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8 Television Characters Who Were Supposed to Die … But Didn’t

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Killing off a popular TV character is a surefire way to get your show noticed. Of course, there are characters who are killed temporarily, with every intention of returning (Buffy in Buffy the Vampire Slayer, for example); characters who return later, with some crazy explanation, to improve the ratings (Bobby Ewing in Dallas); and others who return to life to provide exciting dramatic twists (Tony Almeida in 24). Then there are characters who are supposed to die, but are saved, for any number of reasons.

1. Joe Coffey, Hill Street Blues

Officer Coffey (Ed Marinaro) was introduced in the first season of Hill Street Blues in 1981, partnered with Officer (later Sergeant) Lucy Bates (Betty Thomas). In his final scene, Coffey was clearly murdered by a suspect, providing a downbeat ending to the season. The episode was written in a hurry (when NBC asked for some extra episodes), and it was agreed that Coffey’s death was a powerful way to finish. However, the producers later decided that Coffey should stay. Though the shooting scene remained, his obvious death was edited out, and he was instead taken to hospital. He was eventually killed off anyway, but not until season 6.

2. Perpugilliam ‘Peri’ Brown, Doctor Who

Image Courtesy Dr. Who Image Archive
The 1986 death of Doctor’s first American companion (played by English actress Nicola Bryant) actually did make it to screen, but was retconned away only weeks later following protests. Back when Doctor Who was primarily a children’s series, Peri suffered a terrible fate, with her body being used to house the brain of an alien monster, then killed in the ensuing fight. “I loved my violent end,” Bryant said. “I told [producer] John Nathan-Turner I wanted to go out with a bang and I certainly didn’t want a tearful ‘Goodbye, Doctor’ scene or be married off to some hunky Martian. I was disappointed that the ending was negated, but I can see that they wanted to soften it because they were getting complaints from mothers wanting to know what to do with their distressed children, who were all Peri fans.” Though Bryant wasn’t brought back in to film further scenes, it was revealed in dialogue that her death was a hoax, and she had married a warrior-king.

You might think that—as Peri was killed, if only temporary—she doesn’t belong on this list any more than Bobby Ewing. If so, you can replace her with Leela, another of the Doctor’s assistants. When actor Louise Jameson left the series in 1978, she also wanted to be killed off, but the producer refused, hoping that she would change her mind and return at a later date. Again, she was married off—a fate that Jameson despised.

3. Erin Harkins, ER

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Medical student Erin (Leslie Bibb) was introduced in ER in 2002 as a romantic interest for Dr. Luka Kovac (Goran Visnjic). However, she was only there to add to Dr. Kovac’s downward spiral, which had included losing his wife and child in a bombing in Croatia. In one episode, he is called to work hung-over after a Christmas party, making a terrible mistake. He then crashes his car, with Erin in the passenger seat. The accident was to have killed her, adding to his trauma (from which he would gradually recover over the next season). However, the powers that be (in the form of writer and producer David Zabel, who created Erin) couldn’t let her die. The reason: Zabel had named her after his wife. “I had to come up with a better storyline to let her live,” he said. She made one last appearance, then exited the series—alive and in one piece.

4. Dr. Julie Parris, V

Normally, cancellation is not good news for a television character, but it worked well for young scientist Julie Parris (Faye Grant), one of the heroes of the alien invasion show V. Following two highly popular mini-series, the imaginatively titled V: The Series premiered in 1984. However, while ratings were okay, it was cancelled after 19 episodes because it was so expensive to make. Julie died heroically in the second season premiere, but this was never aired. When the novel V: The Second Generation (by Kenneth Johnson, the creator of V) was published in 2008, Johnson ignored all the events of the series, so that Julie was still alive and well, and still in charge of the Resistance.

5. Chiana, Farscape

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Chiana, a white-skinned young delinquent from the interplanetary Nebari race, was introduced in an episode of the first season of Farscape in 1999, which was supposed to end with her heroically dying to save the hero, Crichton (Ben Browder), from being shot by an alien villain. However, it seemed clear that the character, played by Gigi Edgley, had enough appeal to become a regular character. The episode was quickly rewritten, and she stayed in the series until the final episode, some five years later.

6. Nicole Wallace, Law & Order: Criminal Intent

Image Courtesy Law & Order Wiki

Nicole (Olivia D’Abo), a duplicitous, child-murdering villain who had kept viewers entertained for years, was going to suffer her just deserts in a 2005 episode. However, the producers indeed decided to let viewers become the jury. Two versions of the ending were filmed: one in which she was gunned down, and one in which she escaped justice. Viewers could then watch both endings on the show’s website and vote for the one they preferred. “This is the chance to do something new in a medium that is more than 60 years old,” said Law & Order creator Dick Wolf, “and you don’t get that chance very often.” In an Internet poll of fans, 68 percent voted to kill her. Many of them protested that casual viewers could cast a vote. (“Not to be undemocratic,” posted one fan, “but should those people really be voting?”) Ultimately, casual viewers seemed to make the difference, with 53 percent of viewers deciding that Nicole should live to fight another day.

Intriguing fact: Australia, which doesn’t have the death penalty (and where a majority of people are against it), showed less compassion. When it was shown there, viewers in all states voted to kill her.

7. Cindy Chandler, Lost

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Introduced in the 2004 pilot episode of Lost as “Flight Attendant #1”, Cindy (played by Canadian-Australian actor Kimberley Joseph) was briefly seen serving Jack (Matthew Fox) on Oceanic Airlines Flight 815, just before the plane crashed. Like most of the crew, she was assumed dead—and that was the idea. However, Joseph was noticed by a producer, and it was revealed in season two—in one of the countless twists of Lost—that she had survived and lived with the Others. She made several other appearances through the next five seasons.

8. Jesse Pinkman, Breaking Bad

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Creator Vince Gilligan planned to kill off Walter White's sidekick early in the series. "I didn’t even know Jesse was supposed to die in the first season," Aaron Paul told The AV Club. "I found that out toward the end of the first season, and then the next couple of years, I was in a constant panic, thinking that this kid is going to meet his demise at any time." Paul went on to win two Emmys.

Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
10 Monster Facts About Pacific Rim
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Legendary Pictures took a gamble on Pacific Rim, Guillermo del Toro’s 2013 monster/robot slugfest. Since it wasn’t based on a preexisting franchise, it lacked a built-in fanbase. That can be a serious drawback in our current age of blockbuster remakes and reboots. The movie underperformed domestically; in America, it grossed just over $100 million against its $180 million budget. Yet Pacific Rim was a huge hit overseas and acquired enough fans to earn itself a sequel, Pacific Rim Uprising, which arrives in theaters this week. Here are 10 things you might not have known about the movie that started it all.


Idris Elba in 'Pacific Rim' (2013)
Warner Bros.

One foggy day in 2007, Beacham—who’d recently moved to California—was walking along Santa Monica Beach. As he looked out at the Ferris wheel on the city’s eponymous pier, he pictured a looming sea monster. Then he imagined an equally large robot gearing up to fight the beast. “They just sort of materialized out of the fog, these vast godlike things,” Beacham said. He decided to pursue the concept further after coming up with the idea of human co-pilots who’d need to operate their robot as a team, which added a new thematic dimension.

“I didn’t know I had something I wanted to write until I realized these robots are driven by two pilots, and what happens when one of those people dies? What happens to the leftovers? Then it became a story about loss, moving on after loss, and dealing with survivor’s guilt," Beacham said. "That made the monsters scarier because now you care about the people who are in these robots.”


Pacific Rim was picked up by Legendary Pictures and handed over to director Guillermo del Toro. A huge fan of monster cinema, del Toro enthusiastically co-wrote the final screenplay with Beacham. Sixteen concept artists were hired to sketch original robot and creature designs for the film. “We would get together every day like kids and draw all day,” del Toro told the New York Daily News. “We designed about a hundred Kaijus and about a hundred Jaegers and every week we would do an American Idol and we would vote [some of] them out.”


In “Charlie Kelly: King of the Rats,” the tenth episode of It's Always Sunny in Philadelphia's sixth season, Charlie Day’s character gives us a darkly comedic monologue about rodent extermination. Little did the actor know that the performance would open a big opportunity for him. Impressed by the rat speech, del Toro offered Day the part of Dr. Newton Geizler, Pacific Rim’s socially-inept kaiju expert. “He said to himself, ‘That’s my guy. That guy should be in my next movie because if he killed rats, he can kill the monster,’” Day recalled during an appearance on Late Night with Jimmy Fallon. On the movie set, del Toro often joked about how much he enjoys It’s Always Sunny. As a way of repaying his director, Day helped get del Toro a minor role in the series.


Most of the film’s special effects were computer-generated, but not everything was digital. For the robot cockpit scenes, del Toro had his team build the interior of a full-scale Jaeger head. The finished product stood four stories tall and weighed 20 tons. And like a Tilt-A-Whirl from hell, it was designed to rock around violently on its platform via a network of hydraulics. Once inside, the actors were forced to don 40-pound suits of armor. Then the crew strapped their feet into an apparatus that Charlie Hunnam has compared to a high-resistance elliptical machine.

Certain shots also required del Toro to dump gallons of water all over his exhausted, physically-strained stars. So yeah, the experience wasn’t much fun. “We saw every one of the actors break down on that set except for the female lead actress Rinko Kikuchi," del Toro said. "She’s the only actor that didn’t snap."


Del Toro wanted Gipsy Danger, his ‘bot, to have the self-confident air of a wild west gunslinger. To that end, he and concept artist Oscar Chichoni developed a swaggering gait that was based on John Wayne’s signature hip movements. The Jaeger’s Art Deco-like design was influenced by the Chrysler and Empire State Buildings.


Hailed as the “fortieth greatest guitarist of all time” by Rolling Stone, Rage Against the Machine's Tom Morello rocked the MTV generation with hits like “Bulls on Parade” and “Killing in the Name.” Pacific Rim bears his mark as well. The film’s lead composer was Ramin Djawadi, whose other works include the Game of Thrones theme. Wanting to add a “rock element” to the Pacific Rim soundtrack, he and del Toro reached out to Morello. The guitarist didn’t need much persuading.

“When they asked me to put some giant robot riffs and screaming underwater monster licks on the film score, I was all in,” Morello said. Djwadi was pleased with the rocker's contributions to the project. As he told the press: “Tom’s unique style and sounds really defined our robots.”


A definite highlight of this movie is Gipsy Danger’s duel with the winged kaiju Otachi in downtown Hong Kong. Both characters were computer-generated, as were the majority of the streets, cars, and towers in this epic sequence. However, there is one moment which was at least partly realized with practical effects. Gipsy punches through the wall of an office building early in the fight. We see her fist rip through a series of cubicles and gradually decelerate until it lightly taps a chair with just enough force to set off a Newton’s Cradle desktop toy. For that shot, effects artists at 32Ten Studios constructed a miniature office building interior featuring 1/4-scale desks, cubicles, and padded chairs. The level of detail here was amazing: 32Ten’s staff adorned each individual workspace with lamps, computers, wastebaskets, and teeny, tiny Post-it notes.


Rinko Kikuchi in 'Pacific Rim' (2013)
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Audiences reacted strongly to Kikuchi’s character Mako Mori, who inspired an alternative to the famous Bechdel test. Some critics praised the culmination of her relationship with Raleigh Beckett (Hunnam). Although it’s common practice for the male and female leads in an action flick to end their movie with a smooch, Mori and Beckett share a platonic hug as Pacific Rim draws to a close. Del Toro revealed that he shot three different versions of that final scene. “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues,” del Toro said.


At the end of the credits, there’s a tribute that reads: “This film is dedicated to the memories of monster masters Ray Harryhausen and Ishiro Honda.” Harryhausen passed away on May 7, 2013—two months before Pacific Rim’s release. A great stop-motion animator, he breathed life into such creatures as the towering Rhedosaurus in 1953’s The Beast From 20,000 Fathoms.

Ishiro Honda was another giant of the kaiju genre, having directed Rodan, War of the Gargantuas, and numerous Godzilla films. Del Toro has great respect for both men. When Harryhausen died, the director said, “I lost a member of my family today, a man who was as present in my childhood as any of my relatives.” He also adores the Japanese monster classics and says he’d love to see a Pacific Rim-Godzilla crossover someday. Maybe it’ll happen.


If you’re not familiar with the practice of “Sweding,” let us fill you in: The 2008 comedy Be Kind, Rewind is about two co-workers at a VHS rental store who accidentally erase every tape in stock. Hoping to save their skins, they create ultra low-budget remakes of all the films they’ve destroyed using cardboard sets and cheap costumes. It’s a process these guys call “Sweding” as a ploy to convince everyone that their (unintentionally hilarious) knockoffs were produced in Sweden. Since Be Kind, Rewind was released, Sweding has become a legitimate art form.

When Pacific Rim’s first trailer debuted in 2013, YouTubers Brian Harley and Brodie Mash created a shot-for-shot, Sweded duplicate of the preview. Instead of state-of-the-art CG effects, their version used toy helicopters, duct-tape monster masks, and an ocean of packing peanuts—and del Toro loved it. At WonderCon 2013, he praised the video, saying that it inspired the editing used in Pacific Rim’s third trailer. Harley and Mash happened to be at the same gathering. When del Toro met the comedic duo, he exclaimed “I loved it! My daughters loved it, we watched it a bunch of times!” Then he invited the Sweding duo to attend Pacific Rim’s premiere in Hollywood.

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Pop Culture
Stanley Kubrick Photography Exhibition Opening at the Museum of the City of New York
Evening Standard/Getty Images
Evening Standard/Getty Images

Stanley Kubrick will forever be known as one of the most important film directors of the 20th century, but he started his career in the 1940s as a photojournalist for Look magazine. Now, the Museum of the City of New York will host a photographic exhibition of Kubrick’s early work, featuring 120 pictures from his time as a staff photographer at Look from 1945 to 1950.

Much of Kubrick’s work at the time revolved around daily life in New York City—the clubs, the commutes, and the sports. Some of his most notable pieces while at Look were his photo features on boxers Rocky Graziano and Walter Cartier, the latter of which became the subject of Kubrick’s first film, a 1951 documentary called Day of the Fight.

“Turning his camera on his native city, Kubrick found inspiration in New York's characters and settings, sometimes glamorous, sometimes gritty,” the museum wrote in a press release. “He produced work that was far ahead of his time and focused on themes that would inspire him through his creative life. Most importantly, his photography laid the technical and aesthetic foundations for his cinematography: he learned through the camera's lens to be an acute observer of human interactions and to tell stories through images in dynamic narrative sequences.”

Titled "Through a Different Lens: Stanley Kubrick Photographs," the exhibition will detail the different themes that inspired Kubrick’s work, as well as guide patrons through his Look tenure, including both published and unpublished work. One of the exhibit’s goals is to provide an “examination of the direct connection between Kubrick the photographer and Kubrick the director.”

"Through a Different Lens" runs from Thursday, May 3 through October 28, 2018 at the Museum of the City of New York.


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