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20 Fascinating Facts About Mad Men

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In “Smoke Gets In Your Eyes,” Mad Men’s pilot episode, Don Draper drops a hard truth on client/love interest (who isn’t his wife) Rachel Menken when he tells her that he’s “living like there’s no tomorrow, because there isn’t one.” Amazingly, that was 10 years ago. As fans of Matthew Weiner’s acclaimed advertising drama celebrate the beloved series' 10th anniversary, we’ve gathered up 20 facts you might not have known about Mad Men.

1. DON DRAPER OWES A DEBT OF GRATITUDE TO TED DANSON.

Matthew Weiner dreamed up the idea for Mad Men while working as a writer on the Ted Danson sitcom Becker. He wrote the pilot in 1999.

2. THE MAD MEN PILOT GOT WEINER HIS JOB ON THE SOPRANOS.


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In 2002, Weiner sent the Mad Men pilot to David Chase, creator of The Sopranos, as a writing sample. In 2012, The New York Times asked Chase how Weiner came to his attention. “We were looking for writers, as we always were, and he was submitted,” Chase recalled. “He told me later that he insisted that he be submitted—his agents didn’t want to do it. And what was submitted to me was the pilot for Mad Men. And it was quite good, and I met with him and he was hired. And then two or three years later, he took that pilot and apparently got somewhere with it.”

3. HBO PASSED ON MAD MEN—AND IT’S ALL DAVID CHASE’S FAULT.


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Before AMC signed on to broadcast Mad Men, Weiner spent some time shopping the script around. Considering its dark content, HBO seemed like the perfect fit. David Chase thought so, too, and delivered the script for the Mad Men pilot to the network's executives himself. Though HBO has never made any official comment about passing on the series, according to a 2009 story in Vanity Fair, both Chase and Weiner told the writer that “HBO indicated it would make Mad Men on the condition that Chase be an executive producer, and Chase said he had further discussion with Weiner about directing the pilot, but despite being ‘very tempted’ by directing, he said no to both propositions, wanting to move away from weekly television.”

4. DON DRAPER IS BASED ON A REAL PERSON.

At least parts of Don Draper are based on a real person: Draper Daniels, the legendary Chicago ad man who, while creative head at Leo Burnett, invented the Marlboro Man. In 2009, Daniels’ wife even penned a piece for Chicago Magazine about the real-life Don Draper, noting that Weiner “acknowledged that he based his protagonist Don Draper in part on Draper Daniels, whom he called ‘one of the great copy guys.’”

5. THE PILOT WAS SHOT WHILE THE SOPRANOS WAS ON HIATUS.

Because The Sopranos’s final season was shot in two parts, Weiner took advantage of the hiatus he had to shoot the pilot episode of Mad Men. He was able to recruit several of his collaborators on The Sopranos to help. “Matt asked Alan Taylor to direct while all his buddies on The Sopranos were on hiatus,” Rob Sorcher, AMC’s former executive VP of programming and production, told TV Insider. “They shot the pilot in 10 days in Queens.”

6. THE PILOT IS THE ONLY EPISODE THAT SHOT IN NEW YORK CITY.

Though Mad Men is largely a New York story, all but one episode—the pilot—were shot in Los Angeles.

7. THE FIRST AND SECOND EPISODES WERE SHOT ONE YEAR APART.

In TV Insider’s oral history of the series, Weiner said that nearly a year elapsed between shooting the pilot for Mad Men and its second episode. “There’s seven years between when I first wrote the pilot, and then writing the second episode,” Weiner explained. “A lot about my vision changed in terms of how the storytelling would be done. Ultimately it was done very much in the pilot the way we continued to do it. But I didn’t know if it was just going to be a premise, or if we were going to be able to do something like that every week.”

8. ROGER STERLING WANTED TO BE DON DRAPER.


Frank Ockenfels/AMC

John Slattery, who played Roger Sterling, originally auditioned for the role of Don Draper. When asked by ShortList.com whether he secretly hated Jon Hamm for getting the part, Slattery laughed that, “[Hamm] says I did, and not even secretly, but … no, I didn’t hate him, deep down. The thing is, it was apparent from the beginning how annoyingly good he was in that role. I don’t think people appreciate how difficult it is to play something as subtle as he does. Trying to communicate so much from a guy who keeps his cards so close to his chest is almost an impossibility.”

9. BETTY DRAPER WANTED TO BE PEGGY OLSON.


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January Jones auditioned not once but twice for the role of Peggy Olson, which eventually went to Elisabeth Moss. But Weiner had another part in mind for Jones, even if he hadn’t really written it yet. “I came in for Peggy twice,” Jones told The Hollywood Reporter. “Matt said, ‘Well, there’s another role, but I don’t really know what’s going to happen with her.’ He didn’t have any scenes for me, so he quickly wrote a couple.”

10. WEINER WAS ALLOWED THREE “SH*TS” PER SHOW.

In 2011, Weiner participated in a wide-ranging Q&A with Curb Your Enthusiasm star Jeff Garlin in Los Angeles. When asked about how Mad Men might have been different had it sold to HBO, Weiner replied that “Mad Men is TV-14, not even TV-MA. I’m allowed three 'sh*ts' a show. I can say ‘Jesus,’ I can say ‘Christ,’ but I can’t say ‘Jesus Christ’ unless he’s actually there.”

11. MAD MEN BOOSTED LUCKY STRIKE'S SALES.

The old-school cigarette brand, which played a recurring role on the show since its very beginning, benefited from its association with Mad Men: The company nearly doubled its sales during the show's run (selling an additional 10 billion cigarettes).

12. WEINER’S WIFE CONTRIBUTED SOME MAJOR PLOT POINTS.

“My wife, Linda Brettler, is a big contributor to the show,” Weiner told Fresh Air. “She reads the scripts and so forth and really weighs in on things. And later and later in the process each year, actually, it’s gotten more helpful for her to see, like, what I’m trying to do and then weigh in on it.” Weiner points to a very specific example of this, with season five’s “Lady Lazarus” episode: “It’s the [episode] where Megan quits, where Megan rejects Don’s way of life, and Don doesn’t even know how painful it’s going to be … [My wife] pitched this idea that he opens it and sees that elevator is not there. And to me, yes, it is really physical danger—'I almost dodged a bullet.' But what it was really about to me is, how do I convey to the audience that this man—because we’ve seen him react to things: he’s going to drink, he’s going to go and bang some stranger, he’s going to medicate in whatever way he does—how do we express the deep feelings of loss that he has as he says goodbye to his wife, to his idealized version of his romantic relationship?”

13. WEINER PAID $250,000 TO USE A BEATLES SONG.

Weiner paid big bucks to close out that “Lady Lazarus” episode, spending $250,000 to license the rights to The Beatles’s “Tomorrow Never Knows”—which was a small price to pay for authenticity. “It was always my feeling that the show lacked a certain authenticity because we never could have an actual master recording of The Beatles performing,” Weiner told The New York Times. “Not just someone singing their song or a version of their song, but them, doing a song in the show. It always felt to me like a flaw. Because they are the band, probably, of the 20th century.”

14. JESSICA PARÉ SCORED A HIT WITH HER RENDITION OF “ZOU BISOU BISOU."


Ron Jaffe/AMC

Jessica Paré, as the new Mrs. Draper, stole the season five premiere when she serenaded Don with her sexy take on “Zou Bisou Bisou.” It didn’t take long for her performance to transcend television and take over the music world, eventually becoming the number one song on Billboard’s World Digital chart

15. PETE CAMPBELL AND STAN RIZZO WERE TEEN IDOLS IN THE 1990S.

Both Vincent Kartheiser and Jay Ferguson—who played Pete Campbell and Stan Rizzo, respectively—got a taste of what it feels like to be a teen idol back in the 1990s. Kartheiser’s career kicked off in 1993 with a small role in the Christian Slater film Untamed Heart; bigger parts in Little Big League, The Indian in the Cupboard, and Alaska followed. Ferguson’s fame came when he was cast as Ponyboy Curtis in the 1990 TV adaptation of The Outsiders.

16. FREDDY RUMSEN IS BILL MURRAY’S BROTHER.


Jordin Althaus/AMC

Booze-swilling ad man Freddy Rumsen is played by Joel Murray, brother of Bill Murray.

17. NO, THE ACTORS DIDN'T SMOKE REAL CIGARETTES.

“You don’t want actors smoking real cigarettes,” Weiner told The New York Times. “They get agitated and nervous. I’ve been on sets where people throw up, they’ve smoked so much.” Instead, they smoke herbal cigarettes. “They’re disgusting,” Christina Hendricks told Esquire.

18. THE WRITERS’ ROOM WAS FULL OF WOMEN.

In 2009, The Wall Street Journal went behind the scenes of Mad Men and discovered something interesting: It was a female-dominated world. At the time, seven of the show’s nine writers were female. And five of the third season’s 13 episodes were directed by women.

19. THE DRAPERS’ CREEPY NEIGHBOR GLEN IS WEINER’S SON.


Ron Jaffe/AMC

Glen Bishop, the Drapers’ creepy kid neighbor who obsesses over Betty before moving on to Sally, is played by Matthew Weiner’s son, Marten. “He was cast because he was the best person available for the role,” Weiner told NPR. “I would have never thought of him if he wasn’t my son. It was actually someone else’s idea, and I was counseled against it from all the complications that could happen from him failing at that job. But he really nailed it, and he’s a really good actor.”

20. KIERNAN SHIPKA NEVER SAW THE SHOW.


Frank Ockenfels 3/AMC

In 2013, then-13-year-old Kiernan Shipka, who plays Sally Draper, told The Huffington Post that she had never actually watched an episode of Mad Men. “I’m probably allowed to watch them, but I don’t because obviously I wasn’t allowed to at the beginning,” she explained. “Now I figure it’s just best to sort of wait until the show’s over and maybe when I’m 16 or 17, I’ll binge watch them or something fun … I’ll go on Netflix or something.”

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15 Must-Watch Facts About The Ring
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DreamWorks

An urban legend about a videotape that kills its viewers seven days after they see it turns out to be true. To her increasing horror, reporter Rachel Keller (then-newcomer Naomi Watts) discovers this after her niece is one of four teenage victims, and is in a race against the clock to uncover the mystery behind the girl in the video before her and her son’s time is up.

Released 15 years ago, on October 18, 2002, The Ring began a trend of both remaking Japanese horror films in a big way, and giving you nightmares about creepy creatures crawling out of your television. Here are some facts about the film that you can feel free to pass along to anybody, guilt-free.

1. DREAMWORKS BOUGHT THE AMERICAN RIGHTS TO RINGU FOR $1 MILLION.

There were conflicting stories over how executive producer Roy Lee came to see the 1998 Japanese horror film Ringu, Hideo Nakata's adaptation of the 1991 novel Ring by Kôji Suzuki. Lee said two different friends gave him a copy of Ringu in January 2001, which he loved and immediately gave to DreamWorks executive Mark Sourian, who agreed to purchase the rights. But Lee’s close friend Mike Macari worked at Fine Line Features, which had an American remake of Ringu in development before January 2001. Macari said he showed Lee Ringu much earlier. Macari and Lee were both listed as executive producers for The Ring.

2. THE DIRECTOR FIRST SAW RINGU ON A POOR QUALITY VHS TAPE, WHICH ADDED TO ITS CREEPINESS.

Gore Verbinski had previously directed MouseHunt. He said the first time he "watched the original Ringu was on a VHS tape that was probably seven generations down. It was really poor quality, but actually that added to the mystique, especially when I realized that this was a movie about a videotape." Naomi Watts struggled to find a VHS copy of Ringu while shooting in the south of Wales. When she finally got a hold of one she watched it on a very small TV alone in her hotel room. "I remember being pretty freaked out," Watts said. "I just saw it the once, and that was enough to get me excited about doing it."

3. THE RING AND RINGU ARE ABOUT 50 PERCENT DIFFERENT.

Naomi Watts in 'The Ring'
© 2002 - DreamWorks LLC - All Rights Reserved

Verbinski estimated that, for the American version, they "changed up to 50 percent of it. The basic premise is intact, the story is intact, the ghost story, the story of Samara, the child." Storylines involving the characters having ESP, a volcano, “dream logic,” and references to “brine and goblins” were taken out.

4. IT RAINED ALMOST EVERY DAY WHEN THEY FILMED IN THE STATE OF WASHINGTON.

The weather added to the “atmosphere of dread,” according to the film's production notes. Verbinski said the setting allowed them to create an “overcast mood” of dampness and isolation.

5. THE PRODUCTION DESIGNER WAS INFLUENCED BY ANDREW WYETH.

Artist Andrew Wyeth tended to use muted, somber earth tones in his work. "In Wyeth's work, the trees are always dormant, and the colors are muted earth tones," explained production designer Tom Duffield. "It's greys, it's browns, it's somber colors; it's ripped fabrics in the windows. His work has a haunting flavor that I felt would add to the mystique of this movie, so I latched on to it."

6. THERE WERE RINGS EVERYWHERE.

The carpeting and wallpaper patterns, the circular kitchen knobs, the doctor’s sweater design, Rachel’s apartment number, and more were purposely designed with the film's title in mind.

7. WATTS AND MARTIN HENDERSON HAD A FRIENDLY INTERNATIONAL RIVALRY.

Martin Henderson and Naomi Watts star in 'The Ring' (1992)
© 2002 - DreamWorks LLC - All Rights Reserved

The New Zealand-born Henderson played Noah, Rachel’s ex-husband. Since Watts is from Australia, Henderson said that, "Between takes, we'd joke around with each other's accents and play into the whole New Zealand-Australia rivalry."

8. THE TWO WEREN’T SURE IF THE MOVIE WAS GOING TO BE SCARY ENOUGH.

After shooting some of the scenes, and not having the benefit of seeing what they'd look like once any special effects were added, Henderson and Watts worried that the final result would not be scary enough. "There were moments when Naomi and I would look at each other and say, 'This is embarrassing, people are going to laugh,'" Henderson told the BBC." You just hope that somebody makes it scary or you're going to look like an idiot!"

9. CHRIS COOPER WAS CUT FROM THE MOVIE.

Cooper played a child murderer in two scenes which were initially meant to bookend the film. He unconvincingly claimed to Rachel that he found God in the beginning, and in the end she gave him the cursed tape. Audiences at test screenings were distracted that an actor they recognized disappears for most of the film, so he was cut out entirely.

10. THEY TRIED TO GET RID OF ALL OF THE SHADOWS.

Verbinski and cinematographer Bojan Bazelli used the lack of sunlight in Washington to remove the characters’ shadows. The two wanted to keep the characters feeling as if “they’re floating a little bit, in space.”

11. THE TREE WAS NICKNAMED "LUCILLE."

The red Japanese maple tree in the cursed video was named after the famous redheaded actress Lucille Ball. The tree was fake, built out of steel tubing and plaster. The Washington wind blew it over three different times. The night they put up the tree in Los Angeles, the wind blew at 60 miles per hour and knocked Lucille over yet again. "It was very strange," said Duffield.

12. MOESKO ISLAND IS A FUNCTIONING LIGHTHOUSE.

Moesko Island Lighthouse is Yaquina Head Lighthouse, at the mouth of the Yaquina River, a mile west of Agate Beach, Oregon. The website Rachel checks, MoeskoIslandLighthouse.com, used to actually exist as a one-page website, which gave general information on the fictional place. You can read it here.

13. A WEBSITE WAS CREATED BY DREAMWORKS TO PROMOTE THE MOVIE AND ADD TO ITS MYTHOLOGY.

Before and during the theatrical release, if you logged into AnOpenLetter.com, you could read a message in white lettering against a black background warning about what happens if you watch the cursed video (you can read it here). By November 24, 2002, it was a standard official website made for the movie, set up by DreamWorks.

14. VERBINSKI DIDN’T HAVE FUN DIRECTING THE MOVIE.

“It’s no fun making a horror film," admitted Verbinski. "You get into some darker areas of the brain and after a while everything becomes a bit depressing.”

15. DAVEIGH CHASE SCARED HERSELF.

Daveigh Chase in 'The Ring'
© 2002 - DreamWorks LLC - All Rights Reserved

When Daveigh Chase, who played Samara, saw The Ring in theaters, she had to cover her eyes out of fear—of herself. Some people she met after the movie came out were also afraid of her.

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12 Facts About Disney's The Jungle Book
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It may not have followed Rudyard Kipling's book exactly—in fact, Walt Disney preferred that scriptwriters not read the book—but The Jungle Book was a toe-tapping box office success. Here are a few "bare necessities" you should know about the 1967 animated classic, which was released in theaters across America 50 years ago.

1. WALT DISNEY THOUGHT THE FIRST VERSION OF THE SCRIPT WAS TOO DARK.

Writer Bill Peet was brought on to script the first version of the movie, but Disney believed it was too dark. It’s not clear whether Peet left or was booted from the project; either way, a new team was brought in for rewrites. Floyd Norman, one of the new writers, said Walt wanted the film to have more laughs and more personality, and—true to Disney form—he also wanted sign off on every little detail.

2. MOST OF THE SONGS WERE DEEMED TOO DARK AS WELL.

Composer Terry Gilkyson was hired to write songs for the movie, but as with the script, Disney felt they lacked a sense of fun. Though the Sherman brothers (Richard and Robert) were brought in to write a new soundtrack, one of Gilkyson’s songs did remain in the movie: "The Bare Necessities." We'd say he got the last laugh: Not only is “The Bare Necessities” one of the best tunes in Disney history, it was also nominated for an Oscar (the film's sole nomination).

3. IT WAS THE LAST ANIMATED FEATURE WALT DISNEY OVERSAW.

When Disney died on December 15, 1966, the studio closed for a single day. Then they got back to business working on the last animated feature Disney had a hand in. It was released on October 18, 1967.

4. A RHINOCEROS CHARACTER GOT CUT.

Rocky the Rhino was intended to be a dim-witted, bumbling, near-blind character that would provide some comic relief. His scenes were completely storyboarded before he got the boot: He was supposed to appear after King Louie’s scene, but Walt didn’t want to put the funny sequences back-to-back.

5. THEY WANTED THE BEATLES TO VOICE THE VULTURES.

The Sherman brothers wrote the vultures’ song “That’s What Friends Are For” with The Beatles in mind, even giving the characters similar accents. But the Fab Four turned them down. “John was running the show at the time, and he said [dismissively] ‘I don’t wanna do an animated film.’ Three years later they did Yellow Submarine, so you can see how things change,” Richard Sherman said.

Here’s what the version of “That’s What Friends Are For” would have sounded like, as well as a glimpse of Rocky the Rhino:

6. THERE ARE MAJOR MISPRONUNCIATIONS IN THE MOVIE.

According to a guide written by Kipling, the main character’s name is pronounced "Mowglee" (accent on the 'Mow,' which rhymes with 'cow'), not “Moe-glee,” which is how Disney chose to say it. In addition, Kaa the snake is supposed to be “Kar,” Baloo the Bear should have been “Barloo,” and Colonel Hathi is really “Huttee.”

7. KING LOUIE WAS BASED ON LOUIS ARMSTRONG.

Although jazz singer and bandleader Louis Prima voiced the fire-obsessed orangutan, he’s not the Louis who the Shermans originally had in mind when they began writing “I Wan’na Be Like You” for the character. "We were thinking about Louis Armstrong when we wrote it, and that's where we got the name, King Louie," Richard Sherman told The New York Times. "Then in a meeting one day, they said, ‘Do you realize what the N.A.A.C.P. would do to us if we had a black man as an ape? They'd say we're making fun of him.' I said: ‘Come on, what are you talking about? I adore Louis Armstrong, I wouldn't hurt him in any way.'” In the end, Louis Prima stepped in.

8. A JUNGLE BOOK DANCE SEQUENCE WAS LATER BORROWED FOR ROBIN HOOD.

King Louie and Baloo’s “I Wan’na Be Like You” dance was later repeated, frame for frame, in Robin Hood, which also borrowed dances from Snow White and the Seven Dwarfs and The Aristocats. This was achieved through an animation technique called “rotoscoping,” where animators trace over the frames of old footage to use it in a different environment.

9. THE SONG "TRUST IN ME" WAS ALSO RECYCLED.

Originally written for Mary Poppins as “Land of Sand,” “Trust In Me” was recycled with new lyrics for Kaa to sing while hypnotizing poor Mowgli. Here’s what it would have sounded like:

10. THE YOUNG ELEPHANT WAS VOICED BY CLINT HOWARD.

Ron Howard’s younger brother also voiced another Disney youngster: Roo in the Winnie the Pooh movies.

11. PHIL HARRIS BROUGHT NEW LIFE TO BALOO.

Allegedly, Walt Disney chose Harris to voice Baloo after meeting him at a party. At the time, Harris was retired and nearly forgotten in Hollywood. His first day of recording didn’t go so well at first: Harris found Baloo’s tone wooden and boring, so asked if he could try a little improvisation. Once given the go-ahead, "I came out with something like, 'You keep foolin' around in the jungle like this, man, you gonna run across some cats that'll knock the roof in,'" Harris recalled. Disney loved Baloo’s new personality and rewrote lines to suit the style.

12. THERE WAS A SEQUEL.

It came out in 2003 (not direct-to-video, surprisingly) and featured Haley Joel Osment as Mowgli and John Goodman as Baloo. By most accounts, you shouldn’t bother seeing it; it currently has a 19 percent fresh rating on Rotten Tomatoes.

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