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17 Cool Facts About Beavis and Butt-head

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On March 8, 1993, Beavis and Butt-head made its debut on MTV—to the delight of young viewers, and the annoyance of their parents. While some people considered it the end of the civilized world, TIME Magazine critic Kurt Andersen lauded its irreverence, writing that it “may be the bravest show ever run on national television.”

From its original 200-episode run to the books (yes, plural), movie, and soundtrack it inspired—plus its brief return in 2011—Beavis and Butt-head has not lost any of its original charm. On the 20th anniversary of its original finale, here are some things you might not have known about Mike Judge's animated headbangers.

1. BEAVIS AND BUTT-HEAD GOT THEIR START ON LIQUID TELEVISION.

Mike Judge went from teaching himself animation and playing bass for Anson Funderburgh and the Rockets to having one of his cartoons played on MTV’s animation showcase program Liquid Television in one year’s time. Cartoon short Milton, the origin of the character from his live-action cult classic Office Space, appeared in a 1991 episode. In 1992, Beavis and Butt-head made their loud, violent first impression in his short Frog Baseball. MTV then paid Judge for the rights to the two characters and ordered 65 four-minute cartoons.

2. MTV PULLED THE SHOW SOON AFTER IT BEGAN.

Shortly after greenlighting Beavis and Butt-head, MTV had to halt production. Not because of any controversy, but because Judge and his animation staff couldn’t keep up with the demand for new material, forcing MTV to stop airing the show entirely two weeks after it premiered. It made its return more than six weeks later on May 17th with “Scientific Stuff” and “Good Credit.”

3. MIKE JUDGE IMPROVISED MOST OF THE DIALOGUE DURING THE MUSIC VIDEOS.


Matt Winkelmeyer/Getty Images

Judge voiced virtually all of the characters on the show and was one of just a handful of people who made up the writing staff. He opted to add to his workload by winging it when it came to Beavis and Butt-head's taste-making opinions on music. Time was saved on the animation for the music video commentaries by having an editor take footage from earlier episodes and sync it up with new mouth positions.

4. BEAVIS AND BUTT-HEAD WERE NAMED AFTER KIDS THAT LIVED IN MIKE JUDGE’S NEIGHBORHOOD.

Bobby Beavis was “kind of an athletic kid” that lived three blocks from Judge while he was in college, and not similar to the character with the Metallica shirt christened with his surname. There was also a 12-year-old who called himself “Iron Butt” (because he claimed to never get injured from a kick to the posterior) who had a friend called “Butt-head.”

5. ALL REFERENCES TO FIRE WERE REMOVED PERMANENTLY AFTER THE SHOW WAS BLAMED FOR A DEATH.

In October 1993, a 5-year-old boy set fire to his Ohio home, which killed his 2-year-old sister. Their mother claimed Beavis’s fire-making and blatant spoken love of arson were responsible. MTV’s quick response was to only air the show after 10:30 p.m. and to wipe all fire references from all of the previous episodes—only fans who taped the offending episodes on their VCRs have proof that the word was ever uttered. “Fire” was banned for the rest of the series’ original run, but it was allowed again in 2011.

6. A SENATOR REFERRED TO BEAVIS AND BUTT-HEAD AS ‘BUFFCOAT AND BEAVER.’

Soon after the fatal fire accident, Senator Ernest "Fritz" Hollings, a Democrat from South Carolina, spoke at a Senate hearing as chairman of the Senate Commerce, Science and Transportation Committee. Hollings attempted to argue that TV broadcasters needed to be forced to clamp down on their offensive programming and used the most controversial show at the time as a specific example ... or at least he tried to.

7. PRISON OFFICIALS IN OKLAHOMA BANNED THE SHOW.

There were also documented reports of South Dakota schools outlawing Beavis and Butt-head-related clothing.

8. MARLON BRANDO WATCHED THE SHOW.

According to Mike Judge, Johnny Depp told him that Depp and Marlon Brando would imitate Beavis and Butt-head, with Depp as Beavis and Brando as Butt-head. This occurred when the two worked together during 1994’s Don Juan DeMarco.

9. MATT GROENING WAS A FAN, TOO.

The creator of The Simpsons claimed that he liked the show because it took “the heat off Bart Simpson being responsible for the downfall of western civilization.”

10. DAVID LETTERMAN WAS THE VOICE OF THE MOTLEY CRUE ROADIE WHO MIGHT BE BUTT-HEAD’S FATHER IN BEAVIS AND BUTT-HEAD DO AMERICA .

David Letterman was credited as Earl Hofert, which is actually the name of Letterman's uncle. Letterman was a fan of the show and had the Highland teens on The Late Show in 1996 to promote their movie.

11. BEAVIS ALMOST SAID SOMETHING TOO CLEVER.

In 1993, Judge told The New York Times that one of the big challenges of the show was to keep the two in character and, therefore, dumb. An original line had Beavis telling his classmates that they had “Beavis envy” because he received a school pass. It was cut because it almost made the 14-year-old with the underbite too smart. In 2011, Judge admitted to “cheating” and probably making them smarter than they are during the music video commentaries.

12. DARIA WAS CREATED WITH JANEANE GAROFALO AND DARLENE CONNOR IN MIND.

The character of Daria was created after then-MTV president Judy McGrath expressed concern about the show’s lack of smart or female characters. Garofalo and Sara Gilbert’s Roseanne character were the models for Daria Morgendorffer. Morgendorffer was the maiden name of the show writer David Felton's mother, and was deemed perfect for the new character.

13. THE FRIENDS ARE HANGING OUT AT BUTT-HEAD’S HOUSE.


MTV

While it isn’t officially canon, Judge responded to a reporter’s assumption that the two were always at Butt-head’s abode by saying he “always imagined” that to be the case.

14. BEAVIS AND BUTT-HEAD WERE FEATURED ON THE COVER OF ROLLING STONE MAGAZINE THREE TIMES.

Their first appearance in 1993 ended up being the best-selling issue of the magazine that year.

15. THE TWO STARRED IN THEIR OWN LIVE-ACTION THANKSGIVING SPECIAL WITH KURT LODER.

The night before their (first) series finale, “Beavis and Butt-head Are Dead," MTV put Beavis and Butt-head in charge of broadcasting the Thanksgiving Day Parade, then later put them at a dinner table with the veteran MTV News broadcaster. The one hour special only aired on television once.

16. THE SHOW ENDED DUE TO CREATIVE BURNOUT.

In 1997, toward the end of the show's original run, Judge was running on empty. "I actually wanted to stop a little sooner," Judge told the Los Angeles Times. "We've done over 200 episodes [since 1993]. After the second season, I thought, 'How are we gonna do this anymore?' I was completely burnt out. I got a second wind in season three, and again in season five. But I don't know, you do it as fast as you can, get it on the air as fast as you can, and there's never a break. I felt, like, why not retire before it gets too stale or whatever?"

17. KANYE WEST WANTED TO BE ON THE SHOW.

In contrast to the more innocent 1990s, Judge and his team had to get authorization from all of the parties involved in a music video to have it appear on Beavis and Butt-head when it returned in 2011. Kanye West wanted to have one of his videos featured on the show, but another credited songwriter on the undisclosed track declined immortality.

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The 10 Best Sci-Fi Movies on Netflix Right Now
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Disney/Marvel

If you’re in the mood for some speculative fiction and your pile of Arthur C. Clarke books has been exhausted, you could do worse than to tune in to Netflix. The streaming service is constantly acquiring new films in the sci-fi and fantasy genres that should satisfy most fans of alternative futures. Here are five of the best sci-fi movies on Netflix right now.

1. CUBE (1997)

This low-budget independent film may have helped inspire the current "escape room" attraction fad. Six strangers wake up in a strange room that leads only to other rooms—all of them equipped with increasingly sadistic ways of murdering occupants.

2. METROPOLIS (1927)

Inspiring everything from Star Wars to Lady Gaga, Fritz Lang’s silent epic about a revolt among the oppressed people who help power an upper-class city remains just as visually impressive today as it did nearly 100 years ago.

3. TROLL HUNTER (2010)

A Norwegian fairy tale with bite, Troll Hunter follows college-aged filmmakers who convince a bear trapper to take them along on his exploits. But the trapper fails to disclose one crucial detail: He hunts towering, aggressive trolls.

4. NEXT (2007)

Nic Cage stars a a magician who can see a few minutes into the future. He's looking to profit with the skill: the FBI and others are looking to exploit it.

5. THE HOST (2006)

A slow-burn monster movie from South Korea, The Host has plenty of tense scenes coupled with a message about environmental action: The river-dwelling beast who stalks a waterfront town is the product of chemical dumping.  

6. GUARDIANS OF THE GALAXY VOLUME 2 (2017)

Marvel's tale of a misfit band of space jockeys was a surprise hit in 2014. The sequel offers more Groot, more Rocket Raccoon, and the addition of Kurt Russell as a human manifestation of an entire sentient planet.

7. STARDUST (2007)

Director Matthew Vaughn's adaptation of the Neil Gaiman novel features Michelle Pfeiffer and Robert De Niro as supporting players in the tale of a man (a pre-Daredevil Charlie Cox) in search of a fallen star to gift to his love.

8. KING KONG (2005)

Director Peter Jackson (The Lord of the Rings) set his considerable sights on a remake of the 1933 classic, with the title gorilla pestered and exploited by opportunistic humans.

9. DONNIE DARKO (2001)

What will a teenage mope do when a giant rabbit tells him the world is about to end? The answer comes in this critical and cult hit, which drew attention for its moody cinematography and an arresting performance by a then-unknown Jake Gyllenhaal.  

10. ROGUE ONE: A STAR WARS STORY (2016)

Soon we'll have a movie for every single major or minor incident ever depicted in the Star Wars universe. For now, we'll have to settle for this one-off that explains how the Rebel Alliance got their hands on the plans for the Death Star.

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15 Surprising Facts About Hill Street Blues
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NBC

Until the impressive record was surpassed by The West Wing in 2000, Hill Street Blues held the title of most Emmy-awarded freshman series, with eight trophies for its debut season alone (despite its basement-level ratings). The drama that chronicled the lives of the men and women working the Hill Street police station beat has been credited with changing television ever since its debut in 1981.

Among Hill Street Blues's innovations are the use of handheld cameras, a large ensemble cast, multi-episode story arcs, and a mix of high drama and comedy—elements which still permeate the small screen today. Here are 15 facts about the groundbreaking series.

1. STEVEN BOCHCO AND MICHAEL KOZOLL CREATED IT, DESPITE NOT WANTING TO DO ANOTHER COP SHOW.

MTM Enterprises was specifically hired by NBC to create a cop show, so Steven Bochco (who later co-created L.A. Law and NYPD Blue) and Michael Kozoll (co-writer of First Blood) agreed to do it—as long as the network left them “completely alone to do whatever we want,” according to Bochco. NBC agreed, and the two wrote the pilot script in 10 days.

2. IT WAS INFLUENCED BY A 1977 DOCUMENTARY.

The show's creators looked to The Police Tapes, a 1977 documentary that chronicled a South Bronx police precinct during a particularly hostile time in New York City's history, for inspiration. NBC's then-president Fred Silverman was inspired to create a cop show in the first place after seeing Fort Apache, the Bronx (1981), which stars Paul Newman as a veteran cop in a South Bronx police district.

3. BRUCE WEITZ HAD AN AGGRESSIVE AUDITION.

Bruce Weitz landed the role of undercover officer Mick Belker by playing the part. "I went to the audition dressed as how I thought the character should dress—and loud and pushy," Weitz recalled. "When I got into the room, I jumped up on [MTM co-founder] Grant Tinker's desk and went after his nose. I heard he said afterwards, 'There's no way I can't offer him the job.'"

4. JOE SPANO THOUGHT HE WAS MISCAST.

Joe Spano in 'Hill Street Blues'
NBC

Joe Spano auditioned for the role of Officer Andrew Renko, but ended up playing Lieutenant Henry Goldblume. “I was always disappointed that I didn’t end up playing Renko,” Spano told Playboy in 1983. Spano also wasn't a fan of his character's penchant for bow ties, which he claimed was Michael Kozoll's idea. "I fought it all the way," he said. "I thought it was a stereotypical thing to do. But it actually turned out to be right. You don’t play into the bow tie—you fight against it."

5. BARBARA BOSSON WAS BOCHCO’S WIFE, BUT WASN’T PLANNING ON BEING A SERIES REGULAR.

Barbara Bosson played Fay, Captain Frank Furillo’s ex-wife, who was only supposed to appear in the first episode in order to “contextualize” the captain, according to Bochco. But when Silverman watched the episode, he asked, “She’s going to be a regular, right?”

6. IT TOOK MIKE POST TWO HOURS TO WRITE THE ICONIC THEME SONG.

The composer—who also wrote the themes for The Greatest American Hero, Magnum, P.I., The A-Team, NYPD Blue, and Law & Order—was instructed by Bochco to write something “antithetical” to the visuals. Post wanted to add more orchestration to the piano piece; Bochco disagreed.

Post also spent four to five hours writing five minutes of new music for each episode of Hill Street Blues.

7. THE PILOT TESTED POORLY.

According to a network memo, among the many problems test audiences noted were that "the main characters were perceived as being not capable and having flawed personalities ... Audiences found the ending unsatisfying. There are too many loose ends ... 'Hill Street' did not come off as a real police station ... There was too much chaos in the station house, again reflecting that the police were incapable of maintaining control even on their home ground." NBC picked it up anyway.

8. RENKO WAS SUPPOSED TO DIE IN THE FIRST EPISODE, AND COFFEY WAS SUPPOSED TO DIE AT THE END OF THE FIRST SEASON.

Charles Haid had other projects lined up, so he agreed to take the part of Renko, a man destined to die almost immediately. But another series Haid was relying on didn’t get picked up, and NBC claimed Renko tested too well for him to meet an early end. Ed Marinaro's Coffey was meant to be shot and killed in “Jungle Madness,” the final episode of the first season. The ending was changed to make it a cliffhanger, and Marinaro’s character survived.

9. THEY HAD HISTORICALLY BAD SEASON ONE RATINGS.

A 'Hill Street Blues' cast photo
NBC Television/Getty Images

In its first season, Hill Street Blues show finished 87th out of 96 shows, making it the lowest-rated drama in television history to get a second season. Bochco credited the show’s renewal to two things: NBC being a last place network at the time, and the NBC sales department noticing that high-end advertisers were buying commercial time during the show.

10. THEY NEVER SPECIFIED WHERE THE SHOW WAS LOCATED, BUT IT’S PROBABLY CHICAGO.

The exterior of the Maxwell Street police station in Chicago filled in for the fictitious Hill Street precinct for the opening credits and background footage. It was added to the National Register of Historical Places in 1996 and is currently the University of Illinois at Chicago police department headquarters.

11. PLENTY OF FUTURE STARS MADE EARLY APPEARANCES.

Don Cheadle, James Cromwell, Laurence Fishburne, Tim Robbins, Andy Garcia, Cuba Gooding Jr., Danny Glover, Frances McDormand, and Michael Richards all found early work on the series.

12. SAMMY DAVIS JR. WANTED ON THE SHOW.

Sammy Davis Jr.
Michael Fresco, Evening Standard, Getty Images

Unfortunately, it never happened. Sometime after Bochco wrote in a reference to the singer, Davis and Bochco ran into each other. Davis said he loved it and started jumping up and down.

13. BOCHCO HAD A WAR WITH THE CENSORS.

Loving to use puns for titles, Bochco wanted to title an episode “Moon Over Uranus,” after Cape Canaveral was just in the news. Standards and Practices said no. Bochco eventually got his way, and proceeded to name the next two season three episodes “Moon Over Uranus: The Sequel” and “Moon Over Uranus: The Final Legacy.”

14. DAVID MILCH AND DICK WOLF’S CAREERS WERE LAUNCHED FROM IT.

David Milch (co-creator of NYPD Blue and creator of Deadwood) went from Yale writing teacher to a TV script writer through his former Yale roommate, Jeff Lewis. His first script for the show was season three's “Trial by Fury” episode, which won an Emmy, a WGA Award, and a Humanitas Prize. He later became an executive producer on the show. The first TV script credited to Dick Wolf (creator of the Law & Order franchise) was the season six episode, "Somewhere Over the Rambow." His first sole credit, for “What Are Friends For?,” earned Wolf an Emmy nomination in 1986.

It’s also worth noting that journalist and author Bob Woodward received a writing credit for season seven's “Der Roachenkavalier” and David Mamet penned the same season's “A Wasted Weekend” for his first television credit.

15. DENNIS FRANZ’S CHARACTER HAD A BRIEF, COMEDIC SPIN-OFF.

Dennis Franz (later Andy Sipowicz on NYPD Blue) first played corrupt cop Sal Benedetto in five episodes, before reappearing for the final two seasons as Lt. Norman Buntz. After Hill Street Blues ended its seven-season run, Franz reprised the latter character in Beverly Hills Buntz, which ran for one season beginning in 1987. In the 30-minute dramedy, Buntz was a private investigator after quitting the police force. Only nine episodes were broadcast by NBC.

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