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Germans Repulsed at Givenchy

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 165th installment in the series.

January 25-31, 1915: Germans Repulsed at Givenchy 

By the beginning of 1915, most ordinary soldiers and officers accepted the bloody futility of offensive action, but their commanders remained convinced that a breakthrough was possible, if only they threw enough men and artillery against a weak spot in the opposing line, choosing the right moment to achieve total surprise. Unfortunately for the rank and file, surprise was quickly becoming a rare commodity, thanks to ubiquitous aerial reconnaissance, spies, and deserters.

Many sources claim it was a German deserter who gave away chief of the general staff Erich von Falkenhayn’s plan for an attack by the German Sixth Army against the British First Army near Givenchy-lès-la-Bassée, on the road between La Bassée and Béthune, on January 25, 1915. As the First Battle of Champagne ground on to the east with little result tying down French forces there, Falkenhayn hoped to strike a decisive blow against the British forces straddling the La Bassée canal just south of Givenchy. This threatened the exposed German salient in front of La Bassée. A British push here could disrupt German communications to the south, splitting the German line (as indeed the British had tried to do already). Falkenhayn hoped to eliminate this threat and maybe even open a path to the French ports on the English Channel.

After stumbling into the British trenches in the pre-dawn hours, around 6:30am the deserter warned a British officer that the Germans were about to open a general assault with a huge artillery bombardment accompanied by the explosion of mines—tunnels dug under no-man’s-land all the way to the British lines and packed with explosives (another tactic resurrected from siege warfare). Despite this warning, the wave of artillery shells and exploding mines which hit the British positions at 7:30am was more intense than expected, tearing a gap in the British line which allowed the Germans to advance all the way to the second line of British trenches south of the canal, reaching the center of Givenchy to the north. One British officer, Frederick L. Coxen, described the furious exchange of fire in his diary:

When the bombardment started it was more horrific than any of the other ones I experienced. The sound of artillery fire was continuous, except when they fired their 17 inch guns… The whine of hundreds of shells going through the air, mixed with the explosion of both above and ground level shells, was deafening. All around me great mounds of earth were uplifted by bursting shells. We rapidly replied with gunfire of our own, which added greatly to the unbearable noise. The smoke from gunfire and bursting shells was so heavy, that at times we couldn't see our target… The heavy bombardment forced our infantry to retire. Since our battery position was the foremost battery behind their trenches, I knew if our infantry lost the small ridge in front of us, it would be the finish of us and our guns.

Beginning in the early afternoon, British officers rallied troops from two regiments—the famous Coldstream Guards and Scots Guards, along with reinforcements from the London Scottish regiment, the First Royal Highlanders of the Cameron Highlanders, and the Second King’s Rifle Corps. They finally halted the onrushing Germans with blistering massed rifle and machine gun fire. The British forces then attempted to regain the momentum with a counterattack of their own, but found the tables turned as they ran into a wall of fire from the Germans, now entrenched.

Over the following days the British called up reinforcements and slowly regained some of the lost ground. On the morning of January 29, the Germans unleashed another massive artillery bombardment and sent three battalions forward against the new British lines between the canal to the south and the Béthune-La Bassée road to the north, but this time made little progress against the reinforced defenders. By late January the German assault at Givenchy ended, having inflicted substantial casualties on both sides in return for scant strategic results. It settled, like so many other battles, in stalemate.

Life in the Trenches

While fighting raged around Givenchy, ordinary soldiers and mid-ranking officers saw the pointlessness of attacks on fortified positions and worked out informal ceasefires like the famous Christmas truce, despite the fact that these were strongly disapproved by high-ranking officers on both sides. Once again, British soldiers found some German units, particularly those from Saxony, more willing to “live and let live.” On January 29th Sergeant John Minnery wrote in his diary:

We are lying facing the Saxons, and I think they are about fed-up with this war.  They have behaved as they are since the Xmas truce. They walk about on top of their trench, and we do likewise.  They are only about 200 yards in front of us. They dont snipe us and we dont snipe them, but the Prussians who are on our right, snipe at us pretty constant.

Although these arrangements certainly made life less terrifying (at least temporarily), no one could do anything about the weather, and basic living conditions remained intolerable as freezing rain turned the landscape into a muddy morass and trenches into streams (top, a flooded British trench). In January 1915 Victor Chapman, an American volunteer with the French Foreign Legion, wrote to a friend, “the state of filth I live in is unbelievable… Our heads get crusted with mud,– eyes and hair literally gluey with it.” Meanwhile a British soldier, George Benton Laurie, described digging trenches in waterlogged mud under fire: “The whole thing was most weird, with the rockets flying and bullets going, and working parties shovelling for dear life in the darkness. We all tumbled about into shell-holes or ditches in turn, where the water is very cold. I suppose the utter hopelessness of it all prevents one getting ill.”

The water and mud were more than a nuisance—they could be fatal. One anonymous nurse with the British army recounted a chilling story she heard from some wounded officers:

… they told me a horrible story of two Camerons who got stuck in the mud and sucked down to their shoulders. They took an hour and a half getting one out, and just as they said to the other, “All right, Jock, we'll have you out in a minute,” he threw back his head and laughed, and in doing so got sucked right under, and is there still. They said there was no sort of possibility of getting him out; it was like a quicksand. 

A far more common affliction was “trench foot,” a painful circulatory disease caused by standing in cold water for long periods of time, resulting in blisters, open sores, fungal infections, and eventually gangrene. In late December 1914 William Robinson, an American volunteer dispatch rider in the British Army, noted in his diary:

Most of the Royal Scots are suffering from “trench feet.” Their feet have swollen to such an extent that they have burst their boots and are as big as a man’s head. They are all blue and the blood runs through the pores of the skin, apparently. A lot came in on their hands and knees, and many came dragging themselves on their bellies through the mud. It was terrible.

It’s worth noting that some soldiers probably let their feet deteriorate on purpose, in order to get sent back to “Blighty” (Britain). One British soldier, Edward Roe, described the strategy: “No! He will let them develop. In another three or four days he will report sick. He makes certain that he will get to Blighty. What does the loss of three or four or more toes matter so long as he gets ‘out of it’?”

Soldiers could at least take cold comfort from the knowledge that these awful conditions afflicted both sides equally. Adolf Hitler, now working as a regimental dispatch runner in the Bavarian Army on the Flanders front south of Ypres, wrote to his old landlord in Munich: “The weather is miserable; and we often spend days on end in knee-deep water and, what is more, under heavy fire.” Like many of his fellow soldiers on both sides of no-man’s-land, Hitler also noted the surreal aspect of the battlefield:

… what is most dreadful is when the guns begin to spit across the whole front at night. In the distance at first, and then closer and closer with rifle fire gradually joining in. Half an hour later it all starts to die down again except for the countless flares in the sky. And further to the west we can see the beams of large searchlights and hear the constant roar of heavy naval guns.

The worst part of the life in the trenches was unquestionably the inescapable presence of death, in the form of tens of thousands of corpses in various stages of decay blanketing no-man’s-land, where they had lain unburied for weeks and months. The smell was omnipresent and overwhelming. The same anonymous nurse talked to another British officer, who’d been in the trenches in Flanders and “said no one could get into Messines, where there is only one house left standing, because of the unburied dead lying about."

Indeed, death permeated the physical environment. Further north, Christian Mallet, a French cavalryman stationed by the River Yser, recorded in his diary entry for January 25, 1915: “We made some tea, but the water came from the Yser, which was carrying down dead bodies, and the tea smelt of death. We could not drink it.”

Unsurprisingly daily contact with death had a profound psychological effect on soldiers, many of whom outwardly adopted a façade of fatalistic indifference, but inwardly were reeling from the traumatic impact of seeing dozens of friends, acquaintances, and family members killed in front of their eyes. However much they tried to suppress it, this trauma inevitably manifested in unexpected places, for example through dreams. In December 1914 a German soldier, Eduard Schmieder, described one such dream in a letter to a friend:

I was lying in an advance-post in a castle. I came into a room and as I entered a beautiful, ravishing woman advanced to meet me. I wanted to kiss her, but as I approached her I found a skull grinning at me. For one moment I was paralyzed with horror, but then I kissed the skull, kissed it so eagerly and violently that a fragment of its under-jaw remained between my lips. At the same moment this figure of death changed to that of my Anna – and then I must have woken up. That is the dream of how I embraced death.

See the previous installment or all entries.

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11 Magical Facts About Willow
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Five years after the release of Return of the Jedi (1983) and four years after Indiana Jones and the Temple of Doom (1984), George Lucas gave audiences the story for another film about an unlikely hero on an epic journey, but this time he had three Magic Acorns and a taller friend instead of a whip and gun to help him along. Willow (1988) was directed by Ron Howard and starred former Ewok and future Leprechaun, Warwick Davis.

Over the past few decades, Willow—which was released 30 years ago today—has become a cult classic that's been passed down from generation to generation. Before you sit down to explore that world again (or for the first time), here are 11 things you might not have know about Willow.

1. IT WAS WRITTEN FOR WARWICK DAVIS.

In an interview with The A.V. Club, Warwick Davis revealed that George Lucas first mentioned the idea for the film to Davis’s mother during the filming of one of the Ewok TV specials in 1983, in which he was reprising his role as Wicket. Lucas had been developing the idea for more than a decade at that point, but working with Davis on Return of the Jedi helped him realize the vision. “George just simply said that he had this idea, and he was writing this story, with me in mind,” Davis said. “He didn't say at that time that it was going to be called Willow. He said, 'It's not for quite yet; it's for a few years ahead, when Warwick is a bit older.'" The role was Davis’s first time not wearing a mask or costume on screen.

2. IT WAS ORIGINALLY CALLED MUNCHKINS.

Five years after he mentioned the idea, Lucas was ready to make his film with Ron Howard directing and a then-17-year-old Davis as the lead. The original title was presumably inspired by the characters from L. Frank Baum's The Wonderful Wizard of Oz, and the subsequent Victor Fleming film.

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.

Having thought of the two worlds simultaneously, Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed. “Without anything like [Star Wars’s] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz, Gulliver's Travels, Mad Max, Peter Pan, Star Wars itself, The Hobbit saga, Japanese monster films of the 1950s, the Bible, and a million fairy tales," wrote Janet Maslin of The New York Times. "One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda, and the White Rock Girl.”

Later in her review, Maslin continued to point out the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

4. IT WAS THE LARGEST CASTING CALL FOR LITTLE PEOPLE IN MOVIE HISTORY.

Lucas has previously cast several little people for roles in Return of the Jedi, and there were more than 100 actors hired to portray Munchkins in The Wizard of Oz. But, according to Davis, the casting call for Willow was the largest ever at the time with between 225 and 240 actors hired for the film.

5. THE DEATH DOGS WERE REAL DOGS IN COSTUME.

The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

6. IT WAS THE FIRST USE OF MORPHING IN A FILM.

While trying to use magic to turn an animal back into a human, Willow fails several times before eventually getting it right, but he does succeed in turning the animal into another animal, which is shown in stages. To achieve this, the visual effects teamed used a technique known as "morphing."

The film’s visual effects supervisor, Dennis Muren of Industrial Light & Magic, explained the technique to The Telegraph:

The way things had been up till that time, if a character had to change at some way from a dog into a person or something like that it could be done with a series of mechanical props. You would have to cut away to a person watching it, and then cut back to another prop which is pushing the ears out, for example, so it didn't look fake ... we shot five different pieces of film, of a goat, an ostrich, a tiger, a tortoise, and a woman and had one actually change into the shape of the other one without having to cut away. The technique is much more realistic because the cuts are done for dramatic reasons, rather than to stop it from looking bad.”

7. THE STORY WAS CONTINUED IN SEVERAL NOVELS.

Willow has yet to receive a sequel, but fans of the story can return to the world in a trilogy of books that author Chris Claremont wrote in collaboration with Lucas between 1995 and 2000. According to the Amazon synopsis of Shadow Moon, the first book picks up 13 years after the events of the film, and baby Elora Danan’s friendless upbringing has turned her into a “spoiled brat who seemingly takes joy in making miserable the lives around her. The fate of the Great Realms rests in her hands, and she couldn't care less. Only a stranger can lead her to her destiny.”

8. THERE IS A MISSING SCENE CONCERNING THE MAGIC ACORNS.

Hardcore fans of the film have noticed that there is a continuity error that involves the Magic Acorns Willow was given by the High Aldwin. During an interview with The Empire Podcast, Davis explained that in a scene near the end of the film, he throws a second acorn and is inexplicably out after having only used two of the three Magic Acorns he had been given earlier in the film. Included in the Blu-ray release is the cut scene, in which Willow uses an acorn (his second) in a boat during a storm and accidentally turns the boat to stone. Davis says that his hair is wet in the next scene that did make it into the original version of the film, but the acorn is never referenced.

9. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.

Val Kilmer in 'Willow' (1988)
20th Century Fox Home Entertainment

Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred in Sixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

10. THERE IS A NOD TO SISKEL AND EBERT.

During a battle scene later in the film, Willow and his compatriots have to fight a two-headed beast outside of the castle. The name of the stop motion beast is the Eborsisk, which is a combination of the names of famed film critics, Roger Ebert and Gene Siskel.

11. THE BABY NEVER ACTED AGAIN.

A scene from 'Willow' (1988)
20th Century Fox Home Entertainment

As is the case with most shows and films, the role of the baby Elora was played by twins, in this case Kate and Ruth Greenfield. The IMDb pages for both actresses only has the one credit. In 2007, Davis shared a picture of him posing with a woman named Laura Hopkirk, who said that she played the baby for the scenes shot in New Zealand, but she is not credited online.

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30 Things You Might Not Know About Cheers
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On May 20, 1993—25 years ago today—television audiences said farewell to Sam Malone, the fictional Red Sox pitcher-turned-proprietor of Cheers. Though it's the Boston bar where everybody knows your name, there’s plenty you probably don’t know about the classic sitcom, which spent 11 seasons on the air.

1. CHEERS ALMOST DIDN’T MAKE IT THROUGH SEASON ONE.

Like many of television’s greatest success stories (e.g. Seinfeld), Cheers was not an immediate hit. It premiered on September 30, 1982 to dismal ratings—77th place out of 100 shows that week, according to Nielsen. It was NBC’s entertainment president at the time, Brandon Tartikoff, who saved the show from cancellation during its first season.

2. THE BULL & FINCH PUB, ON WHICH CHEERS IS MODELED, IS NOW CALLED CHEERS

Talk about life imitating art. After it was decided that the series would be set in a bar instead of a hotel, co-creators Glen and Les Charles decided the locale should be moved to New England. “Boston was chosen partially because only five short-lived television shows claimed the city and the East Coast pubs were real neighborhood hangouts,” wrote Dennis A. Bjorklund in his book, Toasting Cheers.

As the show’s popularity rose, it didn’t take long for word to spread that the Beacon Hill tavern was the “real” Cheers (though only the exterior shots were filmed there), turning the neighborhood hangout into a tourist attraction. To satisfy the masses, a second location—this one was actually called "Cheers" and featuring a replica of the bar viewers were used to—was opened in nearby Faneuil Hall in 2001. One year later, the Bull & Finch officially changed its name to Cheers.

3. SAM MALONE WAS ORIGINALLY A PROFESSIONAL FOOTBALL PLAYER.

In the script’s earliest incarnations, Sam Malone was an ex-football player, which made sense considering that Fred Dryer—the former NFL defensive end who would go on to star in Hunter—was a top choice to play the role of Sam (opposite Julia Duffy as Diane; William Devane was also a strong contender). Ultimately, it was the chemistry between Ted Danson and Shelley Long that led to them getting the gigs. Once the casting was finalized, the creators swapped out football for baseball, based on Danson’s body type.

4. TED DANSON ATTENDED BARTENDING SCHOOL.

Danson spent two weeks at a bartending school in Burbank, California as part of his training to play Sam.

5. NORM AND CLIFF WEREN’T INTENDED TO BE REGULAR CHARACTERS.

Both George Wendt and John Ratzenberger auditioned for the same role in the pilot, a minor character named George who had a single line: “Beer!” The character’s name was changed to Norm Peterson when Wendt was cast. But Ratzenberger wasn’t about to give up so easily. “As I was leaving the office after the audition, I turned around and asked them, ‘Do you have a bar know-it-all?,’” the Bridgeport, Connecticut-born Ratzenberger recalled to Ability Magazine. “None of the creators was from New England. They were all Hollywood-centered. And I said, ‘Well, every local bar in New England has got a know-it-all—someone who pretends to have the knowledge of all mankind between his ears and is not shy about sharing it.’” Thus, Cliff Clavin was born.

6. NORM PETERSON IS BASED ON A REAL GUY.

In 2012, co-creator Les Charles told GQ that Norm was based on a real person. “I worked at a bar after college, and we had a guy who came in every night. He wasn't named Norm, [but he] was always going to have just one beer, and then he'd say, ‘Maybe I'll just have one more.’ We had to help him out of the bar every night. His wife would call, and he'd always say, ‘Tell her I'm not here.’”

7. NORM’S NEVER-SEEN WIFE VERA IS VOICED BY GEORGE WENDT’S REAL WIFE.

Though she’s only credited in one episode, George Wendt’s wife, Bernadette Birkett, provided the voice for Norm’s wife, Vera. Birkett did make one appearance on the show—as a love interest of Cliff’s—in season three.

8. JOHN RATZENBERGER IMPROVISED MANY OF CLIFF’S FUN FACTS.

Many of the random (and untrue) facts that Cliff Clavin offers up were ad libbed by Ratzenberger. “After a couple of years on the show they realized they could trust me not to mess it up,” Ratzenberger told Deseret News in 1993. “So little by little they've let me just sort of run off. Because I know when to stop … It's easy to improvise comedy. It really is. But the art is knowing when to shut up and let other people talk. That's a hard thing to learn.”

9. SOME OF THE DIALOGUE CAME FROM REAL BAR CONVERSATIONS.

In order to nail the bar talk aspect of the series, the creators regularly visited bars in the Los Angeles area to eavesdrop on patrons’ conversations. In the series premiere, there’s an argument about the sweatiest movie ever made, which was lifted from one of these overheard conversations.

10. CHEERS WASN’T AFRAID TO TACKLE SOCIAL ISSUES.

Cheers’ writers never shied away from taboo topics such as alcoholism or homosexuality, through they always had a sense of humor about them. The season one episode “The Boys in the Bar,” in which one of Sam’s former teammates announces that he is gay, earned writers Ken Levine and David Isaacs a GLAAD Media Award.

11. PLANS FOR AN HIV SCARE FOR SAM HAD TO BE ABANDONED.

In 1988, the Writers Guild of America went on strike, which meant that several planned episodes of the series were never filmed. Among them was a season six cliffhanger in which Sam learns that a former girlfriend is HIV positive.

12. RHEA WASN’T THE ONLY PERLMAN ON THE SET.

Rhea Perlman wasn’t the only member of her family to grace the set of Cheers. Her younger sister, Heide, produced more than two dozen episodes between 1985 and 1986 and wrote several episodes throughout the show’s run. Perlman’s father, Phil, played one of the bar regulars (named Phil).

13. JAY THOMAS MURDERED EDDIE LEBEC.


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When character actor Jay Thomas wasn’t portraying Carla’s Bruin-turned-ice-show-performer husband Eddie LeBec, he was the host of a popular morning radio show in Los Angeles. Which is exactly what led to his character being killed off rather prematurely by way of Zamboni. “A few episodes of recurring bliss and then one day on Jay’s radio show, a caller asked him what it was like to be on Cheers,” recounted writer Ken Levine. “He said something to the effect of, ‘It’s brutal. I have to kiss Rhea Perlman.’ Well, guess who happened to be listening ... Jay Thomas was never seen on Cheers again.”

14. A CHEERS MINI-EPISODE WAS PRODUCED FOR THE U.S. TREASURY.

Early in Cheers’ run, its creators were contracted by the U.S. Treasury to create a special mini-episode to promote the purchase of U.S. savings bonds. Titled “Uncle Sam Malone,” the episode never aired on television nor is it included on any of the DVDs; it was intended to be screened for promotional purposes at savings bond drives only.

15. A “LOST” SCENE ALSO AIRED AS PART OF THE 1983 SUPER BOWL XVII PREGAME SHOW.

Back in early 1983, writers Ken Levine and David Isaacs wrote a special one-off scene to air before Super Bowl XVII in which Sam, Diane, Carla, Norm, Cliff, and NBC announcer Pete Axthelm bet on who will win the big game. “They ran it just before game time and it was seen by 80,000,000 people,” Levine recalled of the spot on his blog. “Nothing we've ever written before or since has been seen by that many eyeballs at one time. But the scene was never repeated. It never appeared on any DVDs. It just disappeared.” (Until now: You can watch it at the link above.)

16. TED DANSON WORE A HAIRPIECE TO PLAY HAIR-OBSESSED SAM


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A fact that became apparent when he accepted the Emmy—sans hairpiece—in 1990. In the 1993 episode “It’s Lonely on the Top,” Sam shares his follicular challenge with Carla.

17. VIEWERS FREQUENTLY COMPLAINED ABOUT THE VOLUME OF THE LAUGH TRACK, EVEN THOUGH THERE WAS NO LAUGH TRACK.

In 1983, a quick disclaimer—spoken by one of the regular cast members—was added to the beginning of each episode: “Cheers was filmed before a live studio audience.” This was a direct response to viewer complaints that the “laugh track” was too loud.

18. THE PART OF FRASIER WAS WRITTEN FOR JOHN LITHGOW.


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After recent roles in All That Jazz, Blow Out, and The World According to Garp (for which he received his first of two consecutive Oscar nominations), Lithgow was not interested in working on the small screen. “I just said, 'No,’” Lithgow recalled to The Hollywood Reporter. “I barely even remembered that … It was like swatting away a fly … I just wasn’t going to do a series.”

19. KELSEY GRAMMER PLAYED FRASIER CRANE FOR 20 YEARS.

Grammer made his Cheers debut in the third season premiere in 1984. Though he was intended to be a short-lived character, Crane’s popularity with audiences led to him becoming a series regular. Four months after Cheers ended in May of 1993, Frasier made its debut (on the redesigned Cheers stage, no less) and ran for its own 11 seasons. Grammer’s two-decade run as the pretentious psychiatrist is a record-breaking one for an American comedy actor.

20. TONY SOPRANO'S MOM PLAYED FRASIER'S MOM, TOO.


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Nancy Marchand's character threatened to kill Diane. The role of Frasier's mom was played by Tom Hanks' wife Rita Wilson in a 2001 Frasier flashback.

21. KIRSTIE ALLEY IS THE ONLY MAIN CHARACTER WHO DIDN’T MAKE A GUEST APPEARANCE ON FRASIER.

Throughout Frasier’s 11-season run, Kirstie Alley was the only one of Cheers’ main actors to not make an appearance on the popular spinoff, possibly because the psychiatric profession conflicts with her beliefs as a Scientologist. “Kirstie once said ... she'd never do a show about a psychiatrist,” Kelsey Grammer told Entertainment Weekly in 2002.

22. FRASIER’S DAD WAS MAGICALLY RESURRECTED FOR THE SPINOFF.

When Frasier talked about his family on Cheers, he noted that his father—also a well-respected psychiatrist—had passed away. Yet his ex-cop dad, played by John Mahoney, is a main character in Frasier. Incidentally, Mahoney made a one-off appearance in Cheers’ eleventh season, as a fast-talking jingle writer named Sy Flembeck:

23. NORM’S FIRST NAME IS HILLARY.

His full name is Hillary Norman Peterson.

24. THAT WOODY PLAYED WOODY WAS A TOTAL COINCIDENCE.

Though many of the non-regular bar patrons’ real names were used in filming, that Woody Harrelson ended up playing Woody Boyd is by sheer coincidence. The character’s name was written into the script long before any actors had auditioned for the role.

25. NORM DRANK “NEAR BEER.”

The bar on the set may have been fully functional, but that doesn’t mean the cast got to spend the day throwing back cold ones. Norm may have had it the worst. As the bar’s resident lush, he’s rarely seen without a sudsy glass of beer in his hand. But what’s really in that glass is “near beer,” a weakened strain of ale mixed with a bit of salt to keep a perfect head on the glass at all times. Which Wendt unfortunately had to consume on more than one occasion.

26. THE SHOW HELPED PROMOTE THE IDEA OF A DESIGNATED DRIVER.

It was important to the producers of Cheers that no tipsy bar patron ever drove him or herself home, so there are frequent references to calling cabs and designated drivers. The Harvard Alcohol Project had a hand in spreading this message.

27. SAM AND DIANE DID GET MARRIED AT THE END OF SEASON FIVE.

Because Cheers was filmed in front of a live studio audience, the producers had to occasionally trick the audience so that show developments weren’t leaked. In order to keep Shelley Long’s departure from the series a secret, the live audience saw Sam and Diane get married at the end of season five. The real ending—which sees Diane leaving for six months to finish her book, only to return for a guest appearance in the final season—was filmed on a closed set.

28. CHEERS HABLA ESPAÑOL.

In September 2011, a Spanish version of the series—also called Cheers—made its debut. It starred Alberto San Juan as a former soccer player turned Irish pub owner and ran for just one season.

29. THE END OF THE SHOW IS ALL TED DANSON’S FAULT.

Though understandably so. When Danson announced that he’d be leaving the series at the end of the 1992-1993 season, producers decided that Woody could take over the bar. But Woody Harrelson wasn’t interested in continuing the show without Danson, and so its series finale was set.

30. THE CAST AND CREW GOT REALLY, REALLY DRUNK FOR THEIR SENDOFF.

NBC made a major event of the series finale, with cast and crew celebrating at Boston’s Bull & Finch Pub, where thousands of fans gathered outside to watch the show on two Jumbotrons. Then the drinks started flowing … and flowing … and flowing. “The show ended at eleven,” Ken Levine wrote in a 2013 remembrance of the evening for Vulture. “The next half-hour was an emotional tsunami. Everyone was hugging and crying and doing a lot of drinking. We were all completely wrecked.”

Then it was time for the cast to make an appearance on The Tonight Show. “The cast, in no condition to face anybody, much less 40 million people, dutifully trooped downstairs to do the live show,” Levine continued. “Us non-celeb types stayed back and watched on TV … in horror. They were so drunk they needed designated walkers. They giggled like schoolgirls over nothing, fired spitballs into each other’s mouths, squirted water guns, Woody Harrelson implied he gave oral sex to both Ted Danson and Oliver Stone, and Kirstie Alley sang a song where the only lyric was ‘dick, dick, dick.’”

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