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Turkish Debacle at Sarikamish

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 162nd installment in the series.

January 6, 1915: Turkish Debacle at Sarikamish

When the Ottoman Empire joined the Central Powers in November 1914, it was a marriage of convenience, with both sides getting something they wanted out of the alliance. The Young Turk triumvirate led by War Minister Enver Pasha secured formal protection from Germany, which they viewed as the decrepit empire’s best chance of long-term survival; meanwhile the Germans were able to close the Turkish straits, cutting off Russia’s maritime supply route through the Black Sea, and also forced the Allies to fight on a number of new fronts including Egypt, Mesopotamia, and the Caucasus.

Now engaged in the two-front war they had hoped desperately to avoid, the Germans urged Enver to take the offensive against Russia immediately in hopes of taking some of the pressure off overstretched German and Austrian forces in the east. Enver, who never lacked confidence in his own military genius, eagerly accepted the mission and immediately began planning an ambitious offensive by the Ottoman Third Army against the Russian Caucasus Army, which he would direct personally (from a safe distance, of course). The result was a disastrous defeat at the Battle of Sarikamish, which took place in Russia’s Kars Province from December 22, 1914 to January 17, 1915.


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In some ways this plan made sense. The province, centered on the chief city and capital of the same name, had been part of the Ottoman Empire from 1534 to 1878, when the Russians annexed it following the Russo-Turkish War of 1877, so it was a matter of Turkish national pride to attempt to get it back. The failure of Russia’s opening Bergmann Offensive from November 2 to 16, 1914, when the Caucasian Army under General Georgy Bergmann invaded northeastern Anatolia only to be repulsed with heavy losses, boosted the morale of Turkish troops as well as Enver’s faith in their ability to carry out complicated maneuvers.

But the Turks faced even more formidable obstacles, beginning with the terrain itself: the Ottoman Third Army would have to attack the Russian Caucasus Army across the Allahüekber Mountains, towering over 9,000 feet, which meant traversing high-altitude valleys cut by steep gorges over primitive roads in winter conditions. To make matters even more difficult, Enver was planning a complex battle of encirclement, with three Turkish army corps approaching the Russians simultaneously from different directions, calling for carefully coordinated movements despite almost nonexistent communications.

In fact, considering all these challenges the Turkish attack went remarkably well at first. On December 22, 1914 elements of the Turkish Third Army, numbering 150,000 men altogether, began advancing against the Russian Caucasian Army numbering 65,000 men (some Turkish troops remained behind in defensive and support positions). As planned, the right wing consisting of the Ottoman XI Corps attacked the Russians frontally, pinning them down while on the left the IX and X Corps advanced behind the enemy force in order to attack from the rear. By December 25 the IX and X Corps had advanced well north of the Russians, having marched almost 50 miles in three days amid icy conditions, and were beginning to pivot south to cut off the Russian line of retreat and complete the encirclement.

But now the plan began to fall apart. After some initial success keeping the Russians pinned down in front, the commanders of the Turkish XI Corps gave their exhausted troops a break, and the Russian commanders immediately seize the opportunity to extricate their troops and withdraw to new defensive positions near Sarikamish (above, Russian trenches) while Russian reinforcements began arriving by rail via Kars, blocking the advance of the Ottoman X Corps on the left wing. As the New Year dawned Turkish casualties were mounting, including thousands of cases of frostbite, and it was becoming clear that Enver’s plan of encirclement had failed—and things were about to take a turn for the worse.

Bolstered by fresh reinforcements, on January 2, 1915, the Russians launched a counterattack against the left wing, and suddenly the encircling Turkish units were themselves encircled. Over the next few days the Ottoman IX Corps fought a brave rearguard action but was completely destroyed, while the X Corps barely managed to escape, also suffering heavy casualties as ragtag bands of starving, demoralized troops fled through heavy snow back to Ottoman territory.

By January 6-7 Enver’s dreams of glory had ended in complete debacle, although “mopping-up” continued until January 17. The cost was staggering: according to some estimates the Ottoman losses came to 90,000 dead, including 53,000 who froze to death, and thousands more who perished from disease—especially typhus, the great nonhuman killer of the First World War. However if Enver was upset by these losses, he concealed it well; Lewis Einstein, an American diplomat in Constantinople, later recalled, “Even when he returned from the Caucasus, where an entire army had been lost by his fault, he seemed perfectly happy, and went the same evening to a concert.” On the other side the Russians probably lost around 16,000 dead, although some estimates put the figure at double that.

Beyond ending Enver’s dream of raising a revolt among the Turkic peoples of south Russia and Central Asia (at least temporarily), the Battle of Sarikamish would have a far-reaching, and tragic, impact on subsequent events. First, despite the outcome the mere fact that the Turks had taken the offensive at all alarmed Russia and its Western Allies, helping persuade Britain and France to attempt to knock the Ottoman Empire out of the war by forcing the Turkish straits and capturing Constantinople—setting the stage for Gallipoli.

For their part Sarikamish, where Armenian volunteer troops fought alongside the Russians, only served to stoke the Ottoman government’s preexisting paranoia about the disloyalty of their own Armenian population. With the Christian Armenians aiding the Russians, the Young Turks feared the possibility of guerrilla warfare and uprisings behind the lines throughout eastern Anatolia, further complicating their already daunting war effort against Russia. Within a matter of months the Turks would decide on a simple, unspeakably brutal solution: genocide.

See the previous installment or all entries.

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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