14 Movie Characters Who Were Supposed To Die, But Didn't

Some of your favorite film characters were, at one point, on the chopping block. 

1. Han Solo // Star Wars: Return of the Jedi

During development, screenwriter Lawrence Kasdan seriously considered killing off Han Solo in the middle of Return of the Jedi to raise its stakes. But George Lucas wasn't a fan of the idea: Han Solo's death would have cut into toy sales, so the character remained alive.

In an interview with ABC, Harrison Ford admitted, “I thought he should have died in the last one to give it some bottom … George didn’t think there was any future in dead Han toys.” 

2. Dr. Ian Malcolm // Jurassic Park

While Dr. Ian Malcolm, played by Jeff Goldblum, survived the dinosaur attack in Jurassic Park, he actually dies at the end of the novel on which it's based. Since Steven Spielberg cast the very charismatic and likeable Jeff Goldblum to play Malcolm, co-screenwriter Michael Crichton let the character survive. Malcolm is also the central character in the sequel novel, The Lost World. Crichton wrote that the character survived the Tyrannosaur attack because of skillful Costa Rican surgeons; Malcolm even boasts reports of his death were "greatly exaggerated." As a result of the attack, the character had a permanent leg injury that required him to walk with a cane. 

3. Deputy Dewey // Scream

In the original Scream screenplay, Deputy Sheriff Dewey Riley dies after being stabbed. But after director Wes Craven cast David Arquette in the role, the character became younger and more likeable. Craven felt that the audience wouldn't like seeing the character die in a horrific way, so he shot two versions of the ending—one with Dewey's death and another without it. Test audiences didn't react favorably to Dewey's death, so Craven let him live—and Deputy Dewey returned for the three Scream sequels.

4. Rambo // First Blood

In the novel First Blood, Rambo commits suicide at the end of a long battle with Sheriff Teasle. Rambo's death scene was filmed, but Sylvester Stallone saw the potential for a new franchise, so Rambo lived to fight another day in the final version.

5. Rocky Balboa // Rocky V

Rocky V was supposed to be the last movie in the franchise, and Stallone ended its screenplay accordingly, with Rocky Balboa dying at the hands of rival Tommy Gunn during a street fight. But during production, director John Avildsen got a call from executives telling him, "'Oh by the way, Rocky’s not going to die,'" he recalled in 2014. "'Batman doesn’t die, Superman, James Bond, these people don’t die." Stallone wrote a new ending featuring Rocky and his son Robert Balboa jogging to the Philadelphia Museum of Art and looking over the city's skyline.

6. Katie // Paranormal Activity

Before Paramount Pictures acquired the film rights to Paranormal Activity, its original ending featured the police discovering Micah's dead body in the house, while a catatonic (and possessed) Katie sat with the knife she used to kill her boyfriend. The police tried to get her to drop the knife, but sudden movements provoked the cops to shoot her dead instead.

Paramount didn't like the original ending, so two endings were developed and filmed. The first featured Katie surviving the night, while her whereabouts remained unknown, and a second ending featured Katie slitting her throat with the knife that killed Micah. Paramount Pictures eventually used the former for the final version of Paranormal Activity.   

7. Dante Hicks // Clerks

In the original ending of Kevin Smith's debut film Clerks, the convenience store gets robbed, and clerk Dante Hicks is murdered. But after the movie screened for the first time at the Independent Feature Film Market, Smith's colleagues Bob Hawk and John Pierson advised him to end the film happily instead. Smith agreed, and now Clerks ends with Randall taking down Dante's "I Assure You We're Open" sign and telling him, "You're closed!" as the movie fades to black.

8. Dr. Will Rodman // Rise of the Planet of the Apes

In the original Rise of the Planet of the Apes screenplay, Dr. Will Rodman (played by James Franco) was supposed to die in Caesar's arms just before the ape heads into Muir Woods at the end of the movie. Director Rupert Wyatt even shot the death scene, but it was scrapped for a new ending that was more bittersweet.

Despite the changes, Franco didn't return to the sequel Dawn of the Planet of the Apes—but his character makes a very brief cameo and is presumed to have died of the Simian Flu.  

9. Sergeant James T. "Joker" Davis // Full Metal Jacket

Actor Matthew Modine, who plays Sergeant James T. "Joker" Davis in Full Metal Jacket, revealed that Stanley Kubrick originally planned to kill off his character (who also dies in the book). According to Modine [PDF], "We never filmed it, but that was always the intention in the script, in the story: it was that Joker would die."

10. Happy Hogan // Iron Man 3

Iron Man 3 storyboards revealed that Stark Industries' Head of Security, Happy Hogan (played by Jon Favreau), was supposed to die during a hand-to-hand fistfight with one of the villain's henchmen at TCL Chinese Theatre in Hollywood, California. In the final version, Happy slips into a coma and awakens at the end of the movie.

11. Clarence Worley // True Romance

Although Reservoir Dogs was Quentin Tarantino's first film, True Romance was his first major motion picture screenplay. Tarantino gave Tony Scott the scripts for both Reservoir Dogs and True Romance, and when Scott expressed interest in directing both of them, Tarantino said, “You can only do one.” Scott picked True Romance.

According to Tarantino's audio commentary, the final version of True Romance is pretty much the same as what's in the script—except its happy ending. In the movie, Clarence and Alabama (Christian Slater and Patricia Arquette) get away together with the money, but in the script, Clarence dies, and only Alabama gets away with the money. Scott changed the ending because he fell in love with the young couple and wanted to see them live happily ever after instead of separated.

If Tarantino had directed True Romance, he would have kept to his screenplay and given the film a darker tone. He admitted to Maxim, "When I watched the movie, I realized that Tony was right. He always saw it as a fairy tale love story, and in that capacity it works magnificently. But in my world Clarence is dead and Alabama is on her own. If she ever shows up in another one of my scripts, Clarence will still be dead."

12. Matt Hooper // Jaws

Although Matt Hooper, played by Richard Dreyfuss, lives at the end of Jaws, the character had a different outcome in the novel of the same name from author Peter Benchley. When Hooper is lowered into the open waters in a shark cage, the giant great white eats him. The book character was very unlikeable, so the movie character was rewritten to suit Dreyfuss (who, initially, turned the part down).

13. Martin Riggs // Lethal Weapon 2

During the final shootout in Lethal Weapon 2, Arjen Rudd, the Minister of Affairs for the South African Consulate, is armed with diplomatic immunity, so he shoots LAPD Sergeant Martin Riggs, played by Mel Gibson, in the back. Screenwriter Shane Black originally planned to kill off the character, having him die in Sergeant Roger Murtaugh's (Danny Glover) arms. But the producers wanted to make more Lethal Weapon movies, so Riggs survived at the end. As a result, Black left the film series because of the changes to his screenplay.

14. Ellen Ripley // Alien

Science fiction historian David A. McIntee revealed in his book Beautiful Monsters that director Ridley Scott originally planned to kill off Ellen Ripley at the very end of Alien—by having the Xenomorph bite off Ripley's head. The alien would then have mimicked her voice to record one last entry in the Nostromo's log before the movie faded to black. The producers thought this ending was too dark for an already bleak movie, so they insisted that Ripley survive the ordeal and have the Xenomorph die at the end instead.

Kevin Winter/Getty Images for AFI
13 Great Jack Nicholson Quotes
Kevin Winter/Getty Images for AFI
Kevin Winter/Getty Images for AFI

Jack Nicholson turns 81 today. Let's celebrate with some of the actor's wit and wisdom.


"I hate advice unless I'm giving it. I hate giving advice, because people won't take it."

From Esquire's "What I Learned"


"Not that I can think of. I’m sure there are some, but my mind doesn’t go there. When you look at life retrospectively you rarely regret anything that you did, but you might regret things that you didn’t do."

From an interview with The Talks


"I'm Irish. I think about death all the time. Back in the days when I thought of myself as a serious academic writer, I used to think that the only real theme was a fear of death, and that all the other themes were just that same fear, translated into fear of closeness, fear of loneliness, fear of dissolving values. Then I heard old John Huston talking about death. Somebody was quizzing him about the subject, you know, and here he is with the open-heart surgery a few years ago, and the emphysema, but he's bounced back fit as a fiddle, and he's talking about theories of death, and the other fella says, 'Well, great, John, that's great ... but how am I supposed to feel about it when you pass on?' And John says, 'Just treat it as your own.' As for me, I like that line I wrote that, we used in The Border, where I said, 'I just want to do something good before I die.' Isn't that what we all want?"

From an interview with Roger Ebert


''There's a period of time just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.''

From an interview with The New York Times


"Almost anyone can give a good representative performance when you're unknown. It's just easier. The real pro game of acting is after you're known—to 'un-Jack' that character, in my case, and get the audience to reinvest in a new and specific, fictional person."

From an interview with The Age


"I never had a policy about marriage. I got married very young in life and I always think in all relationships, I've always thought that it's counterproductive to have a theory on that. It's hard enough to get to know yourself and as most of you have probably found, once you get to know two people in tandem it's even more difficult. If it's going to be successful, it's going to have to be very specific and real and immediate so the more ideas you have about it before you start, it seems to me the less likely you are to be successful."

From an interview with


“You only lie to two people in your life: your girlfriend and the police. Everybody else you tell the truth to.”

From a 1994 interview with Vanity Fair


"They're prescription. That's why I wear them. A long time ago, the Middle American in me may have thought it was a bit affected maybe. But the light is very strong in southern California. And once you've experienced negative territory in public life, you begin to accept the notion of shields. I am a person who is trained to look other people in the eye. But I can't look into the eyes of everyone who wants to look into mine; I can't emotionally cope with that kind of volume. Sunglasses are part of my armor."

From Esquire's "What I Learned"


"I think people think I'm more physical than I am, I suppose. I'm not really confrontational. Of course, I have a temper, but that's sort of blown out of proportion."

From an interview with ESPN


"I'm a different person when suddenly it's my responsibility. I'm not very inhibited in that way. I would show up [on the set of The Two Jakes] one day, and we'd scouted an orange grove and it had been cut down. You're out in the middle of nowhere and they forget to cast an actor. These are the sort of things I kind of like about directing. Of course, at the time you blow your stack a little bit. ... I'm a Roger Corman baby. Just keep rolling, baby. You've got to get something on there. Maybe it's right. Maybe it's wrong. Maybe you can fix it later. Maybe you can't. You can't imagine the things that come up when you're making a movie where you've got to adjust on the spot."

From an interview with MTV


"There's nobody in there, that he didn't, in the most important way support. He was my life blood to whatever I thought I was going to be as a person. And I hope he knows that this is not all hot air. I'm going to cry now."

From the documentary Corman's World


"This would be the character, whose core—while totally determinate of the part—was the least limiting of any I would ever encounter. This is a more literary way of approaching than I might have had as a kid reading the comics, but you have to get specific. ... He's not wired up the same way. This guy has survived nuclear waste immersion here. Even in my own life, people have said, 'There's nothing sacred to you in the area of humor, Jack. Sometimes, Jack, relax with the humor.' This does not apply to the Joker, in fact, just the opposite. Things even the wildest comics might be afraid to find funny: burning somebody's face into oblivion, destroying a masterpiece in a museum—a subject as an art person even made me a little scared. Not this character. And I love that."

From The Making of Batman


"I've always thought basketball was the best sport, although it wasn't the sport I was best at. It was just the most fun to watch. ... Even as a kid it appealed to me. The basketball players were out at night. They had great overcoats. There was this certain nighttime juvenile-delinquent thing about it that got your blood going."

From Esquire's "What I Learned"

There's a Simple Trick to Sort Movies and TV Shows by Year on Netflix

Netflix is stocked with so many movies and TV shows that it’s not always easy to actually find what you’re looking for. And while sorting by genre can help a little, even that’s a bit too broad for some. There’s one helpful hack, though, that you probably didn’t know about—and it could make the endless browsing much less painful.

As POPSUGAR reports: By simply opening Netflix up to one of its specific category pages—Horror, Drama, Comedy, Originals, etc.—you can then sort by release year with just a few clicks. All you need to do is look at the top of the page, where you’ll see an icon that looks like a box with four dots in it.

Screenshot of the Netflix Menu

Once you click on it, it will expand to a tab labeled “Suggestions for You.” Just hit that again and a dropdown menu will appear that allows you to sort by year released or alphabetical and reverse-alphabetical orders. When sorted by release year, the more recent movies or shows will be up top and they'll get older as you scroll to the bottom of the page.


This tip further filters your Netflix options, so if you’re in the mood for a classic drama, old-school comedy, or a retro bit of sci-fi, you don’t have to endlessly scroll through every page to find the right one.

If you want to dig deeper into Netflix’s categories, here’s a way to find all sorts of hidden ones the streaming giant doesn’t tell you about. And also check out these 12 additional Netflix tricks that should make your binge-watching that much easier.



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