Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

21 Things You Might Not Know About Dazed and Confused

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

Since its 1993 release, Dazed and Confused has gone on to become a cultural landmark. Currently, over two decades after the release of his heady high school masterpiece, director Richard Linklater is working on a “spiritual sequel” to the movie to be called Everybody Wants Some, which will be set in the baseball world. With that in mind, we encourage you to find the nearest paddle, toss on some Foghat, and enjoy these 21 Dazed and Confused facts you might not have known.

1. It was a box office flop.

It might be hard to believe now, but Dazed and Confused was a turkey at the box office, making just over $7,950,000 (its budget was $6.9 million). Of course, the film has gone on to have lasting financial legs, selling big on VHS and DVD. The soundtrack also eventually went double platinum (back when soundtracks did that kind of thing).

2. A huge chunk of the budget went toward securing rights to tunes.

What would Dazed and Confused be without timeless classic rock tunes like Bob Dylan’s “Hurricane,” Aerosmith’s “Sweet Emotion,” and Alice Cooper’s “School’s Out”? Knowing that music was absolutely vital to the film, Richard Linklater spent a whopping one-sixth of the film’s budget on securing the necessary music rights.

3. The title is a reference to the Zeppelin song, but it isn’t all about booze and drugs.

According to Linklater via an interview with Dazed Magazine (no relation), while the title is lifted from the Led Zeppelin song of the same name, it’s actually meant to accompany the idea that “it takes a full decade to process your teenage years.” Unfortunately, he wasn’t able to secure rights to any of Zeppelin’s music, since the band wasn’t interested in licensing their music for movies at the time.

4. Linklater gave each actor his or her own mixtape to get into character.

In an interview with Maxim, actor Jason London (Randall "Pink" Floyd) recalled that, “'[Linklater] said, ‘Don’t listen to anything but this music.’ We had to morph into living as if we were in ’76.”

5. It’s one of Quentin Tarantino’s all-time favorite movies.

In surveys conducted by Sight & Sound magazine in 2002 and 2012, Tarantino included the film alongside classics like Taxi Driver; The Great Escape; The Good, the Bad, and the Ugly; and Carrie as one of his 12 all-time favorite movies. Tarantino also spoke about the film when it was honored at the Texas Film Hall of Fame Awards in 2013, calling it “maybe the only movie that three different generations of college students have seen multiple times.”

6. The cast included one future star you might have missed.

One of the reasons why Dazed and Confused has become near-mythic is in the amount of future Generation X acting successes it caught in its crosshairs. The massive cast includes pre-fame turns from Milla Jovovich, Anthony Rapp, Ben Affleck, Matthew McConaughey, and Parker Posey, alongside many more faces that are highly recognizable in 2015. One future Oscar-winner you might have missed, however, is Renée Zellweger, who pops up as an uncredited extra.

7. Lots of future stars were turned down for roles.

According to casting director Don Phillips, “every actor in [Los Angeles] wanted to be in it.” Claire Danes, Elizabeth Berkley, Ashley Judd, Brendan Fraser, Jon Favreau, and Vince Vaughn were all considered for roles, but didn’t make the cut. (Vaughn was in the running for the role of Fred O'Bannion, who was ultimately played by Ben Affleck.)

8. A chance meeting led to McConaughey getting cast.

Before he was an Oscar winner, Matthew McConaughey was just another University of Texas graduate with a film degree aspiring to be a director, with just a beer commercial and a music video on his acting resume. He landed the role of David Wooderson after a drunken chance meeting with casting director Don Phillips, which ended with the two getting kicked out of an Austin bar. He then nabbed the role following a now-infamous audition.

9. The casting director was responsible for another teenage classic.

Dazed and Confused wasn’t the first time Phillips had been charged with discovering an ensemble of future stars. He was also the casting director for Fast Times at Ridgemont High, which featured early-career appearances by Sean Penn, Jennifer Jason Leigh, Forest Whitaker and Nicolas Cage, among others.

10. Wooderson was supposed to be a much smaller part.

McConaughey's now-signature character was originally only supposed to have a few lines, but Wooderson got more screen time when one of the hired actors had some trouble fitting in with the rest of the cast. This resulted in Wooderson getting written into the scene on the football field, which is where he gave his “Just keep livin’” speech. The lines were inspired by a conversation between McConaughey and Linklater about the passing of McConaughey’s father during the first few days of filming.

11. Unbeknownst to Linklater and McConaughey, the two shared a surprising bond.

In a recent interview on WTF with Marc Maron, Linklater revealed that their dads played football together at the University of Houston, both competing at the defensive end position in the early 1950s. McConaughey's dad, Jim, would go on to be drafted by the Green Bay Packers in the 27th round of the 1953 NFL draft (they were a bit longer back then), but never played in the league.

12. McConaughey reprised the role of Wooderson in 2012.

The music video for Butch Walker and the Black Widows’ song “Synthesizers” features McConaughey lip-synching, air-trumpeting, slow-motion walking, drinking, and womanizing as his career-making character. For more proof that McConaughey hasn’t forgotten his first major role, look no further than his 2014 Oscar speech, where he dropped two of Wooderson’s best and most timeless lines: “Just keep livin’” and “alright, alright, alright.”

13. One of the young actors became successful in an entirely different field.

While many of the movie's cast members became recognizable Hollywood actors, Wiley Wiggins—who played Mitch Kramer—had a very quiet acting career after the film. It’s not because Wiggins couldn’t cut it as an actor; he just shifted his focus to designing and developing video games and running an independent gaming festival called Fantastic Arcade. He has popped up in a few more films, including Linklater’s trippy philosophical piece Waking Life in 2001 and in the Sundance Film Festival favorite Computer Chess in 2013.

14. Linklater was sued by some of his real-life classmates.

Linklater wasn’t especially creative when it came to making up character names with which to populate the fictional Lee High School. In fact, at least three of the characters' last names—Wooderson, Floyd, and Slater—were lifted directly from Linklater's own Huntsville High School, which became the basis of a defamation lawsuit for the real-life trio in 2004. According to the real Wooderson, Floyd, and Slater, the movie resulted in an onslaught of, well, mostly kids wanting to party with them all the time. The case was eventually tossed.

15. It made its at-home debut on a long-forgotten medium.

Dazed and Confused was released on September 24, 1993, and hit home video in March of 1994. But anyone up on their huge-discs-that-are-soon-to-be-defunct technologies could have grabbed it on LaserDisc two months earlier, which seems oddly appropriate for a movie that’s all about nostalgia. The movie became a formally-sanctioned cult classic in 2006, when it received a Criterion Collection DVD release.

16. Originally, Linklater had imagined it as a stranger, much more experimental movie.

According to Linklater, the plan for the movie was always to examine a single day in the life of a group of high schoolers in the '70s, but his original idea was a movie about “four guys in a Le Mans, listening to an eight-track tape of ZZ Top’s 'Fandango!'”

17. Linklater tried to keep the atmosphere professional (but occasionally failed).

Linklater claims to have enforced a professional atmosphere on the set that included no drugs or alcohol, saying “People are surprised how militant I am about that kind of work ethic. I set a tone.” Although, by Linklater’s own admission, while the on-set marijuana wasn’t real, “the cast does admit to being stoned in several scenes, particularly at the very end."

18. The film features a frequent Linklater trope you might have missed.

One scene features Slater smoking a cigarette and hammering away at a 1972 Bally "Fireball" pinball machine. Linklater’s films Waking Life, Before Sunrise, and his little-seen 1988 debut It’s Impossible to Learn to Plow by Reading Books all feature scenes that include characters playing pinball.

19. Slater’s line about George Washington growing weed is true (kind of).

Slater, the pottiest of Lee High School's potheads, had some memorable theories about the goings-on at Mount Vernon, claiming “George toked weed, are you kiddin' me, man? He grew fields of that stuff, man.” While Washington did indeed grow hemp at Mount Vernon (fun fact: the Declaration of Independence was written on hemp paper), significantly less evidence exists to claim he ever grew or smoked a psychoactive strain of cannabis.

20. Linklater and Universal Pictures were constantly at odds over the movie.

At first, Universal wanted the movie to be rated PG-13, with the belief that it would lead to better box office results, to which Linklater responded, “we have 78 'f---s' in the script, pot smoking all the way through and teenagers drinking and driving." Later, the studio would complain that Linklater hadn’t used the movie’s R-rating to its fullest extent, lamenting the film’s lack of nudity.

21. Linklater saw it as an “inverse” of John Hughes’ teen movies.

Unlike John Hughes’ Sixteen Candles, The Breakfast Club, and Pretty in Pink, which culminated in important kisses and life-changing revelations, Linklater designed Dazed and Confused to feel more true to the mild drama of real life, saying “I don’t remember teenage [years] being that dramatic. I remember just trying to go with the flow, socialize, fit in, and be cool. The stakes were really low. To get Aerosmith tickets or not? That’s a big thing.”

Mad Magazine
12 Things You Might Not Know About MAD Magazine
Mad Magazine
Mad Magazine

As fast as popular culture could erect wholesome depictions of American life in comics, television, or movies, MAD Magazine was there to tear them all down. A near-instant success for EC Comics upon its debut in 1952, the magazine has inspired generations of comedians for its pioneering satirical attitude and tasteful booger jokes. This month, DC Entertainment is relaunching an "all new" MAD, skewering pop culture on a bimonthly basis and in full color. To fill the gaps in your knowledge, take a look at these facts about the Usual Gang of Idiots.


Jamie, Flickr (L) // Boston Public Library, Flickr (R) // CC BY 2.0

MAD creator Harvey Kurtzman was in the offices of a Ballantine Books editor discussing reprints for the fledging publication when he noticed a grinning, gap-toothed imbecile staring back at him from a bulletin board. The unnamed figure was ubiquitous in the early 20th century, appearing in everything from dentistry ads to depictions of diseases. A charmed Kurtzman adopted him as MAD’s mascot beginning in 1954. Neuman later become so recognizable that a letter was delivered from New Zealand to MAD’s New York offices without an address: the envelope simply had a drawing of Alfred.  


MAD was conceived during a particularly sensitive time for the comics industry, with parents and watchdog groups concerned over content. (It didn't switch to a magazine format until issue #24.) Kurtzman usually knew where the line was, but when he was laid up with acute hepatitis in 1952, publisher William Gaines and others had to step in for him. Gaines thought it would be funny to offer a fictional biography of himself that detailed his father’s Communist leanings, his past as a dope dealer “near nursery schools,” and bouts of pyromania. When wholesalers were shocked at the content and threatened to boycott all of his titles, Gaines was forced to write a letter of apology.  


But it was a cheat. In the run-up to the 1960 Presidential election, MAD printed a cover that featured Neuman congratulating Kennedy on his victory with a caption that read, “We were with you all the way, Jack!” But the issue was shipped long before votes had been tabulated. The secret? It was a dual cover. Flip it over and Neuman is celebrating Richard Nixon’s appointment to office. Stores were told to display the “right” side of the magazine depending on the outcome.


MAD Magazine

A character named Moxie Cowznofski was introduced in the late 1950s as a female companion for Alfred. She made only a handful of cover appearances, possibly due to the fact she looked alarmingly like her significant other.


From the beginning, Gaines felt that printing actual advertisements next to the products they were lampooning would not only dilute their edge but seem more than a little hypocritical. After some back-and-forth, MAD cut ads starting in 1957. The decision was a costly one—most print publications survive on such revenue—but led to the magazine’s keeping a sharp knife against the throat of seductive advertising, including cigarettes. Faced with dwindling circulation in 2001, Mad finally relented and began taking ads to help pay for a switch to color printing.


Cuban cartoonist Antonio Prohias was disenchanted with the regime under Fidel Castro when he began working on what would become “Spy vs. Spy.” Because Prohias’ other newspaper illustrations were critical of Castro, the Cuban government suspected him of working for the CIA. He wasn’t, but the perception had him worried harm might come to his co-workers. To get out of the situation, Prohias came to America in 1960. With his daughter helping translate, he stopped by Mad’s New York offices and submitted his work: his sneaky, triangle-headed spies became regulars.


Artist Al Jaffee, now 94, has been with Mad almost from the beginning. He created the famous Fold-In—the back cover that reveals a new picture when doubled over—in 1964 after seeing the fold-outs in magazines like National Geographic, Playboy, and Life. Jaffee has rarely missed an issue since—but editors backtracked on one of Jaffee’s works that referenced a mass shooting in 2013. Citing poor taste, they destroyed over 600,000 copies.  


With the exception of Fox’s successful sketch series, 1994’s MAD TV, attempts to translate the MAD brand into other media have been underwhelming: a 1974 animated special didn’t even make it on air. But a 1980 film venture, a military school spoof directed by Robert Downey, Sr. titled Mad Presents Up the Academy, was so awful William Gaines demanded to have their name taken off of it. (Renamed Up the Academy, the DVD release of the movie still features someone sporting an Alfred E. Neuman mask; Mad parodied it in a spoof titled “Throw Up the Academy.”)


MAD Magazine

MAD has never made a habit of good taste, but a depiction of a raised middle finger for one issue in the mid-’70s caused a huge stir. Many stores wouldn’t stock it for fear of offending customers, and the company ended up accepting an irregular number of returns. Gaines took to his typewriter to write a letter of apology. Again. The relaunched #1, out in April 2018, pays homage to this cover, though it's slightly more tasteful: Neuman is picking his nose with his middle finger.


MAD writer Tom Koch was amused by the convoluted rules of sports and attempted to one-up them in 43-Man Squamish, a game he invented for the April 1965 issue. Koch and artist George Woodbridge (“MAD’s Athletic Council”) prepared a guide that was utterly incomprehensible—the field was to have five sides, positions included Deep Brooders and Dummies, “interfering with the Wicket Men” constituted a penalty—but it amused high school and college readers enough to try and mount their own games. (Short on players? Try 2-Man Squamish: “The rules are identical,” Koch wrote, “except the object of the game is to lose.”) For the less physically inclined, Mad also issued a board game in which the goal is to lose all of your money.  


In what must be some kind of fulfilled prophecy, lyrical satirist “Weird” Al Yankovic was named as a guest editor—their first—for the magazine’s May 2015 issue. Yankovic told Entertainment Weekly that MAD had put him on “the dark, twisted path to becoming who I am today … I needed to pollute my mind with that kind of stuff.” In addition to his collaborations with the staff, Yankovic enlisted Patton Oswalt, Seth Green, and Chris Hardwick to contribute.


In a scene so surreal even MAD’s irreverent editors would have had trouble dreaming it up, Fred Astaire decided to sport an Alfred E. Neuman mask for a dance number in his 1959 television special, Another Evening with Fred Astaire. No one seems to recall why exactly Astaire would do this—he may have just wanted to include a popular cultural reference—but it was no off-the-cuff decision. Astaire hired movie make-up veteran John Chambers (Planet of the Apes) to craft a credible mask of Neuman. The result is … well, kind of disturbing. But it’s a fitting addition to a long tradition of people going completely MAD.

Additional Sources:
Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor in America.

Paramount Pictures
10 Tantalizing Tidbits About Star Trek: The Next Generation
Paramount Pictures
Paramount Pictures

by Kirsten Howard

When Star Trek: The Next Generation debuted in September 1987, no one was quite sure what to expect. After all, this was a new Enterprise with a new crew trying to revitalize a franchise that had only lasted three seasons the last time it was on television. And while the movie series was still bringing in solid box office returns, William Shatner and Leonard Nimoy would play no part in this new Trek.

The Next Generation was a gamble for Paramount, and for the first few seasons, it looked like one the studio was going to lose. But once the series got over some initial behind-the-scenes chaos, it blossomed into one of the most popular sci-fi TV shows of all time. Even as bigger and shinier installments in the franchise continue to come out, this is the definitive Star Trek for countless fans. So lean back in your captain's chair and enjoy 10 facts about Star Trek: The Next Generation.


Things were tumultuous at best behind the scenes during the first season of the show, as writers and producers clashed with creator Gene Roddenberry over themes, characters, and ideas on a weekly basis. The in-fighting and drama became such a part of the show's legacy that William Shatner himself chronicled all of it in a 2014 documentary called Chaos on the Bridge (which is currently streaming on Netflix). In it, producers, writers, and actors recounted anecdotes about the difficulties they had dealing with Roddenberry's somewhat overbearing mandates, including his infamous rule that there never be any direct conflict between the Enterprise crew members (unless one was possessed by an alien, of course) and his habit of throwing out scripts at the last minute. This led to 30 writers leaving the show within the first season, according to story editor and program consultant David Gerrold.

As Roddenberry’s health began to deteriorate after the first season, his influence over the writers waned, freeing up ideas that were departures from the creator's original vision. He would pass away in 1991, but his presence would never completely leave the series. For years, a small bust of Roddenberry sat on executive producer Rick Berman's desk with a blindfold wrapped over its eyes. "Whenever they come up with a story I don't think Gene would like," Berman said, "I blindfold him when we discuss the story."


'Star Trek' creator Gene Roddenberry
Public Domain, Wikimedia Commons

For years, William Shatner had cast the mold by which all future Star Trek captains would be judged. And it was that image of the confident, swashbuckling James T. Kirk that Roddenberry wanted to preserve when bringing a new captain in for The Next Generation. So when Berman wanted to cast Patrick Stewart as Captain Jean-Luc Picard, the issue was clear: he was no Shatner.

Roddenberry was completely unconvinced that Stewart was right for the role, with Berman saying the Trek creator didn’t like the idea of “a bald English guy taking over.” But after countless auditions with other actors, Berman continued to bring Stewart up to Roddenberry, who eventually caved and agreed to bring him in for a final audition under one condition: he wear a wig. So Stewart had a wig Fed-Exed from London and auditioned for Roddenberry and Paramount Television head John Pike one final time. 

That audition was enough to win Roddenberry over, and Stewart was finally brought aboard as Picard with the wig cast aside. Roddenberry would eventually go on to fully embrace Picard’s follicular shortcomings, and according to Stewart, when a reporter at a press conference once asked him why there wouldn’t be a cure for baldness in the 24th century, Roddenberry responded by saying, “No, by the 24th century, no one will care."


Stephen Hawking was visiting the Paramount lot during the video release of the film A Brief History of Time when he requested a tour of the Next Generation set. After making his way onto the iconic Enterprise bridge, he stopped and began typing into his computer. Suddenly, his voice synthesizer spoke: “Would you lift me out of my chair and put me into the captain's seat?"

Hawking asking to be removed from his chair was basically unheard of, so his wishes were granted immediately. Later, with writers having become aware that he was such a huge Trekkie, Hawking himself was written into the sixth season finale episode “Descent – Part I” by Ronald D. Moore, who would later go on to reimagine the Battlestar Galactica universe.


Late actor and comedian Robin Williams was also a huge fan of the show and was desperate to appear in it, so an episode of the fifth season—"A Matter of Time"—was drawn up by Berman to allow Williams to shine at the center of a mystery about Professor Berlinghoff Rasmussen, a time-traveling historian from the future visiting the past to observe the Enterprise crew completing an historic mission.

Unfortunately, when it came time to shoot the episode, Williams found himself unavailable to appear in the episode. So Max Headroom star Matt Frewer was cast as Professor Rasmussen instead.


In the episode “Chain of Command, Part II,” Picard has been captured by Cardassians and is subjected to a variety of torture methods by his interrogators. As a member of the human rights organization Amnesty International, Stewart did not want to shy away from the realities of torture, so he watched tapes sent to him that included statements from people who had been tortured and a long interview with a torturer explaining what it was like to be the one inflicting pain on others. Stewart also insisted on being completely nude during the first torture scene, so as not to betray the experiences of those who had undergone similar horrors.


The transporter effect on the show may look completely computer generated, but in fact it’s all done quite organically. First, a canister is filled with water and glitter and then a light is shone through it. After stirring the liquid briskly, the resulting few seconds of swirling glitter are filmed and then superimposed over footage of the actor standing in the transporter area, with an added “streak down” effect to blur the glitter further.


Android Lieutenant Commander Data had many adventures during the series, on and off the Enterprise, but his evil twin brother, Lore, stands out for many fans as one of the show’s greatest antagonists. Surprisingly, Lore was originally created as a female android character for the show, but the actor who plays Data, Brent Spiner, came up with a different idea: an evil twin nemesis in the shape of a long-lost brother.


When Michael Piller took over as head writer on the show in 1989, an open submission policy was launched where absolutely anyone could submit up to two unsolicited scripts for consideration. Opening up the possibility of writing for TV to people outside of the Writers Guild of America and talent agency pool was unheard of at the time, and over 5000 spec scripts were received a year at one point. "Yesterday’s Enterprise," one of the show’s most popular episodes, was based off a spec script from the open submission policy.


A still from 'Star Trek: The Next Generation'
Paramount Pictures

A decade before The Next Generation debuted, there was a failed attempt at a revival called Star Trek: Phase II. Though a first season was mapped out, it never saw the light of day, and the movie series was produced in its place. However, the scrapped scripts and concepts lived on in various Trek projects over the years. For the second season premiere of The Next Generation, producers reclaimed the script for "The Child" as a way to get a story quickly into production during the 1988 writer's strike. The season four episode "Devil's Due" was also taken from the backlog of Phase II scripts. 

More elements from Phase II would influence Trek for years, such as the pilot being reworked into Star Trek: The Motion Picture and the now-familiar elements of the Japanese-inspired Klingon culture being introduced in the shelved episode “Kitumba.”


In what was either a cost-cutting move or a sly Easter egg (or both), the ceiling of the Enterprise's transporter room in The Next Generation is actually the floor of the transporter room from the original series. That's far from the only recycling that went on between the Trek series. The orbital office complex from Star Trek: The Motion Picture was reused as the Regula I station in The Wrath of Khan, which was then itself reused as a number of different space stations on The Next Generation (plus Deep Space Nine and Voyager).


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