13 Things You May Not Know About The Dark Tower Series

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Stephen King’s world-traversing fantasy epic is a fan favorite, but even if you’ve read all eight volumes of The Dark Tower saga and have preordered your tickets to see its big screen adaptation, which opens this weekend, you can probably pick up a few new nuggets and theories about the sweeping work.

1. ROBERT BROWNING’S POETRY INSPIRED THE SERIES.

The first volume of the Dark Tower series, The Gunslinger, drew inspiration from Robert Browning’s poem “Childe Roland to the Dark Tower Came” and King even borrowed the name for his heroic gunslinger Roland Deschain. The author first read the poem during his sophomore year at the University of Maine, and it stuck with him.

King explained his fascination with the poem in a 1989 interview with the Castle Rock News:

“Browning never says what that tower is, but it’s based on an even older tradition about Childe Roland that’s lost in antiquity. Nobody knows who wrote it, and nobody knows what the Dark Tower is. So I started off wondering: What is this tower? What does it mean? And I decided that everybody keeps a Dark Tower in their heart that they want to find.”

2. AN ODD REAM OF PAPER HELPED, TOO.

In an afterward to The Gunslinger, King wrote that, “The Dark Tower began, I think, because I inherited a ream of paper in the spring semester of my senior year of college … The ream of paper I inherited was bright green, nearly as thick as cardboard, and of an extremely eccentric size—about 7 inches wide by 10 inches long, as I recall.” In need of a project to fill out this strange green paper, King began writing the first book in March 1970.

3. T.S. ELIOT'S WORK ALSO MAKES AN APPEARANCE.

Browning isn’t the only famous poet who influenced King. The series’ third installment, The Waste Lands, nearly duplicates the title of T.S. Eliot’s The Waste Land. The two main sections of the novel (“Jake: Fear in a Handful of Dust” and “Lud: A Heap of Broken Images”) directly allude to lines from the poem.

4. THE SERIES WAS AN IMMEDIATE HIT.


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The Gunslinger came out in a limited hardcover edition in 1982, but the first mass-market edition didn’t drop until 1988. King explained the publication delay in the 1989 Castle Rock News interview:

"There were really two reasons. One was I didn’t think anybody would want to read it. It wasn’t like the other books. The first volume didn’t have any firm grounding in our world, in reality; it was more like a Tolkien fantasy of some other world. The other reason was that it wasn’t done; it wasn’t complete ... [I]t made a certain amount of sense, but there was all this stuff that I wasn’t talking about that went on before the book opens, and when the book ends, there’s all this stuff to be resolved, including: What is this all about? What is this tower? Why does this guy need to get there?"

5. THERE'S MORE THAN ONE HARRY POTTER REFERENCE.

King also paid homage to more contemporary fantasy works. In Wolves of the Calla, the author uses the same font for his chapter titles as the ones used in all seven Harry Potter books. The titular wolves use golden homing grenade-like weapons called “sneetches” (a few letters removed from everyone’s favorite Quidditch ball) stamped with a familiar-looking serial number: 465-11-AA HPJKR. The “HPJKR,” of course, stands for “Harry Potter, J.K. Rowling.”

6. STEPHEN KING MAY WRITE HIMSELF OUT OF THE BOOKS.

Although he’s famous for making cameos in movies and TV miniseries based on his novels, King had second thoughts after including himself as a character in the series. The author mentioned in an interview with fellow scribe Neil Gaiman for The Sunday Times that he would consider writing out the author proxy who appears in the fifth and sixth Dark Tower volumes.

7. THERE'S A BIT OF SPAGHETTI WESTERN IN ROLAND, TOO.

While Roland Deschain takes his name and purpose from his kindred spirit in Browning’s poem, Clint Eastwood’s performance as director Sergio Leone’s spaghetti Western character “The Man With No Name” influenced the character’s look and mannerisms. The King character even winks at the comparison in Song of Susannah, telling Roland, “As The Man With No Name—a fantasy version of Clint Eastwood—you were okay. A lot of fun to partner up with.”

8. YUL BRYNNER IS IN THERE AS WELL.

Wolves of the Calla tips its cap to another famous Western: this time, King shows his adoration for The Magnificent Seven. On the ever-winding path to the Dark Tower, there’s a town named Calla Bryn Sturgis: That’s Bryn as in Yul Brynner, of The Magnificent Seven fame, and Sturgis as in John Sturges, the film’s director.

9. NOT EVEN KING KNEW HOW IT WOULD ALL END.


KENZO TRIBOUILLARD/AFP/Getty Images

King’s slow progress on the series had a tendency to drive fans crazy, and some tried to get the author to reveal where the series was headed. In a foreword to the fourth installment, Wizard and Glass, King wrote that an elderly cancer patient and a fan on death row had both written letters asking for the end. The inmate pledged that he would take the secret to his grave, an offer that King said him "the creeps.”

Unfortunately, King didn’t know how the series would end. “I would have given both of these folks what they wanted—a summary of Roland’s further adventures—if I could have done, but alas, I couldn’t," he wrote in the foreword. "To know, I have to write. I once had an outline, but I lost it along the way.”

10. ROLAND'S UNIVERSE PERMEATES ALL OF KING'S WORK.

In an afterword to Wizard and Glass, King cemented the notion that the universe he wove in The Dark Tower series includes his other works, stating that: “I have written enough novels and short stories to fill a solar system of the imagination, but Roland's story is my Jupiter—a planet that dwarfs all the others ... a place of strange atmosphere, crazy landscape, and savage gravitational pull … I am coming to understand that Roland's world (or worlds) actually contains all the others of my making.” King’s official website even includes a list of user-submitted connections between Roland’s story and his other novels.

11. KING ALSO BORROWED CHARACTERS FROM HIS PREVIOUS BOOKS.

One of the series’ main characters, Father Callahan, first appeared in King’s 1975 vampire novel, ’Salem’s Lot. In his reappearance in The Dark Tower series, the priest discovers a copy of ’Salem’s Lot in a Manhattan bookstore. Other Dark Tower characters to appear in multiple King works: Randall Flagg (The Stand and The Eyes of the Dragon), Patrick Danville (Insomnia), the Crimson King (Insomnia), and Ted Brautigan (Hearts in Atlantis).

12. THERE MAY STILL BE MORE TO COME.

When Rolling Stone asked King in October 2014 if he was done writing The Dark Tower books, the writer gave a cryptic answer: “I'm never done with The Dark Tower. The thing about The Dark Tower is that those books were never edited, so I look at them as first drafts. And by the time I got to the fifth or sixth book, I'm thinking to myself, ‘This is really all one novel.’ It drives me crazy. The thing is to try to find the time to rewrite them. There's a missing element—a big battle at a place called Jericho Hill. And that whole thing should be written, and I've thought about it several times, and I don't know how to get into it.”

13. THE DARK TOWER MOVIE IS FULL OF KING EASTER EGGS.


Columbia Pictures

Nikolaj Arcel's big-screen adaptation of The Dark Tower series, which stars Idris Elba and Matthew McConaughey, is full of fun nods to King's previous work, including The Shining, The Shawshank Redemption, Cujo, and Christine. In one scene, Jake Chambers (played by Tom Taylor) stumbles upon an abandoned amusement park known as Pennywise, the same name as the clown in It.

8 Proper Facts About Jane Austen

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 200 years after her death, English novelist Jane Austen (1775-1817) continues to be celebrated for her sharp, biting prose on love's various entanglements. The strong female characters in books like Pride and Prejudice and Emma are as resonant today as when Austen first pressed her pen to paper. Though her bibliography totals just six novels (alongside some unfinished novels and other works) in all, Austen's books and her insightful quotes have been subject to hundreds of years of analysis and—for the Austen die-hards—numerous re-readings. For more on the writer's life, influences, and curious editing habits, take a look at our compendium of all things Austen below.

1. Austen's dad did everything he could to help her succeed.

Austen was born in Steventon, Hampshire, England on December 16, 1775 to George Austen, a rector, and Cassandra Austen. The second-youngest in a brood of eight kids, Austen developed a love for the written word partially as a result of George's vast home library. When she wasn't reading, Austen was supplied with writing tools by George to nurture her interests along. Later, George would send his daughters to a boarding school to further their education. When Austen penned First Impressions, the book that would become Pride and Prejudice, in 1797, a proud George took it to a London publisher named Thomas Cadell for review. Cadell rejected it unread. It's not clear if Jane was even aware that George approached Cadell on her behalf.

Much later, in 1810, her brother Henry would act as her literary agent, selling Sense and Sensibility to London publisher Thomas Egerton.

2. Her works were published anonymously.

From Sense and Sensibility through Emma, Austen's published works never bore her name. Sense and Sensibility carried the byline of "A Lady," while later works like Pride and Prejudice featured credits like, "By the Author of Sense and Sensibility." It's likely Austen chose anonymity because female novelists were frowned upon for having selected what was viewed at the time as a potentially lewd, male-dominated pursuit. If she was interrupted while writing, she would quickly conceal her papers to avoid being asked about her work. Austen was first identified in print following her death in 1817; her brother Henry wrote a eulogy to accompany the posthumous publications of Persuasion and Northanger Abbey.

3. She backed out of a marriage of convenience.

Many of Austen's characters carry great agency in their lives, and Austen scholars enjoy pointing to the fact that Austen herself bucked convention when it came to affairs of the heart. The year after her family's move to the city of Bath in 1801, Austen received a proposal of marriage from Harris Bigg-Wither, a financially prosperous childhood friend. Austen accepted but quickly had second thoughts. Though his money would have provided for her and her family (and, at the time, she was 27 and unpublished, meaning she had no outside income and was fast approaching Georgian-era spinster status), Austen decided that a union motivated on her part by economics wasn't worthwhile. She turned the proposal down the following day and later cautioned her niece about marrying for any reason other than love. "Anything is to be preferred or endured rather than marrying without affection," she wrote.

4. She took a decade off.

Because so little of Austen's writing outside of her novels survives—her sister, Cassandra, purportedly destroyed much of her correspondence in an effort to keep some of Austen's scathing opinions away from polite society—it can be hard to assign motivations or emotions to some of her major milestones in life. But one thing appears clear: When her family moved to Bath and subsequently kept relocating following her father's death in 1805, Austen's writing habits were severely disrupted. Once prolific—she completed three of her novels by 1801—a lack of a routine kept her from producing work for roughly 10 years. It wasn't until she felt her home life was stable after moving into property owned by her brother, Edward, that Austen resumed her career.

5. She used straight pins to edit her manuscripts.

Austen had none of the advancements that would go on to make a writer's life easier, like typewriters, computers, or Starbucks. In at least one case, her manuscript edits were accomplished using the time-consuming and prickly method of straight pins. For an unfinished novel titled The Watsons, Austen took the pins and used them to fasten revisions to the pages of areas that were in need of correction or rewrites. The practice dates back to the 17th century.

6. She was an accomplished home brewer.

In Austen's time, beer was the drink of choice, and like the rest of her family, Austen could brew her own beer. Her specialty was spruce beer, which was made with molasses for a slightly sweeter taste.

Austen was also a fan of making mead—she once lamented to her sister, "there is no honey this year. Bad news for us. We must husband our present stock of mead, and I am sorry to perceive that our twenty gallons is very nearly out. I cannot comprehend how the fourteen gallons could last so long."

7. Some believe Austen's death was a result of being poisoned.

Austen lived to see only four of her six novels published. She died on July 18, 1817 at the age of 41 following complaints of symptoms that medical historians have long felt pointed to Addison's disease or Hodgkin's lymphoma. In 2017, the British Library floated a different theory—that Austen was poisoned by arsenic in her drinking water due to a polluted supply or possibly accidental ingestion due to mismanaged medication. The Library put forth the idea based on Austen's notoriously poor eyesight (which they say may have been the result of cataracts) as well as her written complaint of skin discoloration. Both can be indicative of arsenic exposure. Critics of the theory say the evidence is scant and that there is equal reason to believe a disease was the cause of her death.

8. She's been cited in at least 27 written court decisions.

As Matthew Birkhold of Electric Lit points out, judges seem to have a bit of a preoccupation with the works of Austen. Birkhold found 27 instances of a judge's written ruling invoking the name or words of the author, joining a rather exclusive club of female writers who tend to pop up in judicial decisions. (Harper Lee and Mary Shelley round out the top three.) According to Birkhold, jurists often use Austen as a kind of shorthand to explain matters involving relationships or class distinctions. Half of the decisions used the opening line from Pride and Prejudice: "It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." The sentence is often rewritten to reflect the specifics of a case: "It is a truth universally acknowledged, that a recently widowed woman in possession of a good fortune must be in want of an estate planner," as one 2008 tax court case put it.

Others invoke characters like Fitzwilliam Darcy to compare or contrast the litigant's romantic situation. In most cases, the intent is clear, with authors realizing that their readers consider Austen's name synonymous with literary—and hopefully judicial—wisdom.

5 Facts About Shirley Jackson

Photo illustration: Shaunacy Ferro. Images: Penguin Random House
Photo illustration: Shaunacy Ferro. Images: Penguin Random House
Midcentury American writer Shirley Jackson has long been known for her spooky short story "The Lottery," which caused widespread controversy when it came out in The New Yorker in 1948 and continues to appear in short story anthologies today. Her equally haunted novels are less widely read. But now that her 1959 novel The Haunting of Hill House has been turned into a hit Netflix series, her work is on its way to a critical and popular revival more than 50 years after her death. (A well-reviewed 2017 biography as well as new releases of some of her short stories and previously unpublished writings in the last few years have no doubt helped.) If you’re just catching on to Shirley Jackson mania, here are five things to know about the master of gothic horror.

1. Many modern writers cite her as an inspiration.

Shirley Jackson has a number of fans among modern writers. Stephen King has called The Haunting of Hill House one of the two "great novels of the supernatural in the last hundred years,” and he has said he wrote The Shining with Jackson’s The Sundial in mind. Writers like Neil Gaiman and Joyce Carol Oates sing her praises, and Donna Tartt has called her stories “among the most terrifying ever written.” Sylvia Plath was a fan, too, and hoped to interview her during summer internship at Mademoiselle in 1953. It didn’t work out, but Plath would go on to write works with plenty of parallels to Jackson’s.

2. Shirley Jackson was her family's chief breadwinner.

Jackson’s husband, Stanley Edgar Hyman, was a writer, too. A literary critic who taught literature at Bennington College, it was his job that brought the couple to the small Vermont city, where Jackson often chafed at being placed in the role of faculty wife. Yet it was Jackson’s work that supported the family. (Like many wives of her day, she also did all the cooking, cleaning, taking care of their four kids, and driving the family around town—as one of Hyman’s former students wrote of him, “Stanley never did anything practical if he could help it.”) In addition to the fees she earned selling short stories and novels, Jackson had a lucrative career writing lighthearted essays on motherhood and family life for women’s magazines, which she eventually parlayed two successful memoirs.

3. She claimed to be a witch.

In keeping with the haunted themes in her writing, Jackson studied the history of witchcraft and the occult, and often told people she was a witch—though that may have been in part a publicity tactic. As Ruth Franklin writes in her 2017 Jackson biography Shirley Jackson: A Rather Haunted Life:
"During her lifetime, she fascinated critics and readers by playing up her interest in magic: The biographical information on her first novel identifies her as ‘perhaps the only contemporary writer who is a practicing amateur witch, specializing in small-scale black magic and fortune-telling with a tarot deck.’ To interviewers, she expounded on her alleged abilities, even claiming that she used magic to break the leg of publisher Alfred A. Knopf, with whom her husband was involved in a dispute. Reviewers found those stories irresistible, extrapolating freely from her interest in witchcraft to her writing, which often takes a turn into the uncanny. ‘Miss Jackson writes not with a pen but a broomstick’ was an oft-quoted line."
It’s not clear whether she actually performed any magic rituals, but she referenced them often, usually in a tongue-in-cheek way. She often joked with her editors about bringing about victories for her favorite baseball team, the Brooklyn Dodgers, through her magical abilities. Her interest was definitely real, though. She started studying witchcraft while writing a paper as a student at the University of Rochester, and later took up tarot reading. Her personal library was filled with hundreds of books about witchcraft, and in 1956, she wrote a children’s book, The Witchcraft of Salem Village, about the history of the Salem witch trials.

4. She considered becoming a professional cartoonist.

Jackson wasn’t just good with words. She loved to draw, and even considered becoming a professional cartoonist at one point, according to Franklin. While her favorite subjects were cats, she regularly made minimalist, humorous sketches of herself and the people around her (particularly her husband), keeping a kind of cartoon diary of her life. “They’re Thurber-esque in style, but they’re kind of edgy, too,” her son, Laurence Jackson Hyman, told The Guardian of the drawings in 2016. “There’s one in which she is trudging up a hill carrying bags of groceries, and my father is sitting in his chair, reading. ‘Dear,’ he says, without bothering to get up. ‘You know you’re not supposed to carry heavy things when you’re pregnant!’” Some of these drawings are held with Jackson’s papers in the Library of Congress, including sketches she made of how she imagined the layout of Hill House. Her unpublished illustrated ABC book for kids, The Child's Garden of New Hampshire, is also held there.

5. She died before finishing her last novel.

Jackson died unexpectedly from heart failure in 1965 at the age of 48. (At the time, newspapers listed her as 45, as she often lied about her age, perhaps to minimize the age difference between her and her husband, who was two years younger than she.) A significant chunk of her work has been published since her death, though. When she died, she was in the midst of writing a novel, Come Along With Me, which was published in its incomplete format by her husband in 1968. In 1996, Laurence Jackson Hyman found a crate of unpublished stories by his mother, and, with his sister, Sarah Hyman Dewitt, turned them into a collection called Just an Ordinary Day. In 2015, they edited and released Let Me Tell You, a collection of stories, essays and lectures from her archive that were mostly unfinished or unpublished at the time of her death.

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