CLOSE

9 Ways The Art of War Conquered the World

Image credit: A bamboo copy of The Art of War, housed at the University of California, Riverside, via Wikimedia Commons // CC BY 2.0

Sun Tzu’s The Art of War is perhaps the most influential treatise on leadership and war ever written. Everyone from New England Patriots’ coach Bill Belichick to Tupac Shakur has supposedly read the 2500-year-old text’s 13 chapters on the 13 aspects of warfare. (Even Paris Hilton knows a smart photo-op when she sees one.) But how much do you really know about this frequently name-checked text?

1. SUN TZU MIGHT NOT HAVE ACTUALLY WRITTEN THE ART OF WAR.

The Art of War is the oldest surviving manuscript on military tactics from Ancient China’s hallowed martial tradition, reportedly written in the 4th or 5th century BCE by Chinese general Sun Tzu (also known as Sunzi or “Master Sun”). But the historical figure Sun Tzu was probably not the actual author of the work (if he existed at all), which may have been a compilation of “greatest hits” from Chinese military theorists, written on sewn-together bamboo slips a few centuries after his death.

According to later biographers, Sun Tzu was born during the violent Spring and Autumn period of China, in either Qi or Wu, depending on the source, and grew up to become General of the Wu army. The success of The Art of War is only partially due to its advice; the rest can be attributed to the legend cultivated around the man who supposedly wrote it.

2. BUT HE WAS KNOWN FOR HIS RUTHLESSNESS.

Sima Qian, a biographer writing in roughly the second century BCE, proved Sun Tzu’s fitness for doling out military advice by claiming that the general defeated an army 10 times the size of his own at the Battle of Boju. Sima Qian did a lot to cement Sun Tzu’s reputation for refuse-to-blink ruthlessness and, by extension, the reputation of the text.

One episode in particular stands out: According to Sima Qian, the King of Wu told Sun Tzu that he’d read the treatise and wanted to put Sun Tzu’s theories to a test. The King asked whether his advice for managing soldiers could also be applied to women; Sun Tzu replied in the affirmative. To prove this, 180 courtesans were brought out to the courtyard and divided into two companies. With the King’s two favorite concubines at their heads, all of the women were given spears.

Sun Tzu began to give the women basic military commands—turn left, turn right, etc.—but was initially met with giggles. “If words of command are not clear and distinct, if orders are not thoroughly understood, then the general is to blame,” he said. He tried again; more giggles. “But if his orders are clear, and the soldiers nevertheless disobey, then it is the fault of their officer.” As punishment, Sun Tzu ordered that the two company leaders be beheaded on the spot, in front of the King and their horrified “soldiers.” New women were forced to take their places; the next time the companies were given a command, they performed it with terrified precision.

3. THE ART OF WAR IS AS MUCH ABOUT NOT GOING TO WAR AS IT IS ABOUT WAR.

Despite stories like that, the treatise is equally concerned with nonviolent strategy: “The supreme art of war is to subdue the enemy without fighting,” it declares. Sun Tzu—or whoever—appears to regard war as a necessary, but wasteful, evil, and one to be avoided whenever possible. This would make sense: At the time of the book’s writing, China was in the grips of a thousand-year period of near-unrelenting conflict between its seven main vassal states. The era’s military leaders would have been all too familiar with the real cost of battle and would have been keen to avoid it.

4. THE TEXT WAS BROUGHT TO EUROPE BY A MISSIONARY.

The treatise remained an important and popular text in Chinese tradition, and through centuries of dynastic, imperial rule, its fame spread across Asia to Japan and beyond. Still, it remained largely unknown in the Western world until 1772, when it was “discovered” by a Jesuit missionary and translated into French. Supposedly, Napoleon himself was one of the text’s first European devotees. The Art of War wasn’t translated into English until 1905, but it’s been a steadfast bestseller ever since.

5. TONY SOPRANO AND PETYR BAELISH HAVE HELPED BOOST SALES.

In an April 2001 episode of The Sopranos, Tony told his therapist that he’d been reading The Art of War—a useful choice for the embattled fictional mob boss. Sales of the book immediately skyrocketed, and by the end of the month, Oxford University Press had gone through its entire stock of 14,000 copies. Company executives wasted no time capitalizing on the free publicity; they ordered 25,000 more copies and even took out a small ad in The New York Times. (The copy read, “Tony Soprano fears no enemy. Sun Tzu taught him how. The Art of War. The book for bosses.”) Today, the book remains hugely popular—it’s currently ranked #1 in both Military Sciences and History of Education on Amazon. And a new spin on the book's audio version—read by Game of Thrones’ Aiden Gillen (a.k.a. Littlefinger)—landed in the Top 20 on Audible.com’s list of bestsellers.

6. THE ART OF WAR WENT TO WAR.

Between 1943 and 1946, the Council on Books in Wartime—a non-profit group comprised of book sellers, publishers, librarians, and writers—began publishing cheap, pocket-sized editions of popular and classic books for soldiers serving in World War II. Working under the publishing name Armed Services Editions, it adopted the slogan “Books are weapons in the war of ideas.” The group managed to put almost 123 million copies of 1,322 titles into the hands of the troops. Titles sent overseas included Bram Stoker’s Dracula; The Art of Illusion, a 1944 book of magic tricks; Betty Smith’s A Tree Grows in Brooklyn; and James Thurber and E.B. White’s Is Sex Necessary? (Which probably wasn’t the most sensitive choice for men and women serving thousands of miles away from their loved ones.)

In 2002, a writer and collector of ASE copies named Andrew Carroll revived the program for American troops serving overseas; The Art of War was selected as one of four books printed and sent abroad. Its companions: War Letters: Extraordinary Correspondence from American Wars (edited by Carroll), American Military Heroes from the Civil War to the Present, by Allan Mikaelian, and Shakespeare’s Henry V.

7. CORPORATE LEADERS LOVE IT ...

Japan has had a long love affair with Sun Tzu, dating back to at least the 8th century AD, when the first Japanese translation of the text appeared. (There’s even a statue of Sun Tzu in tiny Yurihama, Tottori, Japan.) In the 1960s, ‘70s, and ‘80s, Japanese businessmen began applying Sun Tzu’s teachings to the country’s burgeoning corporate culture, with real results. Wall Street, both in awe of and unnerved by Japan’s growing business acumen, caught on in the late ‘80s, prompting a flurry of books and think-pieces intended to adapt the book’s words of advice for a more material world. (Gordon Gecko, the principal villain of 1987’s Wall Street, can quote Sun Tzu.) The text has since been repackaged for business audiences in dozens of books and articles (like this one and this one), and has even been “re-interpreted” for lady bosses in The Art of War for Women. Because it’s hard for us ladies to read anything that doesn't have “for women” in the title.

8. ... BUT IT GOES IGNORED BY CHINESE BUSINESS STUDENTS.

Despite the fact that it is one of the pillars of Chinese military theory, Western business tradition has largely replaced The Art of War in Chinese business schools, according to a blog for the Cheung Kong Graduate School of Business. “The Chinese are so taken by Western knowledge that they have been blinded to their own history,” Shalom Saada Saar, a lecturer at Cheung Kong, told the blog. “I do believe they have it right here, but they’re not looking.”

9. IT’S NOW A STAPLE IN THE SELF-HELP SECTION.

In the immortal words of Pat Benatar, “Love is a battlefield.” So it should come as no surprise that titles like the sinister-sounding The Art of War for Dating: Master Sun Tzu's Tactics to Win Over Women exist. (It promises to help the hapless male reader “win the battle of the sexes.”) There’s also the slightly-less-evil-sounding The Art of Love: Sun Tzu's The Art of War for Romantic Relationships, which features excerpts from the The Art of War alongside relevant pieces of love advice. The author of The Art of Love, Gary Gagliardi, has mined The Art of War to produce a truly staggering number of works, including (but not limited to) The Art of Parenting: Sun Tzu’s Art of War for Parenting Teens, which sounds useful, and The Art of War on Terror: Sun Tzu’s Art of War for Countering Terrorism, which sounds suspiciously like The Art of Parenting.

nextArticle.image_alt|e
Internet Archive, Flickr // Public Domain
arrow
History
How a Shoemaker Became America’s Most Controversial Mystic—and Inspired Edgar Allan Poe
Internet Archive, Flickr // Public Domain
Internet Archive, Flickr // Public Domain

Andrew Jackson Davis may not be a prominent figure now, but in the 19th century, he amassed a dedicated following that helped give rise to Spiritualism, a once-popular religion that believed in communicating with the dead. Davis used the teachings of a German doctor named Anton Mesmer to enter trance states that he claimed allowed him to see into space, the afterlife, other worlds, and even the human body. His metaphysical exploits earned him the nickname the “Poughkeepsie Seer,” and while frequently derided by his contemporaries, he inspired at least one well-known American writer: Edgar Allan Poe.

A HUMBLE SHOEMAKER

By all accounts, Davis had a fairly unremarkable childhood. He was born in Blooming Grove, New York, in 1826. His father, a shoemaker, was prone to drink, so Davis and his sister picked up odd jobs to support the family. Most of his schooling came from a then-popular program where teachers taught advanced students, who then taught one another. Ira Armstrong, a shoemaker/merchant he apprenticed under, later recalled that Davis's education “barely amounted to a knowledge of reading, writing and the rudiments of arithmetic.”

In the 1830s, Anton Mesmer’s teachings became popular in America thanks to several impassioned lecturers in New York and New England. Mesmer, who had found fame in Europe in the late 18th century, believed he could use magnets and his own touch to move “magnetic fluids” through the body, healing his patients of everything from the common cold to blindness. Though his theory of animal magnetism, as he called the existence of such fluids, was discredited by the French Academy of Sciences in 1784, medical professionals later became curious about Mesmer’s ability to manipulate his patients into altered mental states. Doctors—conventional or otherwise—studied the phenomenon of mesmerism, traveling across the country to demonstrate their findings.

It’s this mesmerist renaissance that first brought Davis into the public eye. In 1843, a Dr. James Stanley Grimes traveled to Poughkeepsie, New York, advertising his ability to induce trance states. Many Poughkeepsie residents attended the production—including Davis, although he wasn't entranced as advertised. The visit excited the community, especially a tailor and acquaintance of Davis's named William Levingston, who began dabbling in mesmerism himself. One day in early December, Levingston asked if he could mesmerize Davis, and he succeeded where Grimes had failed: Davis, while blindfolded, was able to read a newspaper placed on his forehead, and listed the various diseases of a group of witnesses.

Rumors soon swirled about Davis’s abilities. After that first session, Levingston mesmerized him nearly every day, and hundreds crowded into Levingston’s home to gawk at the spectacle. The sessions followed a pattern: Davis would enter a trance state and diagnose visitors with maladies, and then Levingston would sell remedies. The pair eventually began to travel, taking their show to Connecticut.

Some of Davis’s advice was unorthodox. For deafness, as Davis wrote in his autobiography, The Magic Staff, he once recommended a patient “catch thirty-two weasels ... take off their hind legs at the middle joint, and boil that oil which Nature has deposited in the feet and the parts adjacent thereto.” This preparation, he went on, “must be dropped (one drop at a time) in each ear, twice a day, till the whole is gone—when you will be nearly cured!”

Sketch of Andrew Jackson Davis on a yellow background
Internet Archive, Flickr // Public Domain

However, Davis swore off parlor tricks in 1844 after he claimed to have teleported 40 miles in his sleep. During the episode, he purportedly spoke with the ghosts of the Greek physician Galen and the Swedish scientist and philosopher Emmanuel Swedenborg, who hinted that Davis had a higher purpose. Galen gifted him with a magic staff, although he was not allowed to keep it. The tale mirrored that of Joseph Smith, who around 1827 had claimed a holy messenger guided him to golden plates on which the Book of Mormon was written. The year after the teleportation episode, Davis decided to part ways with Levingston, and moved to New York City in the company of Silas Smith Lyon, a doctor, and two Universalist ministers, William Fishbough and Samuel Byron Britton.

There, Lyon placed Davis into trance states several times a day, during which time he would lecture on science and philosophy while also diagnosing patients. Fishbough, meanwhile, would transcribe Davis’s transmissions, which were published as his first book, The Principles of Nature, Her Divine Revelation, and a Voice to Mankind in 1847. Davis combined Spiritualism with utopianism, describing a heaven-like space where all would be welcomed by a Mother and a Father God. Academics of the time soon noticed Davis’s insights were nearly identical to writings that Swedenborg had published years before: Both Davis and Swedenborg claimed to see a spiritual world beyond our own, where all humans could be welcomed into heaven, regardless of religion.

Christian leaders called Davis’s text heretical, while newspapers referred to the book as “ridiculous” and “incomprehensible.” One professor of Greek and Latin at the University of New York said the book was “a work of the devil,” and displayed an “absurd and ridiculous attempt at reasoning.” Joseph McCabe, in his 1920 book Spiritualism: A Popular History from 1847, declared that there was “no need to examine the book seriously” since it contained so many scientific errors. Notably, The Church of New Jerusalem, founded on Swedenborgian ideas, never publicly endorsed Davis’s theories.

Despite this criticism, Davis attracted passionate defenders. George Bush, a Swedenborgian scholar and distant relative of George W. Bush, was among his champions. He insisted that a simple youth like Davis had no access to Swedenborg’s texts and must have been communing with spirits. In 1846, when the French mathematician Urbain-Jean-Joseph Le Verrier postulated the existence of the planet Neptune, supporters were quick to write the New York Tribune claiming Davis had already discovered the eighth planet. “As to the asserted fact that this announcement by Mr. Davis was made in March last,” Bush declared, “I can testify that I heard it read at the time; and numerous gentlemen in this city are ready to bear witness that I informed them of the circumstance several months before the intelligence reached us of Le Verrier’s discovery.”

Detractors were just as vocal. When Fishbough admitted to extensively editing Davis's words, a reviewer at the London Athenaeum couldn’t contain his derision: “That a seer ‘commercing’ with the Mysteries of Nature should have needed an editor in this technical sense is remarkable enough," he wrote. "It might have been supposed that the Revelations which brought to an uneducated man the secrets of Science might have brought him grammar, too, to express them in.” Fishbough countered that it would have simply been too much work for Davis to pay attention to such tiny details.

"MARTIN VAN BUREN MAVIS"

Edgar Allan Poe
Edgar Allan Poe
Hulton Archive/Getty Images

One of the more prominent people occasionally making fun of Davis was Edgar Allan Poe. In the satirical “Mellonta Tauta,” Poe wrote in a preface that “Martin Van Buren Mavis (sometimes called the ‘Toughkeepsie Seer’)” had translated the story—thus poking fun at Davis and his acolytes. Poe also included Davis in his “50 Suggestions,” brief witticisms published in 1849 that took aim at popular beliefs and theorists of the time: “There surely cannot be ‘more things in Heaven and Earth than are dreamt of’ (oh, Andrew Jackson Davis!) ‘in your philosophy,’” Poe wrote.

Yet Davis’s The Principles of Nature may also have inspired the prose poem “Eureka,” in which Poe proposed his theory of the universe. The work has puzzled critics since its inception: Poe’s use of humorous nicknames in the text (he refers to Aristotle as “Aries Tottle”) point to “Eureka” being a satire, but historians have pointed out that several of Poe’s intuitive concepts actually anticipated the study of scientific phenomenon like black holes and the expanding universe.

Several historians have also remarked on the way Davis’s demonstrations in New York influenced Poe’s short story “The Facts in the Case of M. Valdemar,” which follows a mesmerist who puts an old man into a trance on his deathbed and watches his body float between life and death. Davis had claimed his trances put him in a state near death, freeing his mind to travel to spiritual realms. In his book Occult America, writer Mitch Horowitz notes that Poe completed the story in New York the year he met Davis. Dawn B. Sova also mentions in Edgar Allan Poe A to Z: The Essential Reference to His Life and Work that Poe used his observations of Davis’s trance sessions to complete the story.

For his part, Davis himself seemed somewhat taken with Poe. Of meeting him in 1846, he wrote in Memoranda of Persons, Places and Events, “My sympathies are strangely excited. There are conflicting breathings of commanding power in his mind. But … I saw a perfect shadow of himself in the air in front of him, as though the sun was constantly shining behind and casting shadows before him, causing the singular appearance of one walking into a dark fog produced by himself.”

Charlatan or not, it was an eerie observation to make of a writer who would meet his end three years later.

Davis himself would live a long and rich life. He continued to lecture and write books until the 1880s, doing away with his scribe for later publications. He then earned a traditional medical license and moved to Boston, serving as a physician until his death in 1910. Though he sought to distance himself from the spectacle of spiritualism later on in life, Davis’s humble background and curious rise to fame made the “Poughkeepsie Seer” one of the movement’s most notable figures—and one who still maintains a strange resonance today.

nextArticle.image_alt|e
iStock
arrow
literature
15 Facts About Sue Monk Kidd's The Secret Life of Bees
iStock
iStock

A tale of love and loss, sisterhood and trauma, Sue Monk Kidd's 2002 novel The Secret Life of Bees has won the hearts of millions of readers around the world. But few know the full truth behind this inspirational novel.

1. THE SECRET LIFE OF BEES IS A BILDUNGSROMAN.

A bildungsroman is a novel that charts the moral or psychological growth of its protagonist. It's also known as a coming-of-age story. In this case, Kidd's novel follows the journey of its narrator, a 14-year-old girl named Lily Melissa Owens. After escaping her abusive father T. Ray, Lily finds solace with the beekeeping Boatwright sisters, and confronts the terrible truth about her mother's death.

2. THE NOVEL TACKLES RACE RELATIONS IN THE 1960S.

Set in South Carolina during the civil rights movement, The Secret Life of Bees presents examples of overt racism. In one scene, a trio of white men harasses Lily's mother-figure Rosaleen Daise, who is black. At the same time, the novel challenges pernicious racial stereotypes. Before meeting the Boatwrights, Lily, who is white, assumes all black women are uneducated laborers or maids like Rosaleen. Through her time with the sisters, who are accomplished business owners, the novel's heroine recognizes her own prejudices, and grows to realize her ignorance.

3. ASPECTS OF LILY'S CHILDHOOD MIRRORED KIDD'S OWN.

Upon the novel's 10th anniversary, Kidd offered a long list of autobiographical elements that can be found within The Secret Life of Bees. "Both Lily and I were adolescents during the summer of 1964, and like Lily, I was powerfully affected by the passage of the Civil Rights Act and the racial unrest that fomented during those hot, volatile months," she wrote on her website. "I, too, had an African-American caretaker. I, too, wanted to be a writer ... Lily and I created fallout shelter models for our 7th-grade science projects and wrote papers called 'My Philosophy of Life' before either of us were old enough to have a philosophy." Kidd clarifies, however, that she did not lose her mother when she was a child and her father was "nothing like T. Ray."

4. KIDD VISITED HONEYHOUSES AND BEEHIVES WHEN SHE WAS WRITING THE NOVEL.

"Some of those scenes where Lily is experiencing that rush of feeling and emotion when the bees come swirling out of their hives, I could never have gotten that from a book," the author told BookPage. "The fear and delight of all that and the sounds of it … the way your feet stick to the floor in a honeyhouse … the senses are alive in all of that experience."

5. BEES WERE A BIG PART OF KIDD'S CHILDHOOD.

In one way, Kidd lived in a honeyhouse of her own. "When I was growing up, bees lived inside a wall of our house, an entire hive-full of them—that is to say, 50,000 or so. They lived with us, not for a summer or two, but for 18 years," Kidd wrote on her website. "The room vibrated with bee hum. At times, the whole house seemed to hum. I remember my mother cleaning up the honey that leaked from the cracks and made tiny puddles on the floor. Being a good Southern family, we normalized the situation and went on with our lives."

6. THE SECRET LIFE OF BEES WAS KIDD'S FIRST NOVEL, BUT NOT HER FIRST BOOK.

Ahead of The Secret Life of Bees, the Georgia-born author wrote three books about aspects of Christianity: God's Joyful Surprise (1988), When The Heart Waits (1990), and The Dance of the Dissident Daughter (1996). It wasn’t until she was in her forties that Kidd shifted her focus to fiction, beginning with short stories. The Secret Life of Bees came out in 2002, when Kidd was 53 years old.

7. THE SECRET LIFE OF BEES HAS A SPIRITUAL CONNECTION TO KIDD'S EARLIER BOOKS.

The novel includes Christian iconography, notably the Black Madonna that adorns the Boatwrights' honey jars. Its coming-of-age plot also touches on spiritual awakening. As Kidd said in the 2002 interview with BookPage, "I think of it as something deeper and more profound happening to [Lily] at the level of soul, and I wanted her to have a real transformation and a real awakening … to this other realm."

8. THE SECRET LIFE OF BEES'S MEMORABLE MARY FIGUREHEAD WAS BASED ON A REAL ONE IN A MUSEUM.

In the novel, a religious service is held before a statue called Black Mary or Our Lady of Chains, which is the figurehead of a ship that carries a great significance to the Daughters of Mary, a group of women who follow a religion invented by August Boatwright. Kidd had seen a similar figurehead while visiting a Trappist monastery in South Carolina. "The day that I discovered her," Kidd said, "I was totally captivated by … the powerful imagery of this [figurehead] Mary that was surfacing from the deep, washing up from the deep, onto the shores of consciousness, so to speak."

9. THE BOATWRIGHT SISTERS REPRESENT A CELEBRATION OF FEMALE FRIENDSHIP AND SORORITY.

On her website, Kidd tells the story of how she came up with the Boatwright sisters' characters and setting. She had woken up in the middle of the night thinking about where Rosaleen and Lily were going to end up after escaping T. Ray. She picked up a selection of photos that she had hoped would spark creativity. "My eyes wandered back and forth between pictures of three African-American women, an uproariously pink house, a cloud of bees, and a black Mary, and suddenly, it fell in one unbroken piece into my head," she wrote. "My two runaways would escape to the home of three black sisters, who live in a pink house, keep bees, and revere a black Mary. This sudden revelation may have happened in part because down deep I wanted a way to write about the strength, wisdom, and bonds of women."

10. KIDD WAS INSPIRED BY TWO CLASSICS OF AMERICAN LITERATURE.

The Secret Life of Bees won applause for its insightful look into the inner lives of its female characters. It may be no surprise that its author says reading the groundbreaking feminist novel The Awakening by Kate Chopin, published in 1899, made a big impact on her. Kidd also cites Henry David Thoreau's Walden, the 1854 transcendentalist treatise on simplicity and self-reliance. When she read each book, Kidd told Scholastic, "I would say they were turning points in my life, but also I can look back and say they affected me deeply as a writer."

11. THE SECRET LIFE OF BEES WAS A RUNAWAY HIT.

The novel spent more than two-and-a-half years on The New York Times bestseller list and more than 8 million copies of the book have been sold worldwide. It has also been translated into 36 languages.

12. THE SECRET LIFE OF BEES ALSO EARNED CRITICAL ACCLAIM.

Many reviewers praised Kidd's beautifully rendered characters and setting. "Lily is a wonderfully petulant and self-absorbed adolescent, and Kidd deftly portrays her sense of injustice as it expands to accommodate broader social evils," The New York Times Book Review wrote. "August and her sisters, June and May, are no mere vehicles for Lily's salvation; they are individuals as fully imagined as the sweltering, kudzu-carpeted landscape that surrounds them."

In deeming the novel "buzz-worthy," People wrote, "populated with rich, believable characters and propelled by a swiftly paced plot, this debut novel is a cut above most coming-of-age tales."

The Secret Life of Bees was longlisted for the Orange Prize for Fiction (now the Women's Prize for Fiction) in 2002, and won the American Booksellers Association's Book Sense Paperback of the Year award in 2004.

13. THE NOVEL WAS MADE INTO A STAR-STUDDED MOVIE.

Gina Prince-Bythewood, who wrote and directed Love & Basketball and other features, adapted The Secret Life Of Bees into a period drama. The cast included Oscar winner Jennifer Hudson, Oscar nominees Queen Latifah and Sophie Okonedo, multiple Grammy winner Alicia Keys, and Dakota Fanning as Lily.

Kidd visited the film set in a tiny North Carolina town and marveled at how every detail of the production was just as she had imagined it. But months later, when she sat down in the movie theater to watch the film for the first time, she felt nervous. "I had no idea what I would see. I’d glibly said that handing over my novel to Hollywood had seemed like leaping out of an airplane, but sitting there waiting for the film to begin, it really did seem that way," Kidd wrote on her website. "The parachute opened, thankfully, and the whole thing floated rather nicely to earth."

The movie earned a People's Choice Award for Favorite Dramatic Movie and an NAACP Image Award for Outstanding Motion Picture.

14. THE SECRET LIFE OF BEES HAS BEEN ADAPTED INTO A STAGE MUSICAL.

As part of Vassar College's Powerhouse Theater's summer season in 2017, the college and New York Stage and Film presented a workshop production of The Secret Life of Bees as a musical, which starred Orange is the New Black standout Uzo Aduba in the role of Rosaleen. The show featured music from Tony winner Duncan Sheik and a book by Pulitzer Prize winner Lynn Nottage.

15. KIDD REALIZED THE SECRET LIFE OF BEES WAS BIG WHEN IT WAS FEATURED ON JEOPARDY!.

Under the category "Women Writers," the long-running quiz show offered this answer: “Sue Monk Kidd’s debut novel is about these insects.” Kidd recalled that moment on her website: "I blinked at the television. Finally, I came to life and shouted, 'What are bees?' Fortunately, the contestant did not need my help."

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios