Battle of Neuve Chapelle

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 173rd installment in the series.

March 10-13, 1915: Battle of Neuve Chapelle

The first big British offensive of the war took place at the Battle of Neuve Chapelle from March 10-13, 1915, when British, Indian, and Canadian troops captured the village of the same name, completely destroying it in the process. For these gains – a few miles of French countryside centered on a small patch of rubble – the British suffered a total of around 11,600 casualties, while inflicting around 10,000 on their German foes, in addition to 1,700 Germans taken prisoner. This they claimed as a victory, reflecting the drastic lowering of expectations that accompanied trench warfare.

The battle resulted in part from political and diplomatic tensions between the Allies: while they recognized British defensive prowess at Ypres and Givenchy, the French and Russians argued they were doing the lion’s share of the fighting (in Champagne and Poland, respectively) and demanded the British pull their weight by mounting more offensives of their own. On February 5, 1915, British Expeditionary Force commander Sir John French told his officers that come spring he expected them to return to the attack, calling for constant raids to wear the Germans down through attrition and exhaustion. He also began planning a major offensive to demonstrate the British Army’s ability to undertake large-scale operations.

By early March there were half a million soldiers under British command in France, including Canadian and Indian troops, allowing French to present the forthcoming offensive as an “Imperial” venture, uniting all the patriotic elements of the British Empire. He assigned the task to the British First Army under Sir Douglas Haig, who shared his belief that victory at Neuve Chapelle might clear the way for a campaign to liberate Lille. Furthermore, an advance here might allow them to sever German rail communications to the south, threatening to cut off the entire German salient where it bulged into northern France. However as so often this proved wildly overoptimistic.

“Awful Tornado”

Having located a weak spot in the German defenses north of La Bassée and west of Aubers, in early March the British secretly assembled an overwhelming force, ultimately sending 48 British battalions numbering around 40,000 men against just three Westphalian battalions from the German Sixth Army under Bavarian Crown Prince Rupprecht. The attack would begin with the most intense bombardment in history on the morning of March 10, 1915, exceeding even the German onslaughts at Ypres, with over 500 guns of various calibers massed along a front just a few miles long (below, British field artillery in action).

After pulverizing the German trenches the big guns would gradually increase their range to provide a protective “creeping barrage,” behind which the attackers could advance in relative safety. The British employed aerial photography on a large scale for the first time at Neuve Chapelle, precisely mapping out the enemy trench system to guide the bombardment and infantry advance; during the battle British warplanes would also attack enemy communications and rail lines behind the front to prevent the Germans from bringing up reinforcements.

By all accounts the opening bombardment was utterly terrifying. Herbert Stewart, a British supply officer, described the incredible scenes of destruction his diary as hundreds of guns began firing at 7:30am on March 10:

As soon as the range had been accurately secured, a tremendous fire was opened on the village of Neuve Chapelle and the neighbouring trenches occupied by the enemy… Under this hail of flying metal, the village, the neighbouring trenches, and the whole German position selected for attack were blotted from sight under a pall of smoke and dust. The earth shook and the air was filled with the thunderous roar of the exploding shells. To the watching thousands the sight was a terrible one: amidst the clouds of smoke and dust they could see human bodies with earth and rock, portions of houses, and fragments of trench hurting through the air.

Another British soldier echoed Stewart’s account, providing an additional chilling detail:

[It] seemed impossible that any living thing could emerge from the wreckage created by that awful tornado of lyddite [high explosive] and shrapnel. Heads arms and legs and mangled bodies were flying about in horrible confusion; the upper half of a German officer, with the cap thrust down over the distorted face, fell in the front-line British trenches.

A few days later, on March 13, an anonymous British nurse recounted a conversation with wounded soldiers in her own diary, confirming these details: “Some of them who were near enough to see the effect of our bombardment on the enemy's trenches say they saw men, legs, and arms shot into the air. And the noise! – they gasp in telling you about it.”

In many places the shelling destroyed German trenches and sent the remaining defenders fleeing for safety, as hoped. But some German defenses were left more or less intact, and the initial infantry assault at 8:05am had uneven results. Leading the first wave were four battalions from the Indian Meerut Division, which succeeded in crossing no-man’s-land and occupying the German frontline and support trenches in just fifteen minutes, taking prisoner hundreds of stunned defenders, then pressing on to capture Neuve Chapelle itself around 9am (below, Indian soldiers at Neuve Chapelle).

The Indians had achieved a limited, temporary breakthrough at Neuve Chapelle, but the British weren’t able to exploit the tactical victory to achieve a decisive strategic victory – a common refrain in the First World War. Haig ordered a second attack in the northern sector by the British 7th and 8th Divisions, leading to heavy losses on both sides, including more German prisoners (below, Germans surrendering at Neuve Chapelle). Private Montague S. Goodbar of the Cameron Highlanders confided in his diary for March 10: “With the constant rapid fire my rifle steamed like a boiling kettle and became so hot that I could scarcely hold it. During this time I think we managed to bag a good few of the enemy between us. Their parapet was do badly damaged by our high explosives that they stuffed the gaps up with their dead.”

But the Germans rushed reinforcements to this area and eventually managed to reestablish a defensive line along the front, frustrating the British advance to both north and south and so preventing the two attacking forces from closing the pincer around them. In short, although the British has enough troops to achieve an initial breakthrough, they didn’t have enough reserves to continue the offensive by overrunning new German defenses.

Two days later, on March 12, 1915, German Sixth Army commander Crown Prince Rupprecht ordered a counterattack, which for the most part failed to eject the British from their hard-won positions, swiftly fortified with new trenches. Stewart described the bloody outcome of the German assault, led by officers who were the epitome of doomed valor:

A solid mass of men debouched from the trees, led by their officers, two of whom were mounted on horseback and headed the charge with drawn swords, as in the battles of a century ago. Such courage compels admiration, but it is madness in the face modern rifles and machine-guns. A murderous fire met the advancing German infantry, and in a few seconds that column of living men was but a heap of dead or writhing bodies, a sight so appalling as to sicken even the hardened soldiers who had seen eight months of slaughter.

As the battle swept back and forth across the battlefield from March 10-12, new areas suddenly became “no-man’s-land,” forcing both sides to leave wounded soldiers lying out as the battle unfolded, sometimes for days at a time. On March 12 Goodbar wrote: “We proceed to cross the field which was behind the original German trench. What a gruesome sight! Dead and wounded are strewn everywhere, the latter groaning and moaning in a most heartbreaking manner, there are British and Germans mixed up lying side by side, rifles and equipment everywhere.” An Indian officer, Amar Singh, painted a similar picture: “The place was very crowded and there was no end of the wounded which were being brought in on stretchers…  There was a terrible confusion… The Germans were shelling the road very hotly… On both sides of the road were lying the dead and the wounded. The groans of the latter were most pitiful.” William Boyd, working with a British field ambulance, described the scene in an improvised field hospital after two days of fighting:

The dressing-station was formerly a school, and every room was so packed with wounded, lying on stretchers on the floor, that it was with the greatest difficulty that we could move about. It was literally almost impossible to put your foot down without treading on a wounded man. The condition of the wounds was indescribable, for many of them were two days old, and during that time the wounded men had simply lain out on the battlefield, the furious fighting rendering the evacuation of casualties an impossibility… The head injuries were the most frightful, for in some cases the greater part of the face was smashed in by shrapnel, while in others the nose, eye, and greater part of the cheek had been torn away, leaving a great, red, bleeding cavity.

As if to symbolize the martyrdom of thousands of dead and wounded soldiers, after the battle the British discovered part of a damaged crucifix in Neuve Chapelle, the remnant of a destroyed church, which became known as “The Christ of the Trenches” (top). Unsurprisingly the incredible artillery barrages had reduced the village itself to rubble (above). And still fighting continued along the whole front, day in and day out. On March 15, 1915 a British volunteer nurse wrote:

Woke up just as we arrived at Bailleul to hear most incessant cannonade going on I ever heard, even at Ypres. The sky is continually lit up with the flashes from the guns – it is a pitch-dark night – and you can hear the roar of the howitzers above the thud-thud of the others… I have a boy of 22 with both legs off. He is dazed and white, and wants shifting very often. Each time you fix him up he says, “That's champion.”

 See the previous installment or all entries.

20 Facts About Eyes Wide Shut On Its 20th Anniversary

Warner Bros./Liaison via Getty Images Plus
Warner Bros./Liaison via Getty Images Plus

In the late 1990s, stories about what was happening on the set of Stanley Kubrick’s already-secretive film Eyes Wide Shut constantly made headlines. Everyone wanted to know what was going on behind the scenes with real-life celebrity couple Tom Cruise and Nicole Kidman, and the 15-month shoot only intrigued people more. Finally, the film was released on July 16, 1999—more than four months after Kubrick had passed away. While there is still a lot we don’t know about the movie, here are 20 things we do.

1. Eyes Wide Shut is based on a 1926 novella.

Eyes Wide Shut is loosely is based on Arthur Schnitzler’s novella Traumnovelle (Dream Story), which was published in 1926. Considering that the movie takes place in 1990s New York, it is obviously not a direct adaptation, but it overlaps in its plot and themes. “[The book] explores the sexual ambivalence of a happy marriage and tries to equate the importance of sexual dreams and might-have-beens with reality,” Kubrick said. “The book opposes the real adventures of a husband and the fantasy adventures of his wife, and asks the question: is there a serious difference between dreaming a sexual adventure, and actually having one?”

2. Production on Eyes Wide Shut began in 1996.

By then, Kubrick had been holding onto the rights to Traumnovelle—which screenwriter Jay Cocks purchased on his behalf, in order to keep the project under wraps—for nearly 30 years. Kubrick had planned to begin working on the film after making 2001: A Space Odyssey, but then got the opportunity to adapt A Clockwork Orange.

3. The studio pushed Stanley Kubrick to cast A-list names.

Terry Semel, then-head of Warner Bros., told Kubrick, “What I would really love you to consider is a movie star in the lead role; you haven't done that since Jack Nicholson [in The Shining].”

4. Stanley Kubrick wanted to cast Alec Baldwin and Kim Basinger.

Kubrick liked the idea of casting a real-life married couple in the film, and originally considered Alec Baldwin and Kim Basinger. (He also liked the idea of Steve Martin.) Eventually, he went with Tom Cruise and Nicole Kidman, who were married from 1990 to 2001.

5. London stood in for New York City.

Though the film is set in New York, it was filmed in London. In order to construct the most accurate sets possible, Vanity Fair reported that Kubrick “sent a designer to New York to measure the exact width of the streets and the distance between newspaper vending machines.”

6. Some of the shots in Eyes Wide Shut required no set at all.

In order to give the movie a dream-like quality, the filmmakers used an old-school method of shooting—and a treadmill. “In some of the scenes, the backgrounds were rear-projection plates,” cinematographer Larry Smith explained. “Generally, when Tom’s facing the camera, the backgrounds are rear-projected; anything that shows him from a side view was done on the streets of London. We had the plates shot in New York by a second unit [that included cinematographers Patrick Turley, Malik Sayeed and Arthur Jafa]. Once the plates were sent to us, we had them force-developed and balanced to the necessary levels. We’d then go onto our street sets and shoot Tom walking on a treadmill. After setting the treadmill to a certain speed, we’d put some lighting effects on him to simulate the glow from the various storefronts that were passing by in the plates. We spent a few weeks on those shots.”

7. Eyes Wide Shut holds a Guinness World Record.

The film has a place in the Guinness Book of World Records for the longest constant movie shoot, with a total of 400 days, which was a surprise to the cast and crew. Cruise and Kidman had only committed to six months of filming. The extended shoot was a lot to ask of Cruise in particular, who was at the height of his career. He even had to delay work on Mission: Impossible II to finish Eyes Wide Shut. He didn’t seem to mind though. “We knew from the beginning the level of commitment needed,” Cruise told TIME. “We were going to do what it took to do this picture.”

8. The script for Eyes Wide Shut kept changing.

Todd Field as Nick Nightingale in Stanley Kubrick's "Eyes Wide Shut
Warner Bros. via Getty Images Plus

According to Todd Field, who portrayed piano player Nick Nightingale (and is an Oscar-nominated filmmaker in his own right), “We’d rehearse and rehearse a scene, and it would change from hour to hour. We’d keep giving the script supervisor notes all the time, so by the end of the day the scene might be completely different. It wasn’t really improvisation, it was more like writing.”

9. Tom Cruise developed ulcers while shooting Eyes Wide Shut.

“I didn't want to tell Stanley," Cruise told TIME. “He panicked. I wanted this to work, but you're playing with dynamite when you act. Emotions kick up. You try not to kick things up, but you go through things you can't help.”

10. Tom Cruise and Nicole Kidman slept in their characters' bedroom.

In order to reflect their real-life relationship, Cruise and Kidman were asked to choose the color for the curtains in their on-screen bedroom, where they also slept.

11. The apartment featured in the movie was a re-creation of Stanley Kubrick's.

According to Cruise, “The apartment in the movie was the New York apartment [Stanley] and his wife Christianne lived in. He recreated it. The furniture in the house was furniture from their own home. Of course the paintings were Christianne's paintings. It was as personal a story as he's ever done.”

12. Stanley Kubrick temporarily banned Tom Cruise from the set.

Nicole Kidman and Tom Cruise star in Stanley Kubrick's 'Eyes Wide Shut' (1999).
Warner Bros. via Getty Images Plus

Given his penchant for accuracy, it’s quite possible that Kubrick wanted to stir up some real-life jealousy between his stars in order to help them embody their characters. In a fantasy sequence, Kidman’s character has sex with another man, which motivates the rest of the film’s plot. Kubrick banned Cruise from the set on the days that Kidman shot the scene with a male model. They spent six days filming the one-minute scene. Kubrick also forbid Kidman from telling Cruise any details about it.

13. It took 95 takes for Tom Cruise to walk through a doorway.

Six days for a one-minute scene is nothing compared to the time Kubrick had Cruise do 95 takes of one simple action: walking through a doorway. After watching the playback, he apparently told Cruise, “Hey, Tom, stick with me, I’ll make you a star.”

14. Security on the set was tight.

Aside from Kubrick, Kidman, Cruise, and their tiny crew, no one was allowed on the set, which was heavily guarded. In May 1997, one photographer managed to capture a picture of Cruise standing next to a man that the photographer thought was just an “old guy, scruffy with an anorak and a beard.” That man was Kubrick, who hadn’t been photographed in 17 years. After the incident, security on the set was tripled.

15. Paul Thomas Anderson spent some time on the set.

One person Cruise did manage to sneak onto the set was his future Magnolia director, Paul Thomas Anderson. While there, Anderson asked Kubrick, “Do you always work with so few people?” Kubrick responded, “Why? How many people do you need?” Anderson then recalled feeling “like such a Hollywood a**hole.”

16. Stanley Kubrick makes a cameo in the movie.


Warner Bros.

He’s not credited, but the film’s director can be seen sitting in a booth at the Sonata Café.

17. Stanley Kubrick died less than a week after showing the studio his final cut of Eyes Wide Shut.

Kubrick died less than a week after showing what would be his final cut of the film to Warner Bros. No one can say how much he would have kept editing the film. One thing that was changed after his death: bodies in the orgy scene were digitally altered so that the movie could be released with an R (rather than an NC-17) rating. Although many claim that Kubrick intended to do this, too. "I think Stanley would have been tinkering with it for the next 20 years," Kidman said. "He was still tinkering with movies he made decades ago. He was never finished. It was never perfect enough.”

18. By the time Eyes Wide Shut was released, a dozen years had passed since Stanley Kubrick's last directorial effort.

Eyes Wide Shut came out a full 12 years after Kubrick’s previous film, 1987's Full Metal Jacket.

19. Eyes Wide Shut topped the box office during its opening week.

The film earned $30,196,742 during its first week in release, which was enough to take the box office’s number one spot—making it Kubrick’s only film to do so.

20. Tom Cruise didn't like Dr. Harford.

One year after the film’s release, Cruise admitted that he “didn’t like playing Dr. Bill. I didn’t like him. It was unpleasant. But I would have absolutely kicked myself if I hadn’t done this.”

An earlier version of this article ran in 2015.

Top 50 Best-Selling Artists of All Time

Paul McCartney of The Beatles and Mick Jagger of The Rolling Stones sit opposite each other on a train at London's Euston Station.
Paul McCartney of The Beatles and Mick Jagger of The Rolling Stones sit opposite each other on a train at London's Euston Station.
Victor Blackman, Express/Getty Images

Who are America’s all-time favorite musicians and bands? When it comes to the best-selling artists of all time, The Beatles still rule—yes, even a half-century after their breakup. According to the Recording Industry Association of America (RIAA), these are the 50 best-selling artists of all time.

  1. The Beatles

Albums sold: 183 million

  1. Garth Brooks

Albums sold: 148 million

  1. Elvis Presley

    Elvis Presley is seen playing the guitar in his 1966 film, 'Spinout'
    Hulton Archive/Getty Images

Albums sold: 146.5 million

  1. Eagles

Albums sold: 120 million

  1. Led Zeppelin

Albums sold: 111.5 million

  1. Billy Joel

Albums sold: 84.5 million

  1. Michael Jackson

Albums sold: 84 million

  1. Elton John

    Elton John plays a concert in 2008.
    LENNART PREISS/AFP/Getty Images

Albums sold: 78.5 million

  1. Pink Floyd

Albums sold: 75 million

  1. AC/DC

Albums sold: 72 million

  1. George Strait

Albums sold: 69 million

  1. Barbra Streisand

    Barbra Streisand
    Terry Fincher, Express/Getty Images

Albums sold: 68.5 million

  1. The Rolling Stones

Albums sold: 66.5 million

  1. Aerosmith

Albums sold: 66.5 million

  1. Bruce Springsteen

Albums sold: 66.5 million

  1. Madonna

Albums sold: 64.5 million

  1. Mariah Carey

    Mariah Carey performs during the 2019 Billboard Music Awards at MGM Grand Garden Arena on May 1, 2019 in Las Vegas, Nevada
    Ethan Miller, Getty Images

Albums sold: 64 million

  1. Metallica

Albums sold: 63 million

  1. Whitney Houston

Albums sold: 58.5 million

  1. Van Halen

Albums sold: 56.5 million

  1. Fleetwood Mac

Albums sold: 54.5 million

  1. U2

    The Edge and Bono of the rock band U2 perform at Bridgestone Arena on May 26, 2018 in Nashville, Tennessee
    Jason Kempin, Getty Images

Albums sold: 52 million

  1. Celine Dion

Albums sold: 50 million

  1. Neil Diamond

Albums sold: 49.5 million

  1. Journey

Albums sold: 48 million

  1. Kenny G

    Kenny G performs onstage during the "Clive Davis: The Soundtrack of Our Lives" Premiere Concert during the 2017 Tribeca Film Festival at Radio City Music Hall
    Noam Galai, Getty Images for Tribeca Film Festival

Albums sold: 48 million

  1. Shania Twain

Albums sold: 48 million

  1. Kenny Rogers

Albums sold: 47.5 million

  1. Alabama

Albums sold: 46.5 million

  1. Eminem

    Eminem performs onstage during the 2018 iHeartRadio Music Awards which broadcasted live on TBS, TNT, and truTV at The Forum on March 11, 2018 in Inglewood, California
    Kevin Winter, Getty Images for iHeartMedia

Albums sold: 46 million

  1. Bob Seger & The Silver Bullet Band

Albums sold: 44.5 million

  1. Guns N’ Roses

Albums sold: 44.5 million

  1. Alan Jackson

Albums sold: 43.5 million

  1. Santana

Albums sold: 43.5 million

  1. Taylor Swift

    Taylor Swift performs onstage at 2019 iHeartRadio Wango Tango presented by The JUVÉDERM® Collection of Dermal Fillers at Dignity Health Sports Park on June 01, 2019
    Rich Fury, Getty Images for iHeartMedia

Albums sold: 43 million

  1. Reba McEntire

Albums sold: 41 million

  1. Eric Clapton

Albums sold: 40 million

  1. Chicago

Albums sold: 38.5 million

  1. Simon & Garfunkel

    Pop duo Simon and Garfunkel, comprising (L-R) singer, Art Garfunkel and singer-songwriter, Paul Simon, performing on ITV's 'Ready, Steady, Go!', July 8, 1966
    Hulton Archive/Getty Images

Albums sold: 38.5 million

  1. Foreigner

Albums sold: 38 million

  1. Rod Stewart

Albums sold: 38 million

  1. Tim McGraw

Albums sold: 37.5 million

  1. Backstreet Boys

Albums sold: 37 million

  1. 2 Pac

Albums sold: 36.5 million

  1. Bob Dylan

    Bob Dylan
    Evening Standard/Getty Images

Albums sold: 36 million

  1. Def Leppard

Albums sold: 35.5 million

  1. Queen

Albums sold: 35 million

  1. Dave Matthews Band

Albums sold: 34.5 million

  1. Britney Spears

    Britney Spears performs at the 102.7 KIIS FM's Jingle Ball 2016
    Christopher Polk, Getty Images for iHeartMedia

Albums sold: 34.5 million

  1. Bon Jovi

Albums sold: 34.5 million

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