23 Fascinating Facts About The Wire

Paul Schiraldi, HBO
Paul Schiraldi, HBO

It took a slow-but-steady climb for The Wire to emerge as a cultural phenomenon, but the show that challenged every cops-and-robbers television trope has permeated just about every corner of our culture. On the tenth anniversary of the series' finale, here are 23 facts that might have eluded even the most dedicated Wire diehards. (Warning: spoilers abound.)

1. BARACK OBAMA LOVES IT, AND EVEN HAS A FAVORITE CHARACTER.

On more than one occasion, Barack Obama has cited The Wire as one of his favorite TV shows. Interestingly, during the 2008 presidential election, the show's greatness was one of the few things that both John McCain and Obama could agree on, with McCain mentioning it alongside Seinfeld as a personal favorite. And Obama’s favorite character? It’s pretty much everyone’s favorite character: the gay, drug dealer-robbing, criminal code-having, Robin Hooding stick-up boy Omar. “That’s not an endorsement. He’s not my favorite person, but he’s a fascinating character,” Obama told the Las Vegas Sun, adding that he’s “the toughest, baddest guy on the show.”

2. CREATOR DAVID SIMON RECEIVED A MACARTHUR GENIUS GRANT FOR HIS WORK.

The prestigious MacArthur Fellowship is awarded annually to between 20 and 40 United States residents who "show exceptional merit and promise for continued and enhanced creative work." Over the years, the MacArthur Foundation has cast a wide net with its $500,000 prize, awarding it to the likes of linguists, historians, scientists, poets, mathematicians, journalists, and countless other skilled specialists. However, Simon is one of only two screenwriters to have been awarded the prize (two-time Oscar winner Ruth Prawer Jhabvala received one in 1984) and is the only person to have won the award primarily for work on a scripted television series.

3. THE WRITERS ROOM HAD SOME MAJOR TALENT.

The Wire had several writers whose work extended well beyond the television world. George Pelecanos, one of America’s most successful and well-respected crime fiction writers, wrote eight episodes of The Wire and served as a producer on season three. Richard Price, who has writing credits on five episodes, was already an accomplished writer before getting hired for the show, having written several novels and screenplays, including the critically-acclaimed 1992 crime novel Clockers, as well as the script for Spike Lee’s 1995 film adaptation of his book. Mystic River and Gone Baby Gone writer Dennis Lehane wrote three epsiodes.

4. MANY CRITICS CONSIDER IT THE BEST TV SHOW EVER.

Sonja Sohn and Gregory L. Williams in The Wire (2002)
Paul Schiraldi, HBO

When it comes to pop culture, the word “best” is tossed around so often that it’s hard to take it seriously. But The Wire is one of just a handful of shows you could make a serious case for as "the best show ever.” Entertainment Weekly, Slate, HitFix, and Complex have all, at varying times, named it the best drama ever to appear on the small screen, while almost every other major outlet of note has listed it among the best shows ever; it's part of an elite group that includes Seinfeld, The Simpsons, Breaking Bad, The Sopranos, M*A*S*H, and I Love Lucy.

5. YET THE SHOW NEVER—NOT ONCE—TOOK HOME AN EMMY.

Yep. That’s right. Two and a Half Men won nine Emmy Awards while The Wire, arguably the greatest work ever to grace the small screen, has not-a-one. In fact the show was nominated just twice, both times for its writing: once for the penultimate season three episode “Middle Ground,” which features the infamous Omar-Brother Mouzone-Stringer Bell face-off, and the season five series finale “–30–.”

6. ITS RATINGS RANGED FROM AVERAGE TO AWFUL.

Considering the quality and scope of the show, it was inevitable that The Wire would go down in the pantheon of all-time great TV shows. But the ratings during the show’s five-season run weren’t necessarily indicative of its quality or legacy. The audience topped out at about 4 million viewers, and hovered below the 1 million mark for much of the final season. Compare that to the more than 10 million people who tuned in for Breaking Bad's finale or the approximately 12 million viewers who watched the final episode of The Sopranos. These days, in an even more stratified media landscape, Game of Thrones handed 30.6 million viewers across all platforms for its seventh season finale.

7. THE SHOW HAS ITS ROOTS IN A MOSTLY-FORGOTTEN HBO MINISERIES.

The only time David Simon was actually able to nab an Emmy was for the critically-acclaimed-but-now-mostly-forgotten miniseries The Corner, which won awards for Outstanding Miniseries and Outstanding Writing for a Miniseries or a Movie (plus an Outstanding Directing for a Miniseries, Movie or a Special win for Charles S. Dutton). Based on a nonfiction book co-written by Simon and The Wire writer-producer Ed Burns, The Corner—which depicted life in poverty-stricken and drug-filled West Baltimore—overlapped thematically with The Wire and also shared a bevy of cast members, including Clarke Peters (Lester Freamon), and Lance Reddick (Cedric Daniels).

8. DAVID SIMON HAD AN IDEA FOR THE WIRE'S SIXTH SEASON.

Idris Elba and J.D. Williams in The Wire (2002)
HBO

Considering the ratings hole The Wire fell into during season five, David Simon surely knew that, like fighting the drug war, holding out hope for a sixth season would have been an exercise in futility. But had The Wire been given a sixth season, Simon thought the exploding Latino population in Southeast Baltimore would have been the subject. According to Simon, the topic would have been directly in The Wire’s wheelhouse, since “immigration is this incredibly potent source of friction and ideology, and maybe always has been in American life.” But the time it would have taken for Simon’s team to research immigration, combined with the low ratings, more or less buried the idea.

9. SIMON IS STILL PREPARED TO MAKE ANOTHER SEASON, UNDER ONE CONDITION.

By the time The Wire had enough critical clout and rabid fandom to legitimately justify another season, David Simon was hard at work on another project, the post-Katrina New Orleans drama Treme, which kicked off in 2010. However, when former Attorney General Eric Holder, yet another powerful fan of the show, gently joked in 2011 that he’d like to see another season, he received a not-so-joking response from Simon, who retorted “we are prepared to go to work on season six of The Wire if the Department of Justice is equally ready to reconsider and address its continuing prosecution of our misguided, destructive and dehumanizing drug prohibition.” Unfortunately, it didn't work out.

10. DOMINIC WEST NEVER THOUGHT THE SHOW WOULD LAST.

In fact, that's one of the main reasons why Dominic West—who starred as Jimmy McNulty—took the show. According to West, a Brit, he landed the role by doing his best Robert De Niro impression, but was reluctant to take the job since it meant signing a five-year contract to live in Baltimore. His agent eased his fears by telling him “don't worry, it'll only last one season."

11. THEY BUSTED OUT BIG-GUN MUSICIANS TO RECORD THE THEME SONG FOR ALL BUT ONE SEASON.

“Way Down in the Hole” was written by Tom Waits for his 1987 album Franks Wild Years, but serious fans of The Wire know it equally well as a song performed by The Blind Boys of Alabama, Waits, The Neville Brothers, and Steve Earle, who all did their own versions for seasons one, two, three, and five, respectively. For season four, however, the theme was sung by DoMaJe, a group of teenagers from Baltimore, in keeping with the year’s themes of adolescence and education.

12. ONLY ONE COP FIRES HIS OR HER WEAPON DURING THE ENTIRE SERIES.

It might be hard to believe, but on a cop-and-criminals show that ended up totaling 60 hours over five seasons, only a single police officer fired his weapon: Roland Pryzbylewski, better known as Prez. By turns the most and least sympathetic character on the show, the officer-turned-teacher fired his weapon a total of three times, accidentally shooting a round at a wall and returning fire at The Towers in the first season episode “The Detail,” then mistakenly firing a fatal and career-ending shot at a fellow officer in the season three episode "Slapstick."

13. DAVID SIMON AND ED BURNS HAVE COLLECTIVELY HELD ALMOST EVERY JOB PORTRAYED ON THE SHOW.

Probably one of the main reasons why The Wire rarely struck an inauthentic note was that producers David Simon and Ed Burns didn't have to fake their knowledge of the worlds they were exploring. Before breaking out with his book-turned-TV-show Homicide: A Year on the Killing Streets, Simon was a longtime crime reporter at The Baltimore Sun, which gave him an intimate knowledge of not only crime and institutional dysfunction in America's inner-cities, but also the troubles facing the newspaper industry. Burns, on the other hand, served as both a police detective and public school teacher in Baltimore before working on The Wire.

14. DAVID SIMON HAD TO LITERALLY BEG TO HAVE THE SHOW KEPT ON THE AIR.

Simon, in an interview with Entertainment Weekly, said thatThe Wire was canceled after season three, and The Wire was nearly canceled again—I had to grovel and beg and plead—after season four.” Despite the difficult journey getting five seasons of The Wire made, Simon praises HBO for allowing him to finish his story without too much interference, stating that the network was “very liberal in terms of allowing the people involved in the production of these shows to find their own vision and try to execute.”

15. OMAR IS BASED ON A REAL PERSON.

Wendell Pierce and Michael Kenneth Williams in The Wire (2002)
HBO

The Robin Hood-esque Omar may seem too perfect a TV antihero to have sprung up from real life, but like so many characters from the show, he’s partially drawn from a real-life Baltimore inspiration: a former drug dealer stickup boy named Donnie Andrews. After surrendering himself to detective-turned-producer Ed Burns for taking on a contract killing to support a heroin addiction, Andrews served time in prison and eventually became an anti-gang mentor to younger prisoners. After working with him to research their book The Corner, Simon and Burns eventually lobbied for his release from a life sentence, which he was granted in 2005 following 22 years served. Andrews continued his activism until his death, from a heart condition, in 2012. Although there are many similarities between the two, Andrews, unlike Omar, was not gay. That aspect of Omar's character was borrowed from Billy Outlaw, another stickup artist inspiration.

16. BUBBLES IS BASED ON A REAL PERSON, TOO.

Bubbles was based on another real-life Baltimorean who went by the moniker “Possum” (his real name remains unknown to the public). A heroin addict who had a drug sentence dropped in exchange for turning over criminals at $50 to $100 a head, Possum had a photographic memory and, like Bubbles, used hats to mark potential criminal targets to surveilling police. According to retired detective Ed Parker, Possum "worked for everybody—FBI, DEA, city narcotics, homicide." Simon chronicled Possum’s double life in a 1992 article for The Baltimore Sun, which doubled as an obituary; Possum died from AIDS shortly after being interviewed.

17. ONE OF BALTIMORE'S MOST INFAMOUS DRUG KINGPINS HAS A ROLE IN THE SHOW.

Thought to be one of the inspirations for Avon Barksdale, Melvin Williams trafficked heroin in Baltimore throughout the 1970s and 1980s to the tune of, according to the man himself, "a couple hundred million” dollars. Williams was arrested in 1985 following a wiretap investigation led by Ed Burns. Shortly after, while working for The Sun, Simon wrote a series of articles on Williams titled “Easy Money: Anatomy of a Drug Empire.” Williams served time in jail off and on until 2003, and played the role of West Side string-puller The Deacon in seasons three and four.

18. MANY OF THE ACTORS ARE BALTIMOREANS THROUGH AND THROUGH.

Cast members plucked from Baltimore included Jay Landsman (who, in a particularly confusing twist of fate, ended up playing Dennis Mello instead of the character Jay Landsman who was, as you might have guessed, based on the real-life Jay Landsman) and the aforementioned Melvin Williams. Another notorious Wire character to have been a lifelong Baltimorean was Felicia “Snoop” Pearson, who played an eponymous and murderous member of Marlo Stanfield’s crew, in a portrayal Stephen King called "perhaps the most terrifying female villain to ever appear in a television series." Like Williams, Pearson has had a troubled relationship with the law, having spent time in prison for second-degree murder at age 14, and then again after getting picked up in a sweeping Baltimore drug bust in 2011.

19. THERE WAS ALMOST A SPINOFF CENTERED AROUND BALTIMORE POLITICS.

Reg E. Cathey, Aidan Gillen, and Jay Landsman in The Wire (2002)
HBO

According to Simon, after the politically-charged third season of The Wire, he hatched a plan to create a spinoff series, The Hall, that would follow the rise of Tommy Carcetti and get even more real about the dirty business of Baltimore politics. Simon even went so far as to write a script and start putting a writing team together, but HBO told him no on the grounds that "we only want one show that nobody is watching in Baltimore, not two!"

20. ACTORS WORKING ON THE SHOW SAW BALTIMORE'S DANGEROUS SIDE.

The book Difficult Men, which chronicles the rise of modern television, details one role research ride-along that ended with Seth Gilliam (Ellis Carver) and Domenick Lombardozzi (Herc) ducking gunfire in the backseat of a police car. On another, Wendell Pierce (Bunk Moreland) reported seeing “a guy with a knife still in him” as well as a cop trying to take a man who’d been shot downtown for questioning instead of to a hospital.

21. DAVID SIMON CITES A SURPRISING SOURCE AS THE SHOW'S BIGGEST INFLUENCE.

“Dickensian” is a word that’s often tossed around to describe the serial fiction of The Wire, but David Simon goes back—way, way back—when citing the biggest influence on his show. In an interview with Slate, Simon noted “the guys we were stealing from in The Wire are the Greeks. In our heads we're writing a Greek tragedy, but instead of the gods being petulant and jealous Olympians hurling lightning bolts down at our protagonists, it's the Postmodern institutions that are the gods.”

22. PARODIES HAVE SPRUNG UP EVERYWHERE, BUT MOSTLY AFTER THE SHOW ENDED.

Because it took a few years for The Wire to seep into the national consciousness, it wasn’t exactly rife for parody during its 2002 to 2008 run. But many send-ups have hit the Web since, including Funny or Die’s The Wire: The Musical, which popped up in 2012 and featured several members of the show’s cast, a Saturday Night Live Brooklynized version of the show that took aim at the rapidly-gentrifying neighborhood of Bushwick, and a “Key and Peele” parody about, well, pants-pooping.

23. BARS ON THE WIRE ARE FULL OF SURPRISES.

In the season five episode “Took,” actor Richard Belzer is seen arguing his bar tab, presumably in a cameo of his Homicide: Life on the Street and Law and Order: Special Victims Unit character Detective John Munch. (To further complicate the Landsman situation, Munch was also partially based on the real-life Jay Landsman.) Another bar surprise comes when Commissioner William Rawls pops up in a gay bar in season three. Interestingly, Rawls' suggested homosexuality never comes up again throughout the rest of the series.

Reviews.org Wants to Pay You $1000 to Watch 30 Disney Movies

Razvan/iStock via Getty Images
Razvan/iStock via Getty Images

Fairy tales do come true. CBR reports that Reviews.org is currently hiring five people to watch 30 Disney movies (or 30 TV show episodes) for 30 days on the new Disney+ platform. In addition to $1000 apiece, each of the chosen Disney fanatics will receive a free year-long subscription to Disney+ and some Disney-themed movie-watching swag that includes a blanket, cups, and a popcorn popper.

The films include oldies but goodies, like Fantasia, Bambi, and A Goofy Movie, as well as Star Wars Episodes 1-7 and even the highly-anticipated series The Mandalorian. Needless to say, there are plenty of options for 30 days of feel-good entertainment.

In terms of qualifications: applicants must be over the age of 18, a U.S. resident, have the ability to make a video reviewing the films, as well as a semi-strong social media presence. On the more fantastical side, they are looking for applicants who “really, really lov[e] Disney” and joke that the perfect candidate, “Must be as swift as a coursing river, with all the force of a great typhoon.” You can check out the details in the video below.

Want to put yourself in the running? Be sure to submit your application by Thursday, November 7 at 11:59 p.m. at the link here. And keep an eye out for Disney+, which will be available November 12.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

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