Frank Masi/HBO
Frank Masi/HBO

This Sunday: Silicon Valley, Season 2

Frank Masi/HBO
Frank Masi/HBO

Silicon Valley returns for its second season Sunday night (April 12) at 10pm, following the Game of Thrones return. With a cast featuring recent mental_floss cover model Kumail Nanjiani, the show has changed a bit from its first season, and given the circumstances (see below), it's all for the better. Tune in Sunday night after you've seen what's going on in Westeros, to catch what's up in Silicon Valley. Here's a trailer:

Tragedy + Time = Comedy

In early December, 2013, actor Christopher Evan Welch died after a three-year battle with cancer. If you watched the first season, you know him as an extremely important character—he's Peter Gregory, the nutty investor. If you saw Synecdoche, New York, you might remember him from the funeral monologue. He was also in The Master and a bunch of other stuff. It's incredibly sad to see just how good he was on Silicon Valley—he stole the show, even though his health only allowed him to shoot five episodes. Now he's gone.

The show had to deal with that. It is the first piece of news we get in the first episode, and is a shock for Pied Piper, the fictional startup company in the series. It's a credit to the writers that they proceeded to do two key things: linger on this death, giving it due screen time and emotional weight (in a half-hour comedy!); and to cast the excellent Suzanne Cryer (playing Laurie Bream), in his place.

Passing the Bechdel Test

Left to right: Thomas Middleditch, Amanda Crew, Suzanne Cryer, talking business. Photo courtesy Frank Masi/HBO.

I am pleased to report that Silicon Valley now passes the Bechdel Test, in episode one of season two.

For those of you who aren't aware, the test is very simple: We must see two named female characters speak to each other about anything other than a man. That's it. In season one, this didn't happen. Why? Maybe because there was only one female series regular (Amanda Crew playing Monica), or perhaps because Silicon Valley (the place and the show) are largely boys' clubs. But as Cryer arrives as a new series regular (in the same office as Crew), the show gets right down to business and puts those characters together in a room to have conversations about business.

Amusingly, the writers are completely aware that reviewers like me are looking for this test to be passed, so they write the women's dialogue to be almost exclusively about other men (the deceased Peter Gregory, the boys at Pied Piper, and so on), but they do manage to slip in actual, legit dialogue about their careers that means we can check the box and, just maybe, move on from this whole thing. Good job, Silicon Valley. Thank you for listening, and I'm looking forward to the next female season regular (hinted at in a Twitter Q&A).

Child-Men Behaving Badly

Left to right (foreground): Martin Starr, Zach Woods, Kumail Nanjiani, out of their element. Photo courtesy Frank Masi/HBO.

The bulk of early season two for Silicon Valley is, much like the first, about a bunch of child-men trying to navigate various business and personal challenges that are beyond their emotional abilities. This is, let's be frank, hilarious. Early on, the issue is how they'll get funding for their company, now that the money guy has died. Later, the key issue is how a bunch of guys who have trouble communicating and cooperating can run a company together. This is delicious, in part because I have seen startups firsthand, trying to get their acts together—albeit not with such amped-up-for-TV-comedy guys—but it's surprisingly true to life.

Mike Judge is really good at showing characters who can't express their feelings properly, or who are so repressed that they eventually explode. See, for instance, Milton in Office Space. Or almost every male character except Bobby in King of the Hill. King of the Hill is a terrific parallel, as the group of beer-drinkers communicates so much (and simultaneously so little) with their grunts, "yups," "dang 'ols," and "mm-hmms." Age them down by 20 years, give them some tech skills, put them in a highly competitive situation with money on the line, and you have these twenty-something guys in Silicon Valley. They're more articulate, but they still fail to express themselves maturely, because they are fundamentally immature. And that makes for great TV.

The key theme of the show, aside from these boys out of their depth, is the danger of participating in a culture you don't understand. In the first episode, it's all about investment—how much money should be invested in the company, how does that all work, what are the perils of gaining and losing money, who can be trusted, all that. But ultimately, Silicon Valley is about trying to fake it until you make it, I think we can all relate to that. If you enjoy often-crude humor, fine writing, and excellent acting (particularly from Cryer and Thomas Middleditch, who plays Richard Hendricks), this show is a treat to cap off your Sunday evening.

Where to Watch

The second season of Silicon Valley debuts on Sunday, April 12 at 10:00-10:30pm ET/PT, directly after the season debut of Game of Thrones. It's on HBO, and I'm going to watch it on HBO NOW, a service I've been wanting for a decade. Goodbye, cable! Hello, streaming! (Note: Apparently HBO NOW is limited at launch to Apple devices, with a focus on the Apple TV; it should roll out more broadly in a few months. If you have HBO GO or, you know, HBO on cable, that all works too.)

Marvel Entertainment
10 Facts About Robert E. Howard’s Conan the Barbarian
Marvel Entertainment
Marvel Entertainment

Nearly every sword-wielding fantasy hero from the 20th century owes a tip of their horned helmet to Robert E. Howard’s Conan the Barbarian. Set in the fictional Hyborian Age, after the destruction of Atlantis but before our general recorded history, Conan's stories have depicted him as everything from a cunning thief to a noble king and all types of scoundrel in between. But beneath that blood-soaked sword and shield is a character that struck a nerve with generations of fantasy fans, spawning adaptations in comics, video games, movies, TV shows, and cartoons in the eight decades since he first appeared in the December 1932 issue of Weird Tales. So thank Crom, because here are 10 facts about Conan the Barbarian.


Conan wasn’t the only barbarian on Robert E. Howard’s resume. In 1929, the writer created Kull the Conqueror, a more “introspective” brand of savage that gained enough interest to eventually find his way onto the big screen in 1997. The two characters share more than just a common creator and a general disdain for shirts, though: the first Conan story to get published, “The Phoenix on the Sword,” was actually a rewrite of an earlier rejected Kull tale titled “By This Axe I Rule!” For this new take on the plot, Howard introduced supernatural elements and more action. The end result was more suited to what Weird Tales wanted, and it became the foundation for future Conan tales.


A few months before Conan made his debut in Weird Tales, Howard wrote a story called "People of the Dark" for Strange Tales of Mystery and Terror about a man named John O’Brien who seemed to relive his past life as a brutish, black-haired warrior named … Conan of the reavers. Reave is a word from Old English meaning to raid or plunder, which is obviously in the same ballpark as barbarian. And in the story, there is also a reference to Crom, the fictional god of the Hyborian age that later became a staple of the Conan mythology. This isn't the barbarian as we know him, and it's certainly not an official Conan tale, but the early ideas were there.


Howard was meticulous in his world-building for Conan, which was highlighted by his 8600-word history on the Hyborian Age the character lived in. But the one area the creator had no interest in was linearity. Conan’s first story depicted him already as a king; subsequent stories, though, would shift back and forth, chronicling his early days as both a thief and a youthful adventurer.

There’s good reason for that, as Howard himself once explained: “In writing these yarns I've always felt less as creating them than as if I were simply chronicling his adventures as he told them to me. That's why they skip about so much, without following a regular order. The average adventurer, telling tales of a wild life at random, seldom follows any ordered plan, but narrates episodes widely separated by space and years, as they occur to him.”


For fans of the pulp magazines of the early 20th century, one of the only names bigger than Robert E. Howard was H.P. Lovecraft. The two weren’t competitors, though—rather, they were close friends and correspondents. They’d often mail each other drafts of their stories, discuss the themes of their work, and generally talk shop. And as Lovecraft’s own mythology was growing, it seems like their work began to bleed together.

In “The Phoenix on the Sword,” Howard made reference to “vast shadowy outlines of the Nameless Old Ones,” which could be seen as a reference to the ancient, godlike “Old Ones” from the Lovecraft mythos. In the book The Coming of Conan the Cimmerian, editor Patrice Louinet even wrote that Howard’s earlier draft for the story name-dropped Lovecraft’s actual Old Ones, most notably Cthulhu.

In Lovecraft’s “The Shadow of Time,” he describes a character named Crom-Ya as a “Cimmerian chieftain,” which is a reference to Conan's homeland and god. These examples just scratch the surface of names, places, and concepts that the duo’s work share. Whether you want to read it all as a fun homage or an early attempt at a shared universe is up to you.


Howard was only 30 when he died, so there aren’t as many completed Conan stories out in the world as you’d imagine—and there are even less that were finished and officially printed. Despite that, the character’s popularity has only grown since the 1930s, and publishers looked for a way to print more of Howard’s Conan decades after his death. Over the years, writers and editors have gone back into Howard’s manuscripts for unfinished tales to doctor up and rewrite for publication, like "The Snout in the Dark," which was a fragment that was reworked by writers Lin Carter and L. Sprague de Camp. There were also times when Howard’s non-Conan drafts were repurposed as Conan stories by publishers, including all of the stories in 1955's Tales of Conan collection from Gnome Press.


Chances are, the image of Conan you have in your head right now owes a lot to artist Frank Frazetta: His version of the famous barbarian—complete with rippling muscles, pulsating veins, and copious amounts of sword swinging—would come to define the character for generations. But the look that people most associate with Conan didn’t come about until the character’s stories were reprinted decades after Robert E. Howard’s death.

“In 1966, Lancer Books published new paperbacks of Robert E. Howard's Conan series and hired my grandfather to do the cover art,” Sara Frazetta, Frazetta's granddaughter owner and operator of Frazetta Girls, tells Mental Floss. You could argue that Frazetta’s powerful covers were what drew most people to Conan during the '60s and '70s, and in recent years the collector’s market seems to validate that opinion. In 2012, the original painting for his Lancer version of Conan the Conqueror sold at auction for $1,000,000. Later, his Conan the Destroyer went for $1.5 million.

Still, despite all of Frazetta’s accomplishments, his granddaughter said there was one thing he always wanted: “His only regret was that he wished Robert E. Howard was alive so he could have seen what he did with his character.”


The cover to Marvel's Conan the Barbarian #21
Marvel Entertainment

Conan’s origins as a pulp magazine hero made him a natural fit for the medium’s logical evolution: the comic book. And in 1970, the character got his first high-profile comic launch when Marvel’s Conan The Barbarian hit shelves, courtesy of writer Roy Thomas and artist Barry Windsor-Smith.

Though now it’s hailed as one of the company’s highlights from the ‘70s, the book was nearly canceled after a mere seven issues. The problem is that while the debut issue sold well, each of the next six dropped in sales, leading Marvel’s then editor-in-chief, Stan Lee, to pull the book from production after the seventh issue hit stands.

Thomas pled his case, and Lee agreed to give Conan one last shot. But this time instead of the book coming out every month, it would be every two months. The plan worked, and soon sales were again on the rise and the book would stay in publication until 1993, again as a monthly. This success gave way to the Savage Sword of Conan, an oversized black-and-white spinoff magazine from Marvel that was aimed at adult audiences. It, too, was met with immense success, lasting from 1974 to 1995.


John Milius’s 1982 Conan movie is a classic of the sword and sorcery genre, but its original script from Oliver Stone didn’t resemble the final product at all. In fact, it barely resembled anything related to Conan. Stone’s Conan would have been set on a post-apocalyptic Earth, where the barbarian would do battle against a host of mutant pigs, insects, and hyenas. Not only that, but it would have also been just one part of a 12-film saga that would be modeled on the release schedule of the James Bond series.

The original producers were set to move ahead with Stone’s script with Stone co-directing alongside an up-and-coming special effects expert named Ridley Scott, but they were turned down by all of their prospects. With no co-director and a movie that would likely be too ambitious to ever actually get finished, they sold the rights to producer Dino De Laurentiis, who helped bring in Milius.


When President Barack Obama sent out a mass email in 2015 to the members of Organizing for Action, he was looking to get people to offer up stories about how they got involved within their community—their origin stories, if you will. In this mass email, the former Commander-in-Chief detailed his own origin, with a shout out to a certain barbarian:

“I grew up loving comic books. Back in the day, I was pretty into Conan the Barbarian and Spiderman.

Anyone who reads comics can tell you, every main character has an origin story—the fateful and usually unexpected sequence of events that made them who they are.”

This bit of trivia was first made public in 2008 in a Daily Telegraph article on 50 facts about the president. That led to Devil’s Due Publishing immortalizing the POTUS in the 2009 comic series Barack the Barbarian, which had him decked out in his signature loincloth doing battle against everyone from Sarah Palin to Dick Cheney.


The father of 20th century fantasy may always be J.R.R. Tolkien, but Howard is a close second in many fans' eyes. Though Tolkien’s work has found its way into more scholarly literary circles, Howard’s can sometimes get categorized as low-brow. Quality recognizes quality, however, and during a conversation with Tolkien, writer L. Sprague de Camp—who himself edited and touched-up numerous Conan stories—said The Lord of the Rings author admitted that he “rather liked” Howard’s Conan stories during a conversation with him. He didn’t expand upon it, nor was de Camp sure which Conan tale he actually read (though it was likely “Shadows in the Moonlight”), but the seal of approval from Tolkien himself goes a long way toward validation.

Ben Leuner, AMC
You Can Cook (Food) With Bryan Cranston and Aaron Paul in the Original Breaking Bad RV
Ben Leuner, AMC
Ben Leuner, AMC

A new contest is giving Breaking Bad fans the chance to cook a meal with Walter White and Jesse Pinkman. A new charity fundraising campaign is sending one lucky fan and a friend out to Los Angeles to celebrate the 10th anniversary of Breaking Bad’s premiere with the stars themselves—Bryan Cranston, Aaron Paul, and that beat-up RV.

“That’s right, the real Walter White and Jesse Pinkman will join you in The Krystal Ship to whip up some delicious food, take tons of pictures, and bond over the most addicting show ever made,” the contest’s page on the charity fundraising site Omaze trumpets.

All you have to do to throw your (porkpie) hat in the ring is break out your wallet and donate to a good cause. Every dollar you donate to the contest through Omaze is basically a raffle ticket. And the more you donate, the better your odds are of winning. Each dollar donated equals 10 entries, so if you donate $10, you have 100 chances, if you donate $25, 250 chances, etc. At higher donation levels, you’ll also get guaranteed swag, including T-shirts, signed set photos by Cranston and Paul, props and scripts from the show, and more.

Technically, you can enter without donating, but don’t be a jerk—it’s for the kids. The proceeds from the contest will go to the National Center for Missing and Exploited Children and the Kind Campaign, an anti-bullying charity.

The contest winner will be announced around September 12, and the big event will take place on September 15.

Donate to win here. The contest ends at 11:59 p.m. PT on August 30.


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