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Coldwell Banker

The Real Values of 15 Movie Homes

Coldwell Banker
Coldwell Banker

It’s hard to imagine Steve Martin grappling with his daughter’s extravagant wedding in a ranch house, the Tenenbaum family coping with their stressed relationships in a free-standing beach house, or Holly Golightly and Paul Varjak falling in love in a modern high rise. For many films, the homes in which they’re set become as beloved to audiences as any member of the cast. And (just like actors) many of these homes remain standing long after the cameras stop rolling. Here are 15 movie houses you could call your own—or at least visit.

1. The Curtis Brothers’ House // The Outsiders (1983)

Zillow

731 N Saint Louis Avenue, Tulsa, OK
4 beds/ 1 bath/ 1395 square feet
Estimated Value: $51,818

Based on S.E. Hinton’s middle school classic novel, Francis Ford Coppola’s poetic saga is best known for its cast of young heartthrobs, including Tom Cruise, Emilio Estevez, Ralph Macchio, Diane Lane, and Matt Dillon. The house used for the Curtis boys’ (played by Patrick Swayze, Rob Lowe, and C. Thomas Howell) “other side of the tracks” house was built in 1940 and last sold in 2008 for $6000. Its current value is estimated at over $51,000.

2. Mikey and Brand Walsh’s House // The Goonies (1985)

368 38th Street, Astoria, OR
4 beds/ 2 baths
Estimated Value: $215,931

In Richard Donner’s 1985 film (conceptualized by Steven Spielberg and written by Chris Columbus), a group of young misfits—dubbed the Goonies—try to save their homes in the Goon Dock section of Oregon from being demolished to make room for an expanding country club. As such, finding the right houses was key to the film’s success. The film’s production crew found the perfect location for the Walsh family’s home at 368 38th Street in Astoria, Oregon—and Data could have very possibly zip-lined his way to Mikey’s from his home just down the block at 304 38th Street.

3. Max and Dani Dennison’s House // Hocus Pocus (1993)

4 Ocean Avenue, Salem, MA
3 beds/ 1 bath/ 1305 square feet
Estimated Value: $341,941

The Halloween classic (starring Bette Midler, Sarah Jessica Parker, and Kathy Najimy) used the town of Salem, Massachusetts, for most of its exterior shots, including those of Max and Dani’s home and Allison’s extravagant house. However, almost every interior shot was done in Los Angeles. According to Boston.com, Max’s house and Allison’s house were only 1.5 miles apart, meaning their trick-or-treat route could have easily been made in real life.

4. Nick and Amy Dunne’s Suburban Palace // Gone Girl (2014)

Courtesy Alexandrea Morrow

3014 Keystone Drive, Cape Girardeau, MO
5 beds/ 6 baths/ 4,413 square feet
Estimated Value: $559,528

In the David Fincher film based on Gillian Flynn’s smash-hit novel, Nick and Amy Dunne (Ben Affleck and Rosamund Pike) move back to Nick’s Missouri hometown to help care for Nick’s ailing mother. To make the Dunnes’ new neighborhood appear riddled with financial crisis foreclosures, the real life neighbors of the Gone Girl house—a private home in Cape Girardeau, Missouri—were asked to stop mowing their lawns during filming.

5.Lance’s House // Pulp Fiction (1994)

3519 La Clede Avenue, Los Angeles, CA
2 beds/ 1 bath/ 1490 square feet
Estimated Value: $700,318

Lance’s house is probably best remembered as the site of doped-out Mia’s (Uma Thurman) life-saving adrenaline shot to the chest. Last sold in November 2003 for $540,000, the tiny two-bedroom house that served as the exterior of Lance’s drug den is now valued at over $700,000—that’s over $460 per square foot! Lance must have been doing alright for himself.

6. Aurora Greenway’s House // Terms of Endearment (1983)

3060 Locke Lane, Houston, TX
4 beds/ 2.5 baths/ 3608 square feet
Estimated Value: $1,167,319

The house that served as the exterior of Aurora’s (Shirley MacLaine in an Oscar-winning performance) posh Houston home, built in 1940, stands today exactly as it did in the 1983 film. If the close mother and daughter actually lived in the houses used for filming, Emma (Debra Winger) would be a short five-mile drive from her mom Aurora.

7. Kevin McCallister’s House // Home Alone (1990)

671 Lincoln Avenue, Winnetka, IL
4 beds/ 4 baths/ 4,243 square feet
Estimated Value: $2,068,645

John and Cynthia Abendshien, the owners of the house used for the McCallister family’s homestead—where Kevin (Macaulay Culkin) traps, tricks, and bamboozles the Wet Bandits—insisted on living in their home during production, despite the studio’s offer to put them up in a nearby apartment. While filming took place, they became very close with Culkin and Catherine O’Hara, who played Kevin’s mom. The Abendsheins were only upset with a minor incident during the experience: finding one of their property’s fir trees cut in half. But all’s well that ends well—they laughed while watching Kevin cut down the top of the fir for his Christmas tree in the final movie.

8. The Banks Family's House // Father of the Bride (1991)

843 S El Molino Avenue, Pasadena, CA
8 beds/ 5 baths/ 4,339 square feet
Estimated Value: $2,661,483

The white colonial at 24 Maple Drive is the heart and soul of Father of the Bride. Not only is it where George Banks (played by Steve Martin) watched his little girl grow up, but it’s where he gives her away. The house used in the film is actually located at 843 El Molino Avenue and is home to Sarah Bradley, Darrell Spence, and their two children. According to HGTV, Bradley and Spence, who purchased the house in 1999, told their broker they were looking for a home similar to the one in Father of the Bride—and boy did they get their wish!

9. The MacNeil House // The Exorcist (1973)

3600 Prospect Street NW, Washington, DC
3 beds/ 5 baths/ 2,808 square feet
Estimated Value: $2,694,202

In real life, just like in the 1973 film, you can find a perilous outdoor staircase (the one Father Karras falls down at the end of the movie) next to the house used for the exterior shots of the MacNeils’ home. However, Regan’s infamous window cannot be seen next to the flight: It was a façade created at the behest of director William Friedkin. If Father Karras fell down the stairs in 2015, he would roll into a gas station now located at the bottom.

10. The Corleone House //The Godfather (1972)

110 Longfellow Avenue, Staten Island, NY
5 beds/ 4 baths/ 6248 square feet
List Price: $2,895,000

The Corleones’ Staten Island home can be yours, if your pockets are deep enough. The five-bedroom home that served for the exterior shots (including the backyard and nearby gardens that provided the setting for Vito Corleone’s daughter’s wedding) in Francis Ford Coppola’s mobster classic is currently on the market for just shy of $3 million. In 2012, the current owners redesigned the house’s rooms to look like the ones in the film.

11. Jane and Blanche Hudson’s House // Whatever Happened to Baby Jane? (1962)

172 S. McCadden Place, Los Angeles, CA
5 beds/ 4 baths/ 4,346 square feet
Estimated Value: $2,995,873

Because the film’s stars, Bette Davis and Joan Crawford, were seen as has-beens and box office poison in the 1960s, Warner Bros. Studios shooed production of Whatever Happened to Baby Jane? off the studio lots to make way for the huge production of Gypsy. This forced the production to shoot at the neglected Producers Studio and on real locations, like the S. McCadden Place mansion that served as the Hudson sisters’ decrepit sinkhole.

12. The Tenenbaum House // The Royal Tenenbaums (2001)

339 Convent Avenue, New York, NY
4728 square feet
Estimated Value: $3,295,345

Wes Anderson and his location scout scoured Brooklyn for a brownstone in which to set The Royal Tenenbaums. After two days, their search was fruitless, so they made their way to Harlem. Upon stepping foot inside, Anderson began to build the story of the Tenenbaum family—he immediately envisioned how each kid would occupy his or her own level of the house. Anderson rented the home for six months in order to shoot his film.

13. Harold and Sarah Cooper’s House // The Big Chill (1983) 

Zillow

1 Laurens Street, Beaufort, SC
7 beds/ 9 baths/ 5868 square feet
List Price: $2,900,000

Beaufort, South Carolina, the town in which Tidalholm mansion—which is featured in The Big Cill—stands, had a magnetic appeal to star Tom Berenger, who played Sam Weber. Berenger moved to Beaufort after production and wed his former wife on Tidalholm’s front lawn. According to Zillow.com, Tidalholm is currently on the market, and could be yours for just under $3 million.

14. Holly Golightly and Paul Varjak’s Apartment Building // Breakfast at Tiffany’s (1961)

Zillow

169 E 71st Street, New York, NY
4 beds/ 5 baths/ 3600 square feet
List Price: $8,000,000

According to The Daily Mail, the stunning Upper East Side townhouse featured in Breakfast at Tiffany’s was put up for sale by former Merrill Lynch broker Peter Bacanovic in October 2014 for $8 million. The home was only used for the exterior shots (excluding the fire escape scenes), as all interior scenes were shot in a Hollywood studio.

15. Cher Horowitz’s House // Clueless (1995)

YouTube

5148 Louise Avenue, Encino, CA
7 beds/ 10 baths/ 9,441 square feet
Estimated Value: $5,304,521

Many of the interior shots of Cher Horowitz’s home were actually filmed inside the Encino mansion, meaning that grand staircase where Cher and Josh share their first kiss actually exists! The interior of the home has also served for scenes in Beverly Hills, 90210, and the exterior of the house can be seen in an episode of Desperate Housewives.

*All estimated values are as listed by Zillow.com at the time of publication.

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15 Educational Facts About Old School
DreamWorks
DreamWorks

Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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15 Fun Facts About Army of Darkness
Universal Pictures
Universal Pictures

On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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