General Photographic Agency/Getty Images
General Photographic Agency/Getty Images

10 Things You No Longer See in Hotels

General Photographic Agency/Getty Images
General Photographic Agency/Getty Images

Hotels first started popping up in the U.S. during the 18th century, but a combination of affordable automobiles and a comprehensive Interstate system helped the lodging industry to explode beginning in the 1950s. In the decades since, hotels and motels have evolved a great deal. And while some changes are for the better, some items make us nostalgic for those clichéd “good old days.” 

1. Postage Paid Key Fobs

When hotels and motels still used metal keys, they regularly came attached to large plastic key tags that listed not only the hotel’s name and address, but also the room number of the key holder. They also included a “Guaranteed Postage Paid” stamp, so that guests who absentmindedly walked away with the key could drop it into any mailbox the next time they emptied their pockets. Today's computerized key cards provide guests with an extra safety measure: they are re-keyed after every check-out, making it impossible for any random person (or former guest who held onto a key) to enter the room. 

2. Magic Fingers

Before they became a standard cliché involving “adult” motels, vibrating beds (originally operated by a staff member, who manually shook the bed) were often prescribed as a remedy for a variety of health ailments by doctors in the early part of the 20th century. The Englander Mattress Company came out with a mechanical vibrating mattress in 1958, and salesman John Houghtaling was working hard trying to sell their new contraption to hotels and motels. He hit a stumbling block, though; while hoteliers liked the product, they didn’t want to dispose of hundreds of perfectly good mattresses to replace them with vibrating models, which cost $200 apiece. Houghtaling went to work in his basement, and eventually devised what he called the "Magic Fingers" system. It consisted of a small electric motor, about half the size of a coffee can, with an off-center weight on the shaft. The device could be connected to four coil springs inside of an existing mattress and it would (after a quarter was dropped into the attached coin box) shake just like the Englander mattress. 

He eventually set up a factory and sold the Magic Fingers units for $25 to franchised distributors, who in turn re-sold them to hotels and motels across the country. During the heyday of Magic Fingers (the 1960s to mid-1970s), his sales were about $2 million per month. The tide first began to turn in 1967, when the Best Western chain announced that it was removing all coin-operated devices from their rooms as they felt they “cheapened” the company’s image. Eventually other chains followed suit, particularly when vibrating beds became a common joke in movies and on TV when making reference to a sleazy truck stop or den of iniquity. 

3. Pay As You Exit

As recently as the mid-1970s it was common practice to check into a hotel by simply filling out a brief registration form (no identification or credit card required). Your room key was handed over and you were trusted to pay for your stay when you checked out and returned the key. Folks who sneaked out without paying were known as “skippers” in the industry lingo, and even back in the 1950s hotel bellmen kept a wary eye on patrons who checked in with a minimal amount of luggage. Folks planning on scamming the hotel would arrive with one bag with the barest of necessities packed inside. Instead of checking out at the end of their stay, they’d leave their suitcase in the room and casually waltz out through the lobby, never to return. Most lodging establishments today require either a swipe of your credit card or a cash payment in advance before they’ll hand over a room key. 

4. Googie Signage

Ron, Flickr // CC BY-NC-ND 2.0

One of the most welcome sights after a long day of driving was a colorful, twinkling, blinking sign offering a comfy bed (along with other amenities) for the night. Googie architecture, a futuristic style inspired by the Space Race, was popular in the 1950s and '60s. Buildings had bold, curving, geometric shapes and their signs were bursting with mutlicolored neon parabolas, boomerangs, and starbursts. Holiday Inn was famous for its dazzling Great Sign, which the chain sadly retired in 1982. Much like the old Best Western signs, it was a bit of Las Vegas perched on a signpost, but most chains have since eschewed glitz in favor of more subdued, “sophisticated” signage. 

5. Tile Showers as a Selling Point

Oddly enough, a common bragging bullet point listed on many motel postcards from the mid-20th century is “tiled baths (or showers)”. Which sort of begs the question: what were other hostelries using to floor their bathrooms? Wood? Concrete? 

6. Steam Heat

You might still find steam heat in some of New York City’s older apartment buildings, but very few commercial lodging establishments utilize that method of climate control these days. Hissing radiators and clanking pipes aren’t a huge draw for customers, especially when you’re selling slumber.

7. Guest Register

Sure, it looked elegant and oh-so-civilized to have one giant sign-in book on a Lazy Susan equipped with a penholder for guests to jot down their personal information while the desk clerk checked availability and summoned a bellhop. But there’s a reason this was regularly used as a plot device in many films noirs: it was hardly secure and any old mob hitman or skip tracer could easily glance at the page and see who was in the house. Luckily hotels now make more effort to guard their customers’ privacy. 

8. Key Cubbies

Another previously common feature of yesteryear that has since been recognized as a possible security hazard is the large key cubby that used to hang on the wall behind every hotel front desk. Whenever a patron left the building, it was customary for him or her to leave the room key with the desk clerk. That way the front desk staff could tell at a glance who was in their room and who wasn’t so that they could take messages (which were also left in the cubbies) or, in case of a general emergency, know how many patrons to evacuate. Again, nefarious types were able to use this obvious visual clue to rifle through unoccupied rooms (hey, they were nefarious, that’s why they could easily break into a hotel room unnoticed), so it’s probably best that this type of red flag is no longer publicly posted. 

9. Checking In Under an Alias

It used to be a running gag to register as “Mr. and Mrs. Smith” or some other alias whenever a sitcom plot needed to emphasize that an unmarried couple was checking into a motel for some quick afternoon delight. But thanks to decades of customers increasingly stealing from and vandalizing their rooms, most hotels and motels require a photo I.D. upon check-in, even if you are paying cash for your room and no credit card is involved.

10. Mutual Trust

The behavior of guests has apparently been deteriorating over the years—either that or hoteliers have simply developed more elaborate ways to ensure that great memories are the only thing a guest brings back home. It began when hotels started bolting down the lamps and television sets as a response to theft. Then warning signs began appearing in rooms, alerting guests that they would be charged for any missing towels, etc. Mini-bar security came next, with many hotels equipping their in-room minibars with sensors so that the customer is automatically charged any time an item is removed or even moved (which means that if you open the fridge to store your own beverages and happen to bump a can of their soda, you might be charged for it). Yet, with all these safeguards in place to protect the hotel from pilferage, customers’ belongings are not equally secure. Most hotels have policies (if not signs in the rooms) that state they cannot guarantee that anything left unattended in their guest rooms will still be there if the room is left unattended for any length of time.

All images courtesy of iStock unless otherwise stated. 
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Dennis Oulds, Central Press/Hulton Archive/Getty Images
When John Lennon and Yoko Ono Mailed Acorns to World Leaders
 Dennis Oulds, Central Press/Hulton Archive/Getty Images
Dennis Oulds, Central Press/Hulton Archive/Getty Images

John Lennon and Yoko Ono had a big year in 1969. Following a quick wedding ceremony in Gibraltar, they hopped over to Amsterdam and used their honeymoon suite at the Hilton as a stage for their week-long “Bed-In for Peace” protest against the Vietnam War. A week later they were in Vienna wearing bags over their bodies and declaring the formation of a comical new philosophy called “bagism." Their goal, they said, was to promote "total communication" by getting people to focus on their message instead of their skin color, ethnicity, clothes, or in Lennon's case, hair length.

John Lennon and Yoko Ono with a sign reading "bagism"
Bob Aylott, Keystone/Hulton Archive/Getty Images

These attention-grabbing antics were among their most famous peace efforts, but that same year they undertook a very different project. This time, away from the cameras, Lennon and Ono mailed acorns to some of the world's most important leaders and asked that they be planted in support of world peace.

The idea had been a year in the making. While filming a part for a movie called A Love Story on June 15, 1968, Lennon and Ono planted two acorns at England’s Coventry Cathedral, which had been bombed during WWII and was later rebuilt as a symbol of peace. They were “planted in east and westerly positions,” symbolizing the union of Lennon and Ono and their respective cultures.

Then, in 1969, they decided to scale up their "peace acorn" project. Along with two acorns placed in a small, round case, they sent world leaders a letter that read: “Enclosed in this package we are sending you two living sculptures—which are acorns—in the hope that you will plant them in your garden and grow two oak trees for world peace. Yours with love, John and Yoko Ono Lennon.”

Like the proverb “Great oaks from little acorns grow,” the couple understood the power of small gestures and wanted to start a conversation that would get world leaders thinking about the possibility of peace—or in Lennon's words, to encourage them to "give peace a chance."

John and Yoko hold up a protest sign that says "War is over if you want it."
Frank Barratt, Keystone/Hulton Archive/Getty Images

They did provoke some thought, at least. In a 1970 interview with Rolling Stone, Lennon explained, “We got reaction to sending acorns—different heads of state actually planted their acorns, lots of them wrote to us answering about the acorns. We sent acorns to practically everybody in the world.”

The two acorns were “submitted to Her Majesty [Queen Elizabeth II] in due course,” according to a letter that the Privy Purse Office at Buckingham Palace sent to the Lennons. A response from Malaysia confirmed that the acorns were to be planted in Kuala Lumpur’s Palace Gardens, and another letter from South Africa indicated that they would be planted on then-president Jim Fouché’s farm.

Golda Meir, then-prime minister of Israel, reportedly said something along the lines of, “I don’t know who they are but if it’s for peace, we’re for it,” Lennon told Rolling Stone. An official response sent by Meir’s assistant director in 1970 read, “Mrs. Meir very much appreciated the gesture, the underlying symbolism of which she would indeed like to see take root within a realistic framework.”

One particularly polite response came from Cambodia's head of state, Norodom Sihanouk, who worried he had erred in addressing Lennon and Ono as Mr. and Mrs. (he hadn't). He wrote, “Dear Sir and Madam, I may have wrongly assumed the friendly donators of acorns are husband and wife, and would like to submit ‘preventive’ apologies, together with my sincerest thanks for their gift.”

Norodom Sihanouk at a naval event
Norodom Sihanouk at a naval event in 1960
Three Lions/Hulton Archive/Getty Images

Ono saved all of these letters, and photocopies can be viewed on her website. For his part, Lennon memorialized the event in The Beatles single "The Ballad of John and Yoko." In case you've ever wondered what the line "50 acorns tied in a sack" means, the verse in question references the events following their honeymoon and return to London:

Caught the early plane back to London
Fifty acorns tied in a sack
The men from the press
Said we wish you success
It's good to have the both of you back

To mark the 40th anniversary of the peace acorn offering in 2009, Ono recreated the act and sent acorns to 123 world leaders, including Barack and Michelle Obama. Next year, for the 50th anniversary, it remains to be seen if the famous peace acorns will again make their way around the world. If you happen to be a president or the Queen, you might want to save a spot in your garden, just in case.

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Illustration by Mental Floss. Image: Rischgitz, Getty Images
11 Things You Might Not Know About Johann Sebastian Bach
Illustration by Mental Floss. Image: Rischgitz, Getty Images
Illustration by Mental Floss. Image: Rischgitz, Getty Images

Johann Sebastian Bach is everywhere. Weddings? Bach. Haunted houses? Bach. Church? Bach. Shredding electric guitar solos? Look, it’s Bach! The Baroque composer produced more than 1100 works, from liturgical organ pieces to secular cantatas for orchestra, and his ideas about musical form and harmony continue to influence generations of music-makers. Here are 11 things you might not know about the man behind the music.

1. PEOPLE DISAGREE ABOUT WHEN TO CELEBRATE HIS BIRTHDAY.

Some people celebrate Bach’s birthday on March 21. Other people light the candles on March 31. The correct date depends on whom you ask. Bach was born in Thuringia in 1685, when the German state was still observing the Julian calendar. Today, we use the Gregorian calendar, which shifted the dates by 11 days. And while most biographies opt for the March 31 date, Bach scholar Christopher Wolff firmly roots for Team 21. “True, his life was actually 11 days longer because Protestant Germany adopted the Gregorian calendar in 1700,” he told Classical MPR, “but with the legal stipulation that all dates prior to Dec. 31, 1699, remain valid.”

2. HE WAS THE CENTER OF A MUSICAL DYNASTY.

Bach’s great-grandfather was a piper. His grandfather was a court musician. His father was a violinist, organist, court trumpeter, and kettledrum player. At least two of his uncles were composers. He had five brothers—all named Johann—and the three who lived to adulthood became musicians. J.S. Bach also had 20 children, and, of those who lived past childhood, at least five became professional composers. According to the Nekrolog, an obituary written by Bach’s son Carl Philipp Emanuel Bach, "[S]tarting with Veit Bach, the founding father of this family, all his descendants, down to the seventh generation, have dedicated themselves to the profession of music, with only a few exceptions."

3. BACH TOOK A MUSICAL PILGRIMAGE THAT PUTS EVERY ROAD TRIP TO WOODSTOCK TO SHAME.

In 1705, 20-year-old Bach walked 280 miles—that's right, walked—from the city of Arnstadt to Lübeck in northern Germany to hear a concert by the influential organist and composer Dieterich Buxtehude. He stuck around for four months to study with the musician [PDF]. Bach hoped to succeed Buxtehude as the organist of Lübeck's St. Mary's Church, but marriage to one of Buxtehude's daughters was a prerequisite to taking over the job. Bach declined, and walked back home.

4. HE BRAWLED WITH HIS STUDENTS.

One of Bach’s first jobs was as a church organist in Arnstadt. When he signed up for the role, nobody told him he also had to teach a student choir and orchestra, a responsibility Bach hated. Not one to mince words, Bach one day lost patience with a error-prone bassoonist, Johann Geyersbach, and called him a zippelfagottist—that is, a “nanny-goat bassoonist.” Those were fighting words. Days later, Geyersbach attacked Bach with a walking stick. Bach pulled a dagger. The rumble escalated into a full-blown scrum that required the two be pulled apart.

5. BACH SPENT 30 DAYS IN JAIL FOR QUITTING HIS JOB.

When Bach took a job in 1708 as a chamber musician in the court of the Duke of Saxe-Weimar, he once again assumed a slew of responsibilities that he never signed up for. This time, he took it in stride, believing his hard work would lead to his promotion to kapellmeister (music director). But after five years, the top job was handed to the former kapellmeister’s son. Furious, Bach resigned and joined a rival court. As retribution, the duke jailed him for four weeks. Bach spent his time in the slammer writing preludes for organ.

6. THE BRANDENBURG CONCERTOS WERE A FAILED JOB APPLICATION.

Around 1721, Bach was the head of court music for Prince Leopold of Anhalt-Köthen. Unfortunately, the composer reportedly didn’t get along with the prince’s new wife, and he started looking for a new gig. (Notice a pattern?) Bach polished some manuscripts that had been sitting around and mailed them to a potential employer, Christian Ludwig, the Margrave of Brandenburg. That package, which included the Brandenburg Concertos—now considered some of the most important orchestral compositions of the Baroque era—failed to get Bach the job [PDF].

7. HE WROTE ONE OF THE WORLD'S GREATEST COFFEE JINGLES.

Bach apparently loved coffee enough to write a song about it: "Schweigt stille, plaudert nicht" ("Be still, stop chattering"). Performed in 1735 at Zimmerman’s coffee house in Leipzig, the song is about a coffee-obsessed woman whose father wants her to stop drinking the caffeinated stuff. She rebels and sings this stanza:

Ah! How sweet coffee tastes
More delicious than a thousand kisses
Milder than muscatel wine.
Coffee, I have to have coffee,
And, if someone wants to pamper me,
Ah, then bring me coffee as a gift!

8. IF BACH CHALLENGED YOU TO A KEYBOARD DUEL, YOU WERE GUARANTEED TO BE EMBARRASSED.

In 1717, Louis Marchand, a harpsichordist from France, was invited to play for Augustus, Elector of Saxony, and performed so well that he was offered a position playing for the court. This annoyed the court’s concertmaster, who found Marchand arrogant and insufferable. To scare the French harpsichordist away, the concertmaster hatched a plan with his friend, J.S. Bach: a keyboard duel. Bach and Marchand would improvise over a number of different styles, and the winner would take home 500 talers. But when Marchand learned just how talented Bach was, he hightailed it out of town.

9. SOME OF HIS MUSIC MAY HAVE BEEN COMPOSED TO HELP INSOMNIA.

Some people are ashamed to admit that classical music, especially the Baroque style, makes them sleepy. Be ashamed no more! According to Bach’s earliest biographer, the Goldberg Variations were composed to help Count Hermann Karl von Keyserling overcome insomnia. (This story, to be fair, is disputed.) Whatever the truth, it hasn’t stopped the Andersson Dance troupe from presenting a fantastic Goldberg-based tour of performances called “Ternary Patterns for Insomnia.” Sleep researchers have also suggested studying the tunes’ effects on sleeplessness [PDF].

10. HE WAS BLINDED BY BOTCHED EYE SURGERY.

When Bach was 65, he had eye surgery. The “couching” procedure, which was performed by a traveling surgeon named John Taylor, involved shoving the cataract deep into the eye with a blunt instrument. Post-op, Taylor gave the composer eye drops that contained pigeon blood, mercury, and pulverized sugar. It didn’t work. Bach went blind and died shortly after. Meanwhile, Taylor moved on to botch more musical surgeries. He would perform the same procedure on the composer George Frideric Handel, who also went blind.

11. NOBODY IS 100 PERCENT CONFIDENT THAT BACH IS BURIED IN HIS GRAVE.

In 1894, the pastor of St. John’s Church in Leipzig wanted to move the composer’s body out of the church graveyard to a more dignified setting. There was one small problem: Bach had been buried in an unmarked grave, as was common for regular folks at the time. According to craniologist Wilhelm His, a dig crew tried its best to find the composer but instead found “heaps of bones, some in many layers lying on top of each other, some mixed in with the remains of coffins, others already smashed by the hacking of the diggers.” The team later claimed to find Bach’s box, but there’s doubt they found the right (de)composer. Today, Bach supposedly resides in Leipzig’s St. Thomas Church.

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