20 Fascinating Facts About Mad Men

Frank Ockenfels 3/AMC
Frank Ockenfels 3/AMC

In “Smoke Gets In Your Eyes,” Mad Men’s pilot episode, Don Draper drops a hard truth on client/love interest (who isn’t his wife) Rachel Menken when he tells her that he’s “living like there’s no tomorrow, because there isn’t one.” Amazingly, that was 10 years ago. As fans of Matthew Weiner’s acclaimed advertising drama celebrate the beloved series' 10th anniversary, we’ve gathered up 20 facts you might not have known about Mad Men.

1. DON DRAPER OWES A DEBT OF GRATITUDE TO TED DANSON.

Matthew Weiner dreamed up the idea for Mad Men while working as a writer on the Ted Danson sitcom Becker. He wrote the pilot in 1999.

2. THE MAD MEN PILOT GOT WEINER HIS JOB ON THE SOPRANOS.


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In 2002, Weiner sent the Mad Men pilot to David Chase, creator of The Sopranos, as a writing sample. In 2012, The New York Times asked Chase how Weiner came to his attention. “We were looking for writers, as we always were, and he was submitted,” Chase recalled. “He told me later that he insisted that he be submitted—his agents didn’t want to do it. And what was submitted to me was the pilot for Mad Men. And it was quite good, and I met with him and he was hired. And then two or three years later, he took that pilot and apparently got somewhere with it.”

3. HBO PASSED ON MAD MEN—AND IT’S ALL DAVID CHASE’S FAULT.


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Before AMC signed on to broadcast Mad Men, Weiner spent some time shopping the script around. Considering its dark content, HBO seemed like the perfect fit. David Chase thought so, too, and delivered the script for the Mad Men pilot to the network's executives himself. Though HBO has never made any official comment about passing on the series, according to a 2009 story in Vanity Fair, both Chase and Weiner told the writer that “HBO indicated it would make Mad Men on the condition that Chase be an executive producer, and Chase said he had further discussion with Weiner about directing the pilot, but despite being ‘very tempted’ by directing, he said no to both propositions, wanting to move away from weekly television.”

4. DON DRAPER IS BASED ON A REAL PERSON.

At least parts of Don Draper are based on a real person: Draper Daniels, the legendary Chicago ad man who, while creative head at Leo Burnett, invented the Marlboro Man. In 2009, Daniels’ wife even penned a piece for Chicago Magazine about the real-life Don Draper, noting that Weiner “acknowledged that he based his protagonist Don Draper in part on Draper Daniels, whom he called ‘one of the great copy guys.’”

5. THE PILOT WAS SHOT WHILE THE SOPRANOS WAS ON HIATUS.

Because The Sopranos’s final season was shot in two parts, Weiner took advantage of the hiatus he had to shoot the pilot episode of Mad Men. He was able to recruit several of his collaborators on The Sopranos to help. “Matt asked Alan Taylor to direct while all his buddies on The Sopranos were on hiatus,” Rob Sorcher, AMC’s former executive VP of programming and production, told TV Insider. “They shot the pilot in 10 days in Queens.”

6. THE PILOT IS THE ONLY EPISODE THAT SHOT IN NEW YORK CITY.

Though Mad Men is largely a New York story, all but one episode—the pilot—were shot in Los Angeles.

7. THE FIRST AND SECOND EPISODES WERE SHOT ONE YEAR APART.

In TV Insider’s oral history of the series, Weiner said that nearly a year elapsed between shooting the pilot for Mad Men and its second episode. “There’s seven years between when I first wrote the pilot, and then writing the second episode,” Weiner explained. “A lot about my vision changed in terms of how the storytelling would be done. Ultimately it was done very much in the pilot the way we continued to do it. But I didn’t know if it was just going to be a premise, or if we were going to be able to do something like that every week.”

8. ROGER STERLING WANTED TO BE DON DRAPER.


Frank Ockenfels/AMC

John Slattery, who played Roger Sterling, originally auditioned for the role of Don Draper. When asked by ShortList.com whether he secretly hated Jon Hamm for getting the part, Slattery laughed that, “[Hamm] says I did, and not even secretly, but … no, I didn’t hate him, deep down. The thing is, it was apparent from the beginning how annoyingly good he was in that role. I don’t think people appreciate how difficult it is to play something as subtle as he does. Trying to communicate so much from a guy who keeps his cards so close to his chest is almost an impossibility.”

9. BETTY DRAPER WANTED TO BE PEGGY OLSON.


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January Jones auditioned not once but twice for the role of Peggy Olson, which eventually went to Elisabeth Moss. But Weiner had another part in mind for Jones, even if he hadn’t really written it yet. “I came in for Peggy twice,” Jones told The Hollywood Reporter. “Matt said, ‘Well, there’s another role, but I don’t really know what’s going to happen with her.’ He didn’t have any scenes for me, so he quickly wrote a couple.”

10. WEINER WAS ALLOWED THREE “SH*TS” PER SHOW.

In 2011, Weiner participated in a wide-ranging Q&A with Curb Your Enthusiasm star Jeff Garlin in Los Angeles. When asked about how Mad Men might have been different had it sold to HBO, Weiner replied that “Mad Men is TV-14, not even TV-MA. I’m allowed three 'sh*ts' a show. I can say ‘Jesus,’ I can say ‘Christ,’ but I can’t say ‘Jesus Christ’ unless he’s actually there.”

11. MAD MEN BOOSTED LUCKY STRIKE'S SALES.

The old-school cigarette brand, which played a recurring role on the show since its very beginning, benefited from its association with Mad Men: The company nearly doubled its sales during the show's run (selling an additional 10 billion cigarettes).

12. WEINER’S WIFE CONTRIBUTED SOME MAJOR PLOT POINTS.

“My wife, Linda Brettler, is a big contributor to the show,” Weiner told Fresh Air. “She reads the scripts and so forth and really weighs in on things. And later and later in the process each year, actually, it’s gotten more helpful for her to see, like, what I’m trying to do and then weigh in on it.” Weiner points to a very specific example of this, with season five’s “Lady Lazarus” episode: “It’s the [episode] where Megan quits, where Megan rejects Don’s way of life, and Don doesn’t even know how painful it’s going to be … [My wife] pitched this idea that he opens it and sees that elevator is not there. And to me, yes, it is really physical danger—'I almost dodged a bullet.' But what it was really about to me is, how do I convey to the audience that this man—because we’ve seen him react to things: he’s going to drink, he’s going to go and bang some stranger, he’s going to medicate in whatever way he does—how do we express the deep feelings of loss that he has as he says goodbye to his wife, to his idealized version of his romantic relationship?”

13. WEINER PAID $250,000 TO USE A BEATLES SONG.

Weiner paid big bucks to close out that “Lady Lazarus” episode, spending $250,000 to license the rights to The Beatles’s “Tomorrow Never Knows”—which was a small price to pay for authenticity. “It was always my feeling that the show lacked a certain authenticity because we never could have an actual master recording of The Beatles performing,” Weiner told The New York Times. “Not just someone singing their song or a version of their song, but them, doing a song in the show. It always felt to me like a flaw. Because they are the band, probably, of the 20th century.”

14. JESSICA PARÉ SCORED A HIT WITH HER RENDITION OF “ZOU BISOU BISOU."


Ron Jaffe/AMC

Jessica Paré, as the new Mrs. Draper, stole the season five premiere when she serenaded Don with her sexy take on “Zou Bisou Bisou.” It didn’t take long for her performance to transcend television and take over the music world, eventually becoming the number one song on Billboard’s World Digital chart

15. PETE CAMPBELL AND STAN RIZZO WERE TEEN IDOLS IN THE 1990S.

Both Vincent Kartheiser and Jay Ferguson—who played Pete Campbell and Stan Rizzo, respectively—got a taste of what it feels like to be a teen idol back in the 1990s. Kartheiser’s career kicked off in 1993 with a small role in the Christian Slater film Untamed Heart; bigger parts in Little Big League, The Indian in the Cupboard, and Alaska followed. Ferguson’s fame came when he was cast as Ponyboy Curtis in the 1990 TV adaptation of The Outsiders.

16. FREDDY RUMSEN IS BILL MURRAY’S BROTHER.


Jordin Althaus/AMC

Booze-swilling ad man Freddy Rumsen is played by Joel Murray, brother of Bill Murray.

17. NO, THE ACTORS DIDN'T SMOKE REAL CIGARETTES.

“You don’t want actors smoking real cigarettes,” Weiner told The New York Times. “They get agitated and nervous. I’ve been on sets where people throw up, they’ve smoked so much.” Instead, they smoke herbal cigarettes. “They’re disgusting,” Christina Hendricks told Esquire.

18. THE WRITERS’ ROOM WAS FULL OF WOMEN.

In 2009, The Wall Street Journal went behind the scenes of Mad Men and discovered something interesting: It was a female-dominated world. At the time, seven of the show’s nine writers were female. And five of the third season’s 13 episodes were directed by women.

19. THE DRAPERS’ CREEPY NEIGHBOR GLEN IS WEINER’S SON.


Ron Jaffe/AMC

Glen Bishop, the Drapers’ creepy kid neighbor who obsesses over Betty before moving on to Sally, is played by Matthew Weiner’s son, Marten. “He was cast because he was the best person available for the role,” Weiner told NPR. “I would have never thought of him if he wasn’t my son. It was actually someone else’s idea, and I was counseled against it from all the complications that could happen from him failing at that job. But he really nailed it, and he’s a really good actor.”

20. KIERNAN SHIPKA NEVER SAW THE SHOW.


Frank Ockenfels 3/AMC

In 2013, then-13-year-old Kiernan Shipka, who plays Sally Draper, told The Huffington Post that she had never actually watched an episode of Mad Men. “I’m probably allowed to watch them, but I don’t because obviously I wasn’t allowed to at the beginning,” she explained. “Now I figure it’s just best to sort of wait until the show’s over and maybe when I’m 16 or 17, I’ll binge watch them or something fun … I’ll go on Netflix or something.”

Game of Thrones's The Mountain Needed a Stunt Double for the First Time Ever in Season 8

HBO
HBO

There’s no question that Game of Thrones's final season will be action-packed. But Iceland native Hafþór Júlíus Björnsson, who plays Gregor "The Mountain" Clegane in the TV series, recently confirmed just how much more hardcore the upcoming episodes will be.

In a recent interview with Mashable, Björnsson dished on the final season (as much as an actor sworn to secrecy can dish about a show). Though he couldn’t reveal any really juicy details, he did spill a very interesting piece of information about The Mountain. According to the 30-year-old strongman, the final season was "the hardest season I’ve filmed for Game Of Thrones."

Filming got so complicated that, for the first time in his four seasons on the show, Björnsson needed a stunt double to play The Mountain.

“All the seasons prior to this season that we just finished filming, I never had stunt doubles. I always did everything myself," Björnsson said. "But the last season I filmed, the season that hasn’t been shown on television, I had a stunt double there."

Though fans certainly wanted to hear more about the scene (or scenes) that required a stunt double for the actor, Björnsson—much like The Mountain—didn't budge. “I can’t go into detail ... but I had a stunt double there I can tell you that,” he said. "He was big. He was tall, not as muscular."

It couldn’t have been easy for the show's producers to find a match for Björnsson, who is a professional strongman when he's not acting. He stands 6 feet 9 inches tall, and currently holds the title of "World’s Strongest Man."

As Björnsson has never needed a stunt double before, we can’t help but wonder what exactly happens to The Mountain in season 8. We'll be looking forward to finding out when Game of Thrones returns on April 14, 2019.

[h/t: Mashable]

New Book Provides an Intimate Look at the Handwriting of Freud, Marie Antoinette, and Other Historical Figures

TASCHEN
TASCHEN

Handwriting analysts would have a field day with TASCHEN's latest book. Titled The Magic of Handwriting, the 464-page tome offers a rare glimpse into the intimate lives and correspondences of some of the most well-known names in history.

In modern times, handwriting is a dying art, which makes it all the more meaningful to see nearly 900 years' worth of writing preserved in vivid detail in the book. A letter penned a year before the French Revolution shows Marie Antoinette’s neat signature written in small letters. In contrast, French writer Marcel Proust’s handwritten manuscripts were frantically scrawled on whatever scraps of paper he could find. Charlie Chaplin sometimes included a sketch of his signature hat and cane while signing autographs, and Sitting Bull, the Hunkpapa Lakota leader who was known for his courage in battle, dotted his i’s with what look like hearts or v's.

A signed picture of Sitting Bull
TASCHEN

A letter signed by Marie Antoinette
A letter signed by Marie Antoinette
TASCHEN

A manuscript handwritten by Marcel Proust
Marcel Proust's writing
TASCHEN

These artifacts come from the collection of Pedro Corrêa do Lago, a Brazilian art historian and curator who has acquired thousands of handwritten letters, manuscripts, autographed photos, and musical compositions over the years. The book features over 100 items from his collection, which also went on display last year at the Morgan Library & Museum in New York City.

In addition to displaying different styles of handwriting, the book also highlights little-known facts about historical figures and insight into their personality. There’s a handwritten invoice from Sigmund Freud, who charged one client 2000 schillings (nearly $500 in 1934, or roughly $9400 today) for 20 hours of psychoanalysis. When his patient tried to negotiate a lower price, Freud reportedly replied, “I am still forced to make a living. I cannot do more than five hours of analysis daily; and I do not know how much longer I shall work at it.”

An invoice signed by Sigmund Freud
An invoice signed by Sigmund Freud
TASCHEN

Ernest Hemingway’s snark is on full display in a “Who’s Who” questionnaire he filled out for the publishing firm Scribner’s in 1930. Under the career section, he merely replied “yes." Under "hobbies," he listed skiing, fishing, shooting, and drinking.

For more stories like these, order a copy of The Magic of Handwriting from TASCHEN’s website or Amazon.

A cover of the book 'The Magic of Handwriting'
TASCHEN

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