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The Stories Behind 6 Classic Stephen Sondheim Songs

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Composer, lyricist, and Broadway legend Stephen Sondheim turns 85 today. Celebrate with a look back at a few of the many iconic songs he has written in his career.

1. “MARIA” // WEST SIDE STORY (1957)

Though Sondheim enjoys composing music much more than writing lyrics, he came on board Arthur Laurents’ Romeo and Juliet update to write lyrics for music composed by Leonard Bernstein. The song “Maria” happens when Maria and Tony—sister of the leader of a Puerto Rican gang called the Sharks and a former member of a rival gang called the Jets, respectively—meet at a school dance. There, they exchange a few words, dance, and fall in love.

“The problem here,” Sondheim writes in Finishing the Hat, “was how to write a love song for two people who have just met. They have exchanged exactly 10 lines, but they have encountered each other in a surreal, dreamlike dance sequence, so that the audience believes that they have an intimate, even mystical, connection. Nevertheless, when the gymnasium set dissolves into the street outside Maria’s house and Tony is back in reality, he has to sing something real.” The only things Tony knows about Maria at this point are her name, and that she’s Puerto Rican—so, says Sondheim, the only thing he could think to make him sing rapturously about was her name.  

There was another reason for “Maria,” too: Originally, Tony had been “a blond Polish Catholic, in order to contrast him as much as possible with the Puerto Ricans,” Sondheim writes. “This gave the name ‘Maria’ a religious resonance, which I pushed with the line ‘Say it soft and it’s almost like praying.’” The Polish-Catholic thing was eventually dropped, though, and Sondheim laments that now, the line “makes little sense and merely contributed a kind of overall wetness to the lyric—a wetness, I regret to say, which persists throughout all the romantic lyrics in the show, but which appealed to my collaborators and which may very well have contributed to the score’s popularity.”

2. “ROSE’S TURN” // GYPSY (1959)

Though he was worried that writing lyrics would pigeonhole him as a lyricist, Sondheim picked up his pen again to write the lyrics for the Ethel Merman vehicle Gypsy, with a book by Laurents and music by Jule Styne. Sondheim called the musical, which was loosely based on the memoirs of famous burlesque entertainer Gypsy Rose Lee (aka Louise) and focusing on her domineering stagemother, Rose, “the show where I came of age—lyrically, at any rate.”

Originally, the scene featuring Rose’s breakdown wasn’t going to be a song at all, but “a surreal ballet, in which Rose would be confronted by all the people in her life,” according to Sondheim. But a week into the rehearsals, choreographer Jerome Robbins said he wouldn’t have time to teach Merman a ballet. So it would have to be a song. Styne had a prior engagement that night, so Sondheim sat down with Robbins to discuss what the number should be. “I suggested to Jerry that since he wanted all the people in the story to collide in a ballet, perhaps if Rose’s breakdown were to be sung rather than danced it could comprise fragments of all the songs associated with her and the people in her life; the songs we’d heard all evening, colliding in an extended surreal medley consisting of fragments of the score.” As Sondheim improvised on the piano, Robbins danced across the stage, “like a stripper, but a clumsy one: like Rose doing a strip,” Sondheim writes. “That was the beginning of three exhilarating hours of musical and choreographic improvisation, as we shaped and constructed the number to be a summary of the score. I even improvised lyrics, something which was anathema to me.”

The next day, Sondheim and Styne filled out the number, then played it for Merman at rehearsal. She was unsure: “It’s sorta more an aria than a song,” she said, but Sondheim was able to assure her that “it was merely a collage of songs that she had either sung or heard during the course of the show. That seemed to calm her.”

During previews, “Rose’s Turn” ended on a much different note. “I had persuaded Jule to end the number on a high, dissonant chord of eerie violin harmonics: a woman having a nervous breakdown would not wind up on a triumphant tonic chord,” Sondheim writes. But when his mentor, Oscar Hammerstein, came to see the show, he suggested that the song end in a show-stopping climax. Otherwise, he argued, the audience would be waiting for the curtain call, when they could give Merman the ovation she deserved, instead of listening to the scene that followed the song, in which Rose and Louise reconciled and made the point that all children become their parents. “Gently chastened, I gave up and we affixed a big ending and a tonic chord to the song,” Sondheim writes. “Ethel got an enormous ovation and the audience listened to the last scene in rapt silence. Lesson learned.”

3. “LADIES WHO LUNCH” // COMPANY (1970)

Company’s Joanne—a cynical older woman who is friends with the show’s main character, Robert—was based on the legendary Elaine Stritch, “or at least on her acerbic delivery of self-assessment,” Sondheim writes in Finishing the Hat.

The song “Ladies Who Lunch” marked the third time (after Gypsy and A Funny Thing Happened on the Way to the Forum) that the lyricist/composer had to write music and lyrics for a specific personality playing a character. “The song fit her perfectly, the only problem occurring when, in all innocence, she asked me what kind of pastry ‘a piece of Mahler’s’ referred to.” Stritch would later recount how she thought Mahler’s was “a pastry shop on Broadway ... The ladies had lunch, they went to see a matinee, they saw a Pinter play, and then afterwards, they went around the corner and had a cup of tea and a piece of Mahler’s. Made perfect sense to me. When I brought it up to Stephen Sondheim, he said, ‘Elaine, I have to go to the bathroom.’” (Gustav Mahler was a Jewish composer.)

Sondheim had hoped that the number would be a showstopper, and the audience would actually stand up when Stritch said “Rise!” over and over and give the performer a standing ovation. “It was a showstopper, but not quite that big,” he wrote. “My hope was probably a holdover from my Hollywood fantasies in which one opening night's black-tied men and bejeweled women stood up at anything—much as they do nowadays, where standing ovations are a forgone conclusion, it being necessary for audiences to remind themselves that they’ve had a live experience by participating in it.”

4. “SEND IN THE CLOWNS” // A LITTLE NIGHT MUSIC (1973)

A Little Night Music, with lyrics and music by Sondheim, was based on Ingmar Bergman’s 1955 film Smiles of a Summer Night. The song that appeared in this second act scene was supposed to belong to the male lead, Fredrick, a middle-aged lawyer in an unconsummated marriage with a much younger woman. He is tempted to reignite an affair with Desiree, an older actress, “since the action is his, the passive reaction being Desiree’s, and I started to write one,” Sondheim writes. But Desiree had only two songs in the first act, neither a solo, so director Hal Prince suggested that the scene might be the ideal place to give Desiree a solo, and that “he had directed it so that the thrust of the action came from her rather than from Fredrik. I went skeptically to see a rehearsal, and he had indeed accomplished what he had promised.”

Desiree was played by Glynis Johns, whose voice, Sondheim wrote, was “small but silvery, musically and smokily pure,” and whose biggest limitation was her inability to hold a note. “The solution was to write short breathy phrases for her, which suggested to me that they should be questions rather than statements,” Sondheim writes. “Once I’d reached that conclusion, the song wrote effortlessly … The song sat so well in Glynis’s voice that at the recording session, even though she’d been in a recording studio only once before (for the Disney movie of Mary Poppins), she did it perfectly in one take.”

“Send in the Clowns” was a huge hit for the composer/lyricist. “Why so many fine (and not so fine) singers have recorded ‘Send in the Clowns’ is a mystery to me,” he writes. “For two years after A Little Night Music opened, the only even faintly known vocalist who took an interest in it was Bobby Short, a singer and piano player who performed it in nightclubs, where it made no impression on even that tiny and dwindling audience. Then Judy Collins recorded it in England, where it incomprehensibly became a hit, after which Frank Sinatra’s recording made it an even bigger one, and soon enough virtually everybody in the pop field climbed on the bandwagon. … It even won a Grammy Award as Song of the Year in 1975, amid rock and pop contenders—a song from a musical, no less. (It’s the last one that did.)”

5. “ON THE STEPS OF THE PALACE” // INTO THE WOODS (1986)

After his first collaboration with book-writer James Lapine, Sunday in the Park with George, Sondheim suggested that they “write a quest musical along the lines of The Wizard of Oz, the one movie musical I loved in which the songs not only defined the characters and carried the story forward but were wonderful stand-alone songs as well.” Lapine combined all of the classic Grimm fairy tale characters and added a Baker and his Wife, who are unable to conceive, thanks to a curse put on his family by a Witch.

The story, of course, included Cinderella. “The story of Cinderella has always struck me as the most incomprehensible of all the moral fables known as fairy tales,” Sondheim writes in Look, I Made a Hat. “Here is a plain, depressed slave of a girl, beaten and maltreated by her [stepfamily who] … suddenly finds herself magically transformed into a radiant, opulently dressed beauty, sought after by the Prince of the Kingdom, who three times flees the palace where she is the belle of the ball to return to the hole in a corner of the house where she is a virtual prisoner. And she can’t decide which place to choose?”

Lapine came up with a twist that makes sense: The accident of leaving her slipper behind isn’t an accident at all; Cinderella chooses to leave it there. “She knows she’s an imposter and doesn’t want willingly to mislead the Prince (and the world),” Sondheim writes. “She figures that if the Prince really cares to see her again, he’ll follow the clue she has left.” Cinderella’s big song in Into the Woods, “On the Steps of the Palace,” shows the future princess coming to the decision to leave her shoe behind. Writes Sondheim, “No one, as far as I know, has ever made this observation, and if there were no other reason to write this book, the opportunity for me to point out James’s insight would be justification enough.”

6. “HOW I SAVED ROOSEVELT” // ASSASSINS (1990)

This musical—with a book by John Weidman, and based on an idea by Charles Gilbert, Jr.—featured all of the 13 people who have tried (or succeeded) to kill American Presidents. “How I Saved Roosevelt” is about a 1933 assassination attempt on Franklin D. Roosevelt, which occurred in Miami; instead of hitting the President-elect, unemployed brick layer Giuseppe Zangara, who fired six rounds, hit Chicago mayor Anton Cermak, who later died from his wounds.

Sondheim painstakingly researched to write the song. “There were in fact five bystanders who claimed to take the actions described in the song, although no one deflected Zangara by pushing his arm in the air,” Sondheim writes. “He had the misfortune to be only five feet tall and had arrived too late at the arena to get a seat close to the front. Roosevelt’s speech was unusually brief, and, as he started to sit down, Zangara was hastening to shoot when the entire audience rose to its feet in applause and blocked his view, forcing him to stand on his seat, which wobbled just enough to ruin his aim. Thus Roosevelt was indeed saved.”

There was also a song about the time Teddy Roosevelt was shot, but it was cut. “The bullet would have pierced Roosevelt’s heart were it not for the steel eyeglass case and the fifty-page speech lodged in the breast pocket of his jacket,” Sondheim writes. “So one Roosevelt was saved by being long-winded and the other by being terse, a ripe opportunity for a song if I ever heard one.”

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8 Allegedly Cursed Places
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Some of the most picturesque spots in the world hide legends of a curse. Castles, islands, rivers, and more have supposedly suffered spooky misfortunes as the result of a muttered hex cast after a perceived slight—whether it's by a maligned monk or a mischievous pirate. Below are eight such (allegedly) unfortunate locations.

1. A WALL FROM MARGAM ABBEY // WALES

An 800-year-old ruined wall stands on the grounds of a large steelworks in Port Talbot, Wales. The wall is surrounded by a fence and held up by a number of brick buttresses—all because of an ancient curse. The story goes that when King Henry VIII dissolved the monasteries in the 16th century, one of the local Cistercian monks evicted from Margam Abbey told the new owners of the site, in a bid to protect it, that if the wall fell, the entire town would fall with it (it's unclear why he would focus on that particular part of the structure). Since then, the townsfolk have tried hard to protect the wall, even as an enormous steelworks was built around it. Rumors abound that the hex-giving monk still haunts the site in a red habit, keeping an eye on his precious wall.

2. ALLOA TOWER // SCOTLAND

Alloa tower in Scotland
HARTLEPOOLMARINA2014, Wikimedia // CC BY-SA 4.0

Alloa Tower in Clackmannanshire, Scotland, has reportedly been subject to a curse for hundreds of years. In the 16th century, the Earl of Mar is said to have destroyed the local Cambuskenneth Abbey and taken the stones to build his new palace. The Abbot of Cambuskenneth was so furious he supposedly cast a multi-part curse on the Erskine family—ominously known as “The Doom of Mar." It is said that at least part of the curse has come true over the years, including that three of the children of the Mar family would “never see the light” (three of the earl’s ancestors’ offspring were reportedly born blind). The curse also supposedly predicted that the house would burn down, which occurred in 1800. Another part of the curse: The house would lay in ruins until an ash sapling grew from its roof. Sure enough, around 1820 a sapling was seen sprouting from the roof, and since then the family curse is said to have been lifted.

3. A WORKERS' CEMETERY // EGYPT

In the fall of 2017, archeologists reopened an almost-4500-year-old tomb complex in Giza, Egypt, that contains the remains of hundreds of workers who built the great Pyramid of Giza. The tomb also contains the remains of the supervisor of the workers, who is believed to have added curses to the cemetery to protect it from thieves. One such curse reads: "All people who enter this tomb who will make evil against this tomb and destroy it, may the crocodile be against them in water and snakes against them on land. May the hippopotamus be against them in water, the scorpion against them on land." The complex is now open to the public—who may or may not want to take their chances.

4. RUINS OF THE CHATEAU DE ROCCA SPARVIERA // FRANCE

A chateau just north of the French Riviera may sound like a delightful place to be, but amid the ruins of the Chateau de Rocca-Sparviera—the Castle of the Sparrow-Hawk—lies a disturbing legend. The tale centers around a medieval French queen named Jeanne, who supposedly fled to the castle after her husband was killed. She arrived with two young sons and a monk known to enjoy his drink. One Christmas, she went into the village to hear a midnight mass, and when she returned, she found that the monk had killed her sons in a drunken rage. (In another version of the story, she was served a banquet of her own children, which she unknowingly ate.) According to legend, Jeanne then cursed the castle, saying a bird would never sing nearby. To this day, some travelers report that the ruins are surrounded by an eerie silence.

5. THE PEBBLES OF KOH HINGHAM // THAILAND

Stopped off at a small uninhabited island that, according to Thai mythology, is cursed by the god Tarutao. If anyone dared to even take one pebble off this island they would be forever cursed! 😈 I heard from a local that every year the National Park office receive many stones back via mail from people who want to lift the curse! I was never much of a stone collector anyway... ☻☹☻☹☻ #thailand #kohlanta #kohlipe #kohhingham #islandhopping #islandlife #beachlife #pebbles #beach #speedboat #travelgram #instatraveling #wanderlust #exploringtheglobe #exploretocreate #traveleverywhere #aroundtheworld #exploringtheglobe #travelawesome #wanderer #earth_escape #natgeotravel #serialtraveler #awesomesauce #picoftheday #photooftheday #potd

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The tiny uninhabited island of Koh Hingham, off the coast of Thailand, is blessed with a covering of precious black stones. The stones are not precious because they contain anything valuable in a monetary sense, but because according to Thai mythology the god Tarutao made them so. Tarutao is said to have invoked a curse upon anyone who takes a stone off the island. As a result, every year the national park office that manages the island receives packages from all over the world, sent by tourists returning the stones and attempting to rid themselves of bad luck.

6. INITIALS OUTSIDE THE CHAPEL AT ST. ANDREWS UNIVERSITY // SCOTLAND

The "cursed" PH stones of St. Andrews University
Nuwandalice, Flickr // CC BY-NC-ND 2.0

The initials PH are paved into the ground outside St. Salvator’s Chapel at St. Andrews University in Scotland. They mark the spot where 24-year-old preacher and faculty member Patrick Hamilton was burned at the stake for heresy in 1528—an early trigger of the Scottish Reformation. The location is therefore supposed to be cursed, and it is said that any student who stands on the initials is doomed to fail their exams. As a result of this superstition, after graduation day many students purposefully go back to stand on the spot now that all danger of failure has passed.

7. CHARLES ISLAND // CONNECTICUT

Charles Island, Connecticut
Michael Shaheen, Flickr // CC BY-NC-ND 2.0

Charles Island lies off the coast of Milford, Connecticut, and is accessible from the mainland via a sandbar when the tide is low. Today it's home to a peaceful nature reserve for local birds, but its long history supposedly includes three curses. The first is said to have been cast in 1639 by the chief of the Paugussett tribe, after the nation was driven off the land by settlers—the chief supposedly cursed any building erected on the land. The second was supposedly laid in 1699 when the pirate Captain William Kidd stopped by the island to bury his booty and protected it with a curse. Shortly afterward, Kidd was caught and executed for his crimes—taking the location of his treasure to his grave.

The third curse is said to have come all the way from Mexico. In 1525, Mexican emperor Guatimozin was tortured by Spaniards hoping to locate Aztec treasure, but he refused to give up its whereabouts. In 1721, a group of sailors from Connecticut supposedly stumbled across the Aztec loot hidden in a cave in Mexico. After an unfortunate journey home in which disaster after disaster slowly depleted the crew, the sole surviving sailor reportedly landed on Charles Island, where he buried the cursed treasure in the hope of negating its hex.

8. THE GHOST TOWN OF BODIE // CALIFORNIA

A house in Bodie, California
Jim Bahn, Flickr // CC BY 2.0

Bodie, in California's Sierra Nevadas, sprang up as a result of the gold rush. The town boomed in the late 19th century, with a population nearing 10,000 people. But as the gold seams ran dry, Bodie began a slow and steady decline, hastened by a series of devastating fires. By the 1950s, the place had become a ghost town, and in 1962 it was designated a State Historic Park, with the the buildings kept in a state of “arrested decay." Bodie's sad history has encouraged rumors of a curse, and many visitors to the site who have picked up an abandoned souvenir have reportedly been dogged with bad luck. So much so, the Bodie museum displays numerous letters from tourists who have sent back pilfered booty in the hope of breaking their run of ill fortune.

But the curse didn't start with prospectors or spooked visitors. The rumor apparently originated from rangers at the park, who hoped that the story would prevent visitors from continuing to steal items. In one sense the story worked, since many people are now too scared to pocket artifacts from the site; in another, the rangers have just succeeded in increasing their workload, as they now receive letter after letter expressing regret for taking an item and reporting on the bad luck it caused—further reinforcing the idea of the Bodie curse.

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21 Other Royal Babies Born In The Last 20 Years
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by Kenny Hemphill

At 11:01 a.m. on April 23, 2018, the Royal Family got a new member when it was announced that the Duke and Duchess of Cambridge have welcomed their third child, a (yet-to-be-named) boy, who will become fifth in line to the throne. While William and Kate's three children may be the youngsters closest to the throne, they're not the only pint-sized descendants of Queen Elizabeth II to be born in the past 20 years. Here are 21 more of them.

1. ARTHUR CHATTO

Arthur Robert Nathaniel Chatto, who turned 19 years old February 5, is the younger son of Lady Sarah and Daniel Chatto. He is 23rd in the line of succession—and has been raising some royal eyebrows with his penchant for Instagram selfies.

2. CHARLES ARMSTRONG-JONES, VISCOUNT LINLEY

The grandson of Lord Snowden and Princess Margaret, and son of the 2nd Earl and Countess of Snowdon, Charles—who was born on July 1, 1999—is the heir apparent to the Earldom of Snowdon.

3. LADY MARGARITA ARMSTRONG-JONES

Britain's Queen Elizabeth II (R) speaks to Serena Armstrong-Jones, Countess of Snowdon (L), David Armstrong-Jones (2L), 2nd Earl of Snowdon, and Lady Margarita Armstrong-Jones (2R).
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Born on May 14, 2002, Lady Margarita is sister to Charles Armstrong-Jones, and great-niece to the Queen. She's 20th in line to the throne.

4. LADY LOUISE WINDSOR

Lady Louise Windsor is the eldest child and only daughter of Prince Edward, Earl of Wessex, and Sophie, Countess of Wessex. She was born on November 8, 2003 and is 11th in line for the throne.

5. ELOISE TAYLOR

The third child of Lady Helen and Timothy Taylor, Eloise Olivia Katherine Taylor was born on March 2, 2003 and is 43rd in line for the throne.

6. ESTELLA TAYLOR

Catherine, Duchess of Cambridge chats to Estella Taylor on the balcony during Trooping the Colour - Queen Elizabeth II's Birthday Parade, at The Royal Horseguards on June 14, 2014 in London, England
Chris Jackson/Getty Images

Eloise's younger sister, Estella Olga Elizabeth Taylor, was born on December 21, 2004. She is the youngest of the four Taylor children and is 44th in succession.

7. JAMES, VISCOUNT SEVERN

The younger child of Prince Edward, Earl of Wessex, and Sophie, Countess of Wessex, James Alexander Philip Theo Mountbatten-Windsor—or Viscount Severn—was born on December 17, 2007 and is 10th in line for the throne.

8. ALBERT WINDSOR

Albert Louis Philip Edward Windsor, born September 22, 2007, is notable for being the first royal baby to be baptized a Catholic since 1688. He is the son of Lord and Lady Nicholas Windsor, and grandson of the Duke and Duchess of Kent. According to the Act of Settlement, which was passed in 1701, being baptized Catholic would automatically exclude a potential royal from the line of succession. But there was some controversy surrounding this when, up until 2015, the Royal Family website included Albert.

9. XAN WINDSOR

Lord Culloden, Xan Richard Anders Windsor, is son to the Earl of Ulster and Claire Booth, and grandson of the Duke of Gloucester. He was born on March 2, 2007 and is 26th in succession.

10. LEOPOLD WINDSOR

Like his older brother Albert, Leopold Windsor—who was born on September 8, 2009—is not in line to the throne, by virtue of being baptized a Roman Catholic (though he, too, was listed on the Royal Family's website for a time).

11. SAVANNAH PHILLIPS

Autumn Phillips, Isla Phillips, Peter Philips and Savannah Phillips attend Christmas Day Church service at Church of St Mary Magdalene on December 25, 2017 in King's Lynn, England
Chris Jackson/Getty Images

Savannah Anne Kathleen Phillips, the Queen's first great-grandchild, was born on December 29, 2010 to Peter Phillips, son of Princess Anne and Mark Phillips, and Autumn Kelly. She is 14th in line for the throne.

12. SENNA LEWIS

Senna Kowhai Lewis, who was born on June 2, 2010, is the daughter of Gary and Lady Davina Lewis, elder daughter of Prince Richard, Duke of Gloucester. She was a beneficiary of the Succession to the Crown Act 2013, which abolished the practice of giving sons precedence over daughters in the line of succession, regardless of when they are born. As a result, she is 29th in succession.

13. LYLA GILMAN

Daughter of Lady Rose and George Gilman, and granddaughter of Prince Richard, 2nd Duke of Gloucester, Lyla Beatrix Christabel Gilman was born on May 30, 2010. She is 32nd in succession.

14. COSIMA WINDSOR

Lady Cosima Rose Alexandra Windsor was born on May 20, 2010. She is sister to Lord Culloden, daughter of the Earl of Ulster and Claire Booth, and granddaughter to the Duke of Gloucester. She's 27th in line for the throne.

15. RUFUS GILMAN

Lyla Gilman's brother, Rufus, born in October 2012, is 33rd in line for the throne.

16. TĀNE LEWIS

Tāne Mahuta Lewis, Senna's brother, was named after a giant kauri tree in the Waipoua Forest of the Northland region of New Zealand. He was born on May 25, 2012 and is 30th in line for the throne, following the Succession to the Crown Act 2013.

17. ISLA PHILLIPS

Princess Anne, Princess Royal, Isla Phillips and Peter Phillips attend a Christmas Day church service
Chris Jackson/Getty Images

Peter and Autumn Phillips's second and youngest daughter, Isla Elizabeth Phillips, was born on March 29, 2012 and is 15th in succession.

18. MAUD WINDSOR

Maud Elizabeth Daphne Marina Windsor, the daughter of Lord Frederick and Lady Sophie of Windsor and granddaughter of Prince and Princess Michael of Kent, was born on August 15, 2013 and is 47th in line for the throne.

19. LOUIS WINDSOR

Louis Arthur Nicholas Felix Windsor, who was born on May 27, 2014, is the youngest child of Lord and Lady Nicholas Windsor, and brother of Leopold and Albert. As he was baptized into the Roman Catholic church, he's not in line to the throne.

20. MIA GRACE TINDALL

Mike Tindall, Zara Tindall and their daughter Mia Tindall pose for a photograph during day three of The Big Feastival at Alex James' Farm on August 28, 2016 in Kingham, Oxfordshire.
Tim P. Whitby/Getty Images

Daughter of Zara Phillips and her husband, former England rugby player Mike Tindall, Mia Grace Tindall was born on January 17, 2014 and is 17th in the line of succession.

21. ISABELLA WINDSOR

Isabella Alexandra May, the second and youngest daughter of Lord Frederick and Lady Sophie of Windsor, was the last addition to the royal family. In July 2016, she was christened at Kensington Palace wearing the same gown worn by both Prince George and Princess Charlotte (it's a replica of the one that Queen Victoria's children wore). Looking on was celebrity chef Jamie Oliver, who is one of Isabella's godparents.

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