23 Huge Facts About The Big Lebowski

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

You’re a Lebowski. I’m a Lebowski. These days, pretty much everybody loves The Big Lebowski. But it wasn’t always the case. Since its initial release and modest reception in 1998, the Coen brothers' oddball slacker-hero tale has enjoyed modern movie history’s most unusual (yet fairly inevitable) ascent to classic status. Here are 23 facts that might have eluded even the most accomplished Lebowski achievers.

1. THE BIG LEBOWSKI GOT SOME LOVE FROM THE LIBRARY OF CONGRESS.

In December of 2014, The Big Lebowski became one of 700 "culturally, historically, or aesthetically significant" films preserved for future generations through the Library of Congress’s National Film Registry. The 2014 class of 25 films included the likes of Saving Private Ryan, Rosemary’s Baby, Willy Wonka and the Chocolate Factory, and Ferris Bueller’s Day Off. The Registry praised the “tale of kidnapping, mistaken identity, and bowling” for its exploration of “alienation, inequality, and class structure via a group of hard-luck, off-beat characters suddenly drawn into each other’s orbits.”

2. ACCORDING TO JOEL COEN, THE PLOT DOESN'T REALLY MATTER.

Think about the many things you love about The Big Lebowski: the performances, the musical sequences, the endless onslaught of brilliantly quotable lines, the Jesus. Strangely, the actual plot of the movie is secondary (or fifth-dary) to most people’s enjoyment of the movie. Do you remember what happens to the missing money in the end, or if there even was missing money to begin with? According to Joel Coen, they knew the plot would probably be a bit confounding to most viewers on the first watch, and they also knew that it probably wouldn’t matter. “The plot is sort of secondary to the other things that are sort of going on in the piece," he said in a DVD extra for the film. "I think that if people get a little confused it’s not necessarily going to get in the way of them enjoying the movie.”

3. THE COEN BROTHERS PROBABLY DON'T LOVE THE MOVIE AS MUCH AS YOU DO.

 Directors Ethan Coen (L) and Joel Coen attend the 'Hail, Caesar!' photo call during the 66th Berlinale International Film Festival Berlin at Grand Hyatt Hotel on February 11, 2016 in Berlin, Germany
Pascal Le Segretain, Getty Images

We’re assuming the Coen brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a 2009 interview, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

4. IT'S PARTLY INSPIRED BY RAYMOND CHANDLER'S THE BIG SLEEP.

In the rare interviews where the Coen brothers have discussed their inspiration for The Big Lebowski, they name-drop noir crime writer Raymond Chandler—in particular, his 1939 novel The Big Sleep. According to Joel Coen, Chandler novels “usually follow the main character as he encounters these different characters on a journey to uncover a mystery, or find a missing person, or whatever it may be in the novel. In this case, that was the model for this story.” But unlike hardboiled The Big Sleep protagonist detective Philip Marlowe, The Dude is dropped in "the most impossible of situations" and is “the person who seemed least equipped to deal with it."

5. THE DUDE IS PRESENT IN EVERY SCENE.

In true noir fashion, the lead character—in this case, The Dude, of course—is present in every scene in the movie. This includes the scene where Peter Stormare and the rest of the Nihilist crew are ordering pancakes in a diner, where Walter and The Dude’s van can be seen through the diner window in the background.

6. THE DUDE IS NOT THE LEBOWSKI REFERENCED IN THE TITLE.

This may seem obvious to some, but it probably comes as a surprise to others. The title The Big Lebowski is a reference to the millionaire Jeffrey Lebowski, and not The Dude. Jeffrey Lebowski is referred to as “the Big Lebowski” many times throughout the script, but in the movie, the only evidence that he’s the “Big Lebowski” comes when the Dude refers to him as such sporadically, just a few times throughout the film.

7. THERE'S A MUSICIAN CAMEO YOU MIGHT HAVE MISSED.

Peter Stormare, Flea, and Torsten Voges in The Big Lebowski (1998)
Universal Pictures Home Entertainment

Most Lebowski diehards know that Red Hot Chili Peppers bassist Flea pops up a few times throughout the movie as one of the ne'er-do-well nihilists trying to shake The Dude down for ransom money (his credited name is “Kieffer,” in case you were wondering). It’s worth noting that gives Flea a not-too-shabby cult classic film resume, considering his appearances in Fear and Loathing in Las Vegas, the last two legs of the Back to the Future trilogy, and Gus Van Sant’s My Own Private Idaho. But they might not know that singer/songwriter Aimee Mann also pops up as a nihilist—indeed, the one who has sacrificed a pinky toe for the cause. Mann would play a major part in another now-classic movie that had a hard go of it at the box office the next year, writing music for Paul Thomas Anderson’s Magnolia.

8. WHILE THERE ARE TONS OF FAMILIAR COEN BROTHER FILM FACES, THE FILM DOESN’T FEATURE THEIR MOST FREQUENT COLLABORATOR.

When it comes to familiar faces from the Coen-verse popping up, The Big Lebowski just might be the ultimate Coen ensemble movie. Major players include John Goodman, Steve Buscemi, Jon Polito, John Turturro, and Peter Stormare. Missing, however, is the Coens' most frequent collaborator: Frances McDormand. McDormand, who has been married to Joel Coen since 1984, has had roles in eight of the Coens' movies (most recently, 2016's Hail, Caesar!). In 1997—more than 20 years before she won the Best Actress Oscar for Martin McDonagh's Three Billboards Outside Ebbing, Missouri (which was promptly stolen, but quickly recovered)—she took home an Oscar for her portrayal of Marge Gunderson in Fargo.

9. THE COENS WANTED MARLON BRANDO FOR LEBOWSKI (EVEN THEY THEY KNEW IT WAS A LONG SHOT).

According to Alex Belth, who wrote the e-book The Dudes Abide: The Coen Brothers and the Making of the Big Lebowski about his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming commenced. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine. The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous (but pitch perfect) veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

10. A WHOLE MESS OF PEOPLE CALL THE BIG LEBOWSKI ONE OF THEIR FAVORITE MOVIES.

It probably comes as no surprise, but you’re not the only one who loves The Big Lebowski. Actors Jennifer Lawrence, Jonah Hill, Seth Rogen, John Hawkes, Jane Lynch, Martin Starr, Eva Mendes, and Nick Offerman—plus directors Sam Raimi and Richard Kelly—have all name-checked it as one of their “Five Favorite Films” on Rotten Tomatoes. Rapper Talib Kweli is such a massive fan that, in 2013, he hosted a screening of the film at New York City's IFC Center.

11. A SEMI-SPINOFF IS COMING. MAYBE.

The Coens have repeatedly shot down anything vaguely resembling the idea of writing and directing a sequel, with Joel Coen flatly stating, “I just don’t like sequels.” Still, the rumors persist, and they reached a fever pitch in October of 2014 when unfounded claims that a sequel would start filming in January 2015 started swirling around the internet. However, in 2016, it was reported that John Turturro had begun filming a sort of spinoff that would feature his character from the film, the bowling-ball-licking, smooth-rolling, sex offender Jesus Quintana. It’s hard to believe, but Turturro’s legendary character pops up in just two scenes. Turturro (correctly) thinks the character needs more face time, and has been bothering the Coen brothers to revisit the character for years, or at least give him permission to go ahead and direct some kind of Jesus-centric spin-off. Currently titled Going Places, there is not a lot of information available on the film, though IMDb does note that it's scheduled for release this year.

12. JOHN TURTURRO WAS ORIGINALLY EMBARRASSED BY HIS SCENES AS JESUS.

Turturro may be giving new life to his Big Lebowski character, but the actor wasn't immediately enamored of Jesus. “The first time they showed [my scenes] to me, I was really embarrassed,” the actor told The Hollywood Reporter of The Big Lebowski in 2017. "I didn’t even get the movie when it came out. When I saw it, I thought [Jeff Bridges] was great, but it went over my head." But Jesus ended up being a fan favorite character, and Turturro explained that the new film is "not a spinoff of The Big Lebowski. It’s much more sexual. You find out that he was framed [as a pedophile].”

13. SINCE ITS RELEASE, SOME CRITICS HAVE CHANGED THEIR MIND ABOUT THE BIG LEBOWSKI.

Turturro isn't the only one whose opinion of The Big Lebowski softened over time. When you’re a cult classic, initial confusion just comes with the territory. As such, Lebowski—the ultimate cult classic—was hardly met with the near-universal acclaim it receives today when it was released in 1998. Roger Ebert didn’t hate, hate, hate it, giving it three out of four stars upon its initial release, but he didn’t praise it as an all-time great either. It wasn’t until 2010 that Lebowski entered Ebert’s pantheon of “Great Movies” when he awarded it a perfect four out of four stars. Ebert wasn't the only critic who changed his mind over time. Peter Howell of the Toronto Star initially wrote, “It’s hard to believe that this is the work of a team that won an Oscar last year for the original screenplay of Fargo.” But in 2011, he wrote a piece chalking his original poor review up to “festival fatigue,” and saying, “It may just be my favorite Coen Bros. film, and I’m generally a fan of the Coens.”

14. IT WAS A BOX OFFICE BOMB.

Steve Buscemi, Jeff Bridges, and John Goodman in The Big Lebowski (1998)
Universal Pictures Home Entertainment

The Big Lebowski was a total slouch at the box office, making an anemic $5 million over its opening weekend, and barely covering its $15 million budget at the domestic box office. But since its initial release, the movie has been nothing short of a cash cow, selling incredibly well on VHS, DVD, and Blu-ray.

15. THERE ARE SEVERAL CLEVER COEN EASTER EGGS YOU MIGHT HAVE MISSED.

There are several Easter eggs throughout The Big Lebowski for fans of the full Coen filmography. Steve Buscemi’s character Donny, who famously can never get a word out without Walter telling him to “shut the f**k up,” is the polar opposite of Buscemi’s character Carl Showalter in Fargo, who chatters nonstop to his near-wordless crime accomplice played by Peter Stormare. One of the only reasons Stormare opens his mouth in Fargo is to mention his desire to find a “pancakes house.” He never ends up getting the chance in Fargo, but his nihilist character orders them in The Big Lebowski. It’s also Coen lore that Buscemi's dead body has ended up in smaller and smaller parts throughout their filmography, finishing up as a corpse in Miller’s Crossing, a disembodied leg in Fargo, and ashes in The Big Lebowski.

16. ONE FARGO EASTER EGG DIDN'T MAKE THE FINAL CUT.

In the film, it’s eventually revealed that Bunny Lebowski, Jeffrey Lebowski’s trophy wife, is named Fawn Knutson, and was born in Moorhead, Minnesota before running away to Los Angeles. But in the script, Bunny’s real name is Fawn Gunderson, and thus shares a surname with Fargo heroine Marge Gunderson, implying a possible relation. Moorhead is also notably a twin city of Fargo, North Dakota, sitting directly across the North Dakota-Minnesota border.

17. DUE TO THE PROFANITY, CABLE CUTS OF THE BIG LEBOWSKI HAVE REQUIRED SOME VERY CREATIVE EDITING.

“Do you have to use so many cuss words?” It’s surprising that Lebowski is a film that gained much of its following via post-theater cable television airings, considering “f**k” is uttered 260 times throughout, making it one of the most f-bomb-laden feature films ever made. However, even the edited-for-cable versions have gained something of a cult following for their, shall we say, creative word replacements. One version that aired on Comedy Central famously featured Walter bizarrely screaming, “Do you see what happens when you find a stranger in the Alps?" in place of a much more straightforward profanity.

18. SEVERAL OF THE MAIN CHARACTERS ARE INSPIRED BY FOLKS THE COENS HAVE MET IN HOLLYWOOD.

According to the Coen brothers, The Dude is based in part on Jeff Dowd, a film producer they met while working on their directorial debut, 1984’s Blood Simple. Dowd, who also goes by “The Dude,” was 1/7 of the “Seattle Seven”—seven members of the Seattle Liberation Front that helped organize a 1970 Vietnam War protest at downtown Seattle’s federal courthouse and were charged with "conspiracy to incite a riot" after the protest turned violent. John Goodman’s Walter Sobchak also had a real-life, Hollywood inspiration: writer and director John Milius, who had a hand in the making of Dirty Harry, Apocalypse Now, Jaws, and Conan the Barbarian. Milius, who sports glasses, a beard, and a figure similar to Walter's, claims to be obsessed with the Vietnam War. But unlike Walter, he was never actually able to serve: After attempting to enlist in the 1960s, he was turned down due to his chronic asthma.

19. THE BIG LEBOWSKI WAS ONCE CITED IN A TEXAS SUPREME COURT DECISION.

In 2014, Texas Supreme Court Justice Debra Lehrmann cited the movie in a legal decision on a freedom of speech case. Lehrmann noted that it’s common knowledge that prior restraint, or censorship prior to an expression taking place, has been largely rejected by “the Supreme Court, this Court, Texas courts of appeals, legal treatises, and even popular culture." A footnote attached quoted Walter Sobchak's claim that “the Supreme Court has roundly rejected prior restraint.”

20. DUE TO THE VAGUENESS OF THE MOVIE'S MESSAGE (OR LACK THEREOF), THERE HAVE BEEN SOME VERY CREATIVE INTERPRETATIONS.

The Coen brothers’ indications that The Big Lebowski is about little more than oddball characters crossing each other’s paths has led to some interesting and creative analyses regarding what it all really means. Some of the more interesting takes have included Lebowski as a “a parable of Global Capitalism,” a “modern adaptation of Albert Camus' The Stranger and an illustration of the philosophy of Absurdism,” and even The Dude as “a contemporary Jesus," with the essay’s author noting, among other things, the similarity in hair styles. Oh, and did we mention Lebowski birthed a religious movement called Dudeism, which “preaches non-preachiness,” “practices as little as possible,” and shares common ground with the laid back ancient Chinese philosophy of Taoism? Because it did.

21. THE RUG ALMOST ENDED UP TYING THE MOVIE TOGETHER.

Jeff Bridges stars in 'The Big Lebowski' (1998)
Universal Pictures Home Entertainment

The Dude’s rug is, in many ways, the driving force behind The Big Lebowski from start to finish. The notorious Lebowski rug was such a central part of the film, the Coens even participated in an interview with Floor Covering Weekly while promoting the movie. In a DVD extra, Ethan Coen notes that producer Joel Silver thought the film should end with The Dude getting his rug back, but the Coens never followed through.

22. FORMER ROLLING STONES MANAGER ALLEN KLEIN LOVED ONE LINE IN THE MOVIE SO MUCH, HE WAIVED THE LICENSING FEE FOR "DEAD FLOWERS."

From the Sons Of The Pioneers’s “Tumbling Tumbleweeds” to The Dude’s hallucinatory, vaguely pornographic odyssey set to Kenny Rogers’s “Just Dropped In,” the T-Bone Burnett-produced soundtrack is one of the many reasons Lebowski is an enduring classic. Former Rolling Stones manager Allen Klein even offered up the rights to the song “Dead Flowers” gratis. Initially, Klein wanted $150,000, but so adored the scene where The Dude talks about hating “the f**kin’ Eagles,” he waived the licensing fee. The Eagles crack apparently ended up causing some friction when Jeff Bridges later ran into Eagles member Glenn Frey. "I can't remember what he said exactly," Bridges said, "but my anus tightened a bit."

23. YOU'VE ALMOST CERTAINLY SEEN JEFFREY LEBOWSKI'S MANSION SOMEWHERE ELSE.

Mr. Lebowski’s not-so-humble Beverly Hills dwelling is known as Greystone Mansion in real life, and has popped up in The Muppets, The Prestige, Rush Hour, The Social Network, The Dirty Dozen, and, perhaps most notably, in the music video for Meat Loaf’s "I'd Do Anything for Love (But I Won't Do That).”

The Psychology Behind Kids' L.O.L. Surprise! Doll Obsession

Jack Taylor, Getty Images
Jack Taylor, Getty Images

Isaac Larian, the founder and CEO of toymaker MGA Entertainment, is an insomniac. Fortunately for him, that inability to sleep forced him to get up out of bed one night—a move that ended up being worth $4 billion.

Larian’s company is the architect of L.O.L. Surprise!, a line of dolls with a clever conceit. The product, which retails for about $10 to $20, is encased in a ball-shaped plastic shell and buried under layers of packaging, forcing children to tear through a gauntlet of wrapping before they’re able to see it. The inspiration came on that highly profitable sleepless night, which Larian spent watching unboxing videos on YouTube. It resulted in the first toy made for a generation wired for delayed gratification.

The dolls first went on sale in test markets at select Target stores in late 2016. MGA shipped out 500,000 of them, all of which sold out within two months. A Cabbage Patch Kid-esque frenzy came the following year. By late 2018, L.O.L. Surprise! (the acronym stands for the fancifully redundant Little Outrageous Little) had moved 800 million units, accounted for seven of the top 10 toys sold in the U.S., and was named Toy of the Year by the Toy Association. Videos of kids and adults unboxing them garner millions of views on YouTube, which is precisely where Larian knew his marketing would be most effective.

A woman holds a L.O.L. Surprise doll and packaging in her hand
Cindy Ord, Getty Images for MGA Entertainment

The dolls themselves are nothing revolutionary. Once freed from their plastic prisons, they stare at their owner with doe-eyed expressions. Some “tinkle,” while others change color in water. They can be dressed in accessories found in the balls or paired with tiny pets (which also must be "unboxed"). Larger bundles, like last year’s $89.99 L.O.L. Bigger Surprise! capsule, feature a plethora of items, each individually wrapped. It took a writer from The New York Times 59 minutes to uncover everything inside.

This methodical excavation is what makes L.O.L. Surprise! so appealing to its pint-sized target audience. Though MGA was advised that kids wouldn’t want to buy something they couldn’t see, Larian and his executives had an instinctual understanding of what child development experts already knew: Kids like looking forward to things.

Dr. Rachel Barr, director of Georgetown University’s Early Learning Project, told The Atlantic that unboxing videos tickle the part of a child’s brain that enjoys anticipation. By age 4 or 5, they have a concept of “the future,” or events that will unfold somewhere other than the present. However, Barr said, they’re also wary of being scared by an unforeseen outcome. In an unboxing video, they know the payoff will be positive and not, say, a live tarantula.

L.O.L. Surprise! is engineered to prolong that anticipatory joy, with kids peeling away wrapping like an onion for up to 20 minutes at a time. The effect is not entirely novel—baseball card collectors have been buying and unwrapping card packs without knowing exactly what’s inside for decades—but paired with social media, MGA was able to strike oil. The dolls now have 350 licensees making everything from bed sheets to apparel. Collectors—or their parents—can buy a $199.99 doll house. So-called “boy toys” are now lurking inside the wrappers, with one, the mohawk-sporting Punk Boi, causing a mild stir for being what MGA calls “anatomically correct.” His tiny plastic genital area facilitates a peeing function.

Whether L.O.L. Surprise! bucks conventional toy trends and continues its popularity beyond a handful of holiday seasons remains to be seen. Already, MGA is pushing alternative products like Poopsie Slime Surprise, a unicorn that can be fed glitter and poops a viscous green slime. An official unboxing video has been viewed 4.2 million times and counting.

The 8 Most Anticipated Horror Movies of 2019

Jessica Rothe in Happy Death Day 2U (2019)
Jessica Rothe in Happy Death Day 2U (2019)
Michele K. Short, Universal Pictures

Between Hereditary, A Quiet Place, and Halloween, 2018 was a killer year for horror moviesand 2019 is shaping up to be just as impressive. While remakes seem to be dominating the schedule in the coming months, there are plenty of sequels, adaptations, and even a few promising original titles coming out as well. Here are some of the scary movies we're most looking forward to seeing this year.

1. Us

In 2017, Jordan Peele revolutionized the horror genre with Get Out. The Academy Award-winning filmmaker plans to do the same again with Us, which features a predominantly black cast—a rarity for a horror movie. "I dedicated a lot of myself to creating a new horror mythology and a new monster," Peele said of the film. "I think that monsters and stories about monsters are our best ways of getting at deeper truths and facing our fears as a society ... It’s also important to note that this movie, unlike Get Out, is not about race. It is instead about something I feel has become an undeniable truth. That is the simple fact that we are our own worst enemies." Us, which stars Elisabeth Moss and Lupita Nyong'o, arrives in theaters on March 22, 2019.

2. IT: Chapter 2

Stephen King fans were thrilled with 2017's IT, the second adaptation of the horror master's beloved 1986 novel. Andy Muschietti is sitting in the director's chair again for the second chapter, which will follow the Losers Club as they return to Derry, Maine in their adult years. While Bill Skarsgård will reprise his role as Pennywise, impressive new additions to the cast include Jessica Chastain, Bill Hader, and James McAvoy. The film debuts on September 6, 2019.

3. Scary Stories to Tell in the Dark

If you’ve been a horror fiend since childhood, you’ll no doubt remember Alvin Schwartz's Scary Stories to Tell in the Dark book series. The books included memorable illustrations by Stephen Gammell, some of which no doubt haunted many children’s nightmares. The film adaptation will be released on August 9, 2019.

4. Zombieland 2

Venom director Ruben Fleischer's feature debut, 2009's Zombieland, was an instant hit with both horror and comedy fans. And they've been waiting 10 years for a sequel. Finally, we’ll be getting a second film this year with Fleischer directing and Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and even Bill Murray all confirmed to return. Zombieland 2 is set to hit theaters on October 11, 2019.

5. Happy Death Day 2U

The hilariously bad-but-fun Happy Death Day (2017) surprised audiences with how flat-out entertaining it was, so much so that fans were thrilled to hear there were plans for a sequel. Much like the original movie, the second film will follow protagonist Tree Gelbman (Jessica Rothe) as she’s killed every single day. But this time, the killer is coming for her friends, too. Happy Death Day 2U premieres on February 14, 2019.

6. Pet Sematary

Though Mary Lambert's original Pet Sematary (1989) was not met with much critical acclaim, fans of the Stephen King novel were pleased with the adaptation, and are excited to see the story come to life again. The remake, which is directed by Kevin Kölsch and Dennis Widmyer and stars John Lithgow and Jason Clarke, debuts on April 5, 2019.

7. Child’s Play

When rumors began swirling that there was going to be another Chucky movie, and that it would be a remake of the original Child’s Play at that, people—including the original series creator Don Mancini—didn't initially seem too excited.

But as more details—including a cast list that includes Aubrey Plaza and Brian Tyree Henry—were made public, interest in the project seemed to grow. Child’s Play hits theaters June 21, 2019.

8. The Prodigy

Creepy kids will never fail to make terrifying horror movie villains. In The Prodigy, Taylor Schilling’s character discovers something supernatural might be happening to her son when he starts acting as if he’s possessed. (Spoiler alert: He probably is). The film will be released on February 8, 2019.

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