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28 Weird and Wonderful Irish Words

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Around 1 million people in Ireland—as well as 20,000 people in the United States—can speak Irish. It’s an ancient and unfamiliar-looking language in the Celtic group, making it a linguistic cousin of other ancient languages like Welsh, Scots, Manx, and Breton. To English speakers though, it’s a tough language to master. It has a relatively complex grammar that sees words inflected in an array of different contexts ignored in English. It uses a different word order from English that places the verb, rather than the subject, at the head of the clause. And it uses an alphabet traditionally comprising just 18 letters, so words are often pronounced completely differently from what an English speaker might expect. Depending on the context, for instance, a B and H together, bh, make a “v” sound, while a G followed by an H, gh, is usually pronounced like the Y in yellow.

Irish also has a fantastically rich vocabulary that extends far beyond the handful of Irish words—like sláinte, craic and fáilte—that have found their way into English. Here are 28 weird and wonderful Irish words we could really do with importing into English.

Note: True Irish pronunciation is hard to replicate in English, not least because Irish has so many local variations and uses several sounds not normally found in English. But for more information on how to pronounce these words, check out the University of Dublin’s online Irish speech synthesizer here.

1. ADHARCÁILÍ (“ay-er-KOH-li”)

The Irish verb adharcáil means “to gore” or, in relation to animals like bulls or goats, “to attack with horns.” The derivative adharcáilí is used to refer to an animal in heat—or, figuratively, to a lustful young man.

2. ADUANTAS (“ah-dWON-tes”)

The word aduantas doesn’t really have an English equivalent, but describes that feeling of unease or anxiety caused by being somewhere new, or by being surrounded by people you don’t know. It’s derived from aduaine, the Irish word for “strangeness” or “unfamiliarity.”

3. AIMLIÚ (“AM-lyu”)

Aimliú is the spoiling or ruining of something by exposure to bad weather. Not that it only refers to things like plants and timber, however—you can also use it to describe soaking wet clothes, or the health of someone caught out in the rain.

4. AIRNEÁNACH (“ARR-nen-ech”)

In Irish, airneán or airneál refers to the traditional custom of “night-visiting,” in which everyone in a village or area would turn up at one local person’s home for an evening of music and entertainment. An airneánach is someone who takes part in just such an evening, but the word can also be used more loosely to refer to someone who likes working or staying up late into the night.

5. AITEALL (“AT-ell”)

The perfect word for the spring—an aiteall is a fine spell of weather between two showers of rain.

6. AMAINIRIS (“ARM-an-erish”)

The second day after tomorrow.

7. ASCLÁN (“ash-KLAWN”)

As well as being the Irish word for the gusset of a pair of trousers, an asclán is the amount of something that can be carried under one arm.

8. BACHRAM (“BOCH-rum”)

Bachram is boisterous, rambunctious behavior, but it can also be used figuratively for a sudden or violent downpour of rain.

9. BACACH (“BAH-cakh”)

As an adjective, bacach means “lame” or “limping”—Gaelige bhacach is broken, faltering Irish speech. But it can also be used as a noun to describe a misery or beggarly person, or, idiomatically, someone who outstays their welcome or who drags their heels.

10. BÉALÁISTE (“bay-al-ASH-tuh”)

A drink or toast used to seal a deal.

11. BEOCHAOINEADH ("bay-oh-keen-yu”)

An “elegy for the living”—in other words, a sad lament for someone who has gone away, but who has not died.

12. BOGÁN (“BOH-gawn”)

A bogán is an egg without a shell, although the word can also be used of soft, unsteady ground, as well as mushy, overcooked food—and, by extension, a spineless person.

13. BOTHÁNTAÍOCHT (“BOCH-an-TI-ucht”)

Another Irish word without an exact English equivalent, bothántaíocht is the practice of calling on all your neighbours just to catch up on all the gossip.

14. BREACAIMSIR (“BRAH-cam-SHUR”)

Related to the Irish word for “dappled” or “variegated,” breacaimsir describes the weather when it is neither particularly good nor particularly bad.

15. BUNBHRÍSTE (“bunya-VREESH-ta”)

Those jeans you’ve got that are nearly worn through but are still wearable? They’re a bunbhríste—namely, a pair of worn but still usable trousers. A worn out but still wearable shoe is a bunbhróg, incidentally, while a man’s second best suit is his bunchulaith.

16. CLAGARNACH (“CLOY-ger-nach”)

Literally meaning “clattering”, clagarnach is the sound of heavy rain on a rooftop.

17. CODRAISC (“COD-reeshk”)

As well as referring to a riff-raff or rabble of people, a codraisc is a random collection of worthless or useless objects.

18. DÉLÁMHACH (“TEE-lay-wah”)

Délámhach or dólámhach literally means “two-handed” in Irish, but it can be used idiomatically to mean “working all-out,” or “giving your best.”

19. DROCHDHEOIR (“DROCK-ywee”)

The Irish prefix droch– is basically an equivalent of the English prefix un–, in that it effectively reverses the meaning of the word to which it is attached. In Irish, though, droch– is often used to describe something bad or unfavorable, or is used to imply dangerousness, maliciousness, or poor quality. Drochairgead, for instance, is counterfeit money. A droch-cháil is a bad reputation. A droch-chumann is a malicious or plotting group of people, or an illicit love affair. And a drochdheoir—literally a “bad drop”—is a negative or unflattering character trait that a child inherits from his or her parents.

20. FOISEACH (“FAR-sha”)

Foiseach is grass that can’t easily be reached to be cut, so is often used of the longer grass around the edge of a field or lawn, or to the overgrown grass on a hillside or verge.

21. IOMBHÁ (“OM-wah”)

Derived from iombháigh, the Irish word for “to swamp” or “submerge,” an iombhá is either a sinking boat half submerged in the water, or any place where there is a danger of drowning.

22. LADHAR (“LAY-yer”)

The gap between your fingers or your toes is your ladhar. A ladhar bóthair is a fork in the road.

23. MAOLÓG (“MAY-loag”)

When you fill something up to the brim but then keep on adding more, the part that lies heaped above the top of the container is the maológ. The same word is also used for someone who sticks out from a crowd, or for a small knoll or hill in an otherwise flat expanse of land.

24. PLOBAIREACHT (“PLOH-ber-acht”)

When you’re crying and trying to speak at the same time but can’t make yourself clear, that’s plobaireacht.

25. POCLÉIMNIGH (“POH-claim-nee”)

Pocléimnigh is closest in meaning to English words like “frolicking” or “gambolling.” It literally means “buck-jumping,” and is a one-word name for an energetic, excitable leap into the air, or a jump for joy.

26. RAGAIRE (“RA-gerra”)

Ragaireacht is an Irish word for late-night wandering, or for sitting up talking long into the early hours. And a ragaire is someone who enjoys precisely that.

27. SABHSAÍ (“SAWH-see”)

Someone who works outside no matter how bad the weather is a sabhsaí.

28. STRÍOCÁLAÍ (“SHTREE-care-LEE”)

Stríocálaí literally means “scratcher” or “scraper” in Irish, but can be used figuratively to describe someone who works hard but is not particularly well-skilled.

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How to Craft the Perfect Comeback, According to Experts
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In a 1997 episode of Seinfeld called “The Comeback,” George Costanza is merrily stuffing himself with free shrimp at a meeting. His coworker mocks him: “Hey, George, the ocean called. They’re running out of shrimp.” George stands humiliated as laughter fills the room, his mind searching frantically for the perfect riposte.

It’s only later, on the drive home, that he thinks of the comeback. But the moment has passed.

The common human experience of thinking of the perfect response too late—l’esprit de l’escalier, or "the wit of the staircase"—was identified by French philosopher Denis Diderot when he was so overwhelmed by an argument at a party that he could only think clearly again once he’d gotten to the bottom of the stairs.

We've all been there. Freestyle rappers, improv comedians, and others who rely on witty rejoinders for a living say their jobs make them better equipped to seize the opportunity for clever retorts in everyday life. They use a combination of timing, listening, and gagging their inner critics. Here are their insights for crafting the perfect comeback.

LISTEN TO YOUR OPPONENT’S ARGUMENT.

The next time you’re in a heated conversation, be less focused on what you're about to say and more attentive to what you're actually responding to. When you spend more time considering what your sparring partner is saying, “you’re deferring your response until you’ve fully heard the other person," Jim Tosone, a technology executive-turned-improv coach who developed the Improv Means Business program, tells Mental Floss. Your retorts may be more accurate, and therefore more successful, when you’re fully engaged with the other person’s thoughts.

DON’T THINK TOO MUCH.

According to Belina Raffy, the CEO of the Berlin-based company Maffick—which also uses improv skills in business—not overthinking the situation is key. “You’re taking yourself out of unfolding reality if you think too much,” she tells Mental Floss. It’s important to be in the moment, and to deliver your response to reflect that moment.

TRAIN THAT SPONTANEOUS MENTAL MUSCLE.

History’s most skilled comeback artists stored witticisms away for later use, and were able to pull them out of their memory at the critical time.

Winston Churchill was known for his comebacks, but Tim Riley, director and chief curator at the National Churchill Museum in Fulton, Missouri, tells Mental Floss that many of his burns were borrowed. One of his most famous lines was in response to politician Bessie Braddock’s jab, “Sir, you are drunk.” The prime minister replied, “And you, Bessie, are ugly. But I shall be sober in the morning, and you will still be ugly.”

Riley says this line was copied from comic W.C. Fields. Nevertheless, it took quick thinking to remember and reshape the quote in the moment, which is why Churchill was thought of as a master of timing. “It was an off-the-cuff recall of something he had synthesized, composed earlier, and that he was waiting to perform,” Riley says.

But in some situations, the retort must be created entirely in the moment. Training for spontaneity on stage also helps with being quicker-witted in social situations, New York City battle rap emcee iLLspokinn tells Mental Floss. It’s like working a spontaneous muscle that builds with each flex, so, you’re incrementally better each time at seizing that witty opportunity.

MUZZLE YOUR INNER CRITIC.

Anyone who has been in the audience for an improv show has seen how rapidly performers respond to every situation. Improv teaches you to release your inhibitions and say what drops into your mind: “It’s about letting go of the need to judge ourselves,” Raffy explains.

One way to break free of your internal editor might be to imagine yourself on stage. In improv theater, the funniest responses occur in the spur of the moment, says Douglas Widick, an improv performer who trained with Chicago’s Upright Citizens Brigade. By not letting one’s conscience be one’s guide, actors can give into their “deepest fantasies” and say the things they wouldn’t say in real life.

IF YOU HAVE AN EXTRA SECOND, HONE YOUR ZINGER.

The German version of Diderot’s term is Treppenwitz, also meaning the wit of the stairs. But the German phrase has evolved to mean the opposite: Something said that, in retrospect, was a bad joke. When squaring up to your rival, the high you get from spearing your opponent with a deadly verbal thrust can be shadowed by its opposite, the low that comes from blurting out a lame response that lands like a lead balloon.

That's a feeling that freestyle rapper Lex Rush hopes to avoid. “In the heat of the battle, you just go for it,” she tells Mental Floss. She likens the fight to a “stream of consciousness” that unfolds into the mic, which leaves her with little control over what she’s projecting into the crowd.

It may help to mull over your retort if you have a few extra seconds—especially if you’re the extroverted type. “Introverts may walk out of a meeting thinking, ‘Why didn’t I say that?’ while extroverts think, ‘Why did I say that?’” Tosone, the improv coach, says. Thinking before you speak, even just briefly, will help you deploy a successful comeback.

And if it doesn’t go your way, iLLspokinn advises brushing off your missed opportunity rather than dwelling on your error: “It can be toxic to hold onto it."

THROW DIGITAL SHADE ACCORDING TO THE SAME RULES—BUT BE QUICK ABOUT IT.

Texting and social media, as opposed to face-to-face contact, give you a few extra minutes to think through your responses. That could improve the quality of your zinger. “We’re still human beings, even on screens. And we prefer something that is well-stated and has a fun energy and wit about it," Scott Talan, a social media expert at American University, tells Mental Floss.

But don't wait too long: Replies lose their punch after a day or so. “Speed is integral to wit, whether in real life or screen life,” Talan says. “If you’re trying to be witty and have that reputation, then speed will help you."

Some companies have excelled in deploying savage social media burns as marketing strategies, winning viral retweets and recognition. The Wendy’s Twitter account has become so well known for its sassy replies that users often provoke it. “Bet you won’t follow me @Wendys,” a user challenged. “You won that bet,” Wendy’s immediately shot back.

George Costanza learns that lesson when he uses his rehearsed comeback at the next meeting. After his colleague repeats his shrimp insult, George stands and proudly announces, “Oh yeah? Well, the jerk store called, and they’re running out of you!”

There’s silence—until his nemesis comes back with a lethal move: “What’s the difference? You’re their all-time best-seller.”

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Dollar Words: The Logophile Game That Has Math Geeks Hooked, Too
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Besides anagrams and palindromes, if there’s one thing wordplay aficionados like to mess around with, it’s the numerical value of the letters of the alphabet. Assigning numbers to letters—A = 1, B =2, C = 3, and so on, all the way through to Z = 26—opens the alphabet up to all kinds of mathematical and numerical games and trivia.

So add the value of ARM (32) to the value of BEND (25) and you get the value of ELBOW (57). Likewise, WHITE (65) plus HOUSE (68) equals GOVERNMENT (133). HAIR (8, 1, 9, 18) is a palindrome in this A to Z number system, as is INSULINS (9, 14, 19, 21, 12, 9, 14, 19). Add up the neighboring letter pairs in CAN (3 + 1, 1 + 14), and you’ll get DO (4, 15). The letters in FOURTEEN DOZEN add up to 14 dozen (168).

One more game that can be played with the numerical values of the alphabet is to search for words that total a specific value—the holy grail of which is precisely 100. Words that total 100 in this A to Z way are affectionately known as “dollar words.” They’re actually not all that rare in English, and a full list of them includes some fairly familiar words:

ANNUALLY BOUNDARY CULTURE DRIZZLE

MITTENS MOODIEST NASTILY OUTSET

PAYPHONE PORTLAND PREVENT PRIMARY

PRINTER SESSION SOURCES STRESS

STYLES SWIMMER TATTOOED THIRTY

TOILETS TURKEY UNDRESS USELESS

WHENEVER WHISKING WHISTLES WEDNESDAY

But given a set total in mind, that raises a couple of questions: What are the shortest and the longest dollar words in the dictionary?

Because 100 is a relatively large total for a short word (and because a lot of the highest value letters at the tail end of the alphabet are hard to find homes for, like V, X, and Z) shorter dollar words are fairly hard to come by. As a result, only a handful of 5-letter dollar words have ever been discovered, including:

BUZZY NUTTY PUSSY

In fact, as proof of just how many seldom-used letters lie at the end of the alphabet, if you were to change the numbers around so that A = 26, B =25, and so on through to Z = 1, the number of five-letter dollar words increases enormously:

ABBEY ACRID BACON BASAL

BEFOG BEGET CATCH CHAIN

CHALK CHINA DODGE ELIDE

FACET HENCE IMAGE LAGAN

LANCE MAGMA MEDAL NAKED

But shortest of all are two 4-letter words: acca, an Australian slang word for an academic, and caca, a childish word for poop.

Oppositely, it can be just as difficult looking for as long a dollar word as possible; the more letters a word has, the higher its total grows. But the relatively high frequency of the letters in the first few places of the alphabet means that there are quite a few lengthy dollar words, including some with as many as 12 letters:

BACKTRACKING COMMANDEERED

DEBAUCHERIES DESEGREGATED

INAPPLICABLE NON-BREAKABLE

Apparently longest of all is the 13-letter word adiabatically, a term from meteorology and thermodynamics referring to any process that occurs without a loss or gain of heat.

But why stop at adding up? Multiplying the numerical values of words leads to some considerably larger numbers—and some considerably higher targets.

Multiply the letters of the word TYPEY together, for instance, and you’ll end up with 1,000,000 (= 20 × 25 × 16 × 5 × 25). TEETHY multiplies to 2,000,000 (= 20 × 5 × 5 × 20 × 8 × 25). And PEYOTE multiplies to 3,000,000 (= 16 × 5 × 25 × 15 × 20 × 5). No word has yet been found that totals precisely 4,000,000 or 5,000,000, but some—like LURING (4,000,752) and JUICING (5,000,940)—have come tantalizingly close.

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