How an Intelligence Officer Used Monopoly to Free POWs

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iStock

What got Christopher Clayton Hutton his job as an intelligence officer at MI9 wasn’t anything on his professional resume. His career as a journalist, his work in Hollywood publicity departments, and his stint as a pilot in the Royal Air Force during the First World War mattered little to the War Office when he applied in 1939. “My passport to the whole curious business,” he recounted 22 years later in his autobiography, Official Secret, “had been a casual reference to my thwarted efforts to get the better of Harry Houdini, the world’s greatest escapologist.”

During his interview, Hutton—or Clutty, as he was called—recounted to Major J.H. Russell how, on April 29, 1915, he had written to the legendary showman, challenging him to escape from a box built on stage, in full view of the audience, by the master carpenter of his father’s timber mill company. “You enter immediately,” Hutton wrote, “wenail down the lid, securely rope up the box, and defy you to escape without demolishing same.”

Houdini accepted, with one condition: that he be allowed to visit the timber mill and meet the carpenter. Hutton, then just 20, arranged the meeting—not realizing, until much later, that Houdini had used the time to bribe the woodworker. In exchange for a mere £3 (less than $5), the carpenter agreed to build the box in such a way that, once Houdini was inside and the box was concealed behind a curtain, it would be easy for the famous escape artist to push one end off using just his feet, then nail it back on properly while the orchestra at the performance played especially loudly.

Though he’d always been interested in show business, Hutton told Russell that the Houdini incident marked the beginning of an obsession with magic. “Magicians, illusionists, escapeologists in particular—they all fascinate me,” Hutton said.

“You may be the very man we want,” Russell replied. “We’re looking for a showman with an interest in escapology.” And just like that, Hutton was hired.

Hutton’s job, he learned that day, would be to build and conceal tools that would allow Allied prisoners of war to escape German POW camps. Over the course of World War II, 232,000 Western Allies (and 5.7 million Soviet soldiers) were imprisoned in the camps, most of which were located in Eastern Germany and Austria, making for a long and difficult route back home. The prisoners, Hutton’s superior told him, were being instructed to try to escape, with the hope that they would be able to divert German soldiers from the front. Clutty was given the rank of lieutenant and told to get to work.

It quickly became clear that Clutty had no respect for rules or boundaries. He often employed unorthodox methods, and stepped on plenty of toes, to get things done. “This officer is eccentric,” his commanding officer wrote to a provost marshal. “He cannot be expected to comply with ordinary service discipline, but he is far too valuable for his services to be lost to this department.” Hutton and his team regularly churned out impressive devices to aid POWs in their escape attempts, including flying boots with hollow heels that held knives, maps, a compass, and a file—and could also be transformed into civilian shoes; a telescope disguised as a cigarette holder; and compasses so tiny they could be hidden on the backs of buttons.

But as ingenious as Hutton’s concealments were, the Germans inevitably figured them out. All of them, that is, but one. This particular scheme that Clutty had hatched wouldn’t come to light until the documents were declassified four decades after the end of the war: With the help of a Leeds-based manufacturing company, Hutton hid escape kits for POWs in unassuming, ordinary-looking Monopoly games.

MAPS AND MONOPOLY

Monopoly first made its way to the UK in 1935, just a few months after Parker Brothers purchased it from Charles Darrow. Not long after, the company shipped the game overseas to its U.K. partners, John Waddington Limited, a printing and packaging company that was beginning to make the move into games. “The Waddingtons were so taken by Monopoly that they immediately licensed it in December 1935,” Philip Orbanes, a Monopoly historian at Parker Brothers and author of three books about the game, tells mental_floss. “They adapted it to the market by changing the street names to appropriate streets in London.” The game, released in 1936, was an immediate hit in England.

In its original role as a printing company, Waddingtons was responsible for creating the silk play bills that were presented to the Royal Family at command performances. This had required the company to perfect the process of printing on silk, which its workers had accomplished by stretching the material and adding a gummy substance called pectin to the ink to keep it from running. The innovation made the printing of highly detailed silk escape maps—which didn’t rustle like paper maps, were impervious to dirt and water, and didn’t distort—possible, and the company was already making thousands for MI9, which were sewn into airmen’s uniforms. It was a perfect solution if an airman somehow managed to evade capture. But what about the men who ended up in POW camps?


From the collection of Philip E. Orbanes. Click to enlarge.

Clutty knew that games were allowed into camps; the Germans believed they provided a diversion for POWs whose main activity was trying to figure out how they could escape. And then inspiration struck: Most of his devices could only conceal one tiny tool, but a game with a large board could hide a silk map, a small compass, a Gigli saw, and a file. Waddingtons made silk maps—and Monopoly. The game was large enough for what he wanted, and the fake money could conceal the real money that POWs on the run would need. It was perfect for Hutton’s all-in-one escape kit.

On March 26, 1941, Hutton discussed the matter with the company's chairman, Victor Watson, then followed up with a letter that same day, which read, in part:

Dear Mr. Watson,

Reference our conversation today. I am sending you, under separate cover, as many maps as I have in stock of the following:
Norway and Sweden
Germany
Italy

I shall be glad if you will make up games on the lines discussed today containing the maps as follows:

One game must contain Norway, Sweden, and Germany.
One game must contain N. France, Germany, and frontiers.
One game must contain Italy.

I am also sending you a packet of small metal instruments. I should be glad if in each game you could manage to secrete one of these.

I want as varied an assortment containing these articles as possible. You had then better send me 100/200 games on the straight.

In those that are faked, you must give me some distinguishing clue and also state what they contain.

Waddingtons put just a few workers on the project, secluding them in a small room, where they used cookie cutter-like dies to punch compartments exactly the size of the items into the Monopoly boards—which were then an eighth of an inch thick, compared to today’s twelfth of an inch—before gluing the game board decal over it. When their job was done, the board was indistinguishable from one a regular citizen might buy in a store.


Courtesy of Philip E. Orbanes. Click to enlarge.

GETTING THE GAMES INTO THE CAMPS

After designing his ingenious escape aids, Clutty’s greatest challenge was figuring out how to actually get them into the camps. He couldn’t use Red Cross packages, and monthly personal packages sent to POWs by family and friends were out, too. “I had no doubt that if the Germans discovered an illegal item in a ‘family’ parcel, they would have no compunction about withdrawing the privilege altogether,” Clutty wrote in Open Secret.

But Hutton knew that hundreds of organizations were sending care packages to POWs, and he decided to use that to his advantage. “We would hide our escape aids in parcels containing games, sports equipment, musical instruments, books, and articles of clothing,” he wrote. “We knew that these voluntary gifts, designed for the comfort and entertainment of the prisoners, were flooding the camps from hundreds of sources … There was no valid reason why we should not take cover behind this multiplicity of well-wishers.”

He and his team created a bunch of bogus organizations using the addresses of blitzed buildings. A printer made letterheads for the organizations “littered with quotations that we hoped would act both as clues and as an inspiration to the prisoners,” Clutty wrote. “One obvious quotation was from St. Matthew, Chapter 7: ‘Ask and it shall be given you; seek and ye shall find; knock and it shall be opened unto you.’” To make their packages as authentic looking as possible, the team wrapped the parcels that supposedly came from Liverpool organizations, for example, in sheets from the Liverpool Echo.

To see if their packages were getting through, Hutton and his team enclosed “a printed card of acknowledgement on which the contents were enumerated. All the prisoner had to do was to tick off each article as received and return the card,” which was slightly bigger than the one used by the Red Cross, allowing for easy sorting by the censors. After sending out the first batch—which contained no contraband—the team waited and waited to receive cards. “We grew more and more depressed,” Hutton wrote, “telling ourselves gloomily that the Jerries had confiscated the lot and we should hear no more about the matter.”

But then, three months after they’d sent their packages, a card came in—then another, and another. The packages had gotten through! It was time to send through a batch that wasn’t entirely legitimate. “These plans of mine were greeted on all sides with complete skepticism,” Hutton wrote. “Even Major Crockatt said to me as the first 13 loaded parcels were sent, ‘They will never get through in 100 years.’” But Crockatt was wrong. Everything, even the fake material, had been delivered: “We had our entree into the camps.”

SENDING A MESSAGE

Getting the games into the camps was just one part of getting the tools to the POWs. Clutty also had to make sure that the prisoners knew what they were receiving. Clever messages that hinted at what was hidden inside the packages weren't enough; Clutty decided to train at least two members of every Air Force squadron in the art of sending hidden messages concealed in ordinary looking letters addressed to Mom and Dad.

When the trained men mailed letters back to the UK, those letters were intercepted and given to intelligence officers, who steamed them open and took a look at the date. “If it was written out, M-A-Y 3rd, the letter was simply resealed, and it went to whatever relative it was addressed to,” Orbanes says. “But if the letter’s date was numerical—three slash five slash '43—that said ‘there’s a message in this letter.’” The intelligence officer would then multiply the number of letters in the first two words to determine how many words were in the message. If the first two words were “how nice,” for example, then the officer would multiply three by four to get 12 words. “Then,” Orbanes says, “there was a technique by which he could pick out the words in the letter and write out the message.”

This allowed intelligence officers and POWs to communicate back and forth. POWs reported on conditions in the camp, and what they might need to escape—and intelligence officers let them know when special packages were coming their way. “The code user in the camp would eventually get a letter back from ‘Mom or Dad’ that would contain a secret message, and it would tell them when to expect the shipment and what the parcels might look like,” Orbanes says. The contents of Clutty's escape kits could be modified based on requests from code users.


Courtesy of Philip E. Orbanes. Click to enlarge.

Because keeping the secret of how escape tools were getting into the camps was paramount, only a few men ever knew how it was happening. Each POW camp had an escape committee that would receive the items, destroy the method of delivery by burning it in the barracks stove, and hide the tools away in false walls. “Ninety-nine percent of all the POWs had no idea of how the tools were getting into the camps,” Orbanes says. “If you and your buddies had a plan for an escape, you would go to the escape committee and present your idea. And if it was approved, they would issue you the tools you needed. So the POWs got what they needed to effectuate their plan, but they never knew how the tools got into the camp.”

THE AMERICAN EFFORT

When the United States entered the war, after the Japanese attacked Pearl Harbor on December 7, 1941, Hutton was tasked with training his American counterpart, Captain Robley Winfrey, in the art of concealing escape tools in ordinary looking stuff. Winfrey, a civil engineering professor at Iowa State, took a leave of absence to join the Army when the U.S. entered the war; he set up a large, secret operation, Military Intelligence Services—Escape and Evasion Section (MIS-X), on the grounds of Mount Vernon in Virginia. Winfrey came up with a number of ideas to supplement Hutton’s, and it wasn’t long before MIS-X was sending out Monopoly boards loaded with escape tools, too.

But Winfrey’s operation differed from Hutton’s in one very important way: He didn’t have a factory that was making complete escape kit boards for him. Instead, he had to send MIS-X staffers in civilian clothes to stores to buy the games. “They would bring the games back to their facility and steam off the gameboard labels,” Orbanes says. “Then they would cut the compartments in, put in the particular escape tools that they wanted inside that game, and then re-apply the label—they actually had to reverse engineer the glue that Parker used.” Not even Parker Brothers knew their boards were being doctored.

GAME OVER

The Germans had discovered a number of Clutty and Winfrey’s concealments, so the duo always had to be one step ahead of the enemy. When the Germans realized that the cribbage boards prisoners were receiving actually contained radio parts, Winfrey began hiding the parts in the cores of baseballs; it took four baseballs to conceal enough parts to build one radio. Table tennis, Snakes & Ladders, chess sets, and playing cards were used to get escape tools and maps into POW camps.

When the war ended in September 1945, there was just one escape kit the Germans hadn’t discovered: Monopoly. None of the modified boards survived—the POWs had to destroy the boards that came into the camps, and MI9 and MIS-X destroyed whatever was left at the end of the war—and the role the game played wouldn’t be revealed until 1985, when British intelligence declassified documents related to Clutty’s work in MI9. MIS-X’s use of the game wasn’t revealed until 1990, when a member of that team was granted permission to tell his story.

According to Orbanes, at least 744 airmen escaped with aids created by Hutton and Winfrey. One of them was an American officer, Lieutenant David Bowling, who was a prisoner at Stalag Luft III, 100 miles southeast of Berlin. In late 1943, he responded to a commanding officer’s request for a solo escape attempt—which, if Bowling was recaptured, was punishable by death. “Leaders inside the camp had learned that the SS was attempting to wrest control of POW camps from the Luftwaffe,” Orbanes says. “With the war turning against the Germans, the SS proposed executing all POWs in order to free the security forces to bolster the front lines. This possibility had to be communicated quickly to Allied Command in England.”

Bowling spoke German well, and was issued civilian clothing, a forged ID, and a train schedule. He also traveled with German money, a silk map, a tiny compass, wire cutters, and a Gigli saw, which most likely came from a Monopoly game.

A few nights after getting the orders, Bowling waited until lights out at 10 p.m., crawled to the wire, and cut his way through, making his way to Sagan, about 10 miles away, where, the next morning, he boarded a train heading toward Switzerland, according to his map. “For days, Bowling guided his movements by his compass and map,” Orbanes says. “At times, he had to cut through fence wire to avoid walking across fields and remain hidden in woods.” Bowling eventually made it to Zurich and relayed the urgent message.

Were there more attempts like Bowling’s? Most definitely. But we’ll never know for sure just how many—most of the records, British and American, were destroyed just after the war ended. Says Orbanes, “These were better kept secrets than the Manhattan Project.”

15 Uplifting Facts About the Wright Brothers

Smithsonian's National Air and Space Museum, Public Domain, Wikimedia Commons
Smithsonian's National Air and Space Museum, Public Domain, Wikimedia Commons

Before they built the world’s first powered, heavier-than-air, and controllable aircraft, Wilbur and Orville Wright were two ordinary brothers from the Midwest who possessed nothing more than natural talent, ambition, and imagination. In honor of Wright Brothers Day, here are 15 uplifting facts about the siblings who made human flight possible.

1. A TOY PIQUED THEIR PASSION.

From an early age, Wilbur and Orville Wright were fascinated by flight. They attribute their interest in aviation to a small helicopter toy their father brought back from his travels in France. Fashioned from a stick, two propellers, and rubber bands, the toy was crudely made. Nevertheless, it galvanized their quest to someday make their very own flying machine.

2. THEIR GENIUS WAS GENETIC.

While they were inspired by their father’s toy, the Wright brothers inherited their mechanical savvy from their mother, Susan Koerner Wright. She could reportedly make anything, be it a sled or another toy, by hand.

3. THEY WERE PROUD MIDWESTERNERS.

The Wright brothers spent their formative years in Dayton, Ohio. Later in life, Wilbur said his advice for those seeking success would be to “pick out a good father and mother, and begin life in Ohio.”

4. THEY NEVER GRADUATED HIGH SCHOOL.

While the Wright brothers were undoubtedly bright, neither of them ever earned his high school diploma. Wilbur became reclusive after suffering a bad hockey injury, and Orville dropped out of school.

5. THEY ONCE PUBLISHED A NEWSPAPER.

Before they were inventors, the Wright brothers were newspaper publishers. When he was 15 years old, Orville launched his own print shop from behind his house and he and Wilber began publishing The West Side News, a small-town neighborhood paper. It eventually became profitable, and Orville moved the fledgling publication to a rented space downtown. In due time, Orville and Wilbur ceased producing The West Side News—which they’d renamed The Evening Item—to focus on other projects.

6. THEY MADE A FORAY INTO THE BICYCLE BUSINESS.

One of these projects was a bike store called the Wright Cycle Company, where Wilbur and Orville fixed clients’ bicycles and sold their own designs. The fledgling business grew into a profitable enterprise, which eventually helped the Wright brothers fund their flight designs.

7. THEY WERE AUTODIDACTS.

The Wright brothers’ lifelong interest in flight peaked after they witnessed a successive series of aeronautical milestones: the gliding flights of German aviator Otto Lilienthal, the flying of an unmanned steam-powered fixed-wing model aircraft by Smithsonian Institution Secretary Samuel Langley, and the glider test flights of Chicago engineer Octave Chanute. By 1899, Wilbur sat down and wrote to the Smithsonian, asking them to send him literature on aeronatics. He was convinced, he wrote, “that human flight is possible and practical.” Once he received the books, he and Orville began studying the science of flight.

8. THEY CHOSE TO FLY IN KITTY HAWK BECAUSE IT PROVIDED WIND, SOFT SAND, AND PRIVACY.

The Wright brothers began building prototypes and eventually traveled to Kitty Hawk, North Carolina, in 1902 to test a full-size, two-winged glider with a moveable rudder. They chose this location thanks in part to their correspondence with Octave Chanute, who advised them in a letter to select a windy place with soft grounds. It was also private, which allowed them to launch their aircrafts with little public interference.

9. THEY ACHIEVED FOUR SUCCESSFUL FLIGHTS WITH THEIR FIRST AIRPLANE DESIGN.

The Wright brothers started testing various wing designs and spent the next few years perfecting their evolving vision for a heavier-than-air flying machine. In the winter of 1903, they returned to Kitty Hawk with their final model, the 1903 Wright Flyer. On December 17, they finally achieved a milestone: four brief flights, one of which lasted for 59 seconds and reached 852 feet.

10. THE 1903 WRIGHT FLYER NEVER TOOK TO THE SKIES AGAIN…

Before the brothers could embark on their final flight, a heavy wind caused the plane to flip several times. Because of the resulting damage, it never flew again. It eventually found a permanent home in the Smithsonian’s Air & Space Museum—even though Orville originally refused to donate it to the institution because it claimed that Smithsonian Secretary Samuel P. Langley’s own aircraft experiment was the first machine capable of sustained free flight.

11. …BUT A PIECE OF IT DID GO TO THE MOON.

An astronaut paid homage to the Wright brothers by carrying both a swatch of fabric from the 1903 Flyer’s left wing and a piece of its wooden propeller inside his spacesuit.

12. THE PRESS INITIALLY IGNORED THE KITTY HAWK FLIGHTS.

Despite their monumental achievement, the Dayton Journal didn’t think the Wright brothers’ short flights were important enough to cover. The Virginia Pilot ended up catching wind of the story, however, and they printed an error-ridden account that was picked up by several other papers. Eventually, the Dayton Journal wrote up an official—and accurate—story.

13. THE BROTHERS SHARED A CLOSE BOND...

Although the Wright brothers weren’t twins, they certainly lived like they were. They worked side by side six days a week, and shared the same residence, meals, and bank account. They also enjoyed mutual interests, like music and cooking. Neither brother ever married, either. Orville said it was Wilbur’s job, as the older sibling, to get hitched first. Meanwhile, Wilbur said he “had no time for a wife.” In any case, the two became successful businessmen, scoring aviation contracts both domestically and abroad.

14. …BUT WERE OPPOSITES IN MANY WAYS.

Although they were much alike, each Wright brother was his own person. As the older brother, Wilbur was more serious and taciturn. He possessed a phenomenal memory, and was generally consumed by his thoughts. Meanwhile, Orville was positive, upbeat, and talkative, although very bashful in public. While Wilbur spearheaded the brothers’ business endeavors, they wouldn’t have been possible without Orville’s mechanical—and entrepreneurial—savvy.

15. OHIO AND NORTH CAROLINA FIGHT OVER THEIR LEGACY.

Since the Wright brothers split their experiments between Ohio and North Carolina, both states claim their accomplishments as their own. Ohio calls itself the "Birthplace of Aviation,” although the nickname also stems from the fact that two famed astronauts hail from there as well. Meanwhile, North Carolina’s license plates are emblazoned with the words “First In Flight.”

This article originally ran in 2015.

15 Fascinating Facts About Schindler’s List

Universal Pictures
Universal Pictures

In 1993, Steven Spielberg’s Schindler’s List brought to the screen a story that had gone untold since the tragic events of the Holocaust. Oskar Schindler, a Nazi party member, used his pull within the party to save the lives of more than 1000 Jewish individuals by recruiting them to work in his Polish factory. Here are some facts about Spielberg’s groundbreaking film on its 25th anniversary.

1. The story was relayed to author Thomas Keneally in a Beverly Hills leather goods shop.

In October 1980, Australian novelist Thomas Keneally had stopped into a leather goods shop off of Rodeo Drive after a book tour stopover from a film festival in Sorrento, Italy, where one of his books was adapted into a movie. When the owner of the shop, Leopold Page, learned that Keneally was a writer, he began telling him “the greatest story of humanity man to man.” That story was how Page, his wife, and thousands of other Jews were saved by a Nazi factory owner named Oskar Schindler during World War II.

Page gave Keneally photocopies of documents related to Schindler, including speeches, firsthand accounts, testimonies, and the actual list of names of the people he saved. It inspired Keneally to write the book Schindler’s Ark, on which the movie is based. Page (whose real name was Poldek Pfefferberg) ended up becoming a consultant on the film.

2. Keneally wasn't the first person Leopold Page told about Oskar Schindler.

The film rights to Page’s story were actually first purchased by MGM for $50,000 in the 1960s after Page had similarly ambushed the wife of film producer Marvin Gosch at his leather shop. Mrs. Gosch told the story to her husband, who agreed to produce a film version, even going so far as hiring Casablanca co-screenwriter Howard Koch to write the script. Koch and Gosch began interviewing Schindler Jews in and around the Los Angeles area, and even Schindler himself, before the project stalled, leaving the story unknown to the public at large.

3. Schindler made more than one list.

Liam Neeson, Agnieszka Krukówna, Krzysztof Luft, Friedrich von Thun, and Marta Bizon in Schindler's List (1993)
Universal Pictures

Seven lists in all were made by Oskar Schindler and his associates during the war, while four are known to still exist. Two are at the Yad Vashem in Israel, one is at the US Holocaust Museum in Washington, D.C., and one privately owned list was unsuccessfully auctioned off via eBay in 2013.

The movie refers to the first two lists created in 1944, otherwise known as “The Lists of Life.” The five subsequent lists were updates to the first two versions, which included the names of more than 1000 Jews who Schindler saved by recruiting them to work in his factory.

4. Steven Spielberg first learned of Schindler in the early 1980s.

Former MCA/Universal president Sid Sheinberg, a father figure to Spielberg, gave the director Keneally’s book when it was first published in 1982, to which Spielberg allegedly replied, “It’ll make a helluva story. Is it true?”

Eventually the studio bought the rights to the book, and when Page met with Spielberg to discuss the story, the director promised the Holocaust survivor that he would make the film adaptation within 10 years. The project languished for over a decade because Spielberg was reluctant to take on such serious subject matter. Spielberg’s hesitation actually stopped Hollywood veteran Billy Wilder from making Schindler’s List his final film. Wilder tried to buy the rights to Keneally’s book, but Spielberg and MCA/Universal scooped them up before he could.

5. Spielberg refused to accept a salary for making the movie.

Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

6. Before Spielberg agreed to make the movie, he tried to get other directors to make it.

Part of Spielberg’s reluctance to make Schindler's List was that he didn’t feel that he was prepared or mature enough to tackle a film about the Holocaust. So he tried to recruit other directors to make the film. He first approached director Roman Polanski, a Holocaust survivor whose own mother was killed in Auschwitz. Polanski declined, but would go on to make his own film about the Holocaust, The Pianist, which earned him a Best Director Oscar in 2003. Spielberg then offered the movie to director Sydney Pollack, who also passed.

The job was then offered to legendary filmmaker Martin Scorsese, who accepted. Scorsese was set to put the film into production when Spielberg had an epiphany on the set of the revisionist Peter Pan story Hook and realized that he was finally prepared to make Schindler’s List. To make up for the change of heart, Spielberg traded Scorsese the rights to a movie he’d been developing that Scorsese would make into his next film: the remake of Cape Fear.

7. The movie was a gamble for Universal, so they made Spielberg a dino-sized deal.

When Spielberg finally decided to make Schindler’s List, it had taken him so long that Sheinberg and Universal balked. The relatively low-budget $23 million three-hour black-and-white Holocaust movie was too much of a risk, so they asked Spielberg to make another project that had been brewing at the studio: Jurassic Park. Make the lucrative summer movie first, they said, and then he could go and make his passion project. Spielberg agreed, and both movies were released in 1993; Jurassic Park in June and Schindler’s List in December.

8. Spielberg didn't want a movie star with Hollywood clout to portray Schindler.

Kevin Costner and Mel Gibson auditioned for the role of Oskar Schindler, and actor Warren Beatty was far enough along in the process that he even made it as far as a script reading. But according to Spielberg, Beatty was dropped because, “Warren would have played it like Oskar Schindler through Warren Beatty.”

For the role, Spielberg cast then relatively unknown Irish actor Liam Neeson, whom the director had seen in a Broadway play called Anna Christie. “Liam was the closest in my experience of what Schindler was like,” Spielberg told The New York Times. “His charm, the way women love him, his strength. He actually looks a little bit like Schindler, the same height, although Schindler was a rotund man,” he said. “If I had made the movie in 1964, I would have cast Gert Frobe, the late German actor. That’s what he looked like.”

Besides having Neeson listen to recordings of Schindler, the director also told him to study the gestures of former Time Warner chairman Steven J. Ross, another of Spielberg’s mentors, and the man to whom he dedicated the film.

9. Spielberg did his own research.

In order to gain a more personal perspective on the film, Spielberg traveled to Poland before principal photography began to interview Holocaust survivors and visit the real-life locations that he planned to portray in the movie. While there, he visited the former Gestapo headquarters on Pomorska Street, Schindler’s actual apartment, and Amon Goeth’s villa.

Eventually the film shot on location for 92 days in Poland by recreating the Płaszów camp in a nearby abandoned rock quarry. The production was also allowed to shoot scenes outside the gates of Auschwitz.

10. The little girl in the red coat was real.

Promotional image for 25th anniversary rerelease of Schindler's List.
Universal Pictures

A symbol of innocence in the movie, the little girl in the red coat who appears during the liquidation of the ghetto in the movie was based on a real person. In the film, the little girl is played by actress Oliwia Dabrowska, who—at the age of three—promised Spielberg that she would not watch the film until she was 18 years old. She allegedly watched the movie when she was 11, breaking her promise, and spent years rejecting the experience. Later, she told the Daily Mail, “I realized I had been part of something I could be proud of. Spielberg was right: I had to grow up to watch the film.”

The actual girl in the red coat was named Roma Ligocka; a survivor of the Krakow ghetto, she was known amongst the Jews living there by her red winter coat. Ligocka, now a painter who lives in Germany, later wrote a biography about surviving the Holocaust called The Girl in the Red Coat.

11. The movie wasn't supposed to be in English.

For a better sense of reality, Spielberg originally wanted to shoot the movie completely in Polish and German using subtitles, but he eventually decided against it because he felt that it would take away from the urgency and importance of the images onscreen. According to Spielberg, “I wanted people to watch the images, not read the subtitles. There’s too much safety in reading. It would have been an excuse to take their eyes off the screen and watch something else.”

12. The studio didn't want the movie to be in black and white.

The only person at MCA/Universal who agreed with Spielberg and director of cinematography Janusz Kaminski’s decision to shoot the movie in black and white was Sheinberg. Everyone else lobbied against the idea, saying that it would stylize the Holocaust. Spielberg and Kaminski chose to shoot the film in a grimy, unstylish fashion and format inspired by German Expressionist and Italian Neorealist films. Also, according to Spielberg, “It’s entirely appropriate because I’ve only experienced the Holocaust through other people’s testimonies and through archival footage which is, of course, all in black and white.”

13. Spielberg's passion project paid off in Oscars.

Schindler’s List was the big winner at the 66th Academy Awards. The film won a total of seven Oscars, including Best Picture and Best Director awards for Spielberg. Neeson and Ralph Fiennes were both nominated for their performances, and the film also received nods for Costume Design, Makeup, and Sound.

14. Schindler's List is technically a student film.

Steven Spielberg gives a speech
Nicholas Hunt, Getty Images

Thirty-three years after dropping out of college, Spielberg finally received a BA in Film and Video Production from his newly minted alma mater, Cal State Long Beach, in 2002. The director re-enrolled in secret, and gained his remaining credits by writing essays and submitting projects under a pseudonym. In order to pass a film course, he submitted Schindler’s List as his student project. Spielberg describes the time gap between leaving school and earning his degree as his “longest post-production schedule.”

15. Spielberg thinks the film may be even more important to watch today.

In honor of the film's 25th anniversary, it's currently back in theaters. But Spielberg believes that the film may be even more important for today's audiences to see. "I think this is maybe the most important time to re-release this film," the director said in a recent interview with Lester Holt on NBC Nightly News. Citing the spike in hate crimes targeting religious minorities since
2016, he said, "Hate's less parenthetical today, it's more a headline."

Additional Sources:
The Making of Schindler’s List: Behind the Scenes of an Epic Film, by Franciszek Palowski

An earlier version of this article appeared in 2015.

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