24 Surprising Facts About Love Actually

universal pictures
universal pictures

Though it's officially classified as a romantic comedy, Love Actually—Richard Curtis's intertwining tale of love and loss in London in the midst of the Christmas season—has become a staple of holiday movie marathons everywhere. Here are 24 things you might not have known about the hit 2003 film.

1. THE AIRPORT FOOTAGE WAS SHOT WITH HIDDEN CAMERAS.

Footage of passengers being welcomed and embraced by loved ones at Heathrow Airport was shot on location with hidden cameras for a week. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crew member would race out to have its subjects sign a waiver so the moment might be included in Love Actually. This was a fitting production device, as Curtis claims that watching the love expressed at the arrival gate of LAX is what inspired him to write the ensemble romance in the first place.

2. FOUR PLOT LINES WERE CUT FROM THE FILM.

Curtis initially aimed to include 14 love stories in the film. Two were clipped in the scripting phase, but two were shot and cut in post. Those lost before production involved a girl with a wheelchair, and one about a boy who records a love song for a classmate who ultimately hooks up with his drummer. Shot but cut for time was a brief aside featuring an African couple supporting each other during a famine, and another storyline that followed home a school headmistress, revealing her long-time commitment to her lesbian partner.

3. A FIFTH OF THE MOVIE IS COMMONLY CUT FROM TELEVISION BROADCASTS.


Universal Studios

It might be of little surprise that the raciest element of this holiday movie rarely makes it on TV. The love story of John and Judy has Martin Freeman and Joanna Page playing a pair of stand-ins on an erotic drama. Their scenes have the pair mimicking sex acts, but even as simulations of simulated sex, their storyline is usually deemed too hot for TV.

4. MARTINE MCCUTCHEON'S PART WAS PENNED JUST FOR HER.

Curtis wrote his screenplay with some stars in mind, including Hugh Grant, Emma Thompson, and McCutcheon, the charismatic English ingénue best known for her role on BBC drama EastEnders. So sure was Curtis that he wanted McCutcheon for the role of the love interest to the Prime Minister that he had the character's name as "Martine" in early drafts. Curtis explained in the DVD commentary that the name was changed to "Natalie" before McCutcheon's audition, "so she wouldn't get cocky."

5. RICHARD CURTIS SENT REQUEST LETTERS TO HIS AMERICAN TALENT.

Laura Linney, Billy Bob Thornton, and Denise Richards received letters asking them to consider a role in the film. Both actresses were impressed by the unconventional move, but Linney told The Daily Beast she was even more flattered by its contents. "I got a letter in the mail from Richard Curtis saying that he’d been trying to cast this part, and he’d kept saying to his partner, Emma Freud, that he’d been looking for a ‘Laura Linney-type,’ and she said, 'Why don’t you ask Laura Linney?'"

6. BILL NIGHY DIDN'T REALIZE HE HAD AUDITIONED FOR THE FILM.


Peter Mountain/Universal Pictures

This was the first collaboration between Nighy and Curtis, with the former playing the shameless, comeback-seeking rocker Billy Mack. On the film's 10-year anniversary, Nighy recalled to The Daily Beast, "I did a rehearsal reading of the script as a favor to the great casting director, Mary Selway, who had been trying to get me into a film for a long time. I thought it was simply to help her hear the script aloud and to my genuine surprise I was given the job."

7. THE ACTORS HAD THEIR OWN TRAILER PARK VILLAGE DURING PRODUCTION.

Nighy told The Guardian, "We didn't all film together, but we had a big trailer park for all the cast. There were so many famous people in there, we used to talk about being on Liam Neeson Way or Emma Thompson Road or Hugh Grant Avenue. And it was a masterpiece of diplomacy, too; we all had the same size and type of trailer." Linney remembered the place having a warm sense of community.

8. ONE SCENE WAS LIFTED DIRECTLY FROM FOUR WEDDINGS AND A FUNERAL.

In Four Weddings and a Funeral, also penned by Curtis, Grant's character Charles flirts with a woman at a wedding by mocking the terrible catering, only to discover she is the caterer. The scene was cut from the 1994 film, but was reshot nearly a decade later with Kris Marshall acting out the flirtatious faux pas. In the commentary track, Curtis admits that some drafts of the Love Actually script still had Charles's name on portions of the scene.

9. THE LATE JOANNA WAS PLAYED BY A REAL-LIFE CURTIS CRUSH.

In the commentary, Curtis also confessed his affection and admiration for writer-director Rebecca Frayn and how it led to a heartbreaking scene in Love Actually. She's uncredited in the film because she never has a scene to perform. But when Curtis needed images to create a slideshow of Sam's beloved mum/Daniel's departed wife, he turned to Frayn, asking for "all the prettiest pictures of her from her whole life." In real-life, Frayn is married to Oscar-nominated Scottish producer Andy Harries.

10. EMMA THOMPSON SHOT HER CRYING SCENE 12 TIMES.

Arguably the saddest moment in Love Actually is when Thompson's character realizes her husband is unfaithful. In the privacy of their bedroom, she listens to Joni Mitchell's "Both Sides Now" and weeps. "We decided to do it like how Mike Newell did it in Four Weddings—I shot in medium-wide, and didn’t move the camera," Curtis recalled. "We just let it happen, and Emma walked into the room 12 times in a row and sobbed. It was an amazing feat of acting." He also noted this was the only scene she was asked to perform that day.

11. HUGH GRANT DID NOT WANT TO DANCE.

Though he and Curtis had worked together on Notting Hill, Bridget Jones's Diary, and Four Weddings and a Funeral, they had a deep disagreement on how the Prime Minister should be played. Grant wanted it to be a grounded performance and resented Curtis's push to make the part more whimsical. This came to a head when shooting the dance number, which Grant refused to rehearse.

"He kept on putting it off, and he didn’t like the song—it was originally a Jackson 5 song, but we couldn’t get it—so he was hugely unhappy about it," Curtis explained. "We didn’t shoot it until the final day and it went so well that when we edited it, it had gone too well, and he was singing along with the words!" It was a tricky thing to cut, but the final result with Girls Aloud’s cover of “Jump (For My Love)” speaks for itself.

12. TONY BLAIR FOUND IT IMPOSSIBLE TO LIVE UP TO GRANT'S FICTIONAL PRIME MINISTER.

In 2005, when facing criticism for his dealings with the United States, Blair responded by saying, "I know there's a bit of us that would like me to do a Hugh Grant in Love Actually and tell America where to get off. But the difference between a good film and real life is that in real life there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause."

13. IT TOOK 45 MINUTES TO PICK OUT AURELIA'S UNDERWEAR.

When the loose pages of Jamie's in-progress novel blow into a nearby lake, Aurelia (Lúcia Moniz) is quick to strip down and dive in to rescue them. But in the DVD commentary, Curtis admits that what she wore beneath her cozy sweater was a major matter of debate that involved a lengthy meeting with his producers and 20 different sets of bras and panties to be considered.

14. SIMON PEGG AUDITIONED FOR THE FILM.

Before he broke out with 2004's Shaun of the Dead, Pegg was best known for his work on the British sitcom Spaced. It was in this stage of his career that he was eyed for the role of Rufus, the jewelry salesman in Love Actually. However, Curtis ended up casting Rowan Atkinson, who was not only a bigger star but a longtime friend from their college days; the two had previously worked together on Four Weddings and A Funeral, Mr. Bean, and Black Adder.

15. ROWAN ATKINSON'S CHARACTER WAS MEANT TO BE AN ANGEL.

Rather than just an overenthusiastic gift wrapper with a good Samaritan streak at the airport, Atkinson's Rufus was initially written as a heavenly helper in disguise. A scene was even shot were he'd evaporate after helping Sam get past security at Heathrow. "But in the end," Curtis said in commentary, "the film turned out so sort of multiplicitous that the idea of introducing an extra layer of supernatural beings was (too much)."

16. SARAH'S APARTMENT IS BASED ON HELEN FIELDING'S.

When Sarah (Laura Linney) takes her office crush Karl (Rodrigo Santoro) back to her flat, a crane shot reveals that her bedroom is perched above the first floor, with a half-wall serving as a sort of balcony. In the DVD commentary track, Curtis mentioned this layout was poached from the Bridget Jones's Diary author's home. To him, it seemed a charming staging place for this tender seduction scene.

17. TEST AUDIENCES SPURRED A CHANGE TO THE ENDING OF SARAH'S STORY.

Curtis originally intended for Sarah and Karl's love story to fizzle out after the phone call from her brother. However, when Love Actually was screened to test audiences, the feedback begged for a clearer resolution. So Curtis provided it, creating an extra scene in reshoots that made it unmistakable that Sarah and Karl would not end up together. "Be careful what you wish for," he warned on the DVD commentary.

18. ANDREW LINCOLN HAND-WROTE THOSE ROMANTIC SIGNS.

In 2013, The Walking Dead star reminisced about his climactic gesture in Love Actually with Entertainment Weekly, and revealed, "It is my handwriting! It’s funny, because the art department did it, and then I said, 'Well, can I do it?' because I like to think that my handwriting is really good. Actually, it ended up with me having to sort of trace over the art department’s, so it is my handwriting, but with a sort of pencil stencil underneath."

19. THE AMERICAN BAR SCENE INCLUDED SOME IMPROV.


Peter Mountain/Universal Studios

Regarding the scene where three American girls (Elisha Cuthbert, January Jones, and Ivana Milicevic) flirt with Kris Marshall, Cuthbert told VH1, "It was such a creative space and we were allowed to improvise and try different things and it wasn’t just completely set into Richard’s writing. I mean we were allowed to sort of venture … It was nice that we got to sort of play around.” Curtis remembers it differently, noting in the commentary track that the Brits were "respectful" with his script, but these Americans wanted to "pep it up a bit."

20. BERNARD IS A RUNNING JOKE BASED ON A REAL MAN.

Every film Curtis writes contains a "Bernard," and he's always the butt of a joke. In Love Actually, he's the son of Thompson's character who is described as "horrid." This all dates back to a love triangle that didn't turn in Curtis's favor. Bernard was the name of a young man who won the heart of Curtis's crush Anne, and so he will forever be lampooned. In real life, Bernard is a successful politician, namely Bernard Jenkin, Member of Parliament for Harwich and North Essex.

21. OLIVIA OLSON WAS TOO GOOD FOR THE ROLE OF SAM'S CRUSH.

Over 200 girls auditioned for the part of Joanna, the talent show star that young Sam (Thomas Brodie-Sangster) falls hard for. But with pipes that blew away the casting director, Olson won the part with aplomb. In the commentary track, Curtis notes that Olson sang the song "All I Want For Christmas Is You" so flawlessly that he feared it sounded manufactured. He had sound editors cut in breaths to the performance to make it more believable.

22. SAM AND JOANNA REUNITED ON KIDS' TELEVISION.

Child stars Thomas Brodie-Sangster and Olivia Olson were utterly adorable together as drum-playing Sam and his grade school crush Joanna. But Love Actually wasn't the end of the pair's onscreen romance. They were reunited in 2008 when Olson joined the voice cast of the Disney Channel cartoon show Phineas and Ferb. While Brodie-Sangster lends his voice to the oft-silent Ferb, Olson often sings as Ferb's crush, the sleek and cool Vanessa Doofenshmirtz.

23. THE MOVIE HAS ALREADY BEEN REMADE. THREE TIMES!

The central concept of a movie packed with stars and intertwining love stories has been translated into a trio of films. The first is the Indian offering A Tribute To Love, an unofficial remake in the Hindi language. Next, Poland took a turn with Letters to St. Nicolas. The most recent version is Japan's It All Began When I Met You, which borrows the concept as well as the film's poster layout.

24. EARLIER THIS YEAR, IT GOT A SEQUEL.

In March 2017, in celebration of Red Nose Day, Curtis and several members of the original cast—including Grant, Knightley, Firth, Neeson, Nighy, Lincoln and Atkinson—reprised their characters for a short film, Red Nose Day Actually, that caught viewers up on what the characters are doing today.

"I would never have dreamt of writing a sequel to Love Actually, but I thought it might be fun to do 10 minutes to see what everyone is now up to," Curtis said when the project was announced. "Who has aged best?—I guess that’s the big question ... or is it so obviously Liam?" The short debuted in the U.K. on March 24, 2017, but American audiences had to wait until May 25, 2017 to see what happened to their favorite characters. (Here's a cheat sheet.)

13 Delicious Facts About Hannibal

Brooke Palmer, NBCUniversal Media
Brooke Palmer, NBCUniversal Media

In 2013, producer Martha De Laurentiis, writer Bryan Fuller, and a talented cast and crew set about crafting a new version of the Hannibal Lecter story. It was a daring proposition after the character and his world had been so clearly defined by Sir Anthony Hopkins’s portrayal of the character and Hannibal’s presence in four novels and five feature films, but Fuller had an idea no one else had approached yet. He wanted to tell the story of the cannibal psychiatrist and the empathetic profiler who ultimately caught him as the story of two lives linked by mutual insanity. Audiences could not have seen it coming, but what they got was one of the most stylish, visually arresting, and psychologically complex horror shows to ever hit television.

Hannibal only lasted three seasons, but in its short time on the air it amassed loads of critical acclaim and a ravenous fan base known as “Fannibals,” many of whom are still holding out hope for the show’s return. With the show’s influence and impact still fresh in our imaginations more than five years after it made its debut, here are 13 facts about the making of Hannibal.

1. BRYAN FULLER GOT THE JOB BECAUSE OF A FATEFUL PLANE RIDE.

Bryan Fuller is a lifelong fan of horror, and a longtime fan of Thomas Harris’s Hannibal Lecter novels, but he did not set out to snag the Hannibal job. In fact, he wasn’t even necessarily aware of the job until it found him, on a flight to New York City where he happened to be seated near an old friend: Katie O’Connell, who was the then-new CEO of the Gaumont Film Company’s U.S. television division. O’Connell told Fuller she was developing a Hannibal series, and asked him if he thought there was a show there—not to offer him the job, but just to get his feedback. In response, Fuller asked if Gaumont had the rights to Will Graham, the protagonist of Harris’s novel Red Dragon, because he was fascinated by one line in that novel that signified a much deeper relationship between Graham and Lecter that audiences and readers had never quite seen.

“Because I had read the books, I knew how much more psychologically complex Will Graham is in the literature than he is in the film. I thought, Wow, there’s a great opportunity to deliver on that line from Red Dragon that Hannibal Lecter says, which is, ‘You caught me because you’re as insane as I am.’ There’s a whole world in that explores their friendship,” Fuller said. “If we are dealing with the Hannibal Lecter who’s a practicing psychiatrist and a practicing cannibal, then he’s out in the open amongst us, a wolf in psychiatrist’s clothing, and wouldn’t that be such a terrifying thing for someone like Will Graham, who is uniquely vulnerable to his own psychology, to have somebody there with access to the buttons of his mind.”

Fuller’s thoughts on Hannibal and Will Graham set in motion an idea for a kind of Red Dragon prequel that would also serve as a mash-up of all of Harris’s writings on the character. That in turn led to a meeting with Martha De Laurentiis of the Dino De Laurentiis Company, which in turn led to a meeting at NBC which got the show greenlit.

2. THE SERIES BEGAN LIFE AS A CLARICE STARLING STORY WITH MGM.

Hugh Dancy and Julian Richings in 'Hannibal'
Brooke Palme, NBCUniversal Media

Before Bryan Fuller entered the picture, and even before Gaumont Television began working on developing the series, Martha De Laurentiis was considering some kind of new Hannibal Lecter project, but wasn’t interested in making yet another film based on the works of Thomas Harris. While Fuller’s concept ultimately latched onto the dynamic between Lecter and Graham, De Laurentiis said that before that happened there was the idea of revisiting The Silence of the Lambs pairing of Lecter and FBI agent Clarice Starling.

“We actually were toying with the idea—with MGM, who has the Clarice character, from the library of Orion Pictures that did Silence of the Lambs—and we were talking about doing something Clarice and Hannibal in the time period after Silence of the Lambs, but we really didn’t take it very far,” De Laurentiis said. “In fact, I felt that perhaps Hannibal would be a very, very minor character and then perhaps just disappear, and I didn’t feel that was right for the character of Hannibal Lecter.”

So, through working with Katie O’Connell at Gaumont, De Laurentiis was connected with Fuller, and the collaboration that would bring us Hannibal began.

3. FULLER ORIGINALLY DEVELOPED A SEVEN-SEASON PLAN.

Though Red Dragon was a major inspiration on the direction of the show because of its depiction of the Lecter/Graham dynamic, Fuller and company set Hannibal in the years leading up to that story in order to show audiences what Lecter was like as “a practicing psychiatrist and a practicing cannibal,” as Fuller put it. That meant reading between the lines of Harris’s novel to develop the relationship that would ultimately lead the two characters down the path of Red Dragon, and lead Hannibal as a character into his life as documented by Harris, when he was a captured serial killer and then an escaped fugitive. In the end, the mash-up quality of the series allowed Fuller to play with many of those elements of Lecter’s life outside of Harris’s chronology, but as the series was first taking shape, Fuller imagined a seven-season plan that would ultimately adapted Harris’s first three Lecter novels and then go beyond them.

“Well, when you get into season four, you get into the literature. And so season four would be Red Dragon, season five would be The Silence of the Lambs era, season six would be the Hannibal era, and then season seven would be a resolve to the ending of that book," Fuller said. "Hannibal ends on a cliffhanger. Hannibal Lecter has bonded with Clarice Starling and brainwashed her and they are now quasi-lovers and off as fugitives, and so that’s a cliffhanger. It might be interesting to resolve that in some way and to bring Will Graham back into the picture. So once we get two more seasons, say, of the television show, those are the aren’t-novelized stories, and then we would get into expansions of the novels after that and kind of using the novels as a backbone for season arcs that would then be kind of enhanced.”

Of course, plans change, and the adaptation of Red Dragon ultimately came in the second half of the show’s third season, but it’s clear Fuller had big ambitions to chart the full course of Hannibal’s criminal career.

4. A REAL CHEF DESIGNED ALL THOSE CANNIBAL RECIPES.

Mads Mikkelsen in 'Hannibal'
NBCUniversal Media

Hannibal Lecter isn’t just a cannibal—he is a cannibal gourmand and gourmet, a lover of the finer things who doesn’t just want to eat human flesh, but prepare it in exquisite and refined ways. Fuller knew this, and he also immediately knew he needed someone with tremendous food expertise to help him make the series. So he turned to a chef of whom he was already a fan: José Andrés, owner of the restaurant The Bazaar in Beverly Hills.

"I have a limited knowledge of the culinary. And Hannibal Lecter has to be smarter than I am in the kitchen," Fuller said. "José gives insight into his expertise; he's omnipresent in every food scene."

When work on the series began, Fuller and Andrés began a series of conversations in which the chef explained that every part of the human body is in some way edible, right down to the bones, which can be ground up and used as thickener. With this in mind, Fuller sought to not just write scenes in which Hannibal is cooking human body parts, but to craft elaborate metaphors in each dinner scene (for example, the scene in which he serves “lamb tongue” to Dr. Frederick Chilton), on which he heavily consulted Andrés during the writing process. Andrés would develop a recipe, which food stylist Janice Poon would then prepare and arrange on set, complete with the elaborate tablescapes which came to dominate so much of the look of the show. The “food porn” Fuller insisted on became so popular with fans that Poon started a blog about the process, and even eventually produced a cookbook.

5. SEVERAL ROLES WERE RACE- AND GENDER-SWAPPED.

In writing Hannibal, Fuller considered Harris’s writing—particularly Red Dragon—to be a kind of guiding Bible, but that doesn’t mean he didn’t take liberties. He aged up the title character, which among other things removes Lecter’s traumatic childhood experiences during World War II from consideration, but perhaps the most notable changes came in casting. Several key roles in the series were ultimately given to actors of different races and even genders than they were previously depicted, in an effort to increase the diversity of the cast. So, Hannibal gave us black actors in the roles of previously white characters Jack Crawford (Laurence Fishburne) and Reba McClane (Rutina Wesley), and the previously male characters Alan Bloom and Freddy Lounds became Alana Bloom (Caroline Dhavernas) and Freddie Lounds (Lara Jean Chorostecki).

“Because it’s a more accurate representation of the world, and if we just did Red Dragon again, it’d be a sausage party with a bunch of white guys,” Fuller told Bloody Disgusting. “I mean, when I first started writing, my protagonists were always young women, and there’s something about that point of view ... you can do some things with a female character that you can’t do with a male character. Like, I always think that, to make a character female gives you so many more opportunities of expression.”

6. DAVID TENNANT ALMOST PLAYED HANNIBAL.

David Tennant in 'Jessica Jones'
Myles Aronowitz, Netflix

Hugh Dancy was the first star cast in the series, joining Hannibal as Will Graham in the spring of 2012, but casting the title role took a little bit longer. After all, how do you recast a part that Anthony Hopkins basically owned thanks to three films and one Oscar? Ultimately, Danish actor Mads Mikkelsen won the role, but he wasn’t the only star considered. At one point, Fuller was meeting with Doctor Who and Jessica Jones star David Tennant about the role.

“I met [Hannibal executive producer] Bryan Fuller a couple of times, and we talked about it,” Tennant told Entertainment Weekly. “But I think they quite wisely chose Mads Mikkelsen, I think he was a perfect choice for it, and I think he did things with that character that I wouldn’t have managed, so I think the right man got the job.”

7. CENSORS WERE ACTIVELY INVOLVED IN THE CREATIVE PROCESS.

For a show like Hannibal, elaborate crime scenes full of mutilated bodies were always going to be part of the process, which adds even more credence to the idea that such a series might be better suited to cable than a broadcast network. At NBC, though, Fuller took a very hands-on approach to crafting the various gruesome murders with the help of the network's standards and practices department. Rather than script or shoot something and then get into a fight with network censors about what he couldn’t show, Fuller would reach out directly with his ideas first, and then work with them to depict the best possible NBC-friendly version of the scene. As a result, he learned a few tricks to get around broadcast TV’s violence limitations.

“The redder the blood and the brighter the blood the less you can show,” he said. “So if you darken the blood and throw it into shadow, then you can be much more graphic than your normally would be able to.”

As it happens, dark shadowy blood matches Hannibal’s overall aesthetic perfectly, so that particular note worked out for everyone.

8. ONE EPISODE NEVER AIRED ON NBC.

It was never any secret that Hannibal would be the kind of show that dealt with graphic and heinous crimes. Its two main characters are a serial killer and a man who hunts serial killers, after all. Still, even Fuller has his limits, and after a particularly violent few months in America in late 2012 and early 2013, he asked NBC to pull the fourth episode of the show’s first season. “Oeuf,” the episode in question, involved a woman (Molly Shannon) brainwashing children into killing their own families. Fuller felt that “given the cultural climate right now in the U.S., I think we shouldn’t air the episode in its entirety,” and cited in particular the Sandy Hook school shooting and the Boston Marathon bombing as examples. “Oeuf” was still teased via a series of clips released to NBC’s website, and the episode is now available on Blu-ray and through streaming services.

9. THERE WAS ONE ELABORATE MURDER THE SHOW WASN’T ALLOWED TO FILM.

Despite working closely with the network’s standards and practices to show as much as possible within the limits of broadcast TV, Hannibal was still a series airing on one of the big four broadcast networks, and not cable. That meant limitations were always inevitable, and at one point Fuller and the writers’ imaginations reached further than NBC was willing to allow.

So, what’s the one big murder scene NBC said no to? According to Fuller, it would have come in the Season 1 episode “Roti,” in which Graham is pursuing escaped killer Dr. Abel Gideon (guest star Eddie Izzard). The scene would have involved Lounds being lured into a room where one of Gideon’s victims was waiting, still alive, with a slit in his stomach. Lounds would have then flipped a switch that triggered a ceiling fan, and it would have been revealed that the fan was actually attached to the man’s intestines through the cut in his stomach. As the fan began to spin, it would disembowel him.

“That was the only one where NBC was like, ‘I just don’t know how you’re going to do it,'” Fuller said. “We would have pushed back if we also hadn’t been told that financially we didn’t know how we could afford to produce such a gag, because you have intestines swinging around a ceiling fan,” he adds.

10. THE SHOW’S BIGGEST CRIME SCENE USED REAL (LIVING) HUMAN BODIES.

Hugh Dancy in 'Hannibal'
NBCUniversal Media

The first case of Hannibal’s second season involved “The Muralist,” a serial killer who abducted and killed various people of different ethnic backgrounds, preserved their bodies with silicone and resin, and then sewed them together in a massive and intricate pattern in the bottom of a silo to form the shape of a human eye (victims with paler skin made up the white, while victims with darker skin were the pupil). It’s an intense and captivating visual even by Hannibal’s standards, and while the production used a computer program called Form Z to design the layout of the bodies beforehand, when it came time to actually film the scene there was no substitute for the real thing. Several dozen background artists were employed and asked to lie in an elaborate pattern on the floor of the set for two days of shooting, usually nearly nude.

“Forty-plus human bodies. They warmed the bottom of the floor for the backgrounds artists so they wouldn’t succumb to the cold,” Fishburne recalled. “And you walk into that room and you’re hit immediately with all the scent of human flesh and the pheromones that are coming off everybody and all you want to do is lay down and go to sleep with them.”

11. IT INCLUDES A WONDERFALLS CROSSOVER.

It’s a bit of a tradition among Bryan Fuller TV series that some connective tissue is established between whatever the current series is and the shows that came before it, establishing what fans call the “Fullerverse.” This carried over into Hannibal, which shares a very brief connection with Fuller’s single season Fox series Wonderfalls. In Hannibal’s second episode, “Amuse-Bouche,” a woman named Gretchen Speck (Chelan Simmons) goes to the pharmacy to pick up her insulin, at which time it’s revealed that she was previously Gretchen Speck-Horowitz, but she has since divorced. Speck is one of the potential victims of that episode’s serial killer, a pharmacist who gives diabetic patients the wrong medication to place them into a coma, then half-buries them and uses their bodies as mushroom farms in the forest. Speck was meant to be his next victim, but she’s saved before he can carry out his plan. Gretchen Speck-Horowitz was one of Wonderfalls’s recurring characters, and because she managed to escape death in Hannibal, she’s still around for another Bryan Fuller series.

12. DAVID BOWIE WAS ALMOST A GUEST STAR.

In addition to a stellar main cast, Hannibal was also always packed with interesting guest stars, from Eddie Izzard to Gillian Anderson to Lance Henriksen. One particular guest star, though, was always just out of reach for the series. For the second season, Fuller offered the role of Hannibal’s uncle Robert Lecter to legendary musician and actor David Bowie, but Bowie was unavailable and the role was left uncast—though not without the hope that Bowie could eventually make time for the series.

“We were told by his people, when we got the pick-up for the third season, to make sure to ask again about his availability,” Fuller said. “So, once we have our dates, we are going to ask again.  I think the man walks on water, so I would love to be in his orbit, in some way.”

Bowie, of course, never made it to Hannibal, and we now know he spent the final 18 months of his life battling liver cancer and working on his final musical projects before he passed away on January 10, 2016.

13. A REVIVAL FOCUSING ON THE SILENCE OF THE LAMBS IS STILL POSSIBLE.

Hannibal was canceled in June of 2015, just weeks into third season, after three years of critical acclaim but consistently low ratings. “Fannibals” immediately began requesting that the series continue elsewhere, and Fuller teased discussions with various streaming services to do just that. At one point, it seemed a deal to bring the series to Amazon for a fourth season was close, but the timeline ended up not working out due in part to Fuller’s commitment to the Starz series American Gods. Three years later, we still haven’t seen any more Hannibal.

That doesn’t mean it’ll never happen, though. Fuller has consistently broached the possibility of a fourth season or a even a miniseries to reunite the show’s cast, and both Mikkelsen and Dancy have expressed interest in returning. If the show did come back, Fuller would aim to focus on some form of the Silence of the Lambs storyline, having adapted Red Dragon in season three, while also resolving the very literal cliffhanger at the end of the series’s NBC run.

So, when could it happen? Last year, Fuller said that the rights have finally reverted back to De Laurentiis, who has begun “conversations” about the future of the franchise. We still have no idea what that future holds, but even three years later, Fannibals aren’t letting their favorite cannibal go.

Additional Sources:
“Hannibal Reborn” featurette, 2013
“A Taste for Killing” featurette, 2013
The Art and Making of Hannibal the Television Series by Jesse McLean, 2015

15 Fascinating Facts About Julia Child

TIM SLOAN/AFP/Getty Images
TIM SLOAN/AFP/Getty Images

Julia Child was much more than just a bestselling cookbook author and chef. Over the course of her life, she was also a breast cancer survivor, a TV trailblazer, and a government spy. It's the famed chef's spy game that will be the focus of Julia, a new series being developed by ABC Signature and created by Benjamin Brand.

The project will draw its inspiration from Child's PBS program Cooking for the C.I.A. “I was disappointed when I learned that in this case, the C.I.A. stood for the Culinary Institute of America,” Brand told Deadline. “Cooking Secrets of the Central Intelligence Agency always seemed like a more interesting show to me. Many years later, when I read a biography of Julia Child and learned about her experiences during World War II, working for the Office of Strategic Services—the precursor to the C.I.A.—the story of Julia quickly fell into place.”

Though Julia (which has yet to confirm a premiere date) will be a work of fiction, here are 15 facts about the beloved cook, who was born on this day in 1912.

1. SHE MET THE INVENTOR OF THE CAESAR SALAD WHEN SHE WAS A KID.

As a preteen, Julia Child traveled to Tijuana on a family vacation. Her parents took her to dine at Caesar Cardini’s restaurant, so that they could all try his trendy “Caesar salad.” Child recalled the formative culinary experience to The New York Times: “My parents were so excited, eating this famous salad that was suddenly very chic. Caesar himself was a great big old fellow who stood right in front of us to make it. I remember the turning of the salad in the bowl was very dramatic. And egg in a salad was unheard of at that point.” Years later, when she was a famous chef in her own right, Child convinced Cardini’s daughter, Rosa, to share the authentic recipe with her.

2. THE WAVES AND WACS REJECTED HER BECAUSE SHE WAS TOO TALL.

Like so many others of her generation, Child felt the call to serve when America entered World War II. There was just one problem: her height. At a towering 6'2", Child was deemed “too tall” for both the Women Accepted for Volunteer Emergency Service (WAVES) and Women’s Army Corps (WAC). But she was accepted by the forerunner to the CIA, which brings us to our next point.

3. SHE WAS A SPY DURING WORLD WAR II.

Child took a position at the Office of Strategic Services (OSS), which was basically the CIA 1.0. She began as a research assistant in the Secret Intelligence division, where she worked directly for the head of the OSS, General William J. Donovan. But she moved over to the OSS Emergency Sea Rescue Equipment Section, and then took an overseas post for the final two years of the war. First in Ceylon (present-day Sri Lanka) and later in Kunming, China, Child served as the chief of the OSS Registry. This meant she had top-level security clearance. It also meant she was working with Paul Child, the OSS officer she would eventually marry.

4. SHE HELPED DEVELOP A SHARK REPELLENT FOR THE NAVY.


Hulton Archive/Getty Images

While Child was in the Emergency Sea Rescue Equipment Section, she helped the team in its search for a suitable shark repellent. Several U.S. naval officers had been attacked by the ocean predators since the war broke out, so the OSS brought in a scientist specializing in zoology and an anthropologist to come up with a fix. Child assisted in this mission, and recalled her experience in the book Sisterhood of Spies: “I must say we had lots of fun. We designed rescue kits and other agent paraphernalia. I understand the shark repellent we developed is being used today for downed space equipment—strapped around it so the sharks won’t attack when it lands in the ocean.”

5. SHE GOT MARRIED IN BANDAGES.

Once the war ended, Julia and Paul Child decided to take a “few months to get to know each other in civilian clothes.” They met with family members and traveled cross-country before they decided to tie the knot. The wedding took place on September 1, 1946. Julia remembered being “extremely happy, but a bit banged up from a car accident the day before.” She wasn’t kidding; she actually had to wear a bandage on the side of her face for her wedding photos. The New York Review of Books has one of those pictures.

6. SHE WAS A TERRIBLE COOK WELL INTO HER 30S.

Child did not have a natural talent for cooking. In fact, she was a self-admitted disaster in the kitchen until she began taking classes at Le Cordon Bleu in Paris, where she and Paul lived for several years. Prior to her marriage, Child simply fed herself frozen dinners. It was probably the safest choice; one of her earliest attempts at cooking resulted in an exploded duck and an oven fire.

7. A LUNCH IN ROUEN CHANGED HER LIFE.

Child repeatedly credited one meal with spurring her interest in fine foods: a lunch in the French city of Rouen that she and Paul enjoyed en route to their new home in Paris. The meal consisted of oysters portugaises on the half-shell, sole meunière browned in Normandy butter, a salad with baguettes, and cheese and coffee for dessert. They also “happily downed a whole bottle of Pouilly-Fumé” over the courses.

8. IT TOOK HER NINE YEARS TO WRITE AND PUBLISH HER FIRST COOKBOOK.

Mastering the Art of French Cooking revolutionized home cooking when it was published in 1961—but the revolution didn't happen overnight. Child first began work on her famous tome in 1952, when she met Simone Beck and Louisette Bertholle. The French women were writing a cookbook aimed at teaching Americans how to make French cuisine, and brought Child on board as a third author. Nine years of research, rewrites, and rejections ensued before the book landed a publisher at Alfred A. Knopf.

9. SHE GOT FAMOUS BY BEATING EGGS ON BOSTON PUBLIC TELEVISION.

Child’s big TV break came from an unlikely source: Boston’s local WGBH station. While promoting Mastering the Art of French Cooking, Child appeared as a guest on the book review program I’ve Been Reading. But rather than sit down and discuss recipe semantics, Child started cracking eggs into a hot plate she brought with her. She made an omelette on air as she answered questions, and viewers loved it. The station received dozens of letters begging for more demonstrations, which led WGBH producer Russell Morash to offer Child a deal. She filmed three pilot episodes, which turned into her star-making show The French Chef.

10. ALL HER ESSENTIAL UTENSILS WERE KEPT IN A “SACRED BAG.”

According to a 1974 New Yorker profile, Child carried a large black canvas satchel known as the “sacred bag.” Rather than holy artifacts, it contained the cooking utensils she couldn’t live without. That included her pastry-cutting wheel, her favorite flour scoop, and her knives, among other things. She started using it when The French Chef premiered, and only entrusted certain people with its care.

11. SHE SURVIVED BREAST CANCER.

Child’s doctors ordered a mastectomy in the late 1960s after a routine biopsy came back with cancerous results. She was in a depressed mood following her 10-day hospital stay, and Paul was a wreck. But she later became vocal about her operation in hopes that it would remove the stigma for other women. She told TIME, “I would certainly not pussyfoot around having a radical [mastectomy] because it’s not worth it.”

12. HER MARRIAGE WAS WELL AHEAD OF ITS TIME.

As their meet-cute in the OSS offices would suggest, Paul and Julia Child had far from a conventional marriage (at least by 1950s standards). Once Julia’s career took off, Paul happily assisted in whatever way he could—as a taste tester, dishwasher, agent, or manager. He had retired from the Foreign Service in 1960, and immediately thrust himself into an active role in Julia’s business. The New Yorker took note of Paul’s progressive attitudes in its 1974 profile of Julia, noting that he suffered “from no apparent insecurities of male ego.” He continued to serve as Julia’s partner in every sense of the word until his death in 1994.

13. SHE WAS THE FIRST WOMAN INDUCTED INTO THE CULINARY INSTITUTE OF AMERICA'S HALL OF FAME.

Child spent her early years working for what would become the Central Intelligence Agency. In 1993, she joined another CIA: the Culinary Institute of America. The group inducted Child into its Hall of Fame that year, making her the first woman to ever receive the honor.

14. SHE EARNED THE HIGHEST CIVILIAN HONORS FROM THE U.S. AND FRANCE.

Along with that CIA distinction, Child received top civilian awards from both her home country and the country she considered her second home. In 2000, she accepted the Legion D’Honneur from Jacques Pépin at Boston’s Le Méridien hotel. Just three years later, George W. Bush gave her the Presidential Medal of Freedom.

15. HER KITCHEN IS IN THE SMITHSONIAN.

In 2001, Julia donated the kitchen that Paul designed in their Cambridge, Massachusetts home to the Smithsonian’s National Museum of American History. Although it’s not possible to walk directly through it, there are three viewports from which visitors can see the high counters, wall of copper pots, and gleaming stove. Framed recipes, articles, and other mementos from her career adorn the surrounding walls—and, of course, there’s a television which plays her cooking shows on loop.

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