21 Things You Didn't Know About The Nightmare Before Christmas

Walt Disney Pictures
Walt Disney Pictures

Christmas is a time for donning festive garb, singing holiday songs, festooning your home in decorations, and giving thoughtful gifts. Of course, all those tasks turn out a bit more twisted when assigned to the denizens of Halloween Town. The Nightmare Before Christmas, which arrived in theaters 25 years ago, mixes light and dark with jolly and macabre with great success. Even if this Halloween/Christmas movie mash-up movie is part of your regular holiday tradition, we'd roll Oogie Boogie's dice that you don't know all of these secrets from behind the scenes.

1. TIM BURTON DID NOT DIRECT THE MOVIE.

It is a common misconception spurred by the film's alternate title: Tim Burton's The Nightmare Before Christmas. Burton was busy with Batman Returns and handed this hefty responsibility to his old Disney Animation colleague Henry Selick, who made his feature directorial debut here. Burton's name goes above the title for serving as producer, creating the story, and coming up with the look and the characters for The Nightmare Before Christmas. It probably doesn't hurt that his name was much bigger than Selick's at the time, thanks to the success of Pee-wee's Big Adventure, Beetlejuice, and Batman.

2. JACK SKELLINGTON RESURFACED IN HENRY SELICK'S LATER FILMS.

1996 saw the release of Selick's follow-up, a stop-motion/live-action adaptation of Roald Dahl's James and the Giant Peach. It also saw the resurrection of The Nightmare Before Christmas's bare bones protagonist, who appears in one spooky scene as a skeletal pirate captain. He's much harder to spot in Selick's 2009 translation of Neil Gaiman's Coraline, but if you look closely as the Other Mother makes breakfast, you'll see Jack's smiling skull hidden in the yolk of a cracked egg.

3. THE PLOT WAS INSPIRED BY THE RECURRING COLLISION OF HOLIDAY STORE DECORATIONS.

In the film's DVD commentary, Burton explains that his childhood in ever-sunny Burbank, California was not marked by seasonal changes, so holiday decorations were an especially important factor in the year's progression. When it came to fall and winter, there was a melding of Halloween and Christmas in stores eager to make the most of both shopping seasons. This, he claimed, planted the seed for his tale of the king of Halloween intruding on Christmas.

4. A BURTON POEM PREDATED THE NIGHTMARE BEFORE CHRISTMAS.

While Burton was working as an animator at Disney on productions like The Fox and the Hound and The Black Cauldron, he began toying with cartoon projects of his own. This eventually led to animated shorts like "Vincent," as well as the penning of a poem called "The Nightmare Before Christmas." A sort of parody of Clement Clarke Moore's "A Visit from St. Nicholas" (also known as "The Night Before Christmas"), this poem focused on Jack Skellington's inescapable ennui and featured his ghost dog Zero as well as Santa.

5. RANKIN/BASS WAS THE INSPIRATION FOR THE STOP-MOTION APPROACH.


Walt Disney Pictures

In the same DVD commentary, Burton admits the animated Christmas specials from Rankin/Bass Productions were hugely influential.

6. BURTON ORIGINALLY IMAGINED THE FILM AS A TELEVISION SPECIAL.

Like Rankin/Bass's Rudolph The Red-Nosed Reindeer or Santa Claus Is Comin' To Town, Burton envisioned his take on Christmas could play well on television annually. This turned out to be true, but in a way he had not expected. He initially pitched the animated effort to TV studios. When that failed, he tried book publishers. No one bit until he pitched it as a full-length feature film. On the commentary track, Burton estimates that roughly 20 years passed between the project's earliest inception and its theatrical debut on October 29, 1993.

7. RONALD SEARLE AND EDWARD GOREY WERE ALSO INFLUENTIAL.

In a behind-the-scenes video about The Nightmare Before Christmas's backbreaking creation, a narrator notes that the production design team took a page from the pen and ink drawings of these two memorable artists, aiming to create in the physical set designs the kinds of cross-hatching and textures found within their works. Selick explains that they'd smear sets in plaster or clay, then scratch lines into this material "to give it that sort of etched texture or feel to make it look like a living illustration."

8. SHOOTING BEGAN BEFORE THE SCRIPT WAS COMPLETED.

Stop-motion demands a great deal of time, so when Danny Elfman had mastered most of the film's songs, Selick plus a team of 13 specially trained animators and an army of prop makers, set builders, and camera operators got to work without a final screenplay. Animators began by crafting Jack's big moment of discovery with "What's This?" Shooting 24 frames per second meant the animators had to create unique motions for 110,000 frames total. One minute of the movie took about a week to shoot, and The Nightmare Before Christmas took 3 years to complete.

9. SELICK IS RESPONSIBLE FOR JACK'S SIGNATURE SUIT.

In Burton's original sketches, Jack was dressed all in black. It is revealed in the film's commentary track that it was director Selick who gave Jack a marvelous makeover that added white stripes to his slim-fit suit. More than a smart sartorial choice, the addition of the pinstripes was needed to help Jack pop. In early camera tests, it became a major concern when Jack's flat black suit blended in to the dark backdrops of Halloween Town.

10. DISNEY FOUGHT FOR JACK TO HAVE EYES.

Because of the dark and deeply weird nature of Burton's Nightmare Before Christmas, Walt Disney Studios decided it was too off-brand to be released under their banner. So the film was made through their branch Touchstone Pictures. But this didn't keep Disney from dropping some serious studio notes, including the insistence that Jack Skellington's empty sockets be filled with a pair of friendly eyes. A common guideline in animation and puppet-creation is that eyes are crucial to having an audience connect to a character, but Selick and Burton wouldn't budge, and ultimately proved their anti-hero didn't need oculars to connect.

11. THE MOST DIFFICULT SHOT WAS OPENING A DOOR.


Walt Disney Pictures

Because of the filmmakers' dedication to be as true to shooting like live-action as possible, one Nightmare Before Christmas shot proved especially challenging. When Jack discovers the part of the forest with pathways to other holiday worlds, he looks longingly at the Christmas tree door. A close-up of its shiny golden knob reflects this mournful skeleton as well as the trees behind him as he advances to open it. Getting the reflection just right took a great deal of time, care, and attention.

12. VINCENT PRICE WAS NEARLY NIGHTMARE'S SANTA.

Burton had previously worked with the renowned horror icon on Edward Scissorhands and "Vincent." From there, Price had agreed to give voice to the plump and flustered Santa who is kidnapped by treacherous trick 'r treaters Lock, Shock, and Barrel. However, this plan was derailed when Price's wife Coral Browne passed in 1991. Selick explained in the commentary track that the actor was so grief-stricken that the director felt he sounded too sad for Santa. Edward Ivory was then brought in to replace him.

13. PATRICK STEWART WAS CUT FROM THE FILM.

Early on, The Nightmare Before Christmas planned to rely heavily on its poetic inspiration. As such, Star Trek: The Next Generation star Patrick Stewart was called in to read poetry that was intended for the film's opening and closing narration. The lengthy monologues were eventually pared down to a few lines, and those were reassigned to the film's Santa, Edward Ivory. However, Stewart's version can be found in full on the film's soundtrack.

14. TIM BURTON WAS SUPPOSED TO HAVE A CAMEO.

Unearthed in cut footage is an alternate version of the vampires playing hockey. In the theatrical and all subsequent releases, the ice-skating vampires swat a jack-o-lantern. However, the original version of this scene had them batting about a recognizable decapitated head. With its ghostly pallor, black spiky hair, angular shape, and deep bags under its eyes, the creepy creation is clearly Burton. But this seems to have been deemed too grisly for a kids' movie.

15. THERE ARE SOME HIDDEN MICKEYS.


Walt Disney Pictures

Since the film became a success, Disney has become less shy about their association with Nightmare Before Christmas. But the commentary track reveals that, despite their reluctance, Disney allowed Selick and Burton to include a hidden Mickey in the form of a menacing toy. In the scene where Jack's Christmas gifts attack, there's a flying stuffed animal with a sharp-toothed grin that's meant to be the Burton version of Mickey Mouse. Also, the girl it attacks is wearing a Mickey print nightgown, while her brother's pajamas are covered in Donald Duck faces.

16. THERE'S A HIDDEN ED WOOD REFERENCE.

While The Nightmare Before Christmas was in production, Burton not only completed Batman Returns but also dug into pre-production on Ed Wood, a biopic about the notoriously untalented filmmaker. A nod to Wood's works is found tucked into the fearsome folk of Halloween Town—the burly, bald Behemoth is a sweet-natured brute who bears a striking resemblance—down to the scars on his face—to Swedish wrestler Tor Johnson as seen in Wood's Plan 9 From Outer Space.

17. THERE'S A HIDDEN DANNY ELFMAN CAMEO.

The former Oingo Boingo front man began collaborating with Burton back in the early 1980s when he composed the score for Burton's feature directorial debut, Pee-wee's Big Adventure. The pair reteamed for Beetlejuice, Batman and Edward Scissorhands before Elfman was called to write the music and lyrics for The Nightmare Before Christmas. He also lent his singing voice to Jack Skellington, and for all this he gets the dubious distinction of a cameo as the redheaded corpse tucked away in the upright bass of the ghastly Halloween Town band.

18. BURTON CALLED ON OTHER PAST COLLABORATORS TO BE HEARD.

Aside from Jack's singing voice, Elfman also lent his pipes to mischievous Barrel as well as the menacing clown with the tear-away face. Filling out the trio of trick 'r treaters was Pee-Wee's Big Adventure star Paul Reubens as Lock, and Beetlejuice's Catherine O'Hara as Shock. O'Hara also voiced the stitched up and besotted Sally, while her former co-star Glenn Shadix played the two-faced mayor of Halloween Town.

19. DELETED SCENES INCLUDED BEHEMOTH'S SOLO AND AN ALTERNATE OOGIE BOOGIE REVEAL.

On the DVD, storyboard presentations reveal deleted scenes that never made it to production. One of these has Behemoth belting beautifully about "pretty" presents during "Making Christmas." Another shows an abandoned concept of Oogie Boogie boogeying with the bugs that fill his stitched up form, and a third clip displays a very different finale. Instead of Boogie being torn up and reduced to bugs, he's unmasked to be evil scientist Dr. Finkelstein in disguise! In this version, his whole scheme was revenge-fueled because Sally loved Jack, even though Finkelstein made her to be his mate.

20. THE SET WAS BUILT WITH SECRET PASSAGES FOR ANIMATORS.

Reminiscent of the cut-out pathways used by Muppeteers, the animators behind and beneath The Nightmare Before Christmas had special trapdoors cut into the 19 sound stages worth of 230 model sets so they could more easily reach in and manipulate their peculiar puppets. From these vantage points, they can move the armatures hidden within the creatures or swap their faces out for one of hundreds made to allow for a wide range of emotion. Jack Skellington alone had more than 400 heads.

21. BURTON REJECTED A CGI SEQUEL.

Though Disney has found success pumping out straight-to-DVD sequels of their animated hits, Burton has no interest in making The Nightmare Before Christmas 2. He told MTV, “I was always very protective of [Nightmare Before Christmas], not to do sequels or things of that kind. You know, ‘Jack visits Thanksgiving world’ or other kinds of things, just because I felt the movie had a purity to it and the people that like it. Because it’s not a mass-market kind of thing, it was important to kind of keep that purity of it. I try to respect people and keep the purity of the project as much as possible.”

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]

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