15 Things You Didn't Know About The Persistence Of Memory

Salvador Dalì's The Persistence of Memory is the eccentric Spanish painter's most recognizable work. You have probably committed its melting clocks to memory—but you may not know all that went into its making.

1. THE PERSISTENCE OF MEMORY WAS PAINTED IN THE MIDST OF A HALLUCINATION.

Around the time of the painting’s 1931 creation, Dalì perfected his "paranoiac-critical method." The artist would attempt to enter a meditative state of self-induced psychotic hallucinations so that he could make what he called "hand-painted dream photographs."

“I am the first to be surprised and often terrified by the images I see appear upon my canvas," Dalì wrote, referring to his unusual routine. "I register without choice and with all possible exactitude the dictates of my subconscious, my dreams.”

2. IT'S SMALLER THAN YOU MIGHT EXPECT.

The Persistence of Memory is one of Dalì's philosophical triumphs, but the actual oil-on-canvas painting measures only 9.5 inches by 13 inches.

3. THE PAINTING MADE THE 28-YEAR-OLD ARTIST FAMOUS.

Dalì began painting when he was 6 years old. As a young man, he flirted with fame, working with Spanish filmmaker Luis Buñuel on his groundbreaking shorts Un Chien Andalou and L'Age d'Or. But Dalì’s big break didn’t come until he created his signature surrealist work. The press and the public went mad for him when The Persistence of Memory was shown at the Julien Levy Gallery in New York City in 1932.

4. THE PERSISTENCE OF MEMORY STAYED IN NEW YORK THANKS TO AN ANONYMOUS DONOR.

After its gallery show, a patron bought the piece and donated it to the Museum of Modern Art in 1934. It’s been a highlight of MoMA's collection for more than 80 years.

5. OTHER SURREALISTS PUT HIM ON TRIAL.

Though Dalì had become the most famous surrealist painter in the world, André Breton, the founder of surrealism, gave him the boot over concerns about Dalì’s alleged support of fascism. At his ousting from the Bureau for Surrealist Research, the loose network of surrealist artists and philosophers headed by Breton, Dalì declared, "I myself am surrealism."

6. EINSTEIN'S THEORIES MAY HAVE INFLUENCED DALÌ.

The Persistence of Memory has sparked considerable academic debate as scholars interpret the painting. Some critics believe the melting watches in the piece are a response to Albert Einstein's theory of relativity. In her book Dalì and Surrealism, critic Dawn Ades writes, "the soft watches are an unconscious symbol of the relativity of space and time."

7. DALÌ'S EXPLANATION WAS CHEESIER.

Dalì declared that his true muse for the deformed clocks was a wheel of Camembert cheese that had melted in the sun. As Dalì considered himself and his persona an extension of his work, the truthfulness of his response is also up for debate.

8. ITS LANDSCAPE COMES FROM DALÌ'S CHILDHOOD.

Dalì's native Catalonia had a major influence on his works. His family's summer house in the shade of Mount Pani (also known as Mount Panelo) inspired him to integrate its likeness into his paintings again and again, like in View of Cadaqués with Shadow of Mount Pani. In The Persistence of Memory, the shadow of Mount Pani drapes the foreground, while Cape Creus and its craggy coast lie in the background.

9. THE PAINTING HAS A SEQUEL (SORT OF).

In 1954, Dalì revisited the composition of The Persistence of Memory for a new work, The Disintegration of the Persistence of Memory. Alternately known as The Chromosome of a Highly-coloured Fish's Eye Starting the Harmonious Disintegration of the Persistence of Memory, the oil-on-canvas piece is believed to represent Dalì's prior work being broken down to its atomic elements.

10. BETWEEN PAINTING THESE TWO WORKS, DALÌ'S OBSESSIONS SHIFTED.

Though the subjects of The Persistence of Memory and The Disintegration of the Persistence of Memory are the same, their differences illustrated the shifts that took place between periods of Dalì's career. The first painting was created in the midst of his Freudian phase, when Dalì was fascinated by the dream analysis pioneered by Sigmund Freud. By the 1950s, when the latter was painted, Dalì's dark muse had become the science of the atomic age.

"In the surrealist period, I wanted to create the iconography of the interior world—the world of the marvelous, of my father Freud," Dalì explained. "I succeeded in doing it. Today the exterior world—that of physics—has transcended the one of psychology. My father today is [theoretical physicist] Dr. Heisenberg."

11. FREUD RECIPROCATED DALÌ'S ADMIRATION.

Sigmund Freud, the father of psychoanalysis, was not a fan of the surrealists, whom he felt were too conscious of the art they were making and didn't understand his theories. Dalì was the exception. When the two met in 1938, Dalì was giddily sketching a portrait of his 82-year-old idol when Freud whispered, "That boy looks like a fanatic." The comment delighted Dalì, as did Freud's suggestion that his The Metamorphosis of Narcissus would be of value to the study of psychoanalysis. Freud later said, "I have been inclined to regard the surrealists as complete fools, but that young Spaniard with his candid, fanatical eyes and his undeniable technical mastery, has changed my estimate."

12.THE PERSISTENCE OF MEMORY MAY BE A SELF-PORTRAIT.

The floppy profile at the painting's center might be meant to represent Dalì himself, as the artist was fond of self-portraits. Previously painted self-portraits include Self-Portrait in the Studio, Cubist Self-Portrait, Self-Portrait with "L' Humanité" and Self-Portrait (Figueres).

13. THERE WERE MORE MELTING CLOCKS TO COME.

In the 1970s, Dalì revisited his squishy timepieces in sculptures like Dance of Time I, II, & III; Nobility of Time, and Profile of Time. He also included them in lithographs.

14. THE PERSISTENCE OF MEMORY HAS ALIASES.

The masterpiece is also known as Soft Watches, Droopy Watches, The Persistence of Time, and Melting Clocks.

15. THE PAINTING HAS BECOME INGRAINED IN POP CULTURE.

The Persistence of Memory has been referenced on television in The Simpsons, Futurama, Hey Arnold, Doctor Who, and Sesame Street. Likewise, it's been alluded to in the animated movie Looney Tunes: Back in Action, in the comic strip The Far Side, and in videogames like EarthBound and Crash Bandicoot 2: N-Tranced. It was even parodied to mock the NFL’s DeflateGate scandal.

8 Things You Might Not Know About the Louvre

Pascal Le Segretain/Getty Images
Pascal Le Segretain/Getty Images

It might be the most iconic art museum in the world. Located in Paris, the Louvre (officially the Musée du Louvre) has admitted thousands of cultural artifacts and millions of admirers since opening its doors on this day in 1793. A guided tour is always best, but if you can’t make it to the Right Bank of the Seine, check out these eight facts about the 225-year-old landmark’s past, present, and future.

1. IT WAS CONCEIVED AS A CASTLE FORTRESS.

Before French King Philip II left for the Crusades in 1190, he ordered the fortification of the Seine area along the western border of Paris against any antagonists. Crowning the structure was a castle that featured a moat and defensive towers; it also housed a prison for undesirables. Over time, other construction urbanized the area, reducing the need for a combat-ready tower. In the 1500s, King Francis I built his residence on the same site. An art lover, Francis’s home and its collection of pieces hinted at what the Louvre would eventually become. In 1793, part of the Louvre became a public museum.

2. IT BECAME AN ARTIST RETREAT.

Before art was on open display for public consumption, the Louvre invited artists to stay and work on site and treat the building like a creative retreat. In 1608, Henri IV began offering artists both studio and living space in the Louvre. They could sculpt, paint, and generally do as they wished—but by the 18th century, the surplus of distinguished squatters had left the property a bit of a mess, and their residency was eventually phased out.

3. NAPOLEON RENAMED IT AFTER HIMSELF.

Crowned emperor in 1804, Napoleon Bonaparte wasn’t above a little self-glorification. Having spearheaded the transformation of the Louvre from a cultural hub to his own tributary, he had the name changed to the Musée Napoléon and hung the Mona Lisa in his bedroom. The banner lasted until his defeat in 1815.

4. AN ARTIST MADE ITS FAMED PYRAMID VANISH.

In a move right out of David Copperfield’s playbook, in 2016 French artist JR was able to execute an impressive optical illusion using the three-story glass pyramid that sits outside the front of the Louvre. The surface was pasted with black-and-white photographs of surrounding buildings, making it seem like the construct had disappeared entirely. The performance piece was left up for about a month.

5. THE MONA LISA WAS SWIPED FROM IT.

Art heists in movies are typically pretty glamorous affairs, with gentlemen thieves and Swiss-watch planning. But when crooks lifted the Mona Lisa from its perch in the Louvre in 1911, it was a fairly indelicate operation. Three Italian handymen hid in the museum overnight, then removed the painting from the wall and bid a retreat out the door in full view of the public. One of them tried selling it over two years later, but a suspicious dealer phoned police. The ensuing media coverage is thought to be one of the reasons the painting has become one of the most famous in the world.

6. IT ONCE CLOSED BECAUSE OF PICKPOCKETS.

In 2013, nearly half of the museum’s 450 employees refused to come to work because of a nagging pest on the premises: pickpockets. Employees said that the adolescent criminals—admission is free for those under 18—distracted and robbed American tourists and showed only disdain for Louvre workers who tried to intervene. Authorities agreed to increase security measures, and the workers returned to their posts.

7. IT HAS RESIDENT “COPYISTS.”

Few museums sanction forgeries of any type, but the Louvre recognizes the curious subculture of artists who enjoy trying to replicate famous works. Every day from 9:30 to 1:30, “copyists” are allowed to set up easels and study paintings while working on their own replicas. The appeal for the artists is to try to gain insight into the process behind masterpieces; the museum insists that the canvas size not be exactly the same, and that they’re not signed.

8. AN APP CAN HELP YOU FIND AN EXIT.

With more than 8 million visitors annually, the Louvre can often feel congested to tourists unfamiliar with its layout. In 2016, the museum began offering an app that guides users around, offering them a pre-planned tour or an exit strategy. Lost? Hang a left at the Picasso, then a right at the Michelangelo.

7 Missing Historical Treasures That May Never Be Seen Again

The Amber Room in the Catherine Palace
The Amber Room in the Catherine Palace
Branson DeCou, Wikimedia // Public Domain

For all the television shows that set out to solve the world’s great mysteries, and the intrepid adventurers hunting for lost artifacts, some of the most famous treasures of history are still missing. These include one of the most dazzling rooms ever made, a giant yellow diamond, and the work of a renowned Greek poetess. Here are just a few of these enigmas.

1. THE AMBER ROOM

Designed in the 18th century by German sculptor Andreas Schlüter and Danish amber artist Gottfried Wolfram, and gifted to Russia in 1716, the Amber Room of Catherine Palace was the pride of the Saint Petersburg area. Lavishly decorated in jewels, gilding, and, of course, panels of amber, it was sometimes called the "Eighth Wonder of the World."

When the German army neared Saint Petersburg during World War II, the curators at Catherine Palace knew they had to hide this treasure. They tried to take it apart, but the dry amber crumbled in their hands; instead they hid it behind wallpaper. German soldiers found the Amber Room anyway, and broke it down into pieces that were packed in crates and shipped to Königsberg, then part of Germany (now part of Russia). For a time, the Amber Room was installed in the Königsberg castle museum. After that, its fate gets fuzzy. Some researchers believe it was destroyed in the bombardments of the war, while others think that it’s still hidden somewhere. Despite periodic claims of it being found—and verified remnants turning up in 1997—most of it remains missing. In 2003, a reconstruction of the Amber Room was unveiled near Saint Petersburg, so visitors can at least get a glimpse of its lost glory.

2. SAPPHO'S POEMS

Painting by Sir Lawrence Alma Tadema entitled "Sappho And Alcaeus" (1881)
Sir Lawrence Alma Tadema, Sappho and Alcaeus (1881)
Hulton Archive/Getty Images

Ancient sources state that the Greek poet Sappho penned nine volumes of writing, but only a couple of full poems—and a few hundred lines on shreds of papyrus and potsherds—survive. Some contain just a handful of words, yet they hint at the passion in her work: "I desire/And I crave," one remnant reads. Many of these bits survive thanks to her popularity in antiquity, since her writing was frequently quoted in other sources.

There may be more of Sappho's work to discover. A late 19th- to early 20th-century excavation at a trash dump in Oxyrhynchus, Egypt, turned up valuable fragments of her poems. As recently as 2014, two works on papyrus fragments were identified by an Oxford papyrologist. With any luck, there may still be scattered remains of her poems to unearth in the detritus of the classical world.

3. THE FLORENTINE DIAMOND

According to legend, Charles the Bold—the Duke of Burgundy—carried this 132.27-carat yellow diamond into the 1477 Battle of Nancy as a talisman. The treasure did little to protect him, however, and he fell along with his gem. His mutilated corpse is said to have later been recovered from the battlefield, but the diamond was gone, supposedly picked up by a scavenger who sold it for two francs because he thought it was just glass.

However, in the 1920s the art historian Nello Tarchiani did archival research that revealed the diamond likely had no connection to the duke. The gemstone had originated in southern India, where it stayed until the Portuguese seized the area in the 1500s. Soon afterward, it made its way to Europe and into the hands of a series of illustrious owners, including Ferdinand de’ Medici, the Duke of Tuscany, in 1601. It was in the treasury of the Medicis in Florence that it got its name—the Florentine Diamond—and most likely its glistening, 126-facet double rose cut.

When Anna Maria Luisa de' Medici, the last of the Medici ruling family, died in 1743, the diamond didn't stay with the treasure trove she bequeathed to the Tuscan state. Instead, Francis Stephan of Lorraine (who later became the Grand Duke of Tuscany and Holy Roman Emperor) bought it for his wife, Empress Maria Teresa, herself at the end of the House of Habsburg line. For a time, the Florentine diamond became part of the crown jewels in Vienna. Then the Austro-Hungarian Empire collapsed after World War I, and the diamond, it’s believed, was carried into exile in Switzerland by its last emperor, Charles I.

But where is it now? There are many theories on its disappearance, including that it was sold by the exiled emperor, and perhaps cut into smaller gems for that purpose. Others posit that it was stolen and spirited to South America. With no trace of the diamond in years, its whereabouts remain a mystery.

4. FABERGÉ EGGS

The Third Faberge Imperial Easter Egg displayed in London in 2014
Peter Macdiarmid/Getty Images

The legendary House of Fabergé was once the largest jeweler in Russia, employing 500 designers and craftsmen to transform everything from mantel clocks to cigarette cases into delicate and elaborate works of art. Their most famous achievement is the series of jewel-drenched Easter eggs they produced for Czars Alexander III and Nicholas II, which the Russian rulers gave as gifts to their wives and mothers. Each egg contained a surprise, from the Trans-Siberian Railway Egg (with a wind-up train made from gold and platinum) to the Bay Tree Egg (shaped like a tree, with a mechanical singing bird emerging from its branches). After the Russian Revolution overthrew the Romanov Dynasty—and the imperial family was executed—the new Soviet rulers seized the eggs. Lenin was interested in preserving such cultural heritage, but Stalin saw them as economic resources, and the eggs were sold off. Out of the 50 Imperial Eggs (as the eggs created for the czars are known), seven are missing.

Information on the lost eggs is sparse. There are few photographs—the only image we have of one of the eggs, the Cherub with Chariot Egg, is a reflection in the glass of a display case. Sometimes the surprises inside are detailed in records, and in other cases they remain a mystery. However, in 2012 a Midwest man who had bought what he thought was a fancy doodad for scrap gold happened to do an internet search on the name on the little clock inside: “Vacheron Constantin.” He discovered that his trinket, which he’d bought for $14,000, was one of the lost Imperial Eggs, worth $33 million.

5. CROWN JEWELS OF IRELAND

Lord Dudley, Grand Master of the Order of St. Patrick, wearing the Irish Crown Jewels
Lord Dudley, Grand Master of the Order of St. Patrick, wearing what's often called the Irish Crown Jewels
National Library of Australia, Wikimedia Commons // Public Domain

On July 6, 1907, regalia belonging to the Grand Master of the Order of St. Patrick—referred to as the "Crown Jewels of Ireland"—were discovered to be missing, the keys boldly left hanging in the safe’s lock. The pricey pieces, which included a diamond star and badge, had been presented to the order of knights in 1830. As added insult, five collars of Knight Members of the Order had also been spirited away.

Security was perhaps a bit lax. A safe room had been built for Dublin Castle in 1903, yet the safe that protected the jewels was too big to fit in the door, so it was kept in a library strongroom.

An investigation was immediately launched, but a century later, the case is unsolved. One rumor is that the investigation was halted under the orders of Edward VII because it ended up touching on a sexual scandal at Dublin Castle. One top suspect is Francis Shackleton, second-in-command at the castle, and brother to the famed explorer Ernest Shackleton; some say he may have been trying to raise funds for his brother's polar expedition.

6. ART FROM THE ISABELLA STEWART GARDNER MUSEUM

Empty frames at the Isabella Stewart Gardner Museum
Empty frames at the Isabella Stewart Gardner Museum
Federal Bureau of Investigation, Wikimedia Commons // Public Domain

In the early morning of March 18, 1990, the security guards at the Isabella Stewart Gardner Museum in Boston buzzed in two men claiming to be police officers. Once inside, they handcuffed the guards and revealed their true intention: stealing art. They made off with 13 works valued at $500 million, the biggest unsolved art theft in the world.

Vermeer, Rembrandt, Degas, and Manet works are among the stolen art, although strangely, the robbers also opted to take a bronze eagle from the top of a Napoleonic flag and an ancient Chinese beaker rather than other, more valuable objects nearby. Because the museum’s collection and layout are permanent—both the legacy of the late art collector Isabella Stewart Gardner—the frames of the missing artworks are kept empty, a memorial and a reminder that the burglars are still at large. The FBI believes the paintings made their way to organized crime circles in Philadelphia, but haven’t had a lead since 2003. Currently, the reward is $10 million for information leading to the artworks’ recovery.

7. THE HONJŌ MASAMUNE

At the end of World War II, citizens in Japan were required to turn over privately owned weapons, including historic pieces. Among them was one of the most famous swords ever made: the Kamakura-period Honjō Masamune. Created by Masamune, who lived circa 1260-1340 and is often considered Japan’s greatest sword maker, the sword was celebrated for its strength and artistry.

Its last owner was Tokugawa Iemasa, who brought the Honjō Masamune, along with other heirloom swords, to a Tokyo police station in compliance with the Allied orders. They were handed off to someone in the Foreign Liquidations Commission of AFWESPAC (Army Forces, Western Pacific), then disappeared. Some surrendered swords from this era were brought back to the United States by American soldiers, while others were melted or tossed in the sea. Today, the fate of the Honjō Masamune is unknown.

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