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10 Awesome Rick Baker-Created Movie Props You Can Buy

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Have you ever wanted to own a Gremlin marionette from Gremlins 2: The New Batch? Or the head, hand, and foot skin of the titular sasquatch from Harry and the Hendersons? Or perhaps a replica of Michael Jackson’s hands, created for 1988’s Moonwalker? Now you can, thanks to special effects makeup artist Rick Baker.

Baker—who, over his 30-plus-year career, has made creatures for everything from An American Werewolf in London to the Men in Black films—is downsizing his company Cinovation’s space, according to Geek.com. Rather than throwing out what he doesn’t have room for, he’s offering up the 400-plus items to movie fans in an auction put on by The Los Angeles Prop Store.

The actual auction takes place on May 29, but you can get a jump on procuring your favorite items by placing bids online or by phone. All bids start at just $5, and there’s no reserve. Here are a few items we’re thinking about snatching up.

1. Mid-Transformation Werewolf Back Mold // AN AMERICAN WEREWOLF IN LONDON (1981)

Baker created this mold of David Naughton’s torso to create the skin for the werewolf transformation scene in director John Landis’s horror-comedy classic. According to the listing, “The three-piece hydrocal (or similar material) mold includes a core that fills the majority of the space within the mold, producing only a thin skin when casting material is injected. Both the front and core pieces are marked 'AWL Mid-Trans Core' in black ink. This piece has undergone sympathetic conservation and stabilization ... The mold shows some wear from production and age, such as chips and cracks, and remains in overall fair condition.”

2. AWIL ‘Jack’ Zombie Face, Neck and Hand Appliances // “Thriller” (1983)

When it came time to create the zombies for Michael Jackson’s “Thriller” music video, Baker did a bit of recycling: According to the listing for this lot, which includes four foam latex appliances, “this piece was likely made from make-up created for Griffin Dunne in John Landis’s An American Werewolf in London.” The neck and blender pieces are unpainted.

3. Harry Head, Hands, Feet, and Muscle Suit // HARRY AND THE HENDERSONS (1987)

Bigfoot enthusiasts will want to bid on this lot from William Dear’s late-'80s comedy Harry and the Hendersons, which was worn by stuntman Dawan Scott during the film’s production. According to the listing,

The latex mask features hand-punched hair on the face and top of the head, faux fur lining the back of the head and lifelike paint detail. The hands are constructed of foam latex with attached nylon fabric wrists and hand-punched fur. The feet are similarly constructed, with latex shoe pieces, hand-punched fur, and attached nylon fabric with buttons for attaching to a hair suit. The feet include tags marked "Dawan Rt." and "Dawan left," respectively. Both the hands and feet have been painted with lifelike detail in exposed areas. The Harry muscle suit (not pictured) was worn by stunt performer Dawan Scott during production. The suit includes a two-piece muscle suit, a pair of hands, feet, and a stunt mask. The muscle suit consists of a full nylon blend jumpsuit that zips up the back and features foam padding sewn onto the arms and legs. The jumpsuit is marked "Dawan" in black ink along the interior of the zipper. The second suit piece is an upper body muscle suit that zips in the back and features foam padding and rib texture pieces.

There's some wear and tear from production—the listing mentions paint flaking on the hands and scuffs on the feet—but overall, the pieces are in good condition. 

4. Test Isobar Monster // ISOBAR (Unreleased)


According to ScreenCrush, the basic plot of this unmade sci-fi film from the early 1990s was “a plant-like alien [running] amok on the maiden voyage of a futuristic transatlantic train.” Disaster-obsessed director Roland Emmerich was to helm the production; Sylvester Stallone, Kim Basinger, Walter Matthau, and Jim Belushi all signed on to star, and Baker began creating monsters for the film—including this guy, a “a tentacle laden squid creature” that has “several poseable tentacles with malleable armature wires in their interior.” Unfortunately, Carolco Pictures filed for bankruptcy before Isobar could get off the ground.

5. Gremlin Skeleton Puppet SFX Rig // GREMLINS 2: THE NEW BATCH (1990)

This creepy skeleton—which is made of resin bones with foam cartilage—was used in a deleted scene from the electrocution sequence of Joe Dante’s Gremlins sequel. The puppet “features latex entrails, a cable-controlled neck, and four rubber tubes that run along the spine and into the skull. The rig was designed to have slime pumped up through the tubes which would drip out of the Gremlin skull to accentuate the melting effect. The cable controls connect to two joysticks used to control the puppet. The piece is presented on a black wooden base.”

6. Orson Welles’s Ear Appliances // ED WOOD (1994)

To play famed director Orson Welles in Tim Burton’s Ed Wood, Vincent D’Onofrio had to don these prosthetic ears, which “are made of foam latex and feature feathering on the edges for use in blending the edges to the actor’s ears. The ears are cast in flesh toned latex and now feature slight discoloration on the tops of the ears. Despite this wear, these pieces remain in good condition.”

7. Two-Face’s Facial Appliance // BATMAN FOREVER (1995)

Baker made this appliance for Tommy Lee Jones, who played Two-Face in Joel Schumacher’s schlocky Batman Forever. The appliance was made of foam latex and is painted in great detail with various tones of purples and pinks. A thin plastic shell is attached to the underside of the appliance that was meant to cover Jones’s hair. The appliance shows some wear due to age, with the edges of the appliance now dry and cracked in areas, however the piece remains in otherwise good condition.” This piece was likely never applied.

8. Edgar Stretch Rig // MEN IN BLACK (1997)

Now you can add a (partial) Edgar suit to your closet. This stretch rig, created for Barry Sonnenfeld’s sci-fi comedy, is made of silicone with foam latex appliances on the cheeks and hand-punched hair on the face and scalp. According to the listing, “This skin was used on Edgar’s body when it is thrown down after the bug takes him over. Later appliances were put on the head, possibly to be used for when the skin is taken out. The mask ... features clasps along its bottom edges meant to hook into an effects rig or body.” It comes on its original plaster bust form and is in good condition.

9. Samara Facial Appliance // THE RING (2002)

Baker wasn’t only tasked with creating out-of-this-world aliens and rotting zombies: He also created this eerily lifelike mask of Daveigh Chase, who played the tortured child ghost Samara in Gore Verbinski’s The Ring. According to the listing, “Cast in silicone, the bald appliance has been airbrushed to match Chase’s skin tone, and includes hand-punched eyebrows and eyelashes. The appliance resides on a biscuit foam bust of Chase, where it has been pinned to the foam.” Though there’s some wear, the piece is in overall good, but used, condition.

10. Lawrence Talbot Animatronic Transformation Puppet // The Wolfman (2010)

This bust was created at a point in The Wolfman’s production when the filmmakers wanted to do the transformation practically using makeup effects. Eventually, director Joe Johnston chose to go the CG route, but you can still catch a glimpse of the puppet which, according to the listing, “is seen in a brief cutaway in the scene in which Lawrence and Gwen Conliffe (Emily Blunt) visit the lake.” Baker told Popular Mechanics in 2010 that “there are better makeup materials now, but I actually used materials that were basically the same ones I used on An American Werewolf in London, because there are still advantages to those materials.” The bust has a foam-filled interior (which houses the effects mechanics) and foam latex skin, which “has been painted in great detail to appear as though the wolf is slowly infecting Del Toro ... The puppet is mounted to a plywood base board and shows minor wear due to production use, but remains in good condition.”

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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