15 Women Who Deserve Their Own Biopics

By Benjamin F. Powelson, Swann Galleries, Public Domain, Wikimedia Commons
By Benjamin F. Powelson, Swann Galleries, Public Domain, Wikimedia Commons

If the success of female-centric biopics like Hidden Figures has taught Hollywood anything, it's that there are riches to be found in the lives of history-making women. Well, as lovers of a good true story, we've got a slew of suggestions for heroines who deserve their own big biopics.

1. Sadie the Goat // Pirate of the Hudson

Sure, she's nowhere near as well known as Anne Bonny or Grace O'Malley, but Sadie the Goat's pirate story would make for a thrilling action-comedy. This petite thief was a tiny terror of 1860s New York, earning her nickname by head-butting those she mugged. But when a brutal brawl with a female bouncer named Gallus Mag ended with Sadie's ear being bitten off, she fled to the Hudson River with a makeshift crew. Sadie's summer was made up of swashbuckling, pillaging waterside mansions, and an eventual reunion with her ear. (Mag had preserved it in a pickling jar for her trophy collection.) What more could you ask for?

2. Amalie "Emmy" Noether // The Woman Einstein Called a "Genius"

The Oscars love a good tale of overcoming adversity, so how about the story of this German Jewish mathematician? Today she is celebrated for her contributions to abstract algebra and theoretical physics, but in 20th-century Bavaria, Amalie Noether had to fight for every bit of education and academic achievement. Women were not allowed to enroll at the University of Erlangen, so Noether had to petition each professor to attend classes. She later found academic employment similarly unwelcoming.

Noether secured work as a teacher, but on the condition that she wouldn't be paid—a condition that lasted for 15 years. Still, she dedicated herself tirelessly to mathematics. She also fled the Nazis, and befriended Albert Einstein, whose eulogy for Noether would make for a marvelous introductory monologue: "In the judgment of the most competent living mathematicians, Fraulein Noether was the most significant creative mathematical genius thus far produced since the higher education of women began.”

3. Kittie Smith // The Armless Dynamo

For a stirring drama about the tenacity of the human spirit, consider the story of this sideshow performer. Smith rose to fame for her abilities to write, paint, sew, play piano, and even do woodwork—all with her feet. But aside from being beloved, she was inspiring. Smith's lack of arms came at the hands of her abusive father, who basically burned them beyond repair when she was just 9 years old. However, Smith persevered, focused on her education and rehabilitation, and made a life for herself as a performer and author, penning a memoir in which she forgave her deeply flawed dad.

4. Naziq Al-Abid // The Sword of Damascus

The life of the "Joan of Arc of the Arabs" would make for a thrilling political drama. Abid was born into the lap of luxury, the educated daughter of an affluent Damascene aristocrat at the turn of the 20th century. But rather than spend her days reveling in wealth and its privileges, Abid became an outspoken and frequently exiled advocate, most notably for fighting for national independence and women's rights. But her biggest battle was a literal one: She fought against the French invaders in the the bloody Battle of Maysaloun, of which she was said to be the only Syrian survivor. In honor of her service, King Faisal made her an honorary general. But the French ultimately overthrew Faisal, forcing Abid into exile. She would return to Syria to help advance feminist causes. When she died in 1959, it was within the bounds of her homeland, which was now free as well as a place where women were thriving under the social changes Abid helped enact.

6. HEDY LAMARR // BRAINS AND BEAUTY


Getty Images

Show biz comedy-meets-discovery drama in the life of Hedy Lamarr, Hollywood glamour girl by day, world-changing inventor by night. Her tale not only includes fame, but also an escape from a brutish, arms-dealing husband, and her quest to defeat the Nazis through applied science.

With the help of her friend, avant-garde composer George Antheil, Lamarr developed "frequency hopping," an advancement in torpedo systems that aimed to make them jam-proof. Though the Navy didn't take advantage of this tech until the 1960s, Lamarr's contributions to spread spectrum technology later won recognition from the science community as her discoveries preceded the widespread adoption of wireless communications, like cell phones and Wi-Fi. At 83, Lamarr was honored with the Electronic Frontier Foundation Pioneer Award as well as the BULBIE™ Gnass Spirit of Achievement Award, also regarded as "the Oscar of Inventing." A celebratory biopic is long overdue.

7. STEPHANIE "QUEENIE" ST. CLAIR // THE QUEEN OF HARLEM

Want a good gangster tale? After emigrating to the U.S. in 1912, this woman of French and African descent made her home in Harlem. By the 1930s, "Queenie" St. Clair was not to be trifled with, running a crew that fiercely protected their neighbors. St. Clair got corrupt cops booted from the police force. And when Bronx crime boss Dutch Schultz tried to push in on her turf, she made alliances that helped lead to his assassination.

Memorably, she sent a letter to his deathbed that read, "As ye sow, so shall ye reap." And yet St. Clair has only been a supporting character in films like Hoodlum and The Cotton Club.

8. KATE CHOPIN // WIDOW-TURNED-WRITER

Numerous works of this 19th century American author have earned screen adaptations, but Chopin's life is the stuff of compelling and heartwarming drama. In the 1880s, she was a happily married mother of six, living on a plantation in Louisiana. But when both her husband and mother died within the same year, Chopin fell into a deep depression. A doctor advised her to use writing as a tool to work through her grief. Chopin's short stories and essays proved not only to be a saving passion for her, but also a career that saved her family from financial ruin. Though her novel The Awakening was scorned when first published in 1899, it's now highly regarded as a masterpiece, and a landmark in early feminist literature.

9. OLIVE THOMAS // THE FLAPPER GHOST

Looking for a fanciful ghost story about the girl whose charm and fashion sense helped popularize the word flapper? This all-American ingénue made the leap from Ziegfeld Follies showgirl to Hollywood starlet, even marrying the brother of America's Sweetheart Mary Pickford. At 25, Thomas was gone too soon. Yet her story lived on, as rumors spread that her sassy ghost took up residence in her old haunt, the New Amsterdam Theater. To this day, stagehands keep this party girl happy by wishing her goodnight before they leave the theater.

10. SARAH BREEDLOVE WALKER // THE MILLIONAIRE HAIRDRESSER

Hollywood loves a tale of a self-made mogul, so why not tackle that of the first American woman to become a self-made millionaire? Walker came from humble beginnings, born to recently freed slaves on a cotton plantation in 1867. By 14, she was married. By 20, she was a widow and single mother. Yet Walker overcame, finding work in her brothers' barbershop as a washerwoman, where she noticed that her hair was falling out. She developed a tonic that helped re-grow her hair, and began marketing it across the country, and even into Latin America.

Rebranded as Madam C.J. Walker, she'd tour the U.S. selling her products and growing her empire. As her company expanded to factories and beauty schools, so did her philanthropic efforts toward the advancement of African Americans. Her story is not just one of personal success, but of drive, community, and advocacy.

11. BIG BERTHA HEYMAN // THE CONFIDENCE QUEEN

They called her "The Confidence Queen," and what better name for a crime-drama about this Prussian immigrant with a twisted take on the American Dream. In 1880s New York, Heyman repeatedly exploited people's thirst for wealth to line her own pockets. Not even arrest could cage her. She continued to scam from her prison cell, and repeatedly convinced the cops to let her leave for outings to the theater and carriage rides around Central Park.

12. TRIỆU THỊ TRINH // THE TITAN OF VIETNAM

Perhaps you'd prefer an incredible epic about an unparalleled warrior? Well, this Vietnamese heroine's legend is overflowing with flashy details. It's said the 20-year-old was 9 feet tall with a voice that sounded loud as a temple bell. Dressed in vibrant yellow and wielding two swords, she rode into battle on a war elephant as she fended off the relentless Chinese forces.

But best of all, Trinh delivered the kind of speeches made for big movie moments, like: "I only want to ride the wind and walk the waves, slay the big whales of the Eastern sea, clean up our frontiers, and save the people from drowning. Why should I imitate others, bow my head, stoop over and be a slave? Why resign myself to menial housework?" And the music soars!

13. JOSEPHINE BAKER // BLACK PEARL

You might know this Creole triple threat for her saucy dance routines and dazzling persona. But a biopic about Baker would be incomplete without an espionage angle. During World War II, Josephine Baker was recruited by the French Resistance to be a spy. Her acceptance is the stuff of great screenplays:

"France made me what I am. I will be grateful forever. The people of Paris have given me everything. They have given me their hearts, and I have given them mine. I am ready, Captain, to give my life. You can use me as you wish."

Baker's beauty and fame served as a great cover for her covert ops. Her international acclaim gave her access to high-ranking Axis officials, allowing her to secure information. In secret, she trained in karate, and supposedly became such a skilled marksman with a pistol that she could shoot out the flame on a candle. She hid her notes in her unmentionables, and delivered messages on music sheets using invisible ink. There was also a narrow escape from Nazi forces, a torrid romance with her intelligence contact, Jacques Abtey, a false report of her demise, and being decorated for valor by General Charles de Gaulle. And all the while, Baker kept her career as a performer. Not even James Bond could pull all that off!

14. THE NIGHT WITCHES

For a World War II adventure complete with edge-of-your-seat action sequences, turn to the tale of the all-female Night Bomber Regiment of the Soviet Air Forces. Over the course of three years, these young women (ages 17 to 26) flew 30,000 missions and dropped 23,000 tons of bombs on the invading Nazi forces. Even more remarkable, these fighter pilots favored the cover of night for their attacks, and flew planes made of plywood and canvas—all the better to silently sneak up on German bombers. It's for the soft whooshing of their planes and their nightly assaults that these patriots won their fantastic name.

It took two women, a pilot and a navigator, to man each of the Night Witches' planes—making for the perfect setting not only to explore the adventure of these fearless flyers, but also the sisterhood that helped the Soviet Union resist Nazi invasion.

15. MARY BLAIR // DISNEY LEGEND

A gifted painter with a vibrant imagination and influential use of color, Mary Blair was a concept artist whose works defined a generation of Disney animation, from The Adventures of Ichabod and Mr. Toad and Peter Pan to Alice in Wonderland and Cinderella. As a young woman she dreamed of going into the fine arts, but the Depression pushed her into animation. There, she ultimately channeled her passion for color and distinctive aesthetic into groundbreaking designs.

It's Blair who is credited with introducing Walt Disney to modern art, inciting a shift in his studio's aesthetic. Disney himself called her in to design the look of his iconic It's A Small World ride. Her rise through the Disney ranks to one of their official "legends" could be beautifully illustrated with the same kind of whimsy and color that her works were.

1. Harriet Tubman // Moses of the Underground

How has there not been a prestige pic about the life and times of Harriet Tubman? Well, there's about to be. Later this year, Cynthia Erivo is scheduled to star in Kasi Lemmons's upcoming film, Harriet. And it's about time! After nearly 30 years of abuse and subjugation, Tubman followed the North Star to escape slavery. Such a trek might, on its own, be worthy of a movie. But Tubman, of course, did so much more. A year after she fled north, she risked her freedom and her life to return and try to rescue her sisters. Then again to save her brother. And again for her husband, who in the meantime took a new wife.

By 1856, she was a notorious outlaw with a bounty of $40,000 on her head. To evade capture, she stole masters' buggies, perfected escape strategies, and effected clever disguises. Over 10 years, she made 19 trips back into the South, freeing an estimated 300 people.

The 15 Best TV Series Finales of All Time

Ursula Coyote, AMC
Ursula Coyote, AMC

What makes a great TV series finale? It depends on the show, of course. But no matter what series you may be watching, you want a finale that ties up loose ends without being annoyingly completist, gives you heart without seeming overly sentimental, and of course makes you feel just as happy, sad, thrilled, or compelled as you did with each previous episode. It’s a very tricky needle to thread, and some series have undoubtedly done it better than others.

In celebration of what it takes to deliver a great final episode, here are (some of) the greatest series finales of all time.

1. The Sopranos // “Made In America”

“Made In America” is, infamously, the episode of television that made millions of viewers briefly think that their cable had just gone out at some crucial moment, when in reality what happened was creator David Chase simply decided one seemingly random moment was the exact second where Tony Soprano’s journey would end. The series finale of The Sopranos spent the better part of its runtime wrapping up a mob war that crippled the family, and then devoted its final minutes to a family dinner set to Journey. Fans still debate the meaning and merits of the final scene, but the sense of palpable unease Chase built up in those last moments—signifying Tony’s perpetual state of watching his back—were a brilliant way to end a show that began as a meditation on existential dread in the first place.

2. Six Feet Under // “Everyone’s Waiting”

The final minutes of “Everyone’s Waiting” are among the most famous in the history of television, and even if the rest of the episode had been a disappointment, they would still rank among the greatest farewells in the medium. As it is, Six Feet Under's final episode with the Fisher family is a gripping, heartfelt, and bitterly funny gem, all building to that last montage. As Sia’s "Breathe Me" plays, we see the deaths of every member of the main cast, which reminds us that death takes many forms beyond mere tragedy, all culminating in the last breaths of Claire. Just thinking about it is enough to make fans of the show burst into tears.

3. Breaking Bad // “Felina”

Few series finales have ever faced such high expectations and managed to rise to meet them so powerfully as Breaking Bad did with its final episode in 2013. “Felina” has everything you could ever want from a Breaking Bad send-off: Walt’s final conversation with Skyler, that incredible revenge shoot-out featuring the rigged machine gun, Jesse’s defiant cry of freedom as he drives away, Walt’s collapse, and that little smile of victory on his face. Some series finales deliver what you want; others deliver what you need. “Felina” somehow manages to do both.

4. M*A*S*H // “Goodbye, Farewell and Amen”

M*A*S*H was on longer than the Korean War was actually fought, and was more than 250 episodes into its run by the time “Goodbye, Farewell and Amen” aired and became one of the most-watched television events in the history of the medium. You’d think the staff of the 4077th might have run out of things to say after such a run, but the series finale manages to be absolutely jam-packed, featuring everything from Hawkeye’s dark repressed memories to Klinger’s wedding. It all builds to that final shot of “GOODBYE” written in stones, which still ranks as one of the most iconic moments in TV history.

5. The Americans // “START”

The Americans quietly became one of the best shows on TV before finally winning a bunch of awards for its final season, and with good reason. The final adventures of Philip and Elizabeth Jennings as they contemplated a return to Russia and an end to their double lives in America were among the best the series ever delivered, all building to a final episode that stuck the landing in every possible way, from the thrills of their final escape to the emotional payoff of their daughter Paige’s big decision.

6. The Wire // "-30-"

The Wire was never going to end anything in a clean, cut-and-dried way, but its series finale did mange to wield the various talents at play in the series to end everything on an ambitious and fairly comprehensive note. The finale reckoned with many of the same questions the entire series did—from the nature of justice to the fragility of power systems and how far people will go to keep them in place—as it worked to resolve the homeless serial killer hoax, illegal wiretapping, and the all-important future of Tommy Carcetti. One last montage reminds us that life goes on in Baltimore, whether the show’s characters have reshaped it for the better or not.

7. Seinfeld // “The Finale”

The series finale of Seinfeld is also among the most divisive in the history of television, and it all begins with an amusing swerve. The show leads off by making us think Jerry and George are about to embark on a typical sitcom sendoff, bidding New York City farewell as they head to California to make a television series, but then the real plot kicks in as the show’s quartet of main characters is arrested for literally doing nothing as a man is carjacked.

The brilliance of the show’s protagonists getting in trouble for the very same thing they’d been doing for nine seasons in a “show about nothing” then pivots to a trial that does play by the sitcom rule of allowing old fan-favorite characters to come back as witnesses, then launches into a wrap-up that mocks the characters, the show’s fans, and the show’s own place of seeming importance in the pop culture landscape. Sitcom finales are usually more like curtain calls; "The Finale" was a provocative final joke.

8. Battlestar Galactica // “Daybreak Parts 1-3”

The finale of Battlestar Galactica might be a little too metaphysical in nature for some viewers, but there’s something about the sense of totality running through it that makes it a perfect sendoff for a series that always placed everything on the line with every single story it told. As the surviving humans of the fleet finally defeat their Cylon enemies, Starbuck sends them to a new home, and they agree to abandon all of their old technology and live among the primitive humans already present on what turns out to be our Earth. It’s a beautiful blending of victory, bittersweet goodbyes, seismic changes to everyone’s lives, angels, the future, and—believe it or not—“All Along the Watchtower.”

9. Star Trek: The Next Generation // “All Good Things…”

“Encounter at Farpoint,” the series premiere of Star Trek: The Next Generation, is a famously slow, bloated affair that was a sign of things to come for the relatively weak first season. “All Good Things…” brilliantly repurposes that story as a time travel saga in which Captain Picard (Patrick Stewart) learns that Q, the alien being who put humanity on trial back in the premiere, is continuing his test of the human race by placing Picard in three different eras of his life. It’s a brilliant conceit that makes an elegant circle out of the series while also allowing Picard to give viewers a grand tour of the series’ entire history, including his own future.

10. Buffy the Vampire Slayer // “Chosen”

Buffy the Vampire Slayer spent weeks setting up its series finale, laying out a last stand that would either end Buffy and her gang of allies forever or wipe Sunnydale off the face of the Earth—or both. The final battle itself has since been dwarfed by more epic series like Game of Thrones, but what makes “Chosen” so magical isn’t its fight scenes, but its heart. With her own army of potential Slayers at her back, Buffy asks Willow to perform a spell that will give them all the powers of a Slayer, leading to one of the most empowering montages in the history of television. Then, even while mourning absent friends, Buffy is able to look toward tomorrow.

11. Newhart // “The Last Newhart”

So many sitcom series finales are all about final goodbyes. Very often characters leave their longtime TV homes for somewhere new, leading to tearful farewells or at least a final moment for everyone to spend one last day together. Newhart absolutely blew that premise up with a twisty, joke-filled finale that includes the entire town being turned into a resort, a five-year time jump, and that brilliant final scene which reveals all of Newhart to have been the dream of Dr. Bob Hartley, Newhart’s character from The Bob Newhart Show. The level of ambition is admirable. That the ambition translated to genuine laughs is wonderful.

12. Twin Peaks: The Return // “Part 17 and Part 18”

Twin Peaks famously ended its early ’90s run with a cliffhanger, which then led to the joyous reception that accompanied The Return, an 18-hour monument to creative freedom which everyone hoped would finally provide some answers. In true David Lynch fashion, though, the answers we got were often difficult to parse. And by the time it was all over, we were left with even more questions. The final two hours of The Return are among the most mind-meltingly intense episodes of television ever devised, all building to a daring and stunning final scene that still has fans talking.

13. The West Wing // “Tomorrow”

The West Wing played the long game with its series finale thanks to a year-long election storyline, which meant that its final episode was always going to be the combination of both an end and a beginning. The intense election story—which included a live debate episode—culminated in the inauguration of a new president, and a farewell to Martin Sheen’s President Josiah Bartlet, but the sense of transition inherent in the plot managed to imbue the series with a new sense of potential energy as it made the turn toward home. Watching “Tomorrow,” you can’t help but fantasize about what it will be like for Josh Lyman and Sam Seaborn to be together in the White House again, changing the world in all new ways. That emotional weight meant that, after seven years, we actually all felt like we could use a little more of The West Wing.

14. Halt and Catch Fire // “Ten of Swords”

Mackenzie Davis as Cameron Howe in Halt and Catch Fire
Bob Mahoney, AMC

Halt and Catch Fire never got the audience it deserved when it was airing, which means many people likely don’t know just how brilliant and daring the show got in its final seasons, which included a time jump, a shocking death, and the dawn of the internet age. “Ten of Swords” is all about closing old chapters and starting new ones, and sends the show’s trinity of remaining major characters in promising new directions, even as they all come to terms with the fact that they can never again recapture what they once had.

15. 30 Rock // “Last Lunch”

30 Rock was one of the most acclaimed comedies of its era in part because of its outright refusal to ever be straightforward about anything. Every plot was jokes on top of jokes and references on top of references, creating a show that rewards viewers who can’t get enough of rapid fire wit (and deserves rewatching). “Last Lunch” continued that tradition while also managing to inject some genuine emotion into the affair, as Jack Donaghy (Alec Baldwin) and Liz Lemon (Tina Fey) reconcile their friendship in a half hour packed with so many gags and callbacks you could watch it half a dozen times and still not catch everything.

10 Surprising Facts About J.R.R. Tolkien

Phil Romans via Flickr // CC BY-NC-ND 2.0
Phil Romans via Flickr // CC BY-NC-ND 2.0

There are plenty of things even the most ardent fans don't know about The Lord of the Rings author John Ronald Reuel Tolkien. In honor of Tolkien Reading Day (March 25th), here are 10 of them.

1. Tolkien had a flair for the dramatic.

As a linguist and expert on Old English and Old Norse literature, Tolkien was a professor at Oxford University from 1925 until 1959. He was also a tireless instructor, teaching between 70 and 136 lectures a year (his contract only called for 36). But the best part is the way he taught those classes. Although quiet and unassuming in public, Tolkien wasn't the typical stodgy, reserved stereotype of an Oxford don in the classroom. He went to parties dressed as a polar bear, chased a neighbor dressed as an axe-wielding Anglo-Saxon warrior, and was known to hand shopkeepers his false teeth as payment. As one of his students put it, "He could turn a lecture room into a mead hall."

2. Tolkien felt many of his fans were "lunatics."

Tolkien saw himself as a scholar first and a writer second. The Hobbit and The Lord of the Rings were largely Tolkien's attempt to construct a body of myth, and their success caught him largely unaware. In fact, he spent years rejecting, criticizing, and shredding adaptations of his work that he didn't believe captured its epic scope and noble purpose. He was also utterly skeptical of most LOTR fans, who he believed were incapable of really appreciating the work, and he probably would have been horrified by movie fandom dressing up like Legolas.

3. Tolkien loved his day job.

To Tolkien, writing fantasy fiction was simply a hobby. The works he considered most important were his scholarly works, which included Beowulf: The Monsters and the Critics, a modern translation of Sir Gawain and the Green Knight, and A Middle English Vocabulary.

4. He was quite romantic.

At age 16, Tolkien fell in love with Edith Bratt, three years his senior. His guardian, a Catholic priest, was horrified that his ward was seeing a Protestant and ordered the boy to have no contact with Edith until he turned 21. Tolkien obeyed, pining after Edith for years until that fateful birthday, when he met with her under a railroad viaduct. She broke off her engagement to another man, converted to Catholicism, and the two were married for the rest of their lives. At Tolkien's instructions, their shared gravestone has the names "Beren" and "Luthien" engraved on it, a reference to a famous pair of star-crossed lovers from the fictional world he created.

5. Tolkien's relationship with C.S. Lewis was complicated.

Tolkien's fellow Oxford don C.S. Lewis (author of The Chronicles of Narnia) is often identified as his best friend and closest confidant. But the truth is, the pair had a much more troubled relationship. At first, the two authors were very close. In fact, Tolkien's wife Edith was reportedly jealous of their friendship. And it was Tolkien who convinced Lewis to return to Christianity. But their relationship cooled over what Tolkien perceived as Lewis's anti-Catholic leanings and scandalous personal life (he had been romancing an American divorcee at the time). Although they would never be as close as they were before, Tolkien regretted the separation. After Lewis died, Tolkien wrote in a letter to his daughter that, “So far I have felt ... like an old tree that is losing all its leaves one by one: this feels like an axe-blow near the roots.”

6. Tolkien enjoyed clubbing.

Well, the extra-curricular, after-school sort. Wherever Tolkien went, he was intimately involved in the formation of literary and scholarly clubs. As a professor at Leeds University, for example, he formed the Viking Club. And during his stint at Oxford, he formed the Inklings, a literary discussion group.

7. He wasn't blowing smoke about those war scenes.

Tolkien was a veteran of the First World War, and served as a second lieutenant in the 11th (Service) Battalion of the British Expeditionary Force in France. He was also present for some of the most bloody trench fighting of the war, including the Battle of the Somme. The deprivations of Frodo and Sam on their road to Mordor may have had their origins in Tolkien's time in the trenches, during which he contracted a chronic fever from the lice that infested him and was forced to return home. He would later say that all but one of his close friends died in the war, giving him a keen awareness of its tragedy that shines through in his writing.

8. Tolkien invented languages for fun.

A philologist by trade, Tolkien kept his mind exercised by inventing new languages, many of which (like the Elvish languages Quenya and Sindarin) he used extensively in his writing. He even wrote songs and poems in his fictional languages. In addition, Tolkien worked to reconstruct and write in extinct languages like Medieval Welsh and Lombardic. His poem "BagmÄ“ BlomÄ" ("Flower of the Trees") might be the first original work written in the Gothic language in over a millennium.

9. Tolkien been published almost as prolifically posthumously as he was when he was alive.

Most authors have to be content with the works they produce during their lifetime, but not Tolkien. His scribblings and random notes, along with manuscripts he never bothered to publish, have been edited, revised, compiled, redacted, and published in dozens of volumes after his death, most of them produced by his son Christopher. While Tolkien's most famous posthumous publication is The Silmarillion, other works include The History of Middle Earth, Unfinished Tales, The Children of Hurin, and The Legend of Sigurd and Gudrún.

10. Tolkien called Hitler a "ruddy little ignoramus."

Tolkien's academic writings on Old Norse and Germanic history, language, and culture were extremely popular among the Nazi elite, who were obsessed with recreating ancient Germanic civilization. But Tolkien was disgusted by Hitler and the Nazi party, and made no secret of the fact. He considered forbidding a German translation of The Hobbit after the German publisher, in accordance with Nazi law, asked him to certify that he was an "Aryan." Instead, he wrote a scathing letter asserting, among other things, his regret that he had no Jewish ancestors. His feelings are also evidenced in a letter he wrote to his son: "I have in this War a burning private grudge—which would probably make me a better soldier at 49 than I was at 22: against that ruddy little ignoramus Adolf Hitler ... Ruining, perverting, misapplying, and making for ever accursed, that noble northern spirit, a supreme contribution to Europe, which I have ever loved, and tried to present in its true light."

This piece originally ran in 2017.

SECTIONS

arrow
LIVE SMARTER