istock
istock

11 Delicious Facts About Bagels

istock
istock

Here’s everything you need to know about the Polish treat that took New York by storm. 

1. New York and Montreal Have a Delicious Rivalry.

When most Americans think of bagels, they envision the New York delicacy. New York bagels are big with small holes. They’re boiled briefly before they're baked—this step helps them emerge from the oven chewy beneath their firm exteriors. 

But New York isn’t the only North American bagel hotbed. Montreal-style bagels are delicious in their own right. Canada’s competing bagels are smaller and denser than their New York counterparts. They pack in extra eggs while swapping out salt for honey in both the boiling water and (usually) the dough itself, which leads to bagels that are more sweet than savory. Montreal bagels are baked in wood-fired ovens that lend the finished product a distinct crunch and char—but don’t even think about asking anyone in Montreal to toast your bagel. 

2. They’re the Perfect Push Present.

The earliest mention of bagels comes in the 1610 Community Regulations of Krakow, Poland, which indicated that women who had recently given birth should be presented with bagels as a suitable gift. 

3. If it’s not round, it’s not a bagel ... 

The word “bagel” is derived from the German word “bougel,” meaning “bracelet,” by way of the Yiddish “beygl”—so while innovative bakers can let their imaginations run wild when it comes to flavors, the shape isn’t negotiable. “Round with a hole” is an integral part of a bagel’s identity. 

4. ... but as long as it’s round, anything goes. 

Because there’s no legal “standard of identity” that dictates what a so-called bagel must contain in order to be called a “bagel,” bakers who lack the proper respect for the bagel-making tradition can call any old bit of ring-shaped bread a bagel. Watch out for those imposters.

5. Under no circumstances should bagels be confused with bialys.

Bagels and bialys are both yeasty, circular breads of Polish origin, but bialys omit the all-important boiling step necessary to produce a true bagel. Moreover, in place of a bagel’s hole, a bialy instead has a slight depression filled with a mixture of onions, garlic, or poppy seeds. It’s delicious, but it’s no bagel. 

6. Bagels’ quick preparation is a virtue. 

Bagels have been closely tied to the Jewish community since Polish and Russian immigrants brought the Eastern European staple to the New World. The bagel’s quick baking time made it a favorite in Jewish households on Saturday night after the Sabbath and its ban on cooking ended. With minimal baking time standing between the observant and hot, fresh bagels, choosing a post-Sabbath meal was easy. 

7. Their recipe was once a trade secret. 

To protect immigrant workers attempting to meet New York’s growing demand for bagels, an International Beigel Bakers' Union emerged in the early 1900s. Beigel Bakers' Local 338 was a particularly notable chapter—its 300 Manhattan bagel-makers banded together to keep their tradition to themselves. Only sons of current members could be offered spots in the union, and the group conducted its meetings almost entirely in Yiddish. The union’s monopoly on bagel baking ended only in the 1960s, with the invention of the automated bagel machine. 

8. Old-fashioned bagel baking was a four-man job. 

Due to the bagel’s unique multi-step cooking process, bagel bakeries usually employed men to produce the goods assembly line-style: Two men rolled and shaped the dough, a “kettleman” boiled the bagels, and an “oven man” ensured they were baked to perfection. 

9. Bagels have made it to space.

In June 2008, Canadian-born astronaut Gregory Chamitoff blasted off on a voyage to the International Space Station with 18 sesame bagels as part of his personal cargo allowance. The bagels came from his cousin’s bakery in Montreal—which means there’s still a chance for someone to bring the first New York-style bagels into space. Get on it, astronauts! 

10. Americans warmed up to the frozen version.

While there’s almost no occasion on which fresh-baked isn’t preferable to store-bought, sometimes a bag of bagels from the supermarket’s freezer aisle is the only available option. For that particular convenience, thank Harry and Murray Lender and Florence Sender, who together pioneered mass production and freezer storage of the doughy foodstuff in the 1960s. Even more ingenious was their decision to pre-slice the bagels for easy preparation. Smart marketing introduced the previously “ethnic” food to a wider American consumer base, and bagel-eaters have never looked back.

11. You may not need to order a separate coffee. 

Coffee and bagels are a classic combo, but if one inventor gets his way, your morning bagel will also give you your jolt of caffeine. In 2007 Durham, N.C. molecular scientist and coffee shop owner Robert Bohannon debuted the Buzzed Bagel, a creation that can pack as much caffeine as a five-ounce cup of drip coffee.

nextArticle.image_alt|e
iStock
Bad Moods Might Make You More Productive
iStock
iStock

Being in a bad mood at work might not be such a bad thing. New research shows that foul moods can lead to better executive function—the mental processing that handles skills like focus, self-control, creative thinking, mental flexibility, and working memory. But the benefit might hinge on how you go through emotions.

As part of the study, published in Personality and Individual Differences, a pair of psychologists at the University of Waterloo in Canada subjected more than 90 undergraduate students to a battery of tests designed to measure their working memory and inhibition control, two areas of executive function. They also gave the students several questionnaires designed to measure their emotional reactivity and mood over the previous week.

They found that some people who were in slightly bad moods performed significantly better on the working memory and inhibition tasks, but the benefit depended on how the person experienced emotion. Specifically, being in a bit of a bad mood seemed to boost the performance of participants with high emotional reactivity, meaning that they’re sensitive, have intense reactions to situations, and hold on to their feelings for a long time. People with low emotional reactivity performed worse on the tasks when in a bad mood, though.

“Our results show that there are some people for whom a bad mood may actually hone the kind of thinking skills that are important for everyday life,” one of the study’s co-authors, psychology professor Tara McAuley, said in a press statement. Why people with bigger emotional responses experience this boost but people with less-intense emotions don’t is an open question. One hypothesis is that people who have high emotional reactivity are already used to experiencing intense emotions, so they aren’t as fazed by their bad moods. However, more research is necessary to tease out those factors.

[h/t Big Think]

nextArticle.image_alt|e
Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios