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15 Things You Didn’t Know About The Godfather

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Leave the gun, take these facts about Francis Ford Coppola’s masterpiece adaptation of Mario Puzo’s gangster novel, which premiered in New York City 44 years ago (on March 15, 1972).

1. FRANCIS FORD COPPOLA WAS AT RISK OF BEING FIRED DURING PRODUCTION.

Francis Ford Coppola (who got the job because of his previous movie, The Rain People) wasn’t the first director Paramount Pictures had in mind for The Godfather. Elia Kazan, Arthur Penn, Richard Brooks, and Costa-Gavras all turned the job down. And after filming began, executives didn’t like the brooding, talky drama that Coppola was shooting.

The studio wanted a more salacious gangster movie, so it constantly threatened to fire Coppola (even going so far as to have stand-in directors waiting on set). Coppola was reportedly getting the ax until he shot the scene where Michael kills Sollozzo and McCluskey, which the executives saw and loved.

2. COPPOLA FOUGHT TO KEEP THE FAMOUS LOGO.

The studio originally wanted to scrap the now-iconic “puppet strings” logo (which was first created by graphic designer S. Neil Fujita for the novel’s release) with Puzo’s name above the title for the movie release, but Coppola insisted on keeping it because Puzo co-wrote the script with him.

3. HE ALSO FOUGHT TO KEEP THE STORY AS A PERIOD DRAMA.

As a cost-cutting measure, Paramount asked Coppola to modernize the script so the action took place in 1972 and to shoot the movie in Kansas City as a stand-in for the more expensive New York City. Coppola convinced them to keep the story in a post-World War II New York setting to maintain the integrity of the film.

4. FAMILY DINNERS HELPED EVERYONE GET IN CHARACTER.

Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors couldn’t break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.

5. PARAMOUNT DIDN’T WANT MARLON BRANDO FOR THE ROLE.

When Coppola initially mentioned Brando as a possibility for Vito Corleone, the head of Paramount, Charles Bluhdorn, told Coppola the actor would “never appear in a Paramount picture.”

The studio pushed the director to cast Laurence Olivier as Vito, before eventually agreeing to pursue Brando under three stringent conditions: 1) Brando had to do a screen test; 2) if cast, Brando would have to do the movie for free; and 3) Brando would have to personally put up a bond to make up for potential losses caused by his infamously bad on-set behavior.

Coppola surreptitiously lured the famously cagey Brando into what he called a “makeup test,” which in reality was the screen test the studio demanded. When Coppola showed the studio the test they liked it so much they dropped the second and third stipulations and agreed to let Brando be in the movie.

6. PACINO WASN’T THE FIRST CHOICE TO PLAY MICHAEL, EITHER.

The studio wanted Robert Redford or Ryan O’Neal to play Michael Corleone, but Coppola always wanted Al Pacino. Other actors, like Martin Sheen and James Caan (who would go on to play Sonny), screen tested for Michael.

7. ROBERT DE NIRO AUDITIONED FOR SONNY.

Robert De Niro auditioned for the role of Sonny, but Coppola thought his personality was too violent for the role. De Niro would later appear as the young Vito Corleone in The Godfather: Part II, and win a Best Supporting Actor Oscar for his work.

8. COPPOLA LET THE WEDDING PLAY OUT AND SHOT IT GUERILLA-STYLE.

To add a sense of reality to the wedding scene (and because he only had two days to shoot it), Coppola had the cast freely act out and improvise in the background. He then shot specific vignettes amongst the action.

9. COPPOLA TOOK ADVANTAGE OF MISTAKES.

Lenny Montana, who played Luca Brasi, was a professional wrestler before becoming an actor. He was so nervous delivering his lines to a legend like Brando during the scene in the Godfather’s study that he didn’t give one good take during an entire day’s shoot. Because he didn’t have time to reshoot the scene, Coppola added a new scene of Luca Brasi rehearsing his lines before seeing the Godfather to make Montana’s bad takes seem like Brasi was simply nervous to talk to the Godfather.

10. THE CORLEONE COMPOUND WAS A REAL LOCATION ON STATEN ISLAND.

The residence was put up for sale in 2014 for just under $3 million. That’s a price we can probably refuse.

11. THE GODFATHER’S CAT WAS A STRAY.

During his daily walks to the set, Coppola would often see a stray cat, and on the day of shooting the scenes in Vito’s study, Coppola took the cat and told Brando to improvise with it. The cat loved Brando so much that it sat in his lap during takes for the whole day.

12. PACINO WAS THE ARCHETYPICAL METHOD ACTOR.

He really had his jaw wired shut for the first part of the shoot after his character is punched in the face.

13. THE INFAMOUS HORSE’S HEAD WAS REAL.

The horse head in the movie producer’s bed wasn’t a prop. The production got a real horse’s head from a local dog food company.

14. THE “TAKE THE CANNOLI” LINE WAS IMPROVISED.

The line in the script only had actor Richard Castellano as Clemenza say “Leave the gun” after the hit on the mobster who ratted on the Corleones. He was inspired to make the addition after Coppola inserted a line in which the character’s wife asks him to buy cannoli for dessert.

15. THERE WAS ORIGINALLY SUPPOSED TO BE AN INTERMISSION.

The 175-minute movie is long by Hollywood standards, and an intermission was going to be included just after the Solozzo/McCluskey shooting scene—but the idea was scrapped because the filmmakers thought it would ruin the momentum and take the audience out of the movie.

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Pop Culture
5 Bizarre Comic-Con News Stories from Years Past
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At its best, Comic-Con is a friendly place where like-minded people can celebrate their pop culture obsessions, and each other. And no one can make fun of you, no matter how lazy your cosplaying might be. You might think that at its worst, it’s just a series of long lines of costumed fans and small stores crammed into a convention center. But sometimes, throwing together 100,000-plus people from around the world in what feels like a carnival-type atmosphere where anything goes can have less than stellar results. Here are some highlights from past Comic-Con-tastrophes.

1. MAN IN HARRY POTTER T-SHIRT STABS ANOTHER MAN IN THE FACE—WITH A PEN

In 2010, two men waiting for a Comic-Con screening of the Seth Rogen alien comedy Paul got into a very adult argument about whether one of them was sitting too close to the other. Unable to come to a satisfactory conclusion with words, one man stabbed the other in the face with a pen. According to CNN, the attacker was led away wearing handcuffs and a Harry Potter T-shirt. In the aftermath, some Comic-Con attendees dealt with the attack in an oddly fitting way: They cosplayed as the victim, with pens protruding from bloody eye sockets.

2. MEMORABILIA THIEVES INVADE NEW YORK

Since its founding in 2006, New York Comic Con has attracted a few sticky-fingered attendees. In 2010, a man stole several rare comics from vendor Matt Nelson, co-founder of Texas’ Worldwide Comics. Just one of those, Whiz Comics No. 1, was worth $11,000, according to the New York Post. A few years later, in 2014, someone stole a $2000 “Dunny” action figure, which artist Jon-Paul Kaiser had painted during the event for Clutter magazine. And those are just the incidents that involved police; lower-scale cases of toys and comics disappearing from booths are an increasingly frustrating epidemic, according to some. “Comic Con theft is an issue we all sort of ignore,” collector Tracy Isenhour wrote on the blog of his company, Needless Essentials, in 2015. “I am here to tell you no more. It’s time for this garbage to stop."

3. CATWOMAN SAVES THE DAY

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Adrianne Curry, winner of the first cycle of America’s Next Top Model, has made a career of chasing viral fame. Ironically, it was at Comic-Con in 2014 that Curry did something truly worthy of attention—though there wasn’t a camera in sight. Dressed as Catwoman, she was posing with fans alongside her friend Alicia Marie, who was dressed as Tigra. According to a Facebook post Marie wrote at the time, a fan tried to shove his hands into her bikini bottoms. She screamed, the man ran off, and Curry jumped to action. She “literally took off after dude WITH her Catwoman whip and chased him down, beat his a**,” Marie wrote. “Punched him across the face with the butt of her whip—he had zombie blood on his face—got on her costume.”

4. MAN POSES AS FUGITIVE-SEEKING INVESTIGATOR TO GET INTO VIP ROOM

The lines at Comic-Con are legendary, so one Utah man came up with a novel way to try and skip them altogether. In 2015, Jonathon M. Wall tried to get into Salt Lake Comic Con’s exclusive VIP enclave (normally a $10,000 ticket) by claiming he was an agent with the Air Force Office of Special Investigations, and needed to get into the VIP room “to catch a fugitive,” according to The San Diego Union Tribune. Not only does that story not even come close to making sense, it also adds up to impersonating a federal agent, a crime to which Wall pleaded guilty in April of this year and which carried a sentence of up to three years in prison and a $250,000 fine. In June, prosecutors announced that they were planning to reduce his crime from a felony to a misdemeanor.

5. MAN WALKS 645 MILES TO COMIC-CON, DRESSED AS A STORMTROOPER, TO HONOR HIS LATE WIFE

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In 2015, Kevin Doyle walked 645 miles along the California coast to honor his late wife, Eileen. Doyle had met Eileen relatively late in life, when he was in his 50s, and they bonded over their shared love of Star Wars (he even proposed to her while dressed as Darth Vader). However, she died of cancer barely a year after they were married. Adrift and lonely, Doyle decided to honor her memory and their love of Star Wars by walking to Comic-Con—from San Francisco. “I feel like I’m so much better in the healing process than if I’d stayed home,” he told The San Diego Union Tribune.

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Words
10 Pieces of Lying Lingo from Across the United States
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Maligner. Fabricator. Fibber. Con artist. There are all sorts of ways you can say "liar," but in case you're running out, we’ve worked with the editors at the Dictionary of American Regional English (DARE) to come up with 10 more pieces of lying lingo to add to your storytelling stash.

1. HASSAYAMPA

This term for a liar originally referred to a gold-rusher in Arizona, according to DARE. It can also be used to describe an old-timer, especially one who likes to exaggerate. The word hassayampa (also hassayamper) comes from the Hassayampa River, which is located in the Grand Canyon State. According to the Dictionary of American Folklore, “There was a popular legend that anyone who drank of the Hassayampa River in Arizona would never again tell the truth.”

2. JACOB

“You’re a Jacob!” you might say to a deceiver in eastern Alabama or western Georgia. This word—meaning a liar, a lie, and to lie—might be based on the Bible story of twin brothers Jacob and Esau. Esau, the elder and firstborn, stood to inherit his parents' estate by law. At the behest of his mother, Jacob deceived their father, blinded in old age, into thinking he was Esau and persuaded him to bestow him Esau’s blessing.

3. LIZA

Liza or Liza Jane can mean a lie or a liar. Hence, to lizar means to lie. Like Jacob, Liza is an eastern Alabama and western Georgia term. However, where it comes from isn’t clear. But if we had to guess, we’d say it’s echoic of lies.

4. STORY

“What a story you are,” you might say to a prevaricator in Virginia, eastern Alabama, or western Georgia. According to the Oxford English Dictionary (OED), story, meaning a liar, is mainly used in the phrase, “You story!” Story as a verb meaning “to give a false or malicious account, lie, tattle,” is an English dialect word, according to DARE, and is chiefly used in the South and South Midland states. “You storied to me about getting a drink,” you might tell someone who stood you up.

5. LOAD

To load or load up means to trick, mislead, or “deceive by yarns or windies,” according to cowboy lingo in northwest Texas. The term, which can also be a noun meaning a lie or liar, might also be heard in northwest Arkansas and the Ozarks.

6. YARN

To spin a yarn, or to tell a long tale, began as nautical slang, according to the OED, and comes from the idea of telling stories while doing seated work such as yarn-twisting. (The word yarn comes from the Old English gearn, meaning "spun fiber, spun wool.") By extension, a yarn is a sometimes marvelous or incredible story or tale, and to yarn means to tell a story or chat. In some parts of the U.S., such as Arkansas, Indiana, Maryland, and Tennessee, to yarn means to lie or tell a falsehood. “Don’t yarn to me!” you might say. Street yarn refers to gossip in New York, Kentucky, and parts of New England.

7. WINDY

Telling a windy in the West? You’re telling an “extravagantly exaggerated or boastful story,” a tall tale, or a lie, says DARE. Wind has meant “vain imagination or conceit” since the 15th century, says OED.

8. LIE

In addition to being a falsehood or tall tale, a lie in the South and South Midland states can refer to the liar himself.

9. STRETCH THE BLANKET

You’ve probably heard of stretching the truth. How about stretching the blanket? This phrase meaning to lie or exaggerate is especially used in the South Midland states. To split the blanket, by the way, is a term in the South, South Midland, and West meaning to get divorced, while being born on the wrong side of the blanket means being born out of wedlock, at least in Indiana and Ohio.

10. WHACK

In the South and South Midland, whack refers to a lie or the act of lying. It might come from the British English colloquial term whacker, meaning anything abnormally large, especially a “thumping lie” or “whopper,” according to the OED. In case you were wondering, wack, as in “crack is wack,” is probably a back-formation from wacky meaning crazy or odd, also according to the OED. Wacky comes from whack, a blow or hit, maybe from the idea of being hit in the head too many times.

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