14 Things You Didn't Know About the Mona Lisa

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

Her tricky smile and timeless allure have inspired academic study and artistic emulation for more than five centuries. But the story of Leonardo da Vinci's perplexing portrait is even richer than it looks.

1. "Mona Lisa" is not her name.

The painting's subject is commonly thought to be Lisa Gherardini, whose wealthy—and presumably adoring—husband Francesco del Giocondo commissioned the work in Florence, Italy around 1503. This explains the less prevalent title for the painting, La Gioconda, or La Joconde in French. The name Mona Lisa (or Monna Lisa, as the Italians prefer) roughly translates to "My Lady Lisa." Leonardo da Vinci never completed the portrait though—when he died in 1519, it was one of many unfinished works left to his assistant.

2. Napoleon crushed hard on her, then her descendent.

The French emperor once had Mona Lisa hanging in his bedroom in the Tuileries Palace for about four years, beginning in 1800. It's said his fascination with the painting inspired his affection for a pretty Italian named Teresa Guadagni, who was actually a descendant of Lisa Gherardini.

3. Mona Lisa is smaller than you might think.

The Mona Lisa hanging in the Louvre
Chris Radburn-Pool/Getty Images

Mona Lisa's influence on culture is massive, but the oil-on-wood panel painting measures just 30 inches by 21 inches and weighs 18 pounds.

4. Her eyebrows are a matter of debate.

Some claim the subject's lack of eyebrows is representative of high-class fashion of the time. Others insist her AWOL eyebrows are proof that Mona Lisa is an unfinished masterpiece. But in 2007 ultra-detailed digital scans of the painting revealed da Vinci had once painted on eyebrows and bolder eyelashes. Both had simply faded over time or had fallen victim to years of restoration work.

5. She's broken a lot of hearts.

The portrait was first put on public display in the Louvre in 1815, inspiring admiration, as a string of "suitors bearing flowers, poems and impassioned notes climbed the grand staircase of the Louvre to gaze into her 'limpid and burning eyes.'"

"Mona Lisa often made men do strange things," R. A. Scotti wrote in Vanished Smile: The Mysterious Theft of Mona Lisa, "There were more than one million artworks in the Louvre collection; she alone received her own mail. Mona Lisa received many love letters, and for a time they were so ardent that she was placed under police protection." The painting has its own mailbox at the Louvre because of all the love letters its subject receives.

6. Men have died from loving her.

In 1852, an artist named Luc Maspero supposedly threw himself from the fourth floor of a Parisian hotel, leaving a suicide note that read: "For years I have grappled desperately with her smile. I prefer to die." In 1910, one enamored fan came before her solely to shoot himself as he looked upon her.

7. The Mona Lisa is essentially priceless.

In the 1960s, the painting went on a tour where it was given an insurance valuation of $100 million (factoring in inflation, more recent assessment estimated it's worth $2.5 billion). But the policy was never taken out because the premiums were more than the cost of the best security.

8. The painting hangs in the world's prettiest prison.

Mona Lisa hangs in the center of the Louvre's Grand Gallery where it is climate-controlled to keep her in the ideal environment. Additionally, the work is encased in bulletproof glass to prevent threat and injury.

9. The Mona Lisa has been attacked!

If you look closely at the subject's left elbow, you might notice the damage done by Ugo Ungaza Villegas, a Bolivian who chucked a rock at the portrait in 1956. A few months before, another art attacker pitched acid at the painting, which hit the lower section. These attacks inspired the bulletproof glass, which in 2009 successfully rebuffed a ceramic mug hurled by an enraged Russian woman who'd been denied French citizenship.

10. France mourned en masse when she went missing.

On August 21, 1911, the Mona Lisa was stolen from the Louvre. The New York Times retroactively compared the public display of grief to that seen in the wake of Princess Diana's death in 1997. Thousands poured into the Louvre to stare in shock at the blank wall where she once hung and leave flowers, notes, and other remembrances.

11. Pablo Picasso was a suspect in the caper.

Because he'd been caught buying stolen Louvre pieces before, Pablo Picasso was brought in for questioning. But the true thief would not be caught until 1913.

Louvre employee Vincenzo Peruggia was a proud Italian nationalist who smuggled the painting out under his smock because he felt it belonged to his and da Vinci's homeland, not France. After hiding it for two years, Peruggia was busted trying to sell Mona Lisa to a Florence art dealer. However, he did briefly get his wish. Upon her recovery, Mona Lisa toured Italy before returning to Paris.

12. Suspicions arose that the heist wasn't a one-man job.

The Mona Lisa in 1914.
Topical Press Agency/Getty Images

Though Peruggia was the only one prosecuted for the crime, it's unlikely he acted alone. At the time of the theft, Mona Lisa was encased in a heavy wood backing and glass case that would have weighed almost 200 pounds, making it highly unlikely Perugia could have pulled it down from the wall on his own.

Years later, a man who called himself the Marquis of the Vale of Hell confessed to American reporter Karl Decker that he was the true mastermind behind the theft of Mona Lisa. On the condition his story be kept secret until his death, he revealed Peruggia was one of three men paid handsomely to snatch her. This way, the Marquis could sell multiple forgeries of the masterpiece to collectors for exorbitant sums. The beauty of the scam was that each buyer would believe they owned the authentic missing Mona Lisa. Whether the Marquis was telling the truth or not is still a hotly debated topic around the theft.

13. The Mona Lisa's return inspired a fashion trend.

In her book Mona Lisa: A Life Discovered, journalist Dianne Hales writes, "Society women adopted the 'La Joconde look' [named for the painting's French title], dusting yellow powder on their faces and necks to suggest her golden complexion and immobilizing their facial muscles to mimic her smile. In Parisian cabarets, dancers dressed as La Joconde performed a saucy can-can … Something beyond the painting's wild popularity had changed. The Mona Lisa had left the Louvre a work of art; she returned as a public property, the first mass art icon."

14. Mona Lisa's smile doesn't change, but your mindset does.

That is-she-or-isn't-she smile has long fascinated artists and historians. But in 2000, Harvard neuroscientist Dr. Margaret Livingstone applied a scientific method to why Mona Lisa's smile seems to shift. It's all about where your focus is and how your brain responds.

This story was republished in 2019.

Tim Burton’s Art Exhibition at Las Vegas’s Neon Museum Now Has Tickets On Sale

A Tim Burton sculpture representative of what might be on display at the Neon Museum
A Tim Burton sculpture representative of what might be on display at the Neon Museum
The Vox Agency

Last year, The Neon Museum in Las Vegas announced that it would be hosting an exhibition of fine art by Tim Burton in 2019. Anticipation has been high ever since: The Vegas show will mark the filmmaker's first major art exhibition in the United States since his work was displayed at the Museum of Modern Art in New York a decade ago. Now, tickets for the October event are finally on sale.

Tim Burton is best known as the director of such movies as Batman (1989), Beetlejuice (1988), and Edward Scissorhands (1990), but he got his start as an artist. His distinct drawing style even got him a job at Disney's animation division in the early 1980s.

The Neon Museum exhibition will feature works that have been displayed previously, as well as sculptures and digital installations created specifically for the space. A press release reads: "The presentation of Burton’s art in Las Vegas represents a unique experience where the host institution also serves as creative inspiration. The museum’s distinctive campus will be transformed through the artist’s singular vision for this original exhibition."

Pieces will be displayed at three locations across the museum campus: the outdoor Neon Boneyard (a "graveyard" for old neon signs), the North Gallery, and the City of Las Vegas’s Boneyard Park. In addition to the main show, there will be a separate, special exhibit after dark that combines projection mapping with the site's famous sign collection. As for the content of the artwork, the museum says Burton is looking to both his career history and the museum itself for inspiration. Although the museum wasn't ready to release images of specific artwork that will be featured in the show, they released some representative images.

"Lost Vegas: Tim Burton @ The Neon Museum Presented by the Engelstad Foundation” launches October 15, 2019, and will run through February 15, 2020. Tickets to the primary exhibit cost $30, and entrance to the nighttime spectacle will cost an extra $24. You can preorder tickets to both shows here.

A Tim Burton sculpture representative of what will be on display at the Neon Museum
A Tim Burton sculpture representative of what might be on display at the Neon Museum
The Vox Agency

A Tim Burton sculpture representative of what will be on display at the Neon Museum.
A Tim Burton sculpture representative of what might be on display at the Neon Museum
The Vox Agency

Edward Hopper’s Western Motel Is Being Turned Into a Hotel Room at the Virginia Museum of Fine Arts

Western Motel, 1957, Edward Hopper (American, 1882–1967), oil on canvas. Yale University Art Gallery, New Haven, Bequest of Stephen C. Clark, B.A., 1903. © 2019 Heirs of Josephine N. Hopper / Artists Rights Society (ARS), NY
Western Motel, 1957, Edward Hopper (American, 1882–1967), oil on canvas. Yale University Art Gallery, New Haven, Bequest of Stephen C. Clark, B.A., 1903. © 2019 Heirs of Josephine N. Hopper / Artists Rights Society (ARS), NY

Some paintings are so good you can’t help but wish you could climb right inside of them and experience the details with all five senses, in all three dimensions. If Edward Hopper’s Western Motel brings about those sorts of feelings for you, now is your chance to live that dream.

As part of an exhibition called “Edward Hopper and the American Hotel,” Artnet News reports that the Virginia Museum of Fine Arts (VMFA) is constructing a real, live motel room modeled on the artwork that you can actually book for a night.

Much like Nighthawks and Hopper's other paintings, 1957’s Western Motel isn’t exactly a warm and cozy depiction of the hospitality industry. The featured room—which is furnished with two sturdy red sofas, a chair, a small table, and a reedy lamp—is so neat it seems almost characterless. A well-dressed woman with impeccable posture perches atop a couch, looking expectant. It evokes the sense of alienation that permeated so many of Hopper’s influential pieces focused on life in the modern world: lonely people hunched over tables and gazing out windows, failing to connect with their surroundings in a way that makes you, the viewer, uncomfortably aware of your own static energy.

While pieces like Western Motel seem to hint that Hopper himself was something of a gloomy introvert, exhibition curator Dr. Leo G. Mazow hopes that "Edward Hopper and the American Hotel" will set the record straight. The exhibition "endeavors to consider hotels, motels, and other transient dwellings as vital subject matter for Hopper and as a framework with which to understand his entire body of work," Mazow stated in a press release.

In addition to 60 of Hopper’s works and another 35 from his contemporaries, the exhibition will also feature diary entries and postcards from Hopper’s wife and fellow artist, Josephine. As the press release explains, these artifacts "humanize the artist and his wife, providing detailed accounts of their travels in their own words and personal responses to the places they visited, their experiences there, and how these trips informed their art."

The "Hopper Hotel Experience" will offer a number of different packages that, in addition to spending a night at the museum in a room modeled after Hopper's painting, will include everything from dinner at Amuse, the VMFA’s fine dining restaurant, to a guided tour of the exhibition with Mazow.

Information on how to book an overnight stay will made available closer to the exhibition's October 26th opening. But you don’t have to commit to a museum sleepover in order to step inside the artwork; you can also just take a walk around it during museum hours.

[h/t Artnet News]

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