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11 Facts About To Kill A Mockingbird

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It has been nearly 60 years since Harper Lee's To Kill a Mockingbird was published, and the story still resonates with readers. The coming-of-age tale about racial injustice in the south was a phenomenal success from the start, and has only become more popular with time.

1. The Book Drew On Lee’s Childhood In Alabama

While To Kill A Mockingbird is not autobiographical, there are similarities between the novel and Lee’s life. The book is set in Maycomb, Alabama, the fictional name for Monroeville, where Lee grew up. Like the main character Scout, Lee was a tomboy who was uncomfortable with traditional femininity. She and Scout would have been the same age and her brother Edwin was four years older, just like Scout's brother Jem. She even gave the family her mother’s maiden name, Finch.

2. Dill Was Based on Truman Capote

Lee modeled the neighbor boy Dill after Capote. As a child, Capote—the author of In Cold Blood and Breakfast At Tiffany’s—lived next door to Lee. They played together and even shared Lee’s typewriter. Both children were outside the social circles of their close-knit Southern town. As Gerald Clarke wrote in Capote: A Biography, “Nelle was too rough for most other girls, and Truman was too soft for most other boys.”

Capote’s first book, Other Voices, Other Rooms, has a tomboy character resembling Lee. Her name is Idabel Thompkins.

3. Lee Grew Up In The Courtroom

Like the character Atticus, Lee’s father, AC Lee, was a lawyer. Soft-spoken and dignified, he defended two African American men accused of murder and lost the case. Lee spent much of her childhood in the Monroeville courthouse. “Her father was a lawyer, and she and I used to go to trials all the time as children," Capote said. "We went to the trials instead of going to the movies."

Lee herself went to law school, but hated it and dropped out.

4. Boo Radley May Also Be Inspired From Life

In the book, Boo Radley is a recluse who leaves presents for the children in a tree. He may have been modeled after a real man, Son Boulware, who lived in Monroeville when Lee was a child. According to Capote, “He was a real man, and he lived just down the road from us. We used to go and get those things out of the trees. Everything [Lee] wrote about it is absolutely true.”

5. Go Set A Watchman Was Written Before Mockingbird

Lee wrote Go Set A Watchman in the 1950s. Set 20 years after To Kill A Mockingbird, it contains many of the same characters and themes. An editor who read the manuscript loved a flashback about Scout’s childhood and told Lee to write a book from the child’s point of view. Lee then started To Kill A Mockingbird.

Go Set A Watchman was thought to be lost until it was recently discovered in Lee’s archives.

6. Lee Was Able To Write Because Of A Gift From Friends

After finishing school, Lee moved to New York and worked as an airline reservationist. One Christmas, her friends Joy and Michael Brown gave her a gift: enough money to write for one year. In an essay for McCall’s in 1961, Lee wrote that they told her to quit her job and write whatever she wanted, no strings attached. “Our faith in you was really all I had heard them say. I would do my best not to fail them.”

7. The Book Changed Considerably During Editing

Lee’s agent sent To Kill A Mockingbird to 10 publishers and all of them turned it down. Finally, the publisher Lippincott accepted the manuscript, even though it needed a lot of work. “There were dangling threads of a plot, there was a lack of unity—a beginning, a middle, and an end—that was inherent in the beginning,” according to editor Tay Hohoff. “It is an indication of how seriously we were impressed by the author that we signed a contract at that point.”

There followed “a long and hopeless period of writing the book over and over again,” said Lee. It was published in 1960.

8. Lee Thought The Novel Would Fail

In 1964, Lee said she “[N]ever expected any sort of success with Mockingbird. I didn't expect the book to sell in the first place.” But the novel was an immediate success. Not only was it a best-seller, it was followed up with an Oscar-winning movie starring Gregory Peck. It also won a Pulitzer Prize in 1961. Today, the book sells almost a million copies a year, more than fellow 20th century classics The Great Gatsby or The Catcher in the Rye.

9. Truman Capote Didn’t Write The Novel

At some point, a rumor started that Capote wrote To Kill A Mockingbird, or at least edited it. Aside from the fact that Lee’s writing sounds nothing like Capote’s, he only saw the manuscript once. In 1959, Lee accompanied Capote to Kansas to research In Cold Blood. During that trip, she showed him a finished version of Mockingbird, which was about to go to print. Since the book was done, it would have been impossible for Capote to edit it, let alone write it.

10. In Fact, It's Said That Capote Was Jealous Of The Novel’s Success

While Capote initially seemed supportive, the friendship soured as Lee’s novel was increasingly lauded. According to Alice Lee, “Truman became very jealous because Nelle Harper got a Pulitzer and he did not. He expected In Cold Blood to bring him one, and he got involved with the drugs and heavy drinking and all. And that was it. It was not Nelle Harper dropping him. It was Truman going away from her.”

11. Lee Hated The Spotlight

When asked about her success in 1964, Lee called it frightening, saying her reaction was “sheer numbness. It was like being hit over the head and knocked cold.” While she never became the “Jane Austen of south Alabama” as she once hoped, she did work on a true crime novel in the 1970s. Here’s hoping it too sees the light of day.

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Why Our Brains Love Plot Twists
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From the father-son reveal in The Empire Strikes Back to the shocking realization at the end of The Sixth Sense, everyone loves a good plot twist. It's not the element of surprise that makes them so enjoyable, though. It's largely the set-up, according to cognitive scientist Vera Tobin.

Tobin, a researcher at Case Western Reserve University, writes for The Conversationthat one of the most enjoyable moments of a film or novel comes after the big reveal, when we get to go back and look at the clues we may have missed. "The most satisfying surprises get their power from giving us a fresh, better way of making sense of the material that came before," Tobin writes. "This is another opportunity for stories to turn the curse of knowledge to their advantage."

The curse of knowledge, Tobin explains, refers to a psychological effect in which knowledge affects our perception and "trips us up in a lot of ways." For instance, a puzzle always seems easier than it really is after we've learned how to solve it, and once we know which team won a baseball game, we tend to overestimate how likely that particular outcome was.

Good writers know this intuitively and use it to their advantage to craft narratives that will make audiences want to review key points of the story. The end of The Sixth Sense, for example, replays earlier scenes of the movie to clue viewers in to the fact that Bruce Willis's character has been dead the whole time—a fact which seems all too obvious in hindsight, thanks to the curse of knowledge.

This is also why writers often incorporate red herrings—or false clues—into their works. In light of this evidence, movie spoilers don't seem so terrible after all. According to one study, even when the plot twist is known in advance, viewers still experience suspense. Indeed, several studies have shown that spoilers can even enhance enjoyment because they improve "fluency," or a viewer's ability to process and understand the story.

Still, spoilers are pretty universally hated—the Russo brothers even distributed fake drafts of Avengers: Infinity War to prevent key plot points from being leaked—so it's probably best not to go shouting the end of this summer's big blockbuster before your friends have seen it.

[h/t The Conversation]

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15 Wonderful Things You Might Not Know About L. Frank Baum
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In 1900, L. Frank Baum published The Wonderful Wizard of Oz, a book that has never been out of print and that has been produced as movies, theatrical plays and musicals, and led to further cultural phenomena like The Wiz and Wicked. In honor of his 162nd birthday, here are 15 facts about the actual man behind the curtain.

1. HIS HOMETOWN HOSTS AN OZ-FEST (BUT NOT THAT OZZFEST).

Lyman Frank Baum was born on May 15, 1856 in Chittenango, New York, to a wealthy family and raised on an estate called Rose Lawn in Mattydale, New York, just outside Syracuse. In honor of Baum, Chittenango holds an annual festival of all things Oz called Oz-Stavaganza.

2. THE FIRST ANIMALS HE WROTE ABOUT WERE CHICKENS.

Baum was a sickly child and his father indulged his hobbies, including buying him a small printing press that he used to produce a newspaper. Another hobby was raising fancy chickens called Hamburgs. At 23, he started his own chicken trade journal, which he soon sold to a rival. He stayed on as a column writer, and contributed a long, serialized article on breeding and rearing Hamburgs. Later, when Baum was 30, the magazine (supposedly without Baum's knowledge) published that original article in full, making it Baum's first published book.

3. DOROTHY'S "YELLOW BRICK ROAD" MIGHT HAVE BEEN BASED ON A CHILDHOOD MEMORY.

When he was 12, Baum was sent to the Peekskill Military Academy in Peekskill, New York, for two years, where he was absolutely miserable. But it is also where he may have first seen a yellow brick road—at that time many of the streets of Peekskill were paved with yellow Dutch bricks. And for a young teen who just wanted to go home, the memory might have provided future inspiration. An alternative hypothesis is that when he was living in Syracuse, a plank road was installed made out of a yellow colored wood.

4. BAUM HAD A BRIEF CAREER AS AN ACTOR.


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Baum’s first ambition as a young man was to be an actor and playwright. He wrote several plays, including The Maid of Arran, which was successfully produced and in which he acted. The only time that Baum was known to have been in Kansas was when he toured in this play in 1882. However, his love of and involvement with the theater lasted throughout his life.

5. BAUM WAS A FEMINIST, AS WERE HIS WIFE AND IN-LAWS.

L. Frank and Maud Baum on a trip to Egypt
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In 1882, Baum married Maud Gage, daughter of the noted feminist and suffragist Matilda Joslyn Gage. He had a warm relationship with his mother-in-law, who, along with his new wife, helped him become a lifelong suffragist and feminist. According to biographer Katharine M. Rogers, Baum was "a secure man who did not worry about asserting his masculine authority." In fact, most of his books had girls as the heroes. Matilda Gage was the person who convinced Baum to write for children, having listened to him tell his children the stories that he created.

6. MOST OF HIS CAREER PATHS, INCLUDING RUNNING A NEWSPAPER, FAILED.

After several financial reverses—Baum failed as an actor, as a salesman, and in other careers—he moved his family in 1888 to Aberdeen, Dakota Territory, in what is now South Dakota. He opened a store (which failed) and a newspaper (which failed, too). In his newspaper, he strongly supported women’s suffrage, but he is also thought to have written two racist editorials calling for extermination of Native Americans. (In 2006, two of Baum’s descendants apologized to the Sioux Nation for the editorials.) In 1891, Baum lost the newspaper and he and his family moved to Chicago.

7. HE STARTED WRITING CHILDREN'S BOOKS IN HIS FORTIES.


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In 1897, at the age of 41, Baum published his first book for children, Mother Goose in Prose, with illustrations by Maxfield Parrish (his first big commission; Parrish went on to become a top illustrator for books and magazines). It was a success. Baum followed it up in 1899 with Father Goose: His Book, which also sold very well. He then wrote two alphabet books, and publishers began to consider him an important children’s author.

8. THE WONDERFUL WIZARD OF OZ IS CONSIDERED THE FIRST TRUE AMERICAN FAIRYTALE.

In 1900, Baum published The Wonderful Wizard of Oz, with illustrations by William Wallace Denslow. It was an instant hit. Although there have been many theories on how the book is an allusion to the politics of the United States in the late 1800s, there is no conclusive proof that Baum intended any such connections. But Baum did create the Land of Oz as a distinctly American utopia, making it the first truly American fairytale.

9. THE LAND OF OZ WAS NAMED FOR A FILING CABINET.

Baum’s original title for the book was “The Emerald City,” but publishers had a superstition that a jewel in a book title was bad luck and asked Baum to change it. Baum got the name for his fairy country off a drawer on a file cabinet that was marked “O-Z.” He named his plucky heroine Dorothy Gale after an infant niece named Dorothy Louise Gage who died while he was writing the book.

10. WICKED WAS NOT THE FIRST OZ ADAPTATION ON BROADWAY.

In 1902, Baum collaborated on a stage version called The Wizard of Oz that ran on Broadway for two years and toured until 1911. The plot was decidedly different from the book, with Toto being replaced by a cow and more people from Kansas traveling to Oz along with Dorothy. Because of the success of the play and subsequent Oscar-winning movie, the book has often been published without “wonderful” in the title.

11. THERE ARE 40 OFFICIAL 'OZ' BOOKS.

Baum continued writing Oz books—14 in total—until the end of his life, with a new book usually coming out in time for Christmas. In his later years, he answered children’s letters on letterhead that proclaimed him as the "Royal Historian of Oz." He often used suggestions from children when creating the Oz books. The series was continued after his death by Ruth Plumly Thompson, who wrote an additional 19 Oz books, and several other authors who added seven more.

12. BAUM WROTE UNDER A VARIETY OF PSEUDONYMS.

In addition to the Oz series, Baum wrote other books for children and teenagers, including romances and science fiction, under an assortment of pen names. Under the name Edith Van Dyne, he wrote a successful series of books called Aunt Jane’s Nieces that were as popular as the Oz books. Other pseudonyms included Laura Bancroft, Floyd Akers, Schuyler Staunton, and Capt. Hugh Fitzgerald.

13. BAUM LOST THE RIGHTS TO HIS MOST FAMOUS BOOK BECAUSE OF FINANCIAL DIFFICULTIES.

Baum created a stage show in 1908 called “The Fairylogue and Radio-Plays” that combined a lecture by him with live actors, a movie, and projected slides. Critics and audiences loved it, but it cost more to produce than it brought in. Baum declared bankruptcy, which caused him to lose his royalty rights to his earlier books, including The Wonderful Wizard of Oz.

14. BAUM WROTE AND DIRECTED A NUMBER OF OZ FILMS HIMSELF.

In 1914, Baum started a film company. The Oz Film Manufacturing Company lasted only for a few years, but it produced several Oz-related movies, including His Majesty, the Scarecrow of Oz. For once, Baum didn’t lose any money on this business venture.

15. HIS FINAL WORDS WERE IN REFERENCE TO OZ.

Baum’s health began to fail in 1917, and he died two years later after suffering a stroke. Just before he passed, he had some interesting last words for his wife. In his books, the land of Oz is cut off from the rest of the world by impassable wastelands, including a desert called the Shifting Sands. As Baum lay dying, he supposedly referenced the work that made his legacy: “Now we can cross the Shifting Sands.”

Additional sources: The Making of the Wizard of OzThe Oz Scrapbook.

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