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15 Enchanting Facts About Beauty and the Beast

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Walt Disney Studios

As the new Beauty and the Beast—starring Emma Watson and Dan Stevens—readies for its big-screen premiere, the tale as old as time is ready to enchant a new generation of audiences. Before you check out the live-action update, here are a few facts about the 1991 Disney classic.

1. WALT DISNEY CONSIDERED REMAKING THE FAIRY TALE AS FAR BACK AS THE 1930S.

Walt Disney liked to take his time mulling things over, and while he was pondering Beauty and the Beast, a live-action version of the movie was released by French filmmaker Jean Cocteau. Perhaps not wanting to release an animated version of a movie that had just been released, Disney tabled the idea.

2. A NON-MUSICAL VERSION WAS COMMISSIONED IN THE LATE 1980S.

In the late '80s, Disney hired British animator Roger Purdum to direct a non-musical version of Beauty and the Beast, with Linda Woolverton writing the script. But the company wasn't happy with the result of 10 weeks of storyboarding (which you can see here)—the story was too dark and depressing.

"In the middle of our process, The Little Mermaid premiered, and that changed everything," Woolverton told the Los Angeles Times. "[T]he concept of the musical, the Broadway musical brought to animation by Howard Ashman and Alan Menken. So I was flown to Disney in Florida to meet with Howard. Howard and I just clicked. ... In a hotel room in Fishkill, New York, Howard and I pretty much conjured up this version of Beauty and the Beast. Howard and I never clashed. I was his student. He taught me everything I know about musicals."

3. JACKIE CHAN CONTRIBUTED TO AN INTERNATIONAL VERSION.

Jackie Chan dubbed the Beast’s voice for the Chinese translation of the movie—including the singing. Here he is performing the title track in Mandarin with Sarah Chen:

4. "HUMAN AGAIN" WAS CUT FROM THE ORIGINAL MOVIE.

The song “Human Again” was cut from the original movie, in part because it added 11 minutes to the film, and partially because it created a problem with the passage of time. "[W]e kept asking, 'Well what? Is Maurice wondering around in the woods all this time? Is Gaston just sitting around in a tavern drinking beer after beer growing a long white beard?,'" co-director Kirk Wise said. "We couldn't quite figure out what to do with the other characters during this time that Belle's at the castle and keep the motor of the story running." In recent years, the whole sequence has been included on DVD and Blu-ray extras. In case you don’t have either of those sitting around your house, check out part of it here:

5. THREE OF ITS TUNES EARNED "BEST ORIGINAL SONG" OSCAR NOMINATIONS.

Many people remember that the title song from Beauty and the Beast took home the “Best Original Song” Oscar in 1992, but it was just one of three songs nominated from the movie. But “Belle,” the opening song, and “Be Our Guest” were also up for an Oscar. Must have been rough to be the writers of the other two songs in that category: “When You’re Alone” from Hook and “(Everything I Do) I Do It For You” from Robin Hood: Prince of Thieves.

6. THE CO-DIRECTOR STARTED HIS CAREER DRAWING CARICATURES.

Co-director Kirk Wise started his career drawing caricatures for tourists—but not Disney tourists. While attending art school, Wise made extra money by working at Universal Studios.

7. THE BEAST IS A MASH-UP OF VARIOUS ANIMALS.

He’s got the mane of a lion, the beard and head of a buffalo, the brow of a gorilla, the eyes of a human, the tusks of a wild boar, the body of a bear, and the legs and tail of a wolf ... and a little something extra. Animator Glen Keane claims that “Beast actually has a rainbow bum, but nobody knows that but Belle.”

8. ONE ANIMATOR WISHED THAT THE BEAST STAYED A BEAST.

Keane wished that the Beast had stayed a Beast instead of transforming into his princely human form. To help bridge the gap, he penned a funny line for Belle to say at the end: “I had them record Belle saying, ‘Do you think you could grow a beard?’ It was a good idea. It’s not in the movie. We should have put it in there.”

9. ANGELA LANSBURY SAID THE DEMO MUSIC WAS A LITTLE TOO ROCK 'N' ROLL.

When Angela Lansbury heard the demo of "Beauty and the Beast," it was "kind of a rock song," she told The Huffington Post. "I told them, 'This is a sweet message, but this really isn't my style. Are you sure you want me to do this?' They told me to sing the song the way I envisioned it, so that's what I did. I created it the way a little English teapot would sing the song."

Producer Don Hahn said that Lansbury "went into the booth and sang 'Beauty and the Beast' from beginning to end and just nailed it. We picked up a couple of lines here and there, but essentially that one take is what we used for the movie."

10. THERE'S A SLY REFERENCE TO DISNEYLAND.

You have to squint to see it, but when Maurice gets lost in the woods toward the beginning of the movie, one of the road signs he finds points the way toward Anaheim—which is home to Disneyland.

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11. THE POSTER WAS DESIGNED BY A MASTER OF THE ART.

John Alvin, the artist who created Beauty and the Beast's iconic movie poster, also designed the posters for some other films you might be familiar with, including E.T.: The Extra-Terrestrial, Gremlins, The Lion King, The Color Purple, and Blazing Saddles.

12. BELLE MADE A CAMEO IN THE HUNCHBACK OF NOTRE DAME.

Fittingly, she has her nose in a book. You can also see brief appearances by Pumbaa from The Lion King and Magic Carpet from Aladdin. It’s hard to spot Pumbaa—and tragic, as he appears to have been slaughtered—but both directors have confirmed all three cameos.

13. BELLE ISN’T THE ONLY BEAUTY AND THE BEAST CHARACTER THAT POPS UP IN OTHER MOVIES.

The Beast can momentarily be seen in Aladdin as one of the animal stacking toys the Sultan plays with.

14. THERE'S A NON-MUSICAL VERSION.

An earlier version of the movie contained no music. It also gave Belle a little sister named Clarice and a cat named Charley.

15. AUDIENCES WERE SUPPOSED TO SEE THE SEQUENCE WHERE THE YOUNG PRINCE IS TURNED INTO THE BEAST.

The sorceress would chase the prince through the castle hurling magic at him, hitting servants and accidentally turning them into objects instead. Eventually, she hits her target and turns him into an animalistic creature. She leaves, and we see the young Beast looking out from the castle windows, screaming for her to come back and fix him. Wise nixed the sequence. He later said, “The only thing that I could see in my head was this Eddie Munster kid in a Little Lord Fauntleroy outfit.”

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10 Things You Might Not Know About South Park
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Comedy Central

South Park has been a favorite of comedy fans since its broadcast debut in 1997, keeping a permanent seat in internet culture thanks to a slew of quotable catch phrases and delightfully inflammatory conversation pieces. Nevertheless, there are a few things about Trey Parker and Matt Stone’s iconic series—which made its debut 20 years ago today—that you might not know.

1. SOUTH PARK PIONEERED THE WAVE OF “MATURE” TELEVISION.

Making its debut in the summer of 1997, South Park entered the small screen circuit just in time to reap the benefits of the Federal Communications Commission’s latest venture: the TV Parental Guidelines. The rating system went into effect in January of the same year, distinguishing “child friendly” programming from “adult content.” Upon its premiere on August 13, South Park became the first weekly series to earn the “TV-MA” (or “Mature Audiences”) label.

2. MOST OF THE SERIES’S FEMALE CAST MEMBERS PERFORM UNDER PSEUDONYMS.

The wealth of the male characters on South Park are voiced by creators and writers Parker and Stone, but the animated Colorado town’s female population has long owed its lines to a small number of women behind the scenes. The voice actresses principally responsible for this lot have been, at various points, Mona Marshall, April Stewart, Eliza Schneider, and the late Mary Kay Bergman.

Early on in her South Park tenure, Disney and Hanna-Barbera mainstay Bergman was sometimes credited as Shannen Cassidy in order to avoid fallout from the ideological differences between South Park and her family-friendly material. Similarly, Stewart adopted the alias Gracie Lazar for her South Park work, and Schneider (who left the series in 2003) performed as “Blue Girl,” a handle she also utilized in her music career. Only Marshall has been consistently credited without a pseudonym.

3. SEVERAL CELEBRITIES HAVE PLAYED EASY-TO-MISS CAMEOS.

South Park’s preferred use of celebrity guest stars differs quite a bit from that of its animated sitcom brethren, a community that typically aims to “play up” the notability of a visiting voice actor. With a few exceptions, South Park favors hiding any trace of a star’s contribution, relegating big-name guests to little more than animal sounds. Actors as renowned as George Clooney, Jay Leno, and Henry Winkler have provided dog barks, cat purrs, and monster growls, respectively, for the show.

4. ONE NOTABLE FAN REFUSED AN OFFER TO GUEST STAR.

Of course, not all Hollywood stars are game for this caliber of work. Taking note of South Park’s meteoric rise in popularity at the inception of its second season, Jerry Seinfeld contacted creators Parker and Stone to express interest in voicing a character. They offered the comedian the nonspeaking part of “Turkey No. 2” in their Thanksgiving episode, but Seinfeld declined.

5. SOME FAMOUS NAMES HAVE WRITTEN FOR THE SERIES.

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Today, Bill Hader and Kristen Schaal are TV comedy stars in their own right. However, while Hader was still appearing on Saturday Night Live, he doubled as a consultant writer and then producer for Parker and Stone’s animated series. Similarly, Schaal spent 2007 working as a consultant writer on South Park, before padding her resume with parts on Flight of the Conchords, The Daily Show, and 30 Rock.

6. A SITCOM LEGEND CONTRIBUTED TO TWO EPISODES OF THE SERIES.

It is hardly a surprise to learn that the daringly controversial Parker and Stone hold great reverence for the king of all politically incorrect sitcoms: All in the Family. As such, the pair’s communal dream came true when Norman Lear, the brain behind the groundbreaking series, brought his talents to the South Park set as a writing consultant on the consecutive season 7 episodes “Cancelled” (the 100th episode produced) and “I’m a Little Bit Country.”

7. TREY PARKER APPLIED THE SHOW’S VISUAL STYLE TO A SERIES OF PHILOSOPHICAL SHORTS.

Inheriting a reverence for Buddhism from his father, Randy, Trey Parker went on to discover affection for the philosophies of Zen writer and speaker Alan Watts. In 2007, Parker borrowed the construction paper aesthetic of his popular Comedy Central series to a side project: animated sequences accompanying short segments of Watts’s lectures. Subjects brought to life through Parker’s animation included Watts’ take on music (“Life and Music”), personality extremes (“Prickles and Goo”), and the human race’s relationship with the planet (“Appling”).

8. SOUTH PARK REUNITED A FAMOUS COMIC DUO.

The season four episode “Cherokee Hair Tampons,” which aired in 2000, was notable for employing a pair of guest stars for more than just a few canine grunts. Counterculture comedians Cheech Marin and Tommy Chong, who had long since dissolved their big-screen partnership, both lent their voices to the installment. Chong admitted that he and Marin didn’t record their parts together for the episode, but he did credit South Park with reviving their professional camaraderie.

“Cheech did his bit one day and I came in the next day and did my bit,” he told UCTV. “That was the first time we did something together in 20 years so yes, we can give South Park the credit.” Chong’s math might be a little off—his and Marin’s previous proper film collaboration was Martin Scorsese’s After Hours, although they shared credits well into the ’90s—but the spirit of his words sticks. Since the South Park episode, Chong and Marin have joined forces on a handful of film and television projects, including Cheech & Chong’s Animated Movie.

9. AN INSECT MUTATION WAS NAMED AFTER A SOUTH PARK CHARACTER.

Comedy Central

Throughout the first five seasons of South Park, the primary distinguishing characteristic borne by the character Kenny McCormick was his proclivity to die suddenly in every episode. This unfortunate trait won Kenny the honor of lending his name to a mutation in the genetic structure of the adult fruit fly, discovered in 2002 by scientist Sophie Rutschmann. The gene was found to predict imminent mortality upon contact with an otherwise benign strain of bacteria; this “certain death” mutation was aptly nicknamed “Kenny” after South Park’s ill-fated character.

10. THE TOURETTE SYNDROME ASSOCIATION HAS PRAISED SOUTH PARK’S TREATMENT OF THE DISEASE.

Well aware of South Park’s reputation for insensitivity, the Tourette Syndrome Association approached the series’ season 11 episode, “Le Petit Tourette,” prepared to be gravely offended. The nonprofit organization was unsurprised by South Park’s heavy focus on coprolalia, or involuntary cursing—a symptom disproportionately associated with the disease in popular culture—but went on record as saying that they were impressed by the episode’s treatment of the condition, as well as by its wealth of well-researched information.

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A Physicist Weighs In On Whether Scrooge McDuck Could Actually Swim in a Pool of Gold Coins
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Batman has the Batcave, Superman has his Fortress of Solitude, and Scrooge McDuck has his money bin. For 70 years, the maternal uncle of Disney’s Donald Duck has been portrayed as a thrifty—some might say miserly—presence in cartoons and comics, a waterfowl who has such deep affection for his fortune that he enjoys diving into his piles of gold and luxuriating in them.

It’s a rather gross display of money worship, but is it practical? Can anyone, including an anthropomorphic Pekin duck, actually swim in their own money, or would diving headfirst into a pile of metal result only in catastrophic injury?

According to James Kakalios, Ph.D., a professor of physics at the University of Minnesota and author of the recently-released The Physics of Everyday Things as well as 2005’s The Physics of Superheroes, the question really isn’t whether someone could swim in a mass of gold. They could not. It’s more a matter of how badly they’ll be injured in the attempt.

Diving into a gold pile the Scrooge way—hands first, prayer-style, followed by your head—is the most efficient way to begin breaking bones. “Keeping his arms stiff and his elbows rigid, he’s definitely going to break his wrists,” Kakalios tells Mental Floss. “Gold is a granular material like sand, a macroscopic object. You can’t swim through sand or dive into it easily.” Launch yourself off a diving board from 3 or 4 feet up and you will meet a solid surface. Landing with your feet, a far better bet, is unlikely to result in injury—provided you try to bend your knees.

In that sense, diving into gold is not dissimilar from “diving” into a concrete floor. But with gold being granular, it might be possible to break the surface and “swim” if the friction were low enough. “A ball pit is a good example,” Kakalios says. “The balls are lightly packed and have low friction relative to one another. The key is to have objects in front of you move out of the way in order to advance.”

Despite being a fictional character, McDuck hasn’t totally ignored the impossible physics of his feat. His creator, Carl Barks, has written in repeated references over the years to the implausibility of using his money vault as a swimming pool and has depicted the villainous Beagle Boys trio as getting hurt when they tried to emulate the stunt. Scrooge smirked and said there was a “trick” to making the gold dive.

That’s led to one fan theory that McDuck has used his fortune to coat the gold coins in some kind of lubricant that would aid in reducing friction, allowing him to maneuver inside the vault. Ludicrous, yes. But is it possible? “You would need a massive amount of lube to slide your body past the coins with minimal effort,” Kakalios says. “The ball pit is easier because the weight of the elements is low. Gold is a very dense material.” Diving and swimming into it, even with lubricant, might be analogous to trying to shove your hand into a deep bowl of M&Ms, he says. “M&Ms have a low friction coating. Continuing to move is really the problem.”

Presuming McDuck could somehow maneuver himself deeper into the pile, his delicate duck bones would almost surely succumb to the crushing weight of the gold above him. By one estimate, diving under one of his 5-foot-tall gold piles would put 2492 pounds of pressure on his bill.

We'll see if he tips his top hat to any further gold-diving tricks—or if he's in a full-body cast—when Disney XD relaunches DuckTales this summer.

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