11 Things You Might Not Know About Lord of the Flies

istock (blank book, background)
istock (blank book, background)

A fixture of English class syllabi, William Golding’s 1954 novel Lord of the Flies keeps winning over new generations of readers. And if you've been hearing a lot about it in the news this week, that's because the Hollywood powers-that-be have decided to give it an all-female big-screen reboot—a decision that hasn't sat well with some fans of the book. So here are a few precious gems we dug up to celebrate the dystopian island.

1. NOBODY WANTED TO PUBLISH THE NOVEL.

Since it was Golding’s first book, Lord of the Flies was met with little interest from the multitudes of publishing companies to whom he sent his manuscript. Golding’s daughter Judy Carver remembered her cash-strapped father struggling with many rejection letters. “My earliest memory is not of the book itself but of a lot of parcels coming back and being sent off again very quickly,” she told The Guardian. “He must have been grief-stricken every time it returned. Even paying for the postage was a commitment.”

2. THE EVENTUAL PUBLISHER TRIED TO HIDE IT FROM T.S. ELIOT.

Even Faber and Faber, the London-based house that ultimately released the book, was resistant at first, yielding only because new editor Charles Monteith was so passionate about the story. The company even went so far as to not discuss the title within earshot of its literary advisor, acclaimed poet T.S. Eliot.

Eliot allegedly first heard about Lord of the Flies via an offhand remark made by a friend at his social club. In his biography William Golding: The Man Who Wrote Lord of the Flies, John Carey recounts that Eliot’s friend warned him, “Faber had published an unpleasant novel about small boys behaving unspeakably on a desert island.” In the end, Faber’s fears were unfounded: The poet loved Golding’s novel.

3. THE BOOK WAS A COMMERCIAL FLOP.

Upon its release in September 1954, Lord of the Flies underwhelmed at bookstores, selling only 4662 copies through the following year and falling out of print shortly thereafter. Critical acclaim and the respect of the academic community steadily grew over the rest of the decade, and the novel eventually found enough of an audience that by 1962 it had moved 65,000 copies.

4. IT HAS ALSO SUFFERED ITS SHARE OF CENSORSHIP.

The American Library Association ranks Lord of the Flies as the eighth most challenged “classic” book in American culture, and the 68th most challenged book overall during the 1990s.

5. GOLDING WAS UNIMPRESSED WITH HOW HIS STORY TURNED OUT.

Although he was initially enthusiastic about the text, Golding’s appraisal of his breakthrough work dimmed over time. After revisiting Lord of the Flies in 1972 for the first time in a decade, Golding gave it a less-than-stellar review. According to Carey's biography, the author said he found his own book “boring and crude. The language was O-level stuff.” (O-level is the lower level of standardized testing in the UK, which assesses basic knowledge—so Golding was saying his novel was the rough equivalent of middle school English writing.)

6. LORD OF THE FLIES IS A PERSONAL FAVORITE OF ANOTHER FAMOUS AUTHOR.

Stephen King has cited Lord of the Flies as one of his favorite books. In a foreword to the 2011 edition of the novel, King wrote that, “It was, so far as I can remember, the first book with hands—strong ones that reached out of the pages and seized me by the throat. It said to me, ‘This is not just entertainment; it’s life-or-death.’”

King’s books even include a nod to the text. King named the fictional town of Castle Rock, Maine—the setting for a number of his novels—after the geological structure featured prominently in Lord of the Flies.

7. THE BOOK HAS ALSO INSPIRED MANY POPULAR MUSICIANS.

A slew of bands have nodded to Lord of the Flies in their songs, including U2 (whose “Shadows and Tall Trees” is named after the book’s seventh chapter title), The Offspring (whose “You’re Gonna Go Far, Kid” references the book by name), and Iron Maiden (whose “Lord of the Flies” is a song about the book itself).

8. GOLDING FIELDED LOTS OF QUESTIONS ABOUT THE ALL-MALE NOVEL.

In an audio recording published on TED-Ed, Golding said that “When girls say to me, and very reasonably, ‘Why isn’t it a bunch of girls? Why did you write this about a bunch of boys?’ my reply is ... If you, as it were, scale down human beings, scale down society, if you land with a group of little boys, they are more like scaled-down society than a group of little girls will be. Don’t ask me why. And this is a terrible thing to say, because I’m going to be chased from hell to breakfast by all the women who talk about equality. This has nothing to do with equality at all. I think women are foolish to pretend they are equal to men; they are far superior and always have been.”

9. AN EARLY DRAFT OF THE STORY OPENED AND CLOSED DIFFERENTLY.

Golding’s original version of Lord of the Flies began not on the island, but aboard the airplane upon which the boys were passengers, just prior to its fateful crash landing. Additionally, the first draft closed its story with an ominous cataloguing of the story’s time and date: “16.00, 2nd October 1952.”

10. SIMON WAS INITIALLY MORE OF A CHRIST FIGURE.

One of Monteith’s more substantial edits involved toning down the Simon character’s “Christ-like” characteristics. Golding originally designed the boy as a sanctified, ethereal character, which his editor thought was too heavy-handed. The Simon that appears in the final draft of Lord of the Flies is indeed a good deal more peaceful and conscientious than his peers, but lacks the ostentatious godliness that Monteith found problematic.

11. GOLDING HAD A FUNNY EXPERIENCE AT A SCHOOL PRODUCTION OF LORD OF THE FLIES

Author Nigel Williams recalls accompanying Golding to a student production of Lord of the Flies at King’s College School in London’s Wimbledon neighborhood. After the performance, Golding visited the student actors backstage to drive home the novel’s lesson.

As Williams writes in The Telegraph, “He went backstage afterwards and said to the boys, ‘Did you like being little savages?’ ‘Ye-e-eahhh!!’ they shouted. ‘Ah,’ he said, ‘but you wouldn’t like to be savages all the time—would you now?’ They looked, suddenly, like the boys in the story do when the adult comes to rescue them at the end—cowed and, indeed, awed by what the world might hold in store.”

House Boasting a ‘Harry Potter Room’ Under the Stairs Hits the Market in San Diego

Cupboard under the stairs featured on the Warner Bros. Studio Tour: The Making of Harry Potter in London.
Cupboard under the stairs featured on the Warner Bros. Studio Tour: The Making of Harry Potter in London.
Matt Robinson, Flickr // CC BY 2.0

When Harry Potter fans dream of living like the boy wizard, they may picture Harry's cozy quarters in the Gryffindor dormitory at Hogwarts. One home owner in San Diego, California is trying to spin one of Harry's much less idyllic living situations as a magical feature. As The San Diego Union-Tribune reports, a listing of a three-bedroom house for sale in the city's Logan Heights neighborhood boasts a "Harry Potter room"—a.k.a storage room under the stairs.

In the Harry Potter books, the cupboard under the stairs of the Dursley residence served as Harry's bedroom before he enrolled in Hogwarts. Harry was eager to escape the cramped, dusty space, but thanks to the series' massive success, a similar feature in a real-world home may be a selling point for Harry Potter fans.

Kristin Rye, the seller of the San Diego house, told The Union-Tribune she would read Harry Potter books to her son, though she wouldn't describe herself as a super fan. As for why she characterized her closet as a “large ‘Harry Potter’ storage room underneath stairs" in her real estate listing, she said it was the most accurate description she could think of. “It’s just this closet under the stairs that goes back and is pretty much like a Harry Potter room. I don’t know how else to describe it," she told the newspaper.

Beyond the cupboard under the stairs, Rye's listing doesn't bear much resemblance to the cookie-cutter, suburban home of 4 Privet Drive. Nearly a century old, the San Diego house has the same cobwebs and a musty smells you might expect from the Hogwarts dungeons, the newspaper reports. But there are some perks, including a parking spot and backyard space for a garden or pull-up bar. The 1322-square-foot home is listed at $425,000—cheaper than the median price of $620,000 for a resale single-family home in the area.

If you want to live like a wizard, you don't necessarily need to start by moving under a staircase. In North Yorkshire, England, a cottage modeled after Hagrid's Hut is available to rent on a nightly basis.

[h/t The San Diego Union-Tribune]

10 Surprising Facts About E.B. White

Born on July 11, 1899 in Mount Vernon, New York, E.B. White wrote books, essays, and poems for both children and adults. Although you’ve probably read (and re-read) his books Charlotte’s Web and Stuart Little, there’s so much more to learn about White. In honor of his birthday, here are 10 things you might not know about the author of some of the most beloved children’s books of all time.

1. E.B. White went by "Andy."

Although children around the world know him as E.B. White, his friends and family called him Andy for most of his life. Born Elwyn Brooks White on July 11, 1899, he got the nickname Andy while he was a student at Cornell University. He shared a last name with Andrew Dickson White, the co-founder and first president of Cornell, and Cornell tradition dictated that all students with the last name White were given the nickname Andy. This suited Elwyn just fine; he once said, "I never liked Elwyn. My mother just hung it on me because she'd run out of names. I was her sixth child." It stuck, and he went by Andy for the rest of his life.

2. White wrote an obituary his dog for The New Yorker.

White’s love of animals is evident in his writing, and his dog Daisy was no exception. In 1932, he wrote an obituary for Daisy after a New York City cab hit her in front of a florist’s shop on University Place. Published in The New Yorker, the obituary describes Daisy’s life, from her birth to her untimely death at 3 years old: “Her life was full of incident but not of accomplishment … Once she slipped her leash and chased a horse for three blocks through heavy traffic, in the carking belief that she was an effective agent against horses … She died sniffing life, and enjoying it.”

3. White married his editor.

White began writing for The New Yorker in the mid 1920s. In 1926, he met Katharine Sergeant Angell, the magazine's fiction editor. Reminiscing about his first meeting with Katharine in the lobby of the magazine, he told The New York Times that she "had a lot of black hair and was very beautiful." Six years older than White, Katharine was a divorced mother with two kids, but the couple married in 1929 and eventually moved to a farmhouse in Maine.

"I soon realized I had made no mistake in my choice of a wife," White later said. "I was helping her pack an overnight bag one afternoon when she said, 'Put in some tooth twine.' I knew then that a girl who called dental floss tooth twine was the girl for me." Katharine continued to work remotely for The New Yorker, and the two were married until her death in 1977.

4. White's style guide for writers became a huge success.

The Elements of Style, a book that teaches people how to write effectively, clearly, and succinctly, is arguably the most famous writer’s bible in America. White’s English professor at Cornell, William Strunk Jr., originally wrote the book’s rules of grammar and composition in 1918. In 1959, White revised the book, and it has since sold millions of copies. In an interview with The Paris Review, White said: "My role in the revival of Strunk’s book was a fluke—just something I took on because I was not doing anything else at the time. It cost me a year out of my life, so little did I know about grammar."

5. White was a hypochondriac.

Throughout his life, White was a hypochondriac who worried that, for example, his sunburn was a brain tumor or an ant bite was fatal. In a piece for The New Yorker, his stepson, Roger Angell, posited that White’s anxieties were due to his childhood. White was the youngest of six kids (his parents were in their 40s when he was born), so minor ailments—such as a cough or stomachache—would likely elicit more parental attention and nurturing as the cherished baby of the family.

6. White struggled with anxiety.

In addition to his hypochondria, White suffered from a general anxiety that began in childhood. He described himself as "frightened but not unhappy … I lacked for nothing except confidence." As an adult, he was anxious about subways crashing, meeting new people, and speaking in public. At restaurants, he was overly cautious about accidentally eating clams (he claimed one had poisoned him once). He skipped weddings, parties, his Presidential Medal of Freedom awards ceremony, and even his wife’s (private) burial service, describing his anxiety as a "peculiar kind of disability."

7. White was an avid sailor.

Despite his massive success as a writer, White disliked reading indoors, much preferring outdoor activities. "I am restless and would rather sail a boat than crack a book," he remarked. That is, unless that book was about one of his favorite topics: sailing. “But when I latch onto a book like They Live by the Wind, by Wendell P. Bradley, I am glued tight to the chair. It is because Bradley wrote about something that has always fascinated (and uplifted) me—sailing." White injected his love of sailing into his book Stuart Little, which contains a sailboat race, and his son Joel became a world-renowned boat designer. Once, Joel made a boat named in honor of his daughter Martha, and White carved four dolphins on each side of the bow and sailed it afterward.

8. White fought to keep Hollywood's adaptation of Charlotte's Web true to the book.

In 1973, the animation studio Hanna-Barbera released an animated musical film version of Charlotte’s Web. The studio wanted to change the book’s ending by not having Charlotte die, but White pushed back against a happier ending. Although the studio obliged, White and his wife reportedly hated the animated Charlotte’s Web, regretting that it was made and calling it a travesty.

9. White was a major procrastinator.

White was open about his struggles with writing and procrastination. In an interview, he revealed that he would walk around his house, straightening picture frames and rugs, before sitting down to write. "Delay is natural to a writer," White admitted. But he cautioned that writers have to somehow conquer procrastination: "A writer who waits for ideal conditions under which to work will die without putting a word on paper."

10. White fought Alzheimer's disease with grace and humor.

Before White died in October 1985, he suffered from Alzheimer’s disease. His son read his father’s books and essays aloud, and White usually enjoyed hearing his writing. Because he didn’t remember that he was the author of the words, he would pooh-pooh some passages, saying that the writing wasn’t good enough. But when he liked other passages, he would ask his son, Joel, who wrote the words. "You did, Dad," Joel said. White replied, "Well, not bad."

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