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Advice For Young Journalists From Decades Past

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This week, Twitter has been flooded with #AdviceForYoungJournalists, a hashtag prompted by a Felix Salmon article, "To all the young journalists asking for advice..." Salmon's piece strikes a foreboding tone ("Things are not only bad; they’re going to get worse"), and the discussion online has oscillated between the optimistic and pessimistic, the ridiculous and practical.

While the news industry has undoubtedly gone through seismic changes over the past decade or so, one thing has remained the same: Old reporters always want to give young reporters advice, whether they want to hear it or not. Here are some bits of #AdviceForYoungJournalists from decades and centuries past.

1902:

"The young man who has mastered his business is a professional journalist in the only sense in which the word 'professional' is understood by working journalists. In the absence of a diploma from any teaching body a man secures his professional status through his experience...A man may learn all that can be taught, and yet not be worth his salt on a newspaper. If covered with diplomas, such as he would never rise above the duties of respectable office drudgery."

—Parliamentary Gallery Reporter J. Henry Harris, The Young Journalist: His Work and how to Learn it.

1903:

“Always go late to a crowded meeting, for you will then have the satisfaction of disturbing a lot of people in order to get to your prominent seat."

—R.T. Gunton, Advice to Young Reporters.

1909:

"There is no advice to be given to young journalists except the ordinary advice which is to be given to human beings. That is, not to get drunk, but to prefer even drunkenness to drinking. Not to be insolent, but to prefer insolence to servility. To write in a legible hand, and to make notes of everything which one cannot remember."

—G.K. Chesterton, from The Collected Works.

1928:

"Mr. Ratcliffe said he would give the young editors some practical tips regarding journalism as a profession. The trend in newspaper publishing, both here and in England, he said, was toward consolidations, which tend to drive out the independent journalist and publisher. The consolidations, he said, make for larger circulations and higher advertising rates, which should react favorably in the salaries paid reporters and editors."

—S.K. Ratcliffe, Associate Editor of The New Statesman, to a convention of young journalists in 1928, as reported by the New York Times.

1962:

“If you would train yourself well for journalism, I suggest you train yourself in ideas. The power of print is the power of ideas. A printing press has no conscience, morals or ethics. These you must supply.”

—Edward R. Murrow, to a luncheon for high school newspaper editors.

1970:

"[Efforts to infuse news columns and news broadcasts with a reporter’s own views will] ruin them. This is the way it was done in the days of the yellow press and the screamers of radio’s first, faltering years."

—Eric Sevareid, CBS national correspondent.

1981:

“Play it straight, keep it short and never use the word 'unprecedented.’ Advocate your own story to editors and head for New York because that's the big show. You'll need luck, but you've got to push your luck, too.”

—Former executive editor and vice president of The New York Times Turner Catledge.

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LaGuardia Airport Is Serving Up Personalized Short Stories to Passengers
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In between purchasing a neck pillow and a bag full of snacks, guests flying out of the Marine Air Terminal at New York City's LaGuardia Airport can now order up an impromptu short story. As Hyperallergic reports, Landing Pages is an art project that connects writers to travelers looking for short fiction written in the time it takes to reach their destination.

The kiosk was set up as part of the ArtPort Residency, a new collaboration between the Queens Council on the Arts and the Port Authority of New York and New Jersey, which sponsors different art projects at the Marine Air Terminal for a few months at a time.

Artists Lexie Smith and Gideon Jacobs set up the inaugural project at the terminal earlier this month. To request a story from Landing Pages, travelers can visit the kiosk and leave their flight number and contact information. While the passenger is in the air, Smith and Jacobs churn out a custom story, in the form of poetry, illustration, or prose, from their airport terminal workspace and send it out in time for it to reach the reader's phone before he or she lands.

The word count depends on the duration of the flight, and the subject matter often touches upon themes of travel and adventure. As Smith and Jacobs continue their residency through June 30, the pieces they complete will be made available at Landingpages.nyc and in hard copy form at the airport kiosk.

Landing Pages isn't the first airport service to offer à la carte short stories. In 2011, a French startup debuted its short story-dispensing vending machine at Paris's Charles de Gaulle Airport. Those stories come in three categories—one-minute, three-minute, and five-minute reads—and are printed out immediately so travelers can read them during their flight.

[h/t Hyperallergic]

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15 Wonderful Things You Might Not Know About L. Frank Baum
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In 1900, L. Frank Baum published The Wonderful Wizard of Oz, a book that has never been out of print and that has been produced as movies, theatrical plays and musicals, and led to further cultural phenomena like The Wiz and Wicked. In honor of his 162nd birthday, here are 15 facts about the actual man behind the curtain.

1. HIS HOMETOWN HOSTS AN OZ-FEST (BUT NOT THAT OZZFEST).

Lyman Frank Baum was born on May 15, 1856 in Chittenango, New York, to a wealthy family and raised on an estate called Rose Lawn in Mattydale, New York, just outside Syracuse. In honor of Baum, Chittenango holds an annual festival of all things Oz called Oz-Stavaganza.

2. THE FIRST ANIMALS HE WROTE ABOUT WERE CHICKENS.

Baum was a sickly child and his father indulged his hobbies, including buying him a small printing press that he used to produce a newspaper. Another hobby was raising fancy chickens called Hamburgs. At 23, he started his own chicken trade journal, which he soon sold to a rival. He stayed on as a column writer, and contributed a long, serialized article on breeding and rearing Hamburgs. Later, when Baum was 30, the magazine (supposedly without Baum's knowledge) published that original article in full, making it Baum's first published book.

3. DOROTHY'S "YELLOW BRICK ROAD" MIGHT HAVE BEEN BASED ON A CHILDHOOD MEMORY.

When he was 12, Baum was sent to the Peekskill Military Academy in Peekskill, New York, for two years, where he was absolutely miserable. But it is also where he may have first seen a yellow brick road—at that time many of the streets of Peekskill were paved with yellow Dutch bricks. And for a young teen who just wanted to go home, the memory might have provided future inspiration. An alternative hypothesis is that when he was living in Syracuse, a plank road was installed made out of a yellow colored wood.

4. BAUM HAD A BRIEF CAREER AS AN ACTOR.


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Baum’s first ambition as a young man was to be an actor and playwright. He wrote several plays, including The Maid of Arran, which was successfully produced and in which he acted. The only time that Baum was known to have been in Kansas was when he toured in this play in 1882. However, his love of and involvement with the theater lasted throughout his life.

5. BAUM WAS A FEMINIST, AS WERE HIS WIFE AND IN-LAWS.

L. Frank and Maud Baum on a trip to Egypt
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In 1882, Baum married Maud Gage, daughter of the noted feminist and suffragist Matilda Joslyn Gage. He had a warm relationship with his mother-in-law, who, along with his new wife, helped him become a lifelong suffragist and feminist. According to biographer Katharine M. Rogers, Baum was "a secure man who did not worry about asserting his masculine authority." In fact, most of his books had girls as the heroes. Matilda Gage was the person who convinced Baum to write for children, having listened to him tell his children the stories that he created.

6. MOST OF HIS CAREER PATHS, INCLUDING RUNNING A NEWSPAPER, FAILED.

After several financial reverses—Baum failed as an actor, as a salesman, and in other careers—he moved his family in 1888 to Aberdeen, Dakota Territory, in what is now South Dakota. He opened a store (which failed) and a newspaper (which failed, too). In his newspaper, he strongly supported women’s suffrage, but he is also thought to have written two racist editorials calling for extermination of Native Americans. (In 2006, two of Baum’s descendants apologized to the Sioux Nation for the editorials.) In 1891, Baum lost the newspaper and he and his family moved to Chicago.

7. HE STARTED WRITING CHILDREN'S BOOKS IN HIS FORTIES.


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In 1897, at the age of 41, Baum published his first book for children, Mother Goose in Prose, with illustrations by Maxfield Parrish (his first big commission; Parrish went on to become a top illustrator for books and magazines). It was a success. Baum followed it up in 1899 with Father Goose: His Book, which also sold very well. He then wrote two alphabet books, and publishers began to consider him an important children’s author.

8. THE WONDERFUL WIZARD OF OZ IS CONSIDERED THE FIRST TRUE AMERICAN FAIRYTALE.

In 1900, Baum published The Wonderful Wizard of Oz, with illustrations by William Wallace Denslow. It was an instant hit. Although there have been many theories on how the book is an allusion to the politics of the United States in the late 1800s, there is no conclusive proof that Baum intended any such connections. But Baum did create the Land of Oz as a distinctly American utopia, making it the first truly American fairytale.

9. THE LAND OF OZ WAS NAMED FOR A FILING CABINET.

Baum’s original title for the book was “The Emerald City,” but publishers had a superstition that a jewel in a book title was bad luck and asked Baum to change it. Baum got the name for his fairy country off a drawer on a file cabinet that was marked “O-Z.” He named his plucky heroine Dorothy Gale after an infant niece named Dorothy Louise Gage who died while he was writing the book.

10. WICKED WAS NOT THE FIRST OZ ADAPTATION ON BROADWAY.

In 1902, Baum collaborated on a stage version called The Wizard of Oz that ran on Broadway for two years and toured until 1911. The plot was decidedly different from the book, with Toto being replaced by a cow and more people from Kansas traveling to Oz along with Dorothy. Because of the success of the play and subsequent Oscar-winning movie, the book has often been published without “wonderful” in the title.

11. THERE ARE 40 OFFICIAL 'OZ' BOOKS.

Baum continued writing Oz books—14 in total—until the end of his life, with a new book usually coming out in time for Christmas. In his later years, he answered children’s letters on letterhead that proclaimed him as the "Royal Historian of Oz." He often used suggestions from children when creating the Oz books. The series was continued after his death by Ruth Plumly Thompson, who wrote an additional 19 Oz books, and several other authors who added seven more.

12. BAUM WROTE UNDER A VARIETY OF PSEUDONYMS.

In addition to the Oz series, Baum wrote other books for children and teenagers, including romances and science fiction, under an assortment of pen names. Under the name Edith Van Dyne, he wrote a successful series of books called Aunt Jane’s Nieces that were as popular as the Oz books. Other pseudonyms included Laura Bancroft, Floyd Akers, Schuyler Staunton, and Capt. Hugh Fitzgerald.

13. BAUM LOST THE RIGHTS TO HIS MOST FAMOUS BOOK BECAUSE OF FINANCIAL DIFFICULTIES.

Baum created a stage show in 1908 called “The Fairylogue and Radio-Plays” that combined a lecture by him with live actors, a movie, and projected slides. Critics and audiences loved it, but it cost more to produce than it brought in. Baum declared bankruptcy, which caused him to lose his royalty rights to his earlier books, including The Wonderful Wizard of Oz.

14. BAUM WROTE AND DIRECTED A NUMBER OF OZ FILMS HIMSELF.

In 1914, Baum started a film company. The Oz Film Manufacturing Company lasted only for a few years, but it produced several Oz-related movies, including His Majesty, the Scarecrow of Oz. For once, Baum didn’t lose any money on this business venture.

15. HIS FINAL WORDS WERE IN REFERENCE TO OZ.

Baum’s health began to fail in 1917, and he died two years later after suffering a stroke. Just before he passed, he had some interesting last words for his wife. In his books, the land of Oz is cut off from the rest of the world by impassable wastelands, including a desert called the Shifting Sands. As Baum lay dying, he supposedly referenced the work that made his legacy: “Now we can cross the Shifting Sands.”

Additional sources: The Making of the Wizard of OzThe Oz Scrapbook.

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