy, that Peck (and a bit of a prophet, too).

23. MEG RYAN DIDN'T HAVE A COMPUTER BEFORE MAKING YOU’VE GOT MAIL.

"I got my first computer when I did that movie," Meg Ryan told Vanity Fair. "I think that the company gave us a computer."

24. CLUELESS IS PART OF AN UNOFFICIAL TRILOGY.

Paul Rudd and Alicia Silverstone in 'Clueless'
Paramount Home Entertainment

Amy Heckerling is well known for her forays into coming-of-age stories; the first was her directorial debut, the beloved 1982 comedy Fast Times At Ridgemont High. Clueless came in 1995 was followed up with the Jason Biggs-fronted Loser in 2000, Each comedy not only centered on teens, but also aimed to capture the adolescent zeitgeist of its era in a way that made them accessible and cool to all ages. Obviously, some worked better than others.

25. ACTRESS ALI MACGRAW PUSHED ROBERT EVANS TO CUT HAROLD AND MAUDE’S LOVE SCENE.

Of course, her Paramount boss husband tried to oblige. Director Hal Ashby furiously objected, saying, “That’s sort of what the whole movie is about, a boy falling in love with an old woman; the sexual aspect doesn’t have to be distasteful.” About the less-than-explicit scene, Being Hal Ashby author Nick Dawson wrote, “Ashby wanted to show the beauty of young and old flesh together, something that he knew the younger generation, the hippies, the heads, the open-minded masses would dig, but Evans said it would repulse most audiences, so it had to go.” In the end, Ashby won by sneaking the footage into the film’s trailer.

26. LOVE ACTUALLY’S AIRPORT OPENING AND CLOSING WAS SHOT WITH HIDDEN CAMERAS.

The footage of passengers being welcomed and embraced by loved ones at Heathrow Airport that bookends Love Actually was shot on location with hidden cameras for a week. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crewmember would race out to have its subjects sign a waiver so the moment might be included in the film. This was a fitting production device, as Curtis claims that watching the love expressed at the arrival gate of LAX is what inspired him to write the ensemble romance in the first place.

27. JACK BLACK DIDN’T WANT TO BE IN HIGH FIDELITY.

Jack Black nailed his role as High Fidelity's hyperactive and pathologically insensitive record store employee Barry—which, in fact, John Cusack and company wrote with him in mind—but the actor initially had no interest in playing the part. It was director Stephen Frears who managed to save the day, pursuing Black until he eventually agreed to join the cast.

28. MEET THE PARENTS INSPIRED A CAT TOILET-TRAINING PRODUCT.

A scene from 'Meet the Parents'
Universal Studios

Jo Lapidge and her husband, Terry, came up with the idea for Litter Kwitter—a toilet-training tool for cats—after seeing Meet the Parents. (Litter Kwitters come with plastic rings you put over the toilet seat. Gradually the hole in the rings gets bigger until the rings aren’t needed at all.) On set, though, the cats weren’t actually trained to use the toilet.

29. JULIA ROBERTS TURNED DOWN THE LEAD IN WHILE YOU WERE SLEEPING.

Roberts was already flying high from the major success of Pretty Woman five years earlier, so the actress seemed like a solid pick for another charming romantic comedy about two very different people brought together by unexpected circumstances. Fortunately for Sandra Bullock, she turned down the role.

30. JULIA ROBERTS ALSO TURNED DOWN THE LEAD IN SLEEPLESS IN SEATTLE.

In a 2014 interview with InStyle, the Oscar-winning actress shared that she had been "offered Sleepless in Seattle but couldn't do it," adding that, "[Meg Ryan] and Tom Hanks are just such a jewel of a fit in that. I guess what they did for that moment in time is sort of what Richard [Gere] and I were doing across town (in the 1990 film Pretty Woman), you know?"

31. ETERNAL SUNSHINE OF THE SPOTLESS MIND MIGHT NOT BE FICTION MUCH LONGER. 


Focus Features

In 2014, scientists reported that they’d successfully manipulated mice’s memories, or at least the emotions associated with those memories. See, we form the informational part of our memories—the facts and events—in the hippocampus neighborhood of the brain. The emotions connected to them—how we feel about those facts and events—are stored down the road in the amygdala. Scientists messed with some mice’s amygdalae and basically reversed how they “felt” about prior lab experiences, changing an unpleasant association into a pleasant one, and vice versa.

The scientists were quick to point out that while this could be useful in erasing a person’s negative emotions about something in their past (for PTSD sufferers, for example), it would be a bad idea to actually make them forget that these events had happened. Which means they must have gotten the message of Eternal Sunshine of the Spotless Mind

32. CAMERON DIAZ HAD CONCERNS OVER THE "HAIR GEL SCENE" IN THERE’S SOMETHING ABOUT MARY.

Cameron Diaz was concerned that the audience would be too disgusted over the physical gag to laugh, which could possibly ruin her acting career. With those concerns in mind, another version of the date scenes was shot without anything in her hair. Once the viewers at a test screening heartily laughed at the scene with Ted’s product in Mary’s hair, Diaz was okay with it.

33. BEN STILLER ALSO HAD PROBLEMS WITH THE SCENE.

Ben Stiller couldn’t figure out how his character wouldn’t feel what was hanging on his ear, and even went so far as to suggest that it be written somewhere that Ted had somehow lost sensitivity in his ear. He was told to stop thinking about it.

34. THE EPIC FIGHT SCENE BETWEEN HUGH GRANT AND COLIN FIRTH IN BRIDGET JONES’S DIARY WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

35. GHOST’S SUCCESS MADE ROMANTIC FILMS MORE VIABLE.

Summer tentpoles Die Hard 2 (starring Demi Moore’s then-hubby Bruce Willis), Total Recall, and Dick Tracy failed to claim a slot in the top five year-end box office, but romantic comedy Pretty Woman did. Like Ghost, Pretty Woman was yet another female-loved film that made a lot of money ($178 million domestic). “The success of Ghost and Pretty Woman has revitalized the romantic comedy, a genre that in recent years had become less appealing to Hollywood studios intent on making blockbuster action-adventure films,” read a 1990 article in The New York Times. In Ghost’s wake, The Bodyguard, Jerry Maguire, and Titanic all became huge hits for the romantic drama genre.

36. MY BIG FAT GREEK WEDDING BROKE A LOT OF RECORDS.

My Big Fat Greek Wedding made $241,438,208 in U.S. theaters, making it the highest-grossing romantic comedy in history, over $58 million ahead of What Women Want (2000). It's also the highest-grossing movie since at least 1982 to never be number one during any box office weekend. With a gross revenue (theater and home video sales) of approximately $369 million off of a $5 million production budget, it's also one of the most profitable movies ever made.

37. THE SCRIPT FOR JUNO WAS "DEEPLY PERSONAL" FOR DIABLO CODY.

Ellen Page in 'Juno'
Fox Searchlight Pictures

The Oscar-winning screenwriter based the story for Juno on her own life and wanted to tell a story that was “different” from the rest of Hollywood movies. “Juno is like a personal, emotional scavenger hunt for me," Cody told The Telegraph. "I dragged so many of my own experiences into it that I'm shocked the movie is so coherent. I managed to get every person, quirk, and object that has meaning in my life into the script. I wanted to make it deeply personal. I didn't want it to be generic."

38. THE ENDING OF LEGALLY BLONDE WAS CHANGED BECAUSE OF TEST AUDIENCES.

Initially, Legally Blonde ended with Reese Witherspoon and Luke Wilson kissing on the courthouse steps, then cutting to Elle Woods and Vivian forming a “Blonde Legal Defense Club.” Test audiences were too invested in what happened to Elle’s life to like that conclusion.

39. CHASING AMY WAS ORIGINALLY GOING TO BE A PG-13 MOVIE SET IN HIGH SCHOOL.

The studio initially suggested to Kevin Smith that he make Chasing Amy as a PG-13 high school movie. Smith thought about it for a time and wrote some scenes. Ethan Suplee was going to play one of the main characters, but then Smith changed his mind. "A week later, I was like, 'No,'" Smith told The A.V. Club. "Then the movie [Mallrats] tanked, and that sealed the deal. It was just like, that's the last movie I make that doesn't have anything on its mind."

40. BRIAN GRAZER CAME UP WITH THE IDEA FOR SPLASH WHILE DRIVING DOWN THE PACIFIC COAST HIGHWAY.

One night, while driving down the Pacific Coast Highway near Malibu in 1977, Brian Grazer—then 25 years old—thought about what it would be like to meet a mermaid and fall in love. For seven years, he was turned down by most Hollywood studios until he revised his pitch for Splash to be more of a love story between a man and a mermaid. Lowell Ganz and Babaloo Mandel, who penned Ron Howard’s Night Shift (1982), and Bruce Jay Friedman (Stir Crazy) were the credited screenwriters for Splash. The script was nominated for a Best Original Screenplay Oscar.

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